P Books

This has to be among the best of Wodehouse. As so many other reviewers have remarked, the novel has a fluid feel to it; total and complete chaos. Starting with an ominous phone call from Aunt Dahlia, Bertie jumps from bowl to bowl constantly in the soup.

I loved the quotes from this book, on things being gruntled and what not. The characters are also amazing. Sir Watkyn Bassett, the treacly Madeleine, with Spode running after Bertie wanting to break his bones, the dog Bartholomew (this was perhaps one place where I almost laughed out loud) which terrorizes Bertie and Jeeves when (I think) they have to take shelter on top of the cupboard-Bertie goes to great lengths introducing this terrier. The moment is when they throw a candle at Bartholomew and it eats it.

The cow creamer plays no small part in the plot. It is a hideous silver jug that uncle Tom collects. Aunt Dahlia wants Bertie to 'sneer' at it by saying that its modern dutch, which might lower its value, apparently.

There is also Stephanie Byng and stinker Pinker who constantly trips over things. And constable dobbs, Aunt Dahlia herself, and Gussie Fink Nottle. There couldn't have been a more ridiculous set of characters than here.

This,and perhaps some of the Pig books (Pigs have wings, and Summer Lightning come readily to mind). I wish the world were as nice as that depicted by Wodehouse.

Believe it or not, I am 74 years old and had never read
about the trials and tribulations Jeeves put up with
Bertie Wooster. I have never laughed so much in my life.
I am now going to get my hands on every word P.G. Wodehouse
ever wrote. I truly would have loved to meet the man.

The Code of the Woosters, by the inimitable P. G. Wodehouse, is a fun and enjoyable romp with Bertie Wooster and his Man Jeeves. This novel features numerous plotlines, including but not limited to, the battle over a cow creamer, a lost notebook, romantic entanglements, the theft of a policeman's helmet, a potential jail sentence for Bertie, a dictator, and more romantic entanglements. Each plotline is brought to a conclusion by the brilliance of "Plum" the excellent English humorist. The book is full of hilarious one liners and brilliant wit. Amazingly, this novel was first published in 1938, yet it is still full of timely situations.

This novel of classic comedy introduces us to Totleigh Towers and its owner, Sir Watkin Bassett. Several memorable mainstay characters are in this book including Gussie Fink-Nottle, Aunt Dahlia, Madeline Bassett, and Stiffy Bing. Any journey taken with Wooster and Jeeves is time well spent. This classic series endures because the characters are wonderful and memorable. A 5 star fun-filled romp.

An early critic of P.G. Wodehouse complained that his second book was identical to his first, only the character names had changed. In response, Wodehouse resolved to continue writing identical stories, but to keep his character names the same. And so, The Code of the Woosters is nearly identical to all other Jeeves and Wooster novels; Bertie gets into a sticky situation, inadvertently makes things worse, and is ultimately rescued by Jeeves. Could any one of them possibly be any good if they are all so unoriginal? Yes. In fact, they are all excellent. How? Wodehouse was a genius; reading any one of his books will prove it to you. His characters are unforgettable. His narrative is brilliant. Above all, his books are hilarious, and The Code of the Woosters is one of his finest.

Betram (Bertie) Wooster, a lazy, bumbling (but well meaning!) gentleman living in Britain during the early 1900's, is pressured by his aunt Dahlia to steal a cow-shaped milk creamer from Sir Watkyn Bassett, a magistrate who once fined Bertie five `quid' for `pinching' a policeman's helmet. The task is made complicated by the presence of Roderick Spode, the amateur dictator who founded `the black shorts' and who is a friend of Sir Watkyn; Spode is watching Bertie like a hawk and threatens to break his neck if he sees Bertie so much as glance at the cow-creamer. Things go downhill when Gussie Fink-Nottle (a newt fancying friend of Bertie's) suffers a snag with his engagement to Madeline Basset (a dreamy girl who holds opinions like `the stars are God's daisy chain,' and who thinks that Bertie is madly in love with her). Bertie rushes to patch things up between them, but nearly becomes engaged to Madeline himself. In the end, only Jeeves, Bertie's brilliant, (almost) all-knowing manservant, can guide Bertie out of these troubled waters.

