Peter Books

Peter lorre was one of the most unique and fascinating actors ever to come out of the studio system in Hollywood. Anyone who has every seen his soft, silken acting or heard that lyrically menacing voice ever forgot it. I know that I never did. I have been a fan since seeing him go toe to toe with Cary Grant in Arsnic and Old Lace when I was in my teens.

Peter Lorre fans have cause for celebration with this book, which is full of tremendous insight and depth. It covers all of Lorre's life and does so with compassion and appreciation. This work never becomes a fan's love letter, though, as the author does not shy away from the star's less admiriable qualities (which I will leave to the reader to discover). But everything is put in context, which often provides a certain understanding. And what a fascinating context it is - from the German stage of Bertolt Brecht to the Hollywood horror of Roger Corman. It's worth noting that this book is extremely well researched and includes a complete Lorre filmography as well as a complete listing of his tremendous radio work (was ever their a voice better suited for telling stories over the radio?).

As the Author tells Lorre's story, the reader is treated to plenty glimpses into several Hollywood immortals, such as Humphry Bogart, Walter Huston, Sidney Greenstreet, and Lauren Bacall (with whom Lorre had a close friendship). And the writing style is very readable and smooth.

All I can say is, for all of us Peter Lorre fans, Thank you, Mr. Youngkin.

And while we are on the subject of Hollywood greats that never have been given an aurhorative bio, what about Boris Karloff. Mr. Youngkin . . .?

-Mykal Banta

First of all I am profoundly grateful, that finally someone took up the task to write a biography on one of the greatest actors of the 20th century. Mr. Youngkin did very good work especially in researching the very early years of Peter Lorre in Vienna and Berlin, which I assume must have been a quite excrutiating task. Nobody who ever saw the film "M" will ever forget the wonderful performance Peter Lorre gave. Even later on, nearing the end of his live, when he was doing B-movies, he gave them that certain Lorre-touch. It is a wonderful read and Mr. Youngkins work cannot be praised enough. Sometimes this biography makes you cry and laugh at the same time. Finally somebody did credit to this wonderful, wonderful actor.

if you are unable to get ahold of author stephen youngkin's earlier biography of peter lorre, then by all means purchase this book. it's comprehensive and thorough, and a good read of a fascinating subject. if you were able to get ahold of the earlier book, then you can save your money on this one. the only new item that would make purchasing this edition worthwhile is the photo and information on peter's daughter catherine. she looks like him but pretty, and her connection to the hillside strangler is included.

i HAVE READ INNUMERABLE BIOGRAPHIES OF THE STARS.mANY TIMES THEY ARE SIMPLY HARDBOUND VERSIONS OF THE ''NATIONAL ENQUIRER''tHIS BIOGRAPHY OF PETER LORRE IS MORE THAN JUST ANNECDOTAL BUT TELLS A REAL LIFE AND HISTORY OF A REAL ARTISTWHO LIKE AN ACCOMPLISHED MINATURIST WHO PAINT BROADLEY ON A SMALL CANVAS.TO LEARN AND EXPERIENCE SOMETHING OF THE GERMAN CINEMA, THE CONTRACT PLAYERS OF THE 1940'S AND THE DECLINE OF THE REAL ''ARTISTIC CINEMA HAS BEEN A REAL JOY.AS A BOY I SAW THE ''BEAST WITH 5 FINGERS AND IT HAUNTED MY DREAMS.AS A OLDER MAN THE STORY OF THE ''LOST ONE'' WILL STAY IN MY HEART AND MEMORY.

"He's crazy about me...all the degenerates are." Peter Lorre, speaking of his chimpanzee co-star in "Five Weeks in a Balloon."


From the beginning of his career, Peter Lorre was typecast. The classic German Expressionist drama, "M", set the tone for his entire career. Lorre said that from that point on, in people's eyes he was "forever the murderer". This was allowed to overshadow his incredible talent and his great aptitude for comedy. (His throwaway lines, like the one I quoted above, are priceless!)

