P Books

When I was in 7th or 8th grade I came across a book called The Silver Sun by Nancy Springer. I read the book multiple times and it wound up being one of my favorites of all time. I don't think there was one day through 7th and 8th grade that I wasn't carrying it around with me and engrossed in it in study hall.

The Silver Sun is a fantasy novel set in the land of Isle, ruled by the tyrannical King Iscovar. The main characters are Hal, the son of the king, and Alan, his half brother.

Throughout his childhood, Hal was hated by his father and physically tortured and kept in dungeons. He escaped and has a quest to take the throne from his father and rule the land peacefully.

At the beginning of the book, Hal finds Alan, who has been robbed and beaten in the forest. Hal nurses him back to health and they soon become blood brothers and partners in the quest to take the kingdom from the evil King, building alliances with local outlaws and building an army in order to do so.

The book is filled with, and basically built around, a whole mythology. In the land in which the book is set, there are many gods. Hal worships the god called "The One", which is, in his belief system, the true god. There is a lot of mythology built around The One- and elves, the original peaceful rulers of the earth, who are immortal until they marry or are killed. Elves are not univerally believed to exist, however within the mythology surrounding The One, elves were once believed to rule the earth until humans took over and corrupted it. The elves are peaceful beings and are believed to live in a land without corruption - a perfect world that they created when the humans took over the earth - that is sheltered from the evil of the human blight.

The One also has an appointed "messiah", who is referrred to as "The Very King". Throughout the book the prophecies surrounding the coming of "The Very King" and the return of the elves begin to come true and piece by piece you begin to realize that "The One" truly exists and The Very King is soon to appear, as the prophecies laid out in the "Book of Suns" are slowly fulfilled one by one.

The Silver Sun captivated me as a young 13 year old with the detailed world it created and the mythology of hope and peace that slowly builds throughout the book. It is truly my favorite book of all time. While it has been out of print for a while, I have actually bought second copies (used) through amazon in order to make sure I always had a copy that wasn't falling apart.

Apparently it is back in print, as I have found it again on Amazon (this is the only book that I actually periodically check Amazon for to see if copies are available). So I recommend that you grab it while there are still copies available. The world that Nancy Springer builds is very engaging and inspiring and her stories are just a pure joy to read.

There are four books in the "Book of Isle" series. The White Hart, The Silver Sun, The Sable Moon, and the Black Beast. The Silver Sun makes many references to the White Hart, as it is the story of the first "Very King" to come to the land before evil took over the land. The Sable Moon continues where the Silver Sun left off, which I cannot explain further without giving away the final pieces of the Silver Sun.

I really hope this write up does this book justice and gets people to read it. I know I have tried to get Kelsi to read it a bazillion times to no avail. She's not a big fantasy book reader.

I'll definitely keep trying to convince her to take one of my copies though.

This is without a doubt the best book ever written. Known by another name The Book Of Suns Nancy Springer is my favorite author and love everything she has written she is what made me want to become a writter myself.

This is perhaps one ot the best written fantasy novels of the decade. The storyline is superior, writing style is captivating, and the reader becomes a part of the manuscript.

Being a fantasy novel author, I fully appreciate the great efforts that Nancy Springer put into creating characters that the reader can relate to and understand. Her descriptive quality of writing is fantastic.

I highly recommend this book to readers of fantasy of all ages.

Dave

This book, which is among Ms Springer's earlier works, is a great read. Springer is a great storyteller, so while I was not surprised at the story's end, I didn't mind taking in the sights along the way.

I enjoyed Springer's references to the religious/cultural customs of past societies, without bogging the story down with largely unnecessary explanations. They simply add a backdrop which gives the story a richer and more believable flavor.

While it is now out of print, the paperback version can be inexpensively obtained from a number of used sources. Give it a try.

I read this book when I was fifteen, and still think it's one of the greatest works of literature I've ever read. This is the store of Alan, and his blood brother Hal, as they struggle to fight against an evil king, find the women they love, and fulfill their destinies.

This novel has some great characterization, and Springer does a great job of portraying the complexities of life in Isle. I only wish they could reprint this series. This is one of her best books!

A must read for fantasy lover and for readers who enjoy complex characterization.

I can't really add anything the other reviews haven't already covered. I just wanted to add my praise of this classic. This book is very relevant in a lab setting. I would recommend it to everyone to start with, but especially those with experimental problems to solve in an objective way.