If you aren't familiar with P.G. Wodehouse's dynamic duo, you owe it to yourself to read this book. I guarantee you won't be able to stop laughing. Nearly every line is comical. The narration itself (the story is told by Bertie) is positively hilarious. And so, I give The Code of the Woosters the highest marks I can!

After every two sentences or so, I had to put this book down and howl like a hyena. This was my first Bertie and Jeeves book and I think it's a comic masterpiece. In Code of the Woosters, the plot spins faster and faster until the immensely satisfying end, where everyone gets what he or she deserves.

Wodehouse's comedy has no mean side to it - his writing remains engaging without resorting to the snideness that many humor writers employ. I still can't figure out how Wodehouse keeps my attention and keeps me laughing when his general theme is the unwavering silliness of the English twit. I'm heading to the bookstore for more.

Gave a glimpse of the professional swimming world. Starting with kids beginning swimming to Olympians from the perspective of professional coach. Entertaining and more appreciative to the sport. But too late for me to join.

Very nice book about swimming as a sport and the people, swimmers and coaches and more, in and behind it. One of few great books about swimming.

Seriously inspiring, got me through a lot of long practises.

This will go down as the best swimming book ever written. The facts of non-fiction with the fluidity of a great novel. PH Mullen has written the aquatic masterpiece.

P.H. Mullen's Gold in the Water is a story that i first came into contact with a couple years ago. It is a fast paced true tale about average men trying to accomplish their goals. Reading the story over and over has helped me get through the hard times in and out of the pool. You don't need to be a swimmer to appreciate this story, but it does help. As I am in film school now, this is one story that can inspire more people then Remember the Titans with the Olympic power of Miracle. I encourage every athlete, Olympic fan, parent, or anyone who has a goal to accomplish to buy a copy of this book and one for their coach or mentor. It is a book to read over and over again.

If you know Wodehouse, you love Wodehouse and this book will just confirm your feelings. If you don't know Wodehouse, read this or any other book and you will fall in love with him. Every book you read is like going on vacation.

I had only read one or two Wodehouse comedies, so long ago I don't recall precisely which ones. They were good. "Leave It to Psmith" is great. It won't be years until my next. (And my copy of "Leave It to Psmith" now goes to my 90-year-old mother.)

In addition to wonderful, loveable characters, laugh-out-loud narrative and dialogue, and a marvelously convoluted plot that almost defies summarization, the book also features semi-serious but still wryly and deftly expressed observations, such as: "What I like about the English rural districts * * * is that when the authorities have finished building a place they stop. Somewhere about the reign of Henry the Eighth, I imagine that the master-mason gave the final house a pat with his trowel and said, 'Well, boys, that's Market Blandings.' To which his assistants no doubt assented with many a hearty 'Grammercy!' and 'I'fackins!' these being expletives to which they were much addicted. And they went away and left it, and nobody has touched it since."

Yes, this is sheer entertainment, brain candy. But it also is superb and masterly. It is narrative comedy at its best.

This is an early sort of try-out version of his later masterpieces on Jeeves and Wooster. It was absolutely hilarious at times, with that wonderful upper crust stilted language Wodehouse was such a genius at, but at other times could be a tad plodding. Some romance here, which he would totally discard later. You can see Jeeves blooming in PSmith, and Wooster in Freddie Threepwood. Also Aunt Agatha in Lady Constance. But a marvelously convoluted plot, with all sorts of interwoven characters. and The Drones Club is here already.

In my opinion, this is the best of Wodehouse, and I was pretty surprised at it.

"Leave It to Psmith" was originally published in the U.K. on November 30, 1923 by Herbert Jenkins, and in the U.S on March 14, 1924 by George H. Doran. The edition I am reviewing is from "The Everyman Wodehouse" series published by Everyman's Library in the U.K., and for those in the U.S., you may be able to find the equivalent quality in "The Collector's Wodehouse" series which is being published by Overlook Press.

I did not have high expectations for this book, because I didn't think "Psmith in The City" was very good, but Wodehouse's writing clearly improved greatly over those 13 years, and the merging of the Psmith character with the cast at Blandings Castle was great chemistry. The character of Ronald Eustace Psmith (formerly known as Rupert Psmith and in both cases the P is silent), was much more interesting in this book than I found him before. He fits right in with the other Blandings characters such as Lord Emsworth, Freddie Threepwood, and a great foil for Rupert Baxter.