His career spanned from experimental theater in pre-Nazi Germany, to classic noir films with Humphrey Bogart, to eminently forgettable films from the Sixties. (How odd that one of his last appearances was in "Muscle Beach Party"!)

Stephen Youngkin does an admirable job of chronicling Lorre's professional life, including the myriad missed opportunities--(of note: Malcolm Lowry's rabid interest in seeing Lorre play "the consul" in "Under the Volcano", and Lorre's own desire to produce a film about Kasper Hauser. Both of those projects, never realized, would have added so much to Lorre's cachet.)

The book overflows with examples of Lorre's humanity, professionalism, and wit. Unfortunately, the actor's personal battles with the demons of drug abuse and poor health, his unluckiness at love, and his profligate nature create an undertow of tragedy which no reader can escape. In the end, this is a deeply saddening and troubling book. Long after you have finished reading it, you will find yourself reflecting on the life of this brilliant and tormented individual, who indeed has a special place in the hearts of all the "outsiders" in the world.

This is a must have book for origami designer as well as folder.
Robert J. Lang is obviously a great author.

The delivery of Amazon is faster than I experted.
The book was in good condition when I received it.

By far and away the most comprehensive book on origami design and theory that I have every seen. There are thousands of books containing origami models, but few, if any, actually take the time to explain how the models were created in the first place. If Robert Lang didn't already hold a Ph.D., this book could serve as a dissertation. In addition to the theory and concepts of origami model design, this book also contains excellent models that demonstrate the principles covered in each chapter. I have always enjoyed folding Robert Lang's models in the past. They are challenging and extremely rewarding. I am a very good techincal folder but I could never really create my own models. This book has started me on my own path towards creating my own origami models to fold. While this book certainly could be useful to beginning origami folders, it best serves intermediate to advanced enthusiasts.

This book is amazing, if a little daunting. It will take some time but I hope to be creating my own patterns some day. Happy folding!

Dr. Lang delves into the hows and whys of origami design exploring origami the way Alton Brown explores food and cooking.

The instructions for creating beautifully made koi decorating the cover are not included in their entirety, notably excluding the sequence for creating the scales. Instead, Lang describes the principles and techniques for creating textures on paper, leaving the creation of the fish as an exercise for the reader.

If you're looking for a recipe book for cool origami designs, then this is not the book for you. Rather, this book is for anyone curious about just how the heck someone makes a cuckoo clock out of one uncut sheet of paper.

This book is a MUST HAVE for the origami enthusiast - it begins with excellent coverage of the basics and each chapter builds on the last. When you finish this book, you'll be able to fold anything, except maybe time and space ;-)

This book should be considered absolutely required reading for anyone studying sociology or psychology, or anything else. This book is written so well it elucidates some of the most profound and insightful psycho-social theories in plain english, although some familiarity with basic social science terminology is a prerequisite for thorough comprehension. Its impossible to give a complete synopsis of it in a brief review, but overall the book covers the construction of social reality in complete detail, from institutions to the microsocial world of individual identity construction. The section on society as subjective reality, and the subsection on identity, is of absolute importance for psychologists like myself who work with identity problems like DID. Too often psychotherapy of the self and identity ignores the underlying fact that these are dialectic social products. The foundation of self improvement and change is this awareness of the socially constructed self. This book explains all of this with great clarity and alot of useful examples. This book is the most profound, important book I have ever read, it is the most important book in the entire world. Read this book and you will never see anything the same way again. Be prepared!

The book establishes the concept, practice and impacts of social construction theory: a theory of human interaction, relating, and community building. We are beginning to understand that rational choice theory is limited, its bounded not only by the idea that individual human thought is restricted and not omniscient, but further restricted by a retro-evolutionist position that although seemingly "natural" posits mankind in an animal survival mentality. Not untrue, but not the whole story. The whole story is one of trans-rationality in which evolution unites perception and conception of reality into what may, in fact, be omniscient. The bounds of our "bounded rationality" may be boundless established only by our imagination and practical application of social collaboration most effectively operationalized as language: we language our world. We say it is so, and then work to construct the potential of the utterance. If nothing else, it takes the victimization out of survival and ushers in a new definition of adult human potential and also redefines the practicality of accountability.