I used the Montgomery DOE book as an undergrad...but chatting with a Stat prof freind of mine..she recommened Box Hunter & Hunter over this. I had never covered the entire book..& was reading up on Factorial designs...I went ahead and bought Box Hunter & Hunter...(do wait & buy the 2nd edition due out in May-I think Amazon trys to sell you the old inventory if you are not careful)...nonetheless, the old edition I bought actually is much more intuitive and easy to follow that the "Design and Analysis of Experiments" book by Montgomery....I think its b/c the latter is written by an engineer..no offense to you out there...just that engineers cover so much material that there texts seem more "cookbook" like..here's how...w/ no too much intuition as to why ...probably catering to the engineer who has not the time to care about the why...I am thoutoughly enjoying the read...some of the quotes in hte book are pretty funny yet all the while relevant...

All of the reviews on this book are generally consistent in their praise for the book and the authors. I do not have any points to add to the discussion other than this:

It is a credit to this version of Statistics for Experimenters that it has remained relevant throughout the years as a classic introductory text that has kept selling consistently since it was released in the 1970's. Nevertheless, unless you have a particular reason for purchasing this version, you should purchase the updated version(also available through Amazon).

The full title of the newer edition is:

Statistics for Experimenters: Design, Innovation, and Discovery, 2nd Edition

The 2nd edition, written in the same engaging and readable style as the 1st, contains virtually all of the content of the 1st edition plus advances in design of experiments that have happened since the 1st edition was published.

George E.P. Box, the senior author of this magnificent example of great teaching for adults, is one of the great statisticians of modern times. He is a master at teaching those with experience, especially industrial experience, but not necessarily the most advanced mathematical training. My own background in econometrics and decades of work experience left me in a position of having too little knowledge to apply sophisitcated statistical methods to experiments and too much knowledge to settle for the exposition of statistics in many experimental design texts, especially those for behavioral scientists. I had read some of Mr. Box's "Evolutionary Operation" [with Norman Draper] ("EvOp") (also outstanding, practical, and unusual) and looked at "Bayesian Inference in Statistical Analysis" [with George Tiao] ("BISA") and hoped the book was as practical as EvOp rather than as mathematical as BISA. It has turned out to be so without being unsophisticated.

Once you have mastered this, I am sure you will be prepared for many of the challenges of applying statistics to practical industrial and experimental situations and for more advanced and modern methods that have emerged since 1978 with the ubiquity of very cheap computing power.

What it may lack in the most contemporary methods it more than makes up for by helping the reader develop a good intuition for applying statistical methods and judgment.

This book was published in 1978 but as other reviewers have noted its practical methods and advice are timeless. George Box and Stu Hunter are both very famous statisticians who are also great teachers and lecturers. Bill Hunter is now deceased. All three authors have made major contributions to the design of experiments. The book is written for practitioners and in the simplest language possible. Emphasis is placed on practical designs and not optimal designs because optimal designs are very sensitive to model specification.
It does not include the robust designs of Taguchi which came later and could easily be included if the authors choose to revise it.

As the founder and CEO of a successful market research-based consulting firm, I'm privy to the inner workings of a number of Fortune 500 companies. One of my perennial frustrations with books on business strategy is that the theories they present don't often correspond to the practical realities involved in running a large organization. The beauty of this book is that Vince Barabba's strategic guidance is informed by his first-hand experiences at General Motors. In drawing on his time at GM, Barabba makes compelling and insightful links between theory and practice.

As a business consultant, what I valued most was his 'systems thinking' approach to solving business problems--an approach that better ensures decision-makers identify and address core issues rather than merely tinker at the margins. This holistic approach to problem-solving goes beyond rote McKinsey-esque formulas and is what makes this book so broadly appealing. Using clear and forceful language (no annoying b-school patois here), Barabba gets right to the heart of things with a combination of robust theory and practical examples. Business decision-makers at every level would benefit from a close reading of this book.

I would like to begin by taking exception to the first line in forward by C.K. Prahalad..."The focus of this book is "how to think": not just to survive a large-scale transformation, but to start, sustain, and thrive in a world of continuous change." The exception I wish to take is that Vince Barabba has taken a large organizations problem and translated it in a way that all organizations (large or small) can benefit equally. Organizations are all about having the right strategy,dealing with complexity and risk, making the right decisions, and making the right decisions right.

Vince Barabba has written a book that will find an audience from the executive decision maker, decision support groups, portfolio managers and the myriad of projects that make the right decisions actionable.

Open your mind to new ways of thinking and then right size it to your own organization.