In this story, we have a diverse set of characters, all converging on Blandings Castle, and more than a few with the idea of stealing Lady Constance's necklace. Their motives are rather diverse, but whether they want it for money, freedom, or love, there is no shortage of people out to get it. As one would expect in any Wodehouse story, there is a fair amount of assumed identities and amazing coincidences which drive the story forward. Psmith, himself takes on the identity of Mr. Ralston McTodd, a poet from Canada in his pursuit of the beautiful Eve Halliday. The best part of the book, in my opinion, is the flower pot scenes, which is some of the funniest writing I have read in a long time.

As the second of the Blandings Castle novels, and the last of the Psmith novels, this was a great improvement on both of those series. The Blandings series would continue to grow from this point, and there are many more great stories in that series. I do not believe the character of Psmith appears again in any of Wodehouse's stories, but the fully developed Psmith that appears in this work does foreshadow such characters as Jeeves and Uncle Fred. If you didn't care for Psmith in the previous works, you may still want to give this one a try. This is Wodehouse at his best.

Tim Harrower provides a very practical guide to newspaper design. The art of newspaper design tends to be very subjective, so this book lays down some facts and guidelines to put to rest some of the indecisive elements of design.

For a beginner, this is a book that will give you the confidence and understanding to conquer page layout.

The CD gives the novice an even more practical guide than the book can deliver.

One criticism is that the book is printed on light gloss stock and is spiral bound. I am not sure how it was survive rough treatment.

Brian Hurst

This textbook is awesome. I've never seen a better textbook. It lays everything out, and makes it simple to understand. It tells you what to do and what not to do in simple language and clear pictures. It's one of few textbooks worth keeping for future use in your career (provided you're going into the newspaper industry)!

When I accepted my first "real" job in journalism as a page designer for a local weekly I was struck by a horrifying thought, I really knew nothing about newspaper design. I had done it before for my college paper, sure, but this was the big time. I needed a refresher course and I needed it fast... Tim Harrower and this spiral-bound book came to my rescue.

Although it was first published in 1989, this book will be relevant as long as newspapers exist, even in this age of computer design. Harrower explains and shows why certain designs are good and bad and he approaches it in a situational, problem-solving format. For example, he explains what should be done when you have to design a page with no art, when you have butting headlines, or two horizontal photos etc. Harrower says that most page designers stumble into the job and from this point of view he explains what exactly, a good design is. This book will always be on my desk.

(I wish my publications professor used this instead of the worthless $105 monstrosity he made us buy (and that we never used by the way).)

So, after some mild freaking out followed by a lot of reading, I can start my new job with confidence thanks to this book.

I ordered the hardbound and got the spiral bound, a product worth $12 less. It was then that I discovered there is no way to express a complaint to Amazon: no phone number, no email address, no human help. All that is available is a maze of pre-written web help, none of which includes "credit my account $12, since I don't want to go through the hassle of sending this book back." What's up, Amazon? Don't you want satisfied customers? I spend literally hundreds here each year. This egregious deficit needs to be fixed immediately. Otherwise, I highly recommend this book.

I am an editor these days.
I came on this book quite a few years ago when I was a sub. It was recommended to me by an old hand in the newspaper game.
Without doubt, it is the single best aquisition I have made in terms of newspaper design.
In the places I have worked, I have been regarded extremely highly for my layout skills.
This book, with a little creativity, is the basis of almost everything I do in terms of layout.
If you are serious about the newspaper game, get it, study it and then apply what you learn. It will help our career enormously.