I was first introduced to this book in 1970, in a high school class. The concept of "reification", whereby a manmade item is given a cosmic status, was important to me then and still is now. As for some others, the book inspired me to become a sociology major. The thinking, along with the related book The Sacred Canopy, greatly challenged my religious beliefs, as the man-made quality all such beliefs and doctrines becomes apparent. The thinking has also helped me navigate through many conflicts without giving into the man-made reality of the majority. If one truly wants to be an individual, or believes in liberation, this book is essential.

The book begins with the defining statement of its thesis (page 1): "The basic contentions of the argument of this book are implicit in its title, namely, that reality is socially constructed. . . ." The essence of this: our understanding of what is "real" is something that comes from our living in a social world. That social world is a major part of defining what "reality" is.

The book is not necessarily an easy read. But the authors' argument is important and the reader will be rewarded by "toughing it out." Even if one disagree with Berger and Luckmann, it is important to grapple with and address their arguments.

One of the major issues of the human condition is that we become convinced that we "know" reality" and reject other people's views of "reality"--when, in fact, as the authors argue, "reality is a construction of society." Much conflict, then, is a battle over constructions--and not a battle over objective reality.

Human nature's role? The book winds up with a telling comment here (page 183): "Man is biologically predestined to construct and to inhabit a world with others. This world becomes for him the dominant and definitive reality. Its limits are set by nature, but, once constructed, this world acts back upon nature. . . . In this same dialectic man produces reality and thereby produces himself."

This is an important work on how people come to understand the world around them and how that perception, in its turn, affects their behavior. Many readers will be uncomfortable with this argument, but it is an important issue to address. And this book is one of those key venues where such an interaction between readers and ideas can take place.

A very thought-provoking book. It really challenges you, but in a friendly way. The writing is crystal clear, warm and often witty. No need to "crack the code" of terminology: you get straight at the ideas. THAT is where the challenge is.

Berger and Luckmann have crafted a fascinating argument, drawing on earlier sociological classics (Weber and Durkheim in particular) but also incorporating key insights and concerns from phenomenology, exitentialism, and pragmatism. So there's a pedigree. But you don't need to be confident about or even familiar with Berger and Luckmann's predecessors to understand and appreciate this work. It stands alone as a classic in its own right.

In fact, I appreciate the earlier works more AFTER having read the Social Construction of Reality. That's probably because Berger and Luckmann are so skilled and generous in explaining the best of what other theorists have to offer.

My four year old granddaughter loves to have these stories read to her from the full collection I purchased for her mother when she was young. My daughter-in-law loves to read and teaches first grade. She just had her first child and I gave this as a gift. It is wonderfully bound and can certainly be kept for future generations.

Anyone who is a Beatrix Potter or Peter Rabbit fan should purchase this set. In my opinion it is a treasure for adults, but also a treat for children. It is a set to protect and take care of, so I would read to the child and not allow them to handle the books. This only applies if you are an adult and a true Peter Rabbit fan. I was amazed at the box when I opened it. I purchased a second set for a friend who also adores Peter Rabbit.

After having seen the movie Miss Potter, with Renee Zellweger, I was fascinated with this woman's courage and talent. I felt compelled to buy one of her titles in order to read the story, but more importantly to view the drawings that are so much a part of what she created. I purchased this product and am so very pleased with the quality and find myself taking one of the books out each day to enjoy...I always finish with a smile on my face and appreciation of this author's talent.The World of Peter Rabbit (The Original Peter Rabbit, Books 1-23, Presentation Box)

If you don't know what to give or you know that another piece of clothing isn't needed, consider this set of Peter Rabbit books. The set contains all books and it makes for great bed time reading.

The set of books is exactly what I was hoping for. After watching Ms. Potter with my kids, we had to order her entire collection. The books are just the perfect size for little hands and each one is hardback. The case is very nice and sturdy. Each book also has a jacket on it. My kids beg to read these books.