Most books that follow a specific case of corporate strategy tell a "just so" story where the true messiness of the decisions gets masked. I applaud Mr. Barabba for breaking that mold. He lets us see the context of uncertainty that surrounded decisions taken in GM's transformation. He gives us the added benefit of laying-out the theories behind the decision making approach. I found his concrete recommendations on dealing with organizational complexity and identifying key market development assumptions to be very useful. His discussion of deploying a "Sense & Respond" business model in spite of GM's financial stress gives great examples identifying the opportunity costs from alternative strategies. Lastly, his discussion of using the destination-focused, "Anticipate & Lead" business model is an eye-opener of everyone dealing with rapidly changing, turbulent markets. A great read.

The strength of Vince Barabba's "Surviving Transformation" comes in how one personalizes transformations so that she or he not only survives the transformation, but develops into a learning and adapting individual striving to achieve the "Idealized Design." The stories Vince uses throughout the book help the reader to understand the principles and practices that worked and did not work throughout the GM transformation.

Do not be tempted to pass this thoroughly well written and engaging book just because it is about the automobile industry. Regardless of the industry or the bureaucracy you are in, this book will provide you with deep insights into undertaking a transformation journey and not only surviving, but thriving on the other side. Once the journey begins it never ends.

Most case studies on organization transformation simply tell what was planned and what happened, sprinkling in a little theory here and there, but generally as an afterthought. Vince Barabba's book on "Surviving Transformation" offers something different, a well-composed blend of theory and practice. The author enjoys two advantages. First, he was instrumental as a senior executive in designing and orchestrating the changes that occurred at GM. Second, he has a sound background in the "systems approach to change." Combining the two,the author has been able to offer the inside story of the redesign of one of the world's largest corporations while, at the same time, framing it in a conceptual context that helps us to understand exactly why it succeeded. Finally, Vince Barabba offers a model for change that is not unique to his company' situation, but can be used by a wide range of other organizations. I recommend the book highly to those who understand the need for on-going organization learning and adaptability.

Someone at work left this little book out to share with whoever might be interested. I picked it up at break one day and was hooked with the first few pages. I love mysteries. I do not read romance usually, and had decided that if I ever read another suspense romance type novel, I deserved to suffer. This is a suspense romance and it is a delight. Not gushy as others have said. Also, not explicit. Actually, very innocent and romantic with enough suspense and mystery to keep one reading.

Wish this had become a series because I truly liked the main characters. Complex personalities develop so that you can see why they have their quirks. At the end, I wanted all the main characters to have a happy ending.

Suspensful. The young heroine is in danger, and the reader tries to figure out who is true and who is not. Some nice twists and turns. I actually checked the copyright on the book to see how old it was. It certainly sounded like it had been written when women had few rights. The heroine was, of course, a bit ahead of her time and it is always nice to read of a woman using her intelligence and wit to successfully defy some restrictions that society, as a whole, placed on women, without alienating everyone and ending up a spinster.

Cadi thinks her life is over when her father dies. But, when a kindly gentleman offers to make her like a daughter, she jumps at the chance. Made a part of the family, Cadi feels comfortable sharing the details of her grandmother's mysterious amnesia. It turns out that Cadi is actually an Italian heiress, which puts her life in danger.

This is one of the best romances I've read- you won't be disappointed!

Why is Madeleine Brent out of print???!!! Her books are so much fun to read. I got addicted to her with GOLDEN URCHIN and have loved her ever since. Her first gothic novel TREGARON'S DAUGHTER is highly suspenseful, completely unpredictable and has the stuff of the best film noir if it were made into a movie. Cadi Tregaron's voyages from a small English fishing village to the luxury of the kindly and well to do Morton family in Kent to the romance and mystery of Venice, Italy keep the reader's mind full of lush visuals and presents characters you like and care about. Excellent reading!!!

Luckily for me, this is the first Madeleine Brent book I read and also the first one that he/she wrote.
It got me hooked on his/her writing. Of course after you have read the next few books, you see that there is a definite pattern to his/her work. A heroine who is alone, friendless but with lots of spirit who manages to prevail over great adversity.
Part of the joy of reading a brent are the exotic locales although this book is set primarly in Britain. A unique writer who is head and shoulders above the rest.