The impact of this novel is materially diminished by its reliance on obsolete paradigms of the previous century. Science seeks to reanimate creatures of the past not with incantations, wall inscriptions and the usual mumbo gumbo of witchcraft and sorcery, but with the information storing capacity of DNA macromolecules and cellular implants. In Lovecraft's works, as in certain scriptural references, matter is endowed only with minimal capacities to create the inorganic realm - but living creatures need to have the influence of nonmaterial spiritual influences from BEYOND. Lovecraft hints at methods and materials used in the "experiments" he describes, but relies too heavily on "fancy" language to create atmosphere...a practice losing its impact after frequent repetition. His work would have proved prophetic if he invisioned the capacity of inanimate matter to link free energy with self-organizing potential. Beyond these failures of prescience, the novel also exhibits artistic failures: the plot develops much too slowly......the material would have fit more comfortably in a short story or a novelette....... it seems H. P. might have started writing a handbook for tour guides of Providence, R. I. and took a sudden turn on Route 2 in Cranston - that excursion being included is an obvious diversion from the main story line. The reader might also consider an amusing thought postcard of the of the REAL Providence and its appeal - consisting until recent times - mainly of sidewalk art of prostrate bodies, crowds of pan-handling bums, or rats scurrying about freely in daylight along the canal. In spite of these comments I would recommend this book. Read this volume and then go for a walk in the environs described therein ---watch out for ..."shunned culverts, hideously dark - wherein lurk formless masses rubbing softly in the depths...evoking delerious thoughts of sodden, ravenous rats....."

If you want really classic Lovecraft at the top of his form, then this novel is it. It is a good, tight, driven read- except for the extensive prose tour of his beloved old Providence near the beginning. Yet, even this detailed introduction helps to weave an unmatched atmosphere that draws you deeply into Lovecraft's world. This is an ode to Providence, and to those unobtrusive and unlikely heroes that would keep it safe from cosmic evil.

Lovecraft carries us from colonial days to the "modern" 1920's in this tale. We are introduced to the hidden brotherhood of dark magicians and necromancers- those to seek to wield unnatural power from beyond the grave and beyond the stars. So much concentrated occult information, or rather enticing hints of such information, is packed into the narrative. Mystery within mystery unfolds. Yet, it is rather ordinary men that are called upon to confront this inconceivable evil, even though it threatens their very sanity.

Besides being an extremely well written tale of supernatural suspense it also serves as a teaching tale. There is madness out of time and a horror from beyond the spheres that threatens to entrap and destroy the unwary. Do not call up what ye lack the power to put down. Upon this depends more than can be put into words- all civilization, all natural law, perhaps the fate of the solar system and the universe. Perhaps even more than this- all because one fool opened a door and there was no one there with the knowledge to close it...

This is the type of story that you sit back and imerse yourself in the setting. With each new tid bit of information the horror of Joseph Curwen becomes clearer and clearer. The final chapter however sent chills down my spine, as Dr Willet searches through Curwen's undergroud, antedeluvian laboratory. The dank putrid odors, the slime green walls, and the horrific wailing from the darkness... the build up is phenominal, and the pay off will have you sleeping with your lights on!

Great read, you will go back to it again and again.

At 48,000 words, this is the longest tale that H.P. Lovecraft ever wrote. It is also his best.

This novel has both good plotting and an otherworldly atmosphere that pervades the book. The setting is 1920's New England where there was a revival in interest in the occult. However, the key to the tale is the 18th Century New England scene that Lovecraft had a lifetime interest in.

The character of Charles Dexter Ward was based on Lovecraft himself: a lonely intellectual who was an antiquarian who detested the Industrial Revolution. Ward's research into the occult leads to the reincarnation of one of his ancestors who in turn hatches a plot with both Ward and one of Ward's friends for a mass resurrection of the dead who would become mindless zombies dedicated to both the destruction of heavy industry in America as well as the forced expulsion, if not mass murder, of the Roman Catholic immigrants who Lovecraft detested so much from America.

The Case of Charles Dexter Ward is a fantasy/horror novel that tells you a lot about its author. H.P. Lovecraft was a self-styled aristocrat from a decadent Old Money family who bitterly hated the Roman Catholic Church and especially the Irish and Italian immigrants who by 1928, when this novel was first published, had already assumed a position of political power at the expense of the WASP elite that Lovecraft was a member of. Clearly, The Case of Charles Dexter Ward was reflective of Lovecraft's religious bigotry and his hateful tendencies towards certain ethnic and religious groups. It should come as no surprise that during the 1930's, Lovecraft frequently praised Adolf Hitler and the Nazis.