This is a wonderful book -- but the price is ridiculous. I purchased a paperback copy of "The Awk Programming Language" about 15 years ago, and its price was in the $20 range. Times change, and prices go up, but $73 for a 200-page book, even if it is a hardcover, verges on outright theft.

Which is a shame, because this is a great book, written by the men who developed the language. In addition to a lengthy tutorial, it contains many examples of sophisticated programs that can be constructed from the simple tools provided by Awk. Anyone who supports computers for a living, whether in the Unix or Windows environment, can find valuable ideas here.

But the price: c'mon guys, you've got to be kidding. This book has been in print for 20 years now. You've long since made back the initial costs of publishing it. The authors are famous in computer science circles, and have written many other books. I'm sure they don't need the money. So I have to conclude that this is just a cash cow for the publishers.

If you're looking to learn about Awk, and you're on a budget, I would suggest "Effective Awk Programming" by Arnold Robbins. It's available in PDF form as a free download. If you'd like to support the author, buy a printed copy of the book, as I did. Published by O'Reilly, it's available in paperback at Amazon for about $26.

And if you can find a reasonably-priced copy of "The Awk Programming Language", by all means, grab it. It's a classic. Thanks to the publishers, however, it's a classic that's out of most people's reach.

I am torn about this book. My primary complaint is that this book costs so much. Its only a 200 page paper back book. I'm a sucker for classic books though. This text appears to be the original 1988 version by the authors. The actual text of the book is very good and being written by the authors of AWK, provides a certain view on the language and their intent that was well received. I do carry this book with me as a reference which I have found invaluable in my shell scripting endeavors. This book will give you a solid overview of the language. Be prepared for example references to the world of 1988 such as the USSR. Despite my complaints about the price, I have to admit that I enjoy owning this bit of Unix history and having the authors own words about AWK. From a practical standpoint however, I think that you can learn every bit as much about AWK by learning from freely available internet content on GNU/Linux versions of AWK (gawk). Since I have worked with Unix since about 1984, I have to concede being blinded by a bit of nostalgia. However, AWK is still a vital tool for anyone's shell scripting bag of tricks and this book will help you further develop your skills with AWK if you have only used it lightly in the past.

This is my choice for the answer to the question "If you were stranded on a deserted island and you could have only one programming book which book would you choose?". Over the years I have periodically returned to this book to read or work through for fun. "The AWK Programming Language" may be from 1988 but it is still outstanding! It has an incredible amount of depth for a book of only 200 or so pages. Well-written, concise, with great examples. Truly an enjoyable book to work through.

I've become a big fan of Awk. Some people may tell you that Awk is outdated and no longer useful; not with other languages such as Perl and Ruby available. Well, Awk does one thing and does it well. It does it "fast enough" most of the time, and does it with a very small language.

Perl and Ruby are fine, but if you lean towards "small is beautiful", you must learn Awk. For times when you need it, it's a Godsend. I've used it recently to automatically generate SQL insert statements from some flat files and to do automatic code generation for larger languages.

Some of the best tools have survived the test of time.

In this book, I feel like I learned all the things I need to know about Awk - all the way from beginner to advanced. It's a classic. Not a lot of books get five stars for me. This book fulfills it's goals perfectly, so deserves a perfect rating.

In Unix today, several scripting languages exist: awk, perl, tcl and python. Awk is a small, easy-to-learn, yet powerful programming language, and is language of choice for quick, think- and analyze-on-the-fly tasks. This book is written by the inventors of this wonderful language. It provides an excellent introduction to the language, with many practical examples for day-to-day use. Over many years, it has also served as a good reference to the language. In addition, this book gives concise introduction to numerous fundamental algorithms in computer science (interpreter, calculator, parser, sorting, graph algorithms, ..), which I consult for complex tasks even today.

Always a joy to read! Highly recommended.

Since I named my son Graham after Bill, I thought perhaps I should know a little bit more about his life. I now now know alot more!