THIS RAPIDLY-CHANGING PLOT KEPT MY INTEREST THROUGHOUT--WHICH IS MIRACULOUS, SINCE I BECOME EASILY BORED WITH SO-SO PLOTS AND USUALLY FIND MYSELF YAWNING A GIVING UP ON A BOOK BEFORE I FINISH IT!! BUT THIS ONE KEPT ME UP LATE, READING "JUST ONE MORE PAGE"( WHICH USUALLY TURNED INTO A CHAPTER) I HIGHLY RECOMMEND THIS BOOK TO ANYONE SEEKING A SUSPENSEFUL, ADVENTUROUS BOOK LADEN WITH MOMENTS OF HEART-STOPPING INTRIGUE, SPRINKLED BY "I-WONDER-WHO-THAT-WAS"? MYSTERY AND A TINGE OF ROMANCE.THE HERIONE WAS LOVABLE AND ADMIRABLE WITH HER FAST WIT AND HER ABILITY TO HANDLE TOUGH SITUATIONS--THE CHARACTERIZATION WAS MASTERFUL AND MS. BRENT'S DESCRIPTIVE STYLE WAS MOST APPEALING. AS ALWAYS, HER BOOKS GIVE A HISTORICAL BACKGROUND THAT WAS MOST INFORMATIVE AND INTERESTING- JUST A VERY GOOD READ.

The book was excellent in detail, beautifully designed and gave page after page of hidden items. It provided hours of searching for alphabetic pictures and was very entertaining.

At first I wasn't sure I liked the book. I didn't like some of the darker pictures like 'Y', or the rhymes that didn't really make any sense to me, but I proved myself wrong. This book is sooo addicting! You could sit down for hours scavenging for words. There are so many!
Some people may mistake this for a little kiddy alphabet book. It couldn't be any less kiddy-ish! It's hard because it's not like the 'I Spy' books, where it has a little rhyme telling you what to find. There aren't many guidelines there to tell you what's in the picture. You have to figure it out yourself. Also, a lot of the words are pretty hard.
This book is definitely worth buying. Buy it and you'll never EVER be bored again!

The Ultimate Alphabet is a very good book. It has 26 pages of every word you can think of. It might take looking in a few different books like a flag, animal, fish, bird, and flower book to do the page. The only thing I don't like is they say there is so many words in a letter and I never find close to that many. I don't know if I sould count the word plural if there is more than one of the thing. I mean paint is not the same word as paints is it? The B's, J's, and P's are my favorite. I would get somewhere all those books the flag, ect. and a dictionary. It's very good. Now let me go back and type the J's on the computer.

If you've never seen this book, you dont know what your missing. This is by far one of the best Art / Puzzle / Alphabet books ever writen (or in this case, painted). Mike Wilks is amazing. He paints hundread of things starting with each letter into each picture. Its great because you have to be creative to figure out them all. If you can find this book, buy it, its totally worth it. I hope the republish it sometime soon.

I first heard of Mike Wilks when I was nearly 16. We saw a video about him in my art class at school back in 1992. All the kids looked pretty impressed, I certainly was. The film showed the way Wilks produces his pictures. We saw his studio in the Pyrenees mountains, an obsessively clean, sparkling white room, where the artist works in complete silence. The video made it quite clear that Wilks is a perfectionist, treating every image with the utmost care.

I finally bought "The Annotated Ultimate Alphabet" about five years after seeing the video. The quality of the artwork is incredible, there aren't many books like this around. Not only is this book entertaining, it is useful as well. Apparently Mike Wilks was influenced by Salvador Dali, but I think he is better than that. My favourite page is the letter "S", a room filled with more than 1000 objects beginning with that letter. I still can't name everything.

There are all kinds of objects in this book, ranging from the very common, to the really obscure. Some things are instantly recognisable, others will leave you completely baffled. It would be no exaggeration to say that anyone who reads this book and absorbs it fully will become an excellent Scrabble player.

In these images Mike Wilks demonstrates exeptional ability, particularly with the airbrush. Here we see draftsmanship of the highest order, just about every member of the animal kingdom is represented accurately. Pen and ink drawings accompany the word lists, giving additional nourishment to a growing vocabulary.

This book gives new meaning to that phrase about a picture saying a thousand words.

I was so happy to see that the publisher has opted to do a 3-book large format release for this excellent series by P.N. Elrod that even though I own all the books under the original mass market covers, I am buying them all again in the new editions.

I am also ecstatic to see that they have done a MUCH better job on the cover art than in the original mass market editions. If I had not been running a chain bookstore when the first one came out hadn't gotten a recommendation from one of my customers who loved the book, I would NEVER have picked it because the cover art was so tacky. I think a lot of good books go unnoticed because the publisher harms the book with bad art. Publishers: use a plain colored cover instead of something that makes the book look like tough-guy drivel or something else they are NOT! Good cover art sells books, BAD ART KILLS!