The Case of Charles Dexter Ward is a uniquely powerful and compelling work by a master of horror fantasy.

Charles Dexter Ward is a young man in Providence, RI who is fascinated by antiquities --- too fascinated, perhaps. He becomes obsessed with an ancestor, an alleged warlock named Joseph Curwen who escaped persecution in Salem over 200 years before and fled to Providence. A unusually long-lived ancestor, I might add.

If you aren't used to reading Lovecraft, or other writers of the same time period, the language and writing style might be a little tough at first, but it is well worth getting into. Lovecraft leaves a lot to the imagination of the reader --- a device that works quite well in this story.

This is one of my favorite novellas --- actually, one of my favorite stories, even. I first read when I was in high school, and I have re-read it every few years ever since. I re-read it again a couple of days ago and I still love it. This is Lovecraft at his best.

Before approaching the text of Alexis de Tocqueville's Democracy in America, I had little realization as to the proper content of his prophetic work. To my former understanding, the text was merely a collection of adulation and reflections upon the American way of life by a French observer in the nineteenth century. Upon reading this abridged version of Democracy in America, I found a much more prophetic text which reflected more upon the cultural impact of democratic institutions than upon the praise which should be attributed thereto. While one may fault de Tocqueville for approaching the democratic world with the cutting eye of a small aristocracy, it is quite evident that he accepted the fact that the human spirit was led to greater democratic tendencies and that such was to be taken almost a priori as the state of the world in his era.

The truly important reflection of the work as a whole comes in the considerations which he places upon the consequences of equality which follows from democratic revolutions. The phenomena of hardy individualism and its potential devolvement into individualism were not lost in his reflections. From this hardy individualism, de Tocqueville feared that humanity in democratic times may tend more toward equality and stability than toward liberty. In this, he not only foresaw the simple tendencies of utilitarian artwork and literature but also the potential destruction of civil associations and the devaluation of individual accomplishment and differentiation. It is this latter point, which seems somewhat paradoxical at first glance, which is perhaps the most prophetic of his reflections. In the process of cultural homogenization and individuation, de Tocqueville foresees that centralization of power will become much more likely as the populace views itself to be nothing more than an accumulation of nearly-identical citizens. Beyond this, his fears of the tyranny which could result by the abandonment of liberties by the people are well founded, for a society which wholly forgets the fact that some human beings can stand out is one which can easily allow itself to be subjected to the capricious desires of a powerful state as liberty is wholly forgotten.

These prophetic words should be read by all reflective Americans as we continue to move toward a larger centralized state and clamor with greater intensity for security in all forms (be it physical or social), for such equalizing security can only come at the cost of the liberties which allow the individual to actually have the worth which we intellectually affirm that he or she has.

As an American living in Europe, I read with great interest Alexis de Tocqueville's book about a European experiencing America.

Like most people, Mr. de Tocqueville started out with a characterization of the United States, believing that the country's early 19th century prosperity was a function of its distance from rivals in Europe. But after his famous trip, he concludes that the real difference comes from each side's view of risk taking. It's an insight as relevant today as it was when it was written.

Mr. de Tocqueville predicted that the growing issue of state's rights would lead to bloodshed (it led to the Civil War -- though he wrongly predicted it would eventually lead to a breakup of the union, he was very nearly right on that point as well); he predicts the fledgling country's industrial rise and its emergence as a true world power; he recognized the symbiotic role between industry and democracy at a time when they were believed to be unrelated. His insights into the American psyche, optimism, and ambition at times seem timelier than most op-ed pieces.

More than a century and a half after it was written, I am hard pressed to conjure the name of a better commentary about America and Americans. It is an astonishing feat considering the brevity of Mr. de Tocqueville's four-month visit, his youth (he was in his early 20s), and early stage of development the country was in. But the result is something that shouldn't be skipped by any serious student of the political and social essence of the United States.