It is written in a narative style which makes it very easy to read. The stories are told by the people who were there, some happy, some sad ,some very funny.

If you are interested in the life of this man or even the history of modern day Rock and Roll Concert Production, how it started and evolved, I highly recomend this book.

This book is a little weird (to me) in concept but it works out really well in the end. The book goes from Bill's early days in Nazi Germany all the way to his death with no major stone left unturned. Lots of great stories with very little in the way of punches being pulled. I mean Bill really tells you what he is thinking. Very uncensored. Covers the drugs and the behind scenes stuff with no BS involved. Shows the guy for who he was, warts and all and lets him and the people he is talking about retort one another which I thought was weird in a good way. This book is of great interest to anyone who has probably gotten to this point in reading reviews. If you are interested in this type of subject then this book is a must.

It's a good insight into the rock scene back in the 60's and 70's. A must read for anyone who likes classic rock.

i didn't realize how much bill graham did behind the scenes.
montery pop ,woodstock, altamont,ect............

This book is structured so that as Bill Graham comments on different times of his life, he allows the persons hes speaking of to comment in the next paragraph. This makes for some very interesting reading. Grham discusses his time in Korea and killing the enemy. This experience allows him to have an abundant amount of courage when it comes to dealing with band managers in the future. Bill discusses Crosby, Stills, Nash and Young, Zeppelin, the Stones, J Geils Band, Santana, the Who and all the tense dealings with each of these personalities. This book could have benefitted from better pictures of the bands. Thats my only critical comment.

I got this for my husband for his birthday because he lived for 5 years in Africa as a child and his father used to hunt big game, so he loves reading books like this, and he said this one was an outstanding read.

Reading books by authors like Capstick is a very good alternative to reading fiction. When you are reading fiction, however scary, thrilling and realistic it may be, at the back of your mind you know that it is fiction. Some of it may not even be plausible. When you are reading true adventure, it is then that you can realise the closeness of death to life, you can identify with the characters more closely, and you can feel their fear of something as primeval and primitive as claws, fangs and horns. You can also feel their elation at escaping injury.
This book is not meant only for hunters and any one reading it will learn something new on practically every second page.On the whole I did not like it as much as much as "death in the long grass". Still, the book has its chilling moments. It also has its share of dark humor. The author does not defend hunting and "cropping" of elephants as much as he does in death in the long grass.
Halfway through the chapter on leopards, I lost touch with what the author was trying to say.

Originally published in 1983, this book describes big game hunting in Africa. After a brief introduction, each subsequent chapter contains details and anecdotes about hunting each of the Big Five game animals of Africa (Cape Buffalo, Rhino, Elephant, Leopard, and Lion). In particular, this book is largely about the dangers of hunting each of the Big Five. All I can say is that being a safari guide/hunter must be an incredible life. I purchased this after reading Hemingway's `Green Hills of Africa' and Robert Ruark's `Robert Ruark's Africa' and was not disappointed. There isn't really a single narrative through this book, it is written in a more of a conversational style, almost as if you are sitting with Capstick in camp in the evening after a day of hunting and he is recounting various tales, `urban legands', and historical anecdotes about hunting each of the big five over a Scotch whiskey. If you don't know who he was, Peter Capstick was a hunter, guide, and prolific author who passed away in 1996. Capstick writes about a much later era than Ruark or Hemingway, things have clearly changed. There are more people about (farming, grazing animals, etc.), and the game is heavily controlled by the national authorities. Overall this is a very good, if not uniquely outstanding, read. Capstick writes with an easy prose, and the pages just sail by. After working through this book, you're quite likely to get the urge to pack up a few of your shootin' irons and buy an airline ticket to Nairobi (I know I did!). I give it only four stars though as much of the ground covered by Capstick has been well tread by others (e.g. everyone seems to feel the need to give their opinion about which of the big five is the most dangerous). I also liked Ruark's writing style more, and there was something more romantic and dangerous about safari hunting in Ruark's era (this is no fault of PC though) - they really were out in Indian territory. The more modern safari isn't quite so wild. In any case, if you love the outdoors, hunting, and testing your mettle against some of the world most dangerous game (or at least reading about it!), I would highly recommend this book. A little different than hunting white-tailed deer!