I recommend this series to readers who are interesed in how a 'normal' human might react to the circumstances created by being made vampire unexpectedly. Jack isn't a deliberate hero, and is no part of any 'brotherhood' or 'secret society'; he is instead a Joe Average hack journalist scrabbling to make a living in the depression, a likable guy who bumbles around trying to figure out what happened to him and feeling like he is up to his waist in the quicksand that has become his existence.

In many vampire fiction novels, becoming a 'creature of the night' magically solves a host of probelms and enables the hero to go on a crusade or gain lots of 'powers' which help to cope; this doesn't happen for Jack. He tries to do the best he can under the circumstances he's been handed, but finds himself becoming more at odds with the 1920's organized criminal empire he's become inadvertently pitted against, and finds himself relying more and more upon the few human friends he has who know what he is. His vulnarability is at times wrenching.

These books are enjoyable fiction which make you think about what it REALLY might be like to have the vampiric circumstance thrust upon you. No sturm and drang, no graphic sex scenes, but plenty of emotional response where the reader becomes invested in Jack, his friends, and the trials of his new existence.

I recommend these book Highly - watch out, though: they're hard to put down and you may face the hazard of staying up way too late to finsh and showing up for work the next day with dark circles under your eyes!

P.N. Elrod's Vampire Files are amazing. They take old-style detective fiction, set in post Al Capone Chicago, and merge it with the supernatural in the form of Jack Fleming, former reporter turned private investigator. Oh yeah, he's also a vampire.

Elrod's stories would be great reads on their own, but with the addition of Fleming's status as a bloodsucker, they are absolutely fantastic.

Wonderful settings, filled with exciting action and really cool characters, make these books seem to whiz by. Fortunately this volume includes the first three books of the series.

By the end of the last book, you'll be hooked. Be sure and pick up The Vampire Files Vol. II.

For those who like vicious gangsters, dapper detectives with a dark past, and smart, beautiful damsels in distress, The Vampire Files are a perfect fit. Get this one today!

Set in 1936, our hero finds himself on a shore with a man tyring to kill him. The series of books follow Jack's adventures to find out why someone whats to kill him and his search to find his lover Maureen. Excellent light reads 9/10

PN Elrod's "Jack Fleming, Vampire PI" series is a great read with humour and a fantastic setting in 1930s Chicago with film noir aspects. This collection of the first three stories is excellent value for money.

BLOODLIST
The story begins with "Bloodlist" where we meet Jack Fleming waking up having crawled out of the sea. No sooner has he staggered to the road when a passing driver clips him with his bumper - clearly on purpose. Jack finds himself in discussion with the car driver and discovers that he is supposed to be dead, killed because he wouldn't tell people where an important list was hidden.

Jack realises pretty quickly that he has become a vampire. Fortunately he knows about the vampire life, having had a vampire girlfriend previously, and he prepares his life accordingly (fetching some of his home earth, finding somewhere safe to sleep the day, feeding from the stockyards). Elrod gives her own particular selection of traits to vampires - garlic, crosses and invitations into rooms don't work, disappearing, extra strength and glamour do. What's fun about this story is that we learn about Jack's skills and nature as he does and because he's clearly not evil, just a pleasant and friendly ex-reporter who wants to get to the bottom of his own death.

Chicago is a city of gangsters and other dodgy types in this story and Jack falls foul of several of them. What's great about Jack as a character is that if he were fully human he would have died multiple times as he really isn't quite up to dealing with these characters. However his vampire nature gets him out of a lot of sticky situations and also enables him to have a great time scaring some of the people who were involved in his death. Assisted by the trusty Charles Escott, a brave private agent and sometime actor, the two of them try to find out why Jack was killed and what was on the list. In the course of their investigations Jack meets Bobbi, girlfriend to one of the gangsters and a surprisingly phlegmatic person who seems able to cope with his vampiric nature.

There are a lot of amusing jokes and allusions to various books and films which went over the head of this relatively young English reader but that didn't matter as the story was always enjoyable. The best parts are when Jack is 'haunting' his killers but the fun is interspersed with some serious moments as he slowly begins to remember all that they did to him and to come to terms with his new nature.

This is an excellent first story in the series and Jack is a great new character, both as a vampire and also as a slightly hapless investigator.