Praising this book is a bit like saying Huckleberry Finn was one of the great American novels - it's a profound statement of the obvious. Even so, it must be said: Alexis de Tocqueville's magnum opus is a brilliant sociological analysis of America, with his genius made all the more evident by how applicable his observations about 1830s America are to its twenty-first century counterpart. Everything from the solidity of America's political infrastructure to the disquieting trend toward anti-intellectualism are explored in this massive work, and his gift of analysis is matched only by his gift for prophecy (can you believe that he predicted a conflict between America and Russia before the rise of Communism?). An amazing book, and necessary reading for anyone who wishes to understand America, rather than merely talk about it.

I have three complaints about this edition of Tocqueville:
1) Nowhere in the book is the translator credited. This violates basic principles of publication and scholarship.
2) This is in fact an abridged version of the original English-language translation by Henry Reeve, dating from sometime before 1862. Unless you want to re-create the experience of a modern Frenchman confronted with de Tocqueville's somewhat archaic French by reading the text in somewhat archaic English, I would seek out any of the more recent translations: there are at least three.
3) The ellipses, that is, the abridgements, have sometimes been made to conceal some of the author's less flattering views America. In fact I suspect this is a "patriotic" abridgement. For example, in the second chapter of part one, Heffner has omitted references to some of the excesses of Puritan law in New England which the notoriously even-handed Tocqueville had cited.

As a former reviewer has stated this edition takes quite a bit of liberty in excising the less flattering aspects of Tocqueville's views of America. In fact the entire section on race-relations has been excised --perhaps it was deemed too controversial? This kind of editing is even more unacceptable in our age of open communications and hopefully open minds. Find another edition.

The concept of this book/puzzle is simple: each page is a separate room. Left-hand pages include brief descriptions of the rooms, while right-hand pages feature detailed illustrations of the rooms. The two major puzzles of the book are: 1. to get to the "center" of the maze (room 45), and find the shortest route back to page 1, and 2. to solve the riddle feature in the center of the maze.

The illustrations are fun to look at and, to my eye, resemble the work of Chris Van Allsburg ("Jumanji", "Polar Express", "Zathura", "The Mysteries of Harris Burdick").

I recommend this book for lovers of riddles and puzzles or anyone who enjoyed "MYST" or the old Infocom games, like "Zork".

This is a must in any library, whether you like mazes or not. Beautifully done.

The format of this book is interesting: each numbered page is a room. The reader's goal is interesting: find the path from the first room to the 45th room and back. The text follows a person (the narrator) guiding a small group of visitors around the maze-building. The drawings are all pen & ink (no color). The task & setup are fun, but ...

Here are my issues: (1) The narrator is a bit nasty -- nothing unsuitable for young children, but certainly not pleasant. (2) You absolutely MUST solve at least one riddle to find a path from room 1 to room 45. (3) There is no way to know whether you have found the correct answer to a riddle -- or for that matter, the shortest path.

My daughter & I have enjoyed reading this book together. It was intersting & fun. You'll enjoy it more if you aren't expecting a 5-star book.

This book is truly one of the most amazing creations I've ever held in my two hands. The dialogues, the pictures, the clues, riddles, symbolism, historical references...it's all fantastic. I've been working on this for over three years now with my best friend and several others, and although we solved it over a year ago, we still keep going back to this book. Everytime you open it up, there's something new to discover. And the more research we do, the more incredible it becomes. It truly lives up to its' title as the World's Most Challenging Puzzle. We're still trying to dicipher clues in some of the rooms, although we have theories about nearly all of them, and some hard facts on quite a few.

If you want to discuss anything about the Maze, please feel free to e-mail me...we're always interested in new opinions

A puzzle not for the faint-of-heart -- there is NO solution available to brute force and you are not expected to solve it in an evening. It's an exciting, detailed trip through a fiendish den of riddles and allusions with an untrustworthy guide, and I've used it as a great conversation piece with smart people. (Somewhere I have whole notebooks filled with sketched maps and riddle notes, the combined efforts of my theatre group ...) Highly recommended for those who love difficult, DIFFICULT puzzles.

After reading The Savage Damsel and the Dwarf I went back to Malory -- Lynet was just like in Morris' book, constantly digging at Beaumains and harping on having a kitchen boy substitute for a real Arthurian knight.

After reading the first three books Morris has written in The Squire's Tales, I broke down and bought all he's written to date -- in hard cover. They are absolutely delightful, funny, clever, pretty true to the original romances. I read one, then pass it on to my grandson. We're having a ball.