Many other reviewers have characterized "Death in the Dark Continent" very, very well. It is a bit more graphic than Capstick's earlier "Death in the Long Grass", but not much.
But you definitely do NOT have to be a hunter to thoroughly enjoy Capstick. I think, though, there are a lot of non-hunters who simply haven't discovered how good Capstick really is at "grabbing you, making you sweat blood, and not releasing you until you've died three times, passed Elvis and Hoffa twice, and are coming around for heart attack number 4. Capstick is not just " a hunter with a typewriter". He is Hannibal Lecter mixed with Edgar Allen Poe and Stephen King multiplied by Norman Bates and home-schooled by JAWS. If you thought Amityville and Elm Street were scary, you were wrong. Peter Capstick will show you Scary in "Death in the Dark Continent". If you thought "The Pit and the Pendulum" was mind-wrecking, you were wrong. "Mind-wrecking" starts on page 152 of Death in the Silent Places. Read it early in the day.

If you havent read Capstick, you are missing out on a treat. Not only are his stories, graphic, exciting and compelling, his style of writing is nothing short of superb. Genuinly exciting, and often laugh out loud funny, all of his books are fantastic. When talking about the turn of the century past-time of "galloping lions" (described as "dangerous as typhoid") he writes:" THe elements recquired for the monotony breaking past time were a fast horse, a good rifle, a few lions and not much concern about the future".

Not for the faint of heart, there is a number of gory stories about the fatal encouters that people have, and some well placed warnings about taking any dangerous animal lightly.

A lot like his first book, "death in the long grass" Capstick writes about individual animals- with a chapter on the "big five", Buffalo, Rhino, Elephant, Leopard ( the best chapter in the book- beatifully written) and Lion. As before he relates his own experinces, plus encouters as described by his friends.

I would recommend Death in the LOng Grass as a first Capstick book, but this is still most highly recommended.

Reading these essays which span more than two decades (early 50s to mid-70s), I am struck both by their craft and their antiquity. E.B. White wrote the book on writing, literally, with William Strunk; THE ELEMENTS OF STYLE remains the most useful and concise rule book for modern English exposition yet written, and White's CHARLOTTE'S WEB remains a childhood favorite for many. White was a master of the essay form, sparking a reader's interest in the subject at hand and cajoling further attention to the tangents and digressions which are an essayists stock in trade. He easily wends narratives which include broody geese, nuclear power stations, old dogs, oil tankers and mortality. His voice is plainspoken -- the viewpoint that of a person with deerhunters for neighbors, who enjoys the occasional venison steak, who roots for the deer in hunting season, and yet admits to shooting the foxes who kill his chickens. At the same time, his writing feels dated, rooted in an era when feelings were less admissible than ideas. His writing seems honest, but guarded, particularly after my recent immersion in Ann Lamott, a decidedly unguarded and modernist chronicler. Thus, I emerge from White's work impressed with his grace, language and fluidity, but disappointed in the gut. There are tales untold between these lines and I am left hungry. Old-school excellence, but aging fast.

What do you expect of tomorrow? "THE WORLD OF TOMORROW", perhaps the best known essay among his essay collactiond,"Essa of E.B. White". It contains thirty other essays organozed into seven sections.

The scene of "THE WORLD OF TOMORROW" is in New York in May 1939. White mentions "Tomorrow" remembering the World's Fair held there. The Fair's theme was also "THE WORLD OF TOMORROW", and there were the white ball and spire named the Tylon and Perisphere which were two landmark monumental buildings in the fair. Actually White had to visit there with a box of Kleenex...

At first, the road to the World's Fair is refered as the road to "Tomorrow". Through the street, he arrived at "the very threshold of Tomorrow". At the Fair, he made a few notes about what you may expext of tomorrow--In tomorrow, most sounds aren't these themselves, and we can't tallk back.