LIFEBLOOD
The second story, "Lifeblood", takes place just a few weeks after the first story finishes. Jack and Bobbi have settled into some kind of a relationship and Jack also spends some of his time helping Escott with his private investigations. However they soon decide that it would be wise for Jack to have some more of his home earth stored at Escott's place in case he has a problem with returning to his hotel room so Jack drives 'home' to Ohio to collect it. On the way he realises he is being followed and eventually has a showdown with the two people in the car - vampire hunters. They're obviously both rather loony and have read far too many vampire novels, thinking that they are safe from Jack with their garlic and crosses. He gives them a flat tyre and then continues on his way.

Once he's collected the earth he passes his parents' house to find the vampire hunters are there. He chases them off, then returns to Chicago but worried about his parents. Unfortunately he hasn't completely escaped the vampire hunters and they start to plague him in Chicago; he's worried about Bobbi and whether they will go after her. His attention is also taken by an old woman, Gaylen Dumont, who has responded to his adverts in the papers asking for Maureen to contact him (Maureen is his lost love and the vampire who made him). Gaylen is Maureen's sister, now 74 years old, and she gives Escott some information which might help him to find Maureen. However there's more to Gaylen than Jack initially realises and more danger to Bobbi than just from the vampire hunters. Jack is faced with an impossible situation, one that he realises Maureen found herself in, and it's only with the help of Escott his friend that he can survive at all.

This story is more gritty perhaps than the first as we have more emotional engagement from Jack. Being a vampire makes him mostly bombproof but it doesn't mean that he isn't extremely vulnerable because of the friendships he has made and because of his family. The story is always interesting with some great humorous touches and Jack as a character is always very appealing. I found that as a reader I really cared about what happened to him and wanted things to work out well for him. It's a great second book in the series and possibly could be read as a standalone book although it might seem rather complex. The ending leaves the question of Maureen still unresolved and this is dealt with more fully in the third book.

BLOODCIRCLE
The third story, "Bloodcircle", continues straight from where "Lifeblood" left off. Jack Fleming, vampire investigator, and his assistant/boss Charles Escott are still trying to find out what happened to Maureen Dumont, the female vampire that made Jack. She disappeared five years ago when realising her sister Gaylen was going to force her to make her a vampire. Jack and Charles have a small clue to follow about Maureen's disappearance so they set off on a trip to New York State to follow the clue.

Eventually their search takes them to a rich household of the reclusive lady Emily Francher whose mother died in strange circumstances. Jack goes to investigate and soon discovers that Emily's gigolo lover is rather more significant than he might seem. They follow more clues which culminate in Jack being seriously injured and with a very amusing scene where Charles appears to be a body snatcher. The unmasking of the villain and the explanation of what really happened five years before is no great surprise but is well written and enjoyable nonetheless.

In this episode of the Vampire PI series we learn more and more about Jack's personality, particularly with regard to his morals and his feelings. There are some really interesting little vignettes into his thoughts, for example when seeing coffins sized for children when he is in the funeral parlour. Jack's about as far from the traditional view of the evil vampire as it's possible to get and yet he also has to drink blood and carries out mind control on people. The scene where he's trying to find a meal in a farmyard is an amusing episode amongst some of the darker events of the story.

Again this is a great read, like the two previous stories, and it seems like P N Elrod has settled well into her characters and is slowly revealing more and more about them. It's a most enjoyable series and a welcome change from the usual overblown and sex-obsessed vampire genre tale.

This is a collection of books 4-6 in the Jack Fleming, Vampire PI series and contains entertaining supernatural stories which leaven the 'vampire' moments with the humanity of our bloodsucking protagonist, Jack. He's a great hero because he's fallible, seems to get shot and knocked out rather regularly, cares for his girlfriend Bobbi and his friend Charles Escott and tends to blunder around not being quite sure what he's doing a lot of the time. Perhaps his blundering and being shot may pall over time but at the moment it makes for a very different, and very likeable, hero.


ART IN THE BLOOD
"Art in the Blood" sees Jack coming to the rescue of a man at a party and then being sucked into problems within the art world. Alex Adrian was a famous artist but hasn't done anything since his wife committed suicide; Evan Robley and his sister Sandra are also artists and when more suspicious events start taking place, including a death for which Alex Adrian might be responsible, Jack and Escott have to unravel the plot and work out what's really going on. The Chicago underworld plays its part as usual with more dodgy characters who have it in for Jack and Escott.

This story gives us more of an insight into the relationship between Jack and Bobbi as well as Jack needing to use his powers of vampire hypnosis more and more, leading to more people finding out what he truly is. It's another great read with a lighthearted feel and yet sometimes a darker undertone.