This was the first book that I read out of many of Gerlad Morris' comical retellings of King Arthur. The information seems to be accurate and the book is just so funny. These books are classics that anyone of any age will enjoy!

I first read this book when I was in sixth (or fifth, or something -- I don't remember exactly when) grade. My church met in a school building, and toddler nursery was held in the library. I was bored one day, and I thought "The Savage Damsel and the Dwarf" looked interesting, so I started to read it. I was pleasantly delighted with my discovery. (My parents had to search the entire building for me -- that's how engrossed in the book I was.)

Unfortunately, we left that building, and my memory of the book's title left with it. It took me until last year to find it -- and I did that only by looking through all of the shelves in the children's section of the local library.

I was again pleasantly suprised by the book -- it's very well-written, immensely funny, and admirably suited to reading aloud (I had my mom read it out loud to me and my younger sister). At parts, it had me shivering with anticipation, and other times I was consumed entirely with helpless laughter.

I would highly reccomend this book to anyone. My dad, who doesn't particularly enjoy reading what he calls "girly books", thoroughly enjoyed this one. In fact, this book has inspired in us a delight of all books Gerald Morris -- and he's never disappointed us.

I love this book. Completely fabulous dry wit. Sassy girl protagonist, great dwarf character. Plot goes along at a good clip. I've been a long-standing fan of Gerald Morris, and this one is his best one, as far as I'm concerned. I've read and re-read it.

I absolutely loved this book! It is a retelling of the story of Beaumains (beautiful hands) the Kitchen Knight. Perhaps some of you are familiar with this story. The basic plot is that a young man comes to King Arthur's court to work in the kitchen. He has beautiful hands unused to hard work, hence the name. Anyway, one day a lady comes to Court to find a champion to rescue her sister who is besieged by the red knight. The kitchen boy is knighted and offers to go with her. She treats him badly throughout their journeys, though he often proves himself. At the end he frees and marries the sister and shows himself as Sir Gareth, younger brother to Sir Gawain.
Well, leave it to Morris to mix this story up! First of all, Lady Lynet is helped on her journey by a mysterious dwarf, Beaumains is a complete dolt, the sister, Lady Lyonesse is a disgraceful cold-hearted flirt, and far more is happening than appears to be! The ending is delightfully satisfying and romantic, and I cracked up hysterically several times during this book. I finished it in one sitting! Definitely a must-read for King Arthur fans!

Delightful stories of the Hundred-Acre Wood and all of its lovable characters. Pooh and friends have quite a few adventures (or misadventures) in this collection of Winnie-the-Pooh stories. The stories remind me of childhood, making them special each time I reread them. I wouldn't even be able to choose my favorite chapter in this book -- each one is full of wonder, laughter, and Pooh.

The charming and timeless story of Christopher Robin, Winnie-the-Pooh, their friends and their adventures. I truly enjoyed this more than I thought I would. After all the years working at TDS where we had the Disney version of Winnie-the-Pooh shoved at us from all directions, I'd taken to having a distinctly soured view of the bear and all his friends.

It occurred to me one day that I had never actually read the original, and thought maybe I should give that a chance, and am glad that I did. It's a simple and direct story, and proved to be a joy to read.

What does it say of a reader who, as an adult, reads 'Winnie the Pooh' for the first time - and - and - feels it one of the best novels he ever read.
So pristine, so perfect - would I have appreciated it as a child? Who knows (I was too busy feeding my literary hunger with comics). Anyway I have my copy of 'Winnie the Pooh' on the top shelf of my book case, next to the others I consider great (Ulysses, 1984, Great Expectations ...) for all to see.
And who can contest that for "I am a bear of very little brain, and big things bother me".

My 2 1/2 year old loves this! It is soooo much better than letting her watch tv as this uses her imagination. I'm very happy I bought this.

This book was such a sweet little something to come home to at night. This book isn't just for kids, but for adults too! relax and enjoy!

On someone else's recommendation, I bought and first read Jacob Brownoski's The Ascent of Man when it came out, 30 years ago, although unfortunately I was never able to see the BBC series on which the book was based. Then, when we had printed words on paper and images on film, and now, when we have electronic book reviews on Amazon, the book speaks meaningfully to the reader about all of life although, obviously, there's a litle bit more to the story since it was published.