The New York World's Fair was filled with man's dream, and it's held 66 years ago! The more I read this book, the more I can be into White's world. His way to use metaphor is brilliant, and it makes me feel more comfortable. So, I really recommend you not only this essay but also his another collection.

I live on a small rural island in the Pacific Northwest, home to fewer than a thousand people in the winter, so I have a deep understanding of what E. B. White means when he writes: "Feeling ran so high that some people stopped speaking to each other--which is a form of discourse."

Lately, I felt the need for something calming in my life and, for the first time in years, I picked up a collection of E. B. White's essays. Reading him is like lighting a fire on a cold and windy evening. This man can write a sentence and create a sense of life as well as anyone I've ever read.

And no one ever wrote more heartfelt prose about barnyard geese.

This is such a marvelous book.

The sentences are simply perfect and the sense of wonder he creates makes this a text you will want to go back to over and over. A great gift for any literate person in your life.

Really great.

Twenty two of the essays appeared in THE NEW YORKER. White had candor. His piece on the death of his pig is masterful. He examined his own feelings and community reaction. The role of his dachshund, Fred, is described amusingly. It is no wonder White wrote so winningly for children.

In 1954 when he had no television he was looked upon as an eccentric. During Hurricane Edna radio worked people up to an incredible state of alarm. It seemed that no wick was available for the Whites' kerosene lamp. White has some gentle fun with mistakes of the exhausted radio announcers. Battered down was said instead of battened down, and unindated for inundated. There are two stages in the country of a storm. There is the period when phones and lights are still going, and then there is the stage when these cease to work. The storm itself did not seem long in comparison to the radio vigil.

He came to feel that living in New England in the winter was a full time job in itself. Another use of his time was having an enemy, the fox. Darkness was more insistent than the cold. Farming, even the kind pursued by the author, is infinitely complex. When the snow arrived early in 1971 White was cut short. The usual things were not done. It got so there was no place to put the snow after it was plowed.

In the city section of the essays it is noted that New York City bestows the gift of loneliness and privacy. In 1939 there were eight million people in the five boroughs. In Florida it appears that the sun and the lizard maintain the same schedule. The tiny spots of the fiddler crab's body enlarge during the daytime hours. To have a pointsettia plant at Christmastime in
Florida seems faintly ridiculous. Pointsettias bloom naturally in the yards. A small chameleon arrives with the Whites' tropical substitute for a Christmas tree much to Mrs. White's delight.

In 1923 the author kept a diary of his trip to Alaska. A ship, docking at Seattle, was to go on a journey for forty days. He had only forty dollars, enough to traverse the inner passage to Skagway, and so he went. The Buford, for some of the passengers, became a high class floating jail because although food and scenery were good, there was no escape. Youthful, White absorbed the vast scene of Alaska. This was a trip promoted by the Chamber of Commerce, but White's roommate was another odd man to the enterprise, a Laplander. He was a reindeer butcher, going to a job in Nome. When the boat reached Skagway White's ticket ran out. The captain came up with the idea of putting him on as a night saloonsman. His metamorphosis took the passengers by surprise.

WALDEN is not a well-liked book among White's acquaintances. Thoreau was torn by two desires, to enjoy the world and to set the world straight. He tended to write in sentences, and WALDEN is a collection of certified sentences. I have tried to give the prospective reader some notion of the enjoyment to be obtained from reading White's essays.

Was absolutely delighted when we received this book. This is an artist who is so ripe for a reappraisal! Waterhouse managed to pull off a genuine and moving romantic vision. The writing is thoughtful and spirited. The reproductions are first rate. Can't imagine anyone would fail to love this one.

Philip Koch
Professor of Fine Art
Maryland Institute College of Art

This is the best book I have found on J.W. Waterhouse. Not only does this book talk about the painter's life, but more importantly, each of J.W .Waterhouse's paintings are described in very full detail (eg: OPHELIA).