FIRE IN THE BLOOD
The first page in this book is great fun as we meet Jack apparently stripping Olivia Vandemore's evening gown from her and about to sacrifice her on an altar to Sabajajji, the Spider God. Fortunately this is just part of the novel he is writing rather than reality - although reality for Jack Fleming, Vampire PI, is often as bloodthirsty as this novel.

Jack and Charles Escott, Private Agent, are summoned to see Mr Sebastian Pierce, a rich retired Chicago man who tasks them to find a valuable bracelet that his daughter's boyfriend or a friend of his may have stolen. Jack finds himself shadowing the daughter to Bobbi's club and soon enough they stumble into murder and mayhem. A new member of the Chicago Underground, Vaughn Kyler, comes into play in this book and he's a particularly creepy individual who is resistant to Jack's vampire hypnosis. This book also sees the darker side of Jack having an outing after an episode of hypnotising goes rather wrong. Once again Jack finds himself in dodgy situations and only escapes by the skin of his teeth - is this ability going to pall any time soon?

The ending of this book is rather open and in fact leads directly into the next story, "Blood on the Water", although fortunately this episode does reach some sort of a conclusion. However Jack's rather more off balance in this book because of the darker side of his powers and we are learning more about him through it. Another great episode in this excellent series - a series that it probably pays to read in order.


BLOOD ON THE WATER
This story starts directly after "Fire In The Blood" and I think it would probably be rather difficult to understand everything that's going on, along with the fairly large cast of characters, without reading some of the previous books.

Jack Fleming, Vampire, had a bit of a shock in the last book when his vampiric nature got away from him and he nearly killed a woman. He's still struggling with the aftermath of those events in this story and is unwilling to use his hypnosis skills but equally doesn't want to talk about it to the rather perceptive Charles Escott, his partner.

The 'baddie', Vaughn Kyler, who we first met in the last book plays a significant role in the beginning of this story when he gives Jack the ultimatum to leave town or die. This gives Jack huge moral qualms - Jack knows that if he doesn't kill Kyler then neither Charles nor Bobbi will be safe, and yet how can he become a murderer? I think the way that the author showed Jack's fears about this was excellent.

In this story everyone is still chasing the bracelet from the last book and Jack enlists the help of Gordy, another local crime boss who's helped them in the past. Unfortunately a turf war seems to be breaking out with a new entrant, Angela Paco, playing her part as well. The three-sided war looks to be unstoppable and Jack has to decide on his actions with Kyler.

Once again, as in most of the other stories, Jack gets himself into various fixes and nearly dies. His physical limits are tested in a new way and there is more violence surrounding him. In the earlier books there was a lot of situation comedy where Jack was acting like a ghost and it happens again, very amusingly, in this book. However the turf war in this book lends it a darker feel and no doubt sets up for further instalments.

In short, it's another good read and we're getting further and further into Jack's character as the stories continue but this wouldn't be a good first book for a reader in this series.

In Durrenmatt's *The Visit* a hideous--and hideously wealthy--old woman returns to the town of her long-ago youth to avenge a past wrong. Unaware of her intentions, everyone in Guellen is excited at the news of her imminent arrival, but none more so than the old lady's old flame--the shabby shopkeeper Alfred Ill who volunteers to be her personal guide during the visit. Expecting that her return, and Alfred's solicitous attention, will mean a revival of the town's fortunes after years of hard times, the inhabitants of Guellen are nonetheless staggered by the generosity of Claire Zachanassian's offer. But their joy turns to dismay when they discover the one condition the old woman has placed on making them all wealthy beyond their wildest dreams. The good folk of Guellen must deliver up one of their own for sacrifice: her old lover, Alfred Ill.

Will the townsfolk murder Alfred for the money--and the "good" of Guellen--or not? Durrenmatt not only sustains the suspense of this situation throughout most of this rather lengthy three-act play, but, even more surprising, he renders it chillingly plausible. One is reminded of Shirley Jackson's classic story *The Lottery*--a similar atmosphere of claustrophobic, predestined dread prevails in *The Visit,* a sense that there is no escape from the judgment of the community of which one is a member. Indeed, it seems if one is properly socialized one internalizes that judgment and delivers oneself up accordingly for there is no life outside of the community. Such a "voluntary" death becomes a sacrifice and one lives on in the benefit bestowed upon the community. So does society sustain itself by eating its own.