Brownowski was a mathematitian and scientist. The book is simultaneously a history of science/technology and a history of the cultural evolution of mankind. An absolutely remarkable blending of knowledge from disparate disciplines combined into a seamless, infinitely interesting, very readable story. Unlike any "history" you've ever read, more like a non-fiction novel, highly recommended to all ...

I bought this book soon after the original television program was first broadcast and it's one I re-read often -- it remains one of my favorites. Although it is a very faithful (almost word-for-word and image-for-image) presentation of the material in the series, to have the information in a book to read at one's own pace (instead of being forced to absorb information at the pace of the television production), to carefully consider what Dr. Bronowski says, and to see what (if anything) it means to the reader makes the book an almost indispensable companion to the series.

As has been pointed out in earlier reviews, the high impact of this book (and of the television series) is the passion Dr. Bronowski brings to the material, how it's clear he truly believed that it is necessary for everyone to understand how the development of society is the product of generations of people pursuing knowledge ("science"), and that this understanding is critical to the future of civilization...the scientific imagination, standing always at the edge of the unknown and unsure, versus absolutism and dogma.

Now that the television series has been attractively remastered and is now available to the general public, the book has an even greater utility. The captions on the DVDs are very poorly done, to the extent that some of the errors make significant changes in Dr. Bronowski's statements and points. It's clear that whoever prepared the captions did not refer to the shooting script OR TO THIS BOOK! In other words, the book is important to correct errors in the captions. If one needs the captions this book is a valuable resource to ensure the viewer gets the correct words and, therefore, understands what Dr. Bronowski is presenting.

Previous reviews don't do Bronowski justice. He began as a mathematician; but after being sent to Hiroshima, as part of a team studying the aftereffects of the nuclear blast, he switched to biology. He was warm and articulate. A poet himself, he was one of the few people who truly understood the English poet William Blake, although (unlike most of his writing) his essays about Blake could use some explaining themselves. He was a highly moral man and did two original things you don't see many others even attempting: He saw the "doing" of science as an act every bit as creative as composing a symphony or writing a poem -- and he explained it in that way -- and he sought a structure for rationalizing morality and ethical behavior that did not rely upon religious precepts. The Ascent of Man is a very personal work, and it says so in its subtitle. It pretty much echos word for word what Jacob Bronowski spoke extemporaneously as he was sent around the world to the places he needed to be in order to explain the ideas he needed to express as he filmed his material for public television. Ironically, I said that very badly: I meant that HE could explain very complex notions with terrific elegance and simplicity. Period. By the way, the process of making the series for TV must have taken a toll, as JB died not long after completing the necessary travels. The Ascent of Man is all excellent but has many especially moving moments. Only one example occurred when JB walked fully clothed and shod into a pond at Auschwitz in acknowledgment of family and friends and fellow countrymen whose ashes were dumped there by fascists who laid claim to a handle on absolute certainty. Read this topnotch book, then find more by him. And if you're thirsty for more, try a little Loren Eisely as well. The accomplishments of humankind as explained by thoughtful scientists can prove wonderfully exhiliarating.

If you're looking for a book that will show you how man made it from day 1 to the present, while encomapssing ALL disciplines and not science alone, you've found the right book! It's is incredible how simply and interestengly Mr. Bronowski has accomplished such a feat. You won't be able to put it down!

This is one of the first, and one of the better, history of science sorts of series. If you enjoy history and science, then its worth watching. But the program, and to a lesser extent the book, in my mind suffer from a serious flaw: namely; that the author can not seem to divorce himself from his own religious views, which intrude at a number of times in the program. How can I take someone seriously who is speaking about archeological history, while at the same time speculating about the Biblical conquest of Jericho? There is a disconnect here that leaves you wondering. One can always quibble about what major scientific advances are noteworthy, and different authors have seized upon various individuals; but we have in this series nothing out of the ordinary. Looking at "Cosmos" or "The Day the Universe Changed" is much more fulfilling, from an intellectual standpoint, but its still worth purchasing and enjoying.