I was so intrigued by reading about Waterhouses' pictures, because the author of this wonderful book (ie: PETER TRIPPI) elaborated in great detail about each work of Art, by contrasting and comparing Waterhouses' paintings to other famous paintings and sculptures (eg: Bourne Jones from the 1800's, and also many famous Italian 1400-th Century Artists) .

The author has attempted, (& with great success, I may add), to show how Waterhouse was influenced by past Rapheaelite Artists and also by some of the other famous first-phase Pre-Raheaelite English Artists.

Each synopsis, of each Waterhouse painting is quite amazing and like no other interpretation that I have read on this famous late-Pre-Raphaelite Artist.

The repro-photos of Waterhouse's works are amazing, -----showing such wonderful details and colors.

If you are an art lover of paintings that can take your breath away, and pulling you int it than John Waterhouse is a must for your collection. He is such a great artist and this book is so incredible you want to devour it. He is one of the greatest artists of his time that I would recommend this book because it is affordable and wonderful.

I received this book quickly and with no delays.

Would love to have ordered the hardcover for a coffee table book but this one does just fine for the cost and over-seas shipping it would have taken for the hardcover. Lots of information on J W Waterhouse and great pictures. It even has some of his less known works and pictures that you can't find prints for. A true keep sake and treasure for those who are interested in this artist and his time. Oh, and a few of the house guests, students, have even asked to borrow the book. First table book to have created some interesting conversations.

Peter Trippi's monograph has done what I would assume had to be very difficult to do: he has a good feel for the quiet,quiet man behind the paintings. The depth of his study helped me to verify a number of pieces of information that led me into my own research, and has continued to be my main reference as I continue my work. I recommend that this is the book to begin with if you are going to enter any serious study of John William Waterhouse; however, don't let that make you think it is only a scholar's read: it is well written, beautifully illustrated, and simply a joy to behold.

This is a great book for ages 5-15. I read it a long while ago, when I was at the elder end of this age group (the older version of it!) and I absloutely loved it. It brings all the factors of growing up into a purely fun and adventure-like childrens novel. I adore this book for kids!

The book is interesting and funny. It's all about four children, two of whom must go to their cousin's house because it is close to the hospital where their dad will be treated. Suddenly, one the children's toys comes to life and starts talking. He tells them about a magic world and offers them a wish. They want their father to be well, but for that to happen, they have to earn the wish by living in the toy's world - in the time of Robin Hood!
As the children play in the world, they end up messing up history. They even play baseball with the Saxons.
This was a funny book. There were so many funny parts, that I don't have a favorite

I've read all books by Eager from the Magic Box set, and I would rate them in this order (from best to worst):
1)Half-Magic
2)The Time Garden
3)Magic by the Lake
4)Knight's Castle

Knight's Castle was confusing and not as funny as it tried to be. It is about 4 children that live in the story of Ivanhoe and Robin Hood at night. However, there were some good moments between Roger and his sister Ann.
If I were a child between 9-12, I think I would have loved all of them. However, Eager's books are not as modern as J.K. Rowling's Harry Potter books, and won't be enjoyed as much by adults.

Four children and a magical toy castle, what could happen? Everything! When Ann and Roger visit their cousins in Baltimore, Roger is given a toy castle, with toy figures from Ivanhoe and other legends. But the tables turn when they find they can become part of the world that Robin Hood, Rebecca, and Maurice De Bracey inhabited. Can the children solve the problems that they cause as they change the plots of these famous stories? If you like history, and fantasy this book is a definite read. I absolutely adored it!!!!!!!!!!!!

...This is a simple little tale of a group of children who discover a little bit of magic in an old toy soldier. In Eager's work, magic has fairly strict rules (in _Half-Magic_, the charm granted any wish--but only in halves), and here the rules work as a kind of companion to the idea that magic can only work if you continue to believe in it (that is, if you start to think of the creatures you are interacting with simply as dolls, they revert to being dolls again). The plot achieves its urgency through a possible problem in the family, but, with a little help, everything can be solved. A little more moralistic and straight-forward than some of his others, but well worth reading--especially if you've never tried Eager before.