What the old lady wants is justice for a wrong done to her in Guellen long ago. But that desire for justice--and the hurt that goes with it--has hardened over time into an implacable thirst for vengeance that nothing but blood will satisfy. Even within the play, as well as in Durenmatt's postscript, Claire Z. is likened to Medea and it's an apt comparison. Claire is older, wealthier, a confidante of princes and presidents, a serial bride, full of wit and dry humor, and her anger is considerably colder than that of the legendary scorned madwoman of classical literature--colder and thus more lethal.

Aside from Claire Z, who has hardened beyond humanity altogether, *The Visit* is primarily a tale about human weakness--about the temptation for the pleasures of this world and the rationalizations we devise to grab them when the opportunity presents itself. For behind the high-sounding principles and moral outrage of the good people of Guellen is the drive to self-aggrandizement that motivates all of us. Or, as *The Visit* memorably points out--all of us but the rare individual who acknowledges the guilt we all share and prefer to locate solely in our neighbors, the rare individual who, when it's time to point out the source of evil in the world, has the astounding courage to point at himself.

Like Bertholt Brecht, Friedrich Duerrenmatt (1921-1990) was a proponet of "epic theatre," a style of drama in which the audience is not so much asked to identify with the characters and story but to contemplate them in an detached manner and thereby arrive a certain intellectual and moral conclusions. Although he was the author of several notable dramas, he is not well known outside his native Switzerland and German-speaking Europe--with one exception: Der Besuch der alten Dame, known in English as THE VISIT.

First staged in 1956, it became internationally famous in the late 1950s in a production staged by Peter Brook starring Afred Lunt and Lynn Fontanne, which had a successful Broadway run and which toured extensively; it was also filmed, with considerably less success, in 1964 by director Bernhard Wicki and starring Ingrid Bergman and Anthony Quinn. Maurice Valency performed the translation for the Lunt-Fontanne stage version, and for many years his extremely free adaptation was the only English-language version in print. The Patrick Bowles version offered here, however, is much more accurate in translation--and therefore considerably darker in tone.

The story concerns a tiny town which has fallen on very hard times, but which has hopes in the form of a visit from the incredibly wealthy Claire Zachanassian, a woman who was born and raised in the town and who has now decided to make a return visit. Although a distinctly grotesque figure, Claire has a reputation for generosity, and upon her arrival she does indeed announce her intention to endow her hometown with riches beyond imagination. There is, however, one catch: in return, she demands the death of Anton Schill, the lover who wronged her many years ago. The community is outraged and refuses to comply... at least at first. As the play progresses, however, the citizens (including Schill's own family) begin to dream of what they could do with all that money. Is Claire's demand really so unreasonable after all?

Duerrenmatt insisted that his play was a comedy, and it is indeed quite funny, albeit in a distinctly grotesque sort of way. At the same time, however, it is quite obviously a parable on the natures of revenge and greed. Indeed, Claire's revenge is not so much on Schill as it is upon the town itself, as she forces them to faulter through greed by presenting them with a choice between morality and immorality. Although extremely witty, THE VISIT may also be described as deeply cynical, and more than one critic has flatly described it as evil, despicable, and profoundly unsavory. Whatever the case, it is a truly remarkable play, quite unlike the usual fare you'll find haunting either Broadway or the local community theatre. It has also been extremely influential over the years, with perhaps the most obvious example being Arthur Kopit's OH DAD, POOR DAD, MAMA'S HUNG YOU IN THE CLOSET AND I'M FEELING SO SAD. Strongly recommended for fans of far-out theatre.

GFT, Amazon Reviewer

This is as close as you will come to a true depiction of the Swiss. It may be a generalisation but isn't that how generalisations are generally derived? Anyway, the author is Swiss who is supposedly not very popular among the Swiss possibly because it is too close to home/truth.

This book, although somewhat disturbing, is a good read for anyone who desires a look at how humans continually put material objects before their own fellow human beings. Layered in "sick" comedy, The Visit brings the ultimate desire for retribution to life, as well as depicting how even normal people can become vicious with revenge, even when they are not the victim. Furthermore, this book depicts how one person can change the lives of other's lives drastically, because of power and money. When read in the context of seeking the reality of life, the desire for riches, the greed of the desperate, and the need to be "someone" and be defined by worldy possessions, this book truly gives insight, with a bizarre but intriguing tale.

"The Visit" is a play I've never seen, only read. I read it first in high school, leaving me with goosebumps then. It still has that power, now. I can think of no other tale that expresses the power of bitter revenge better than this one. I remember reading somewhere that this was done originally on stage here by Lunt and Fontaine--wouldn't that have been something to see!

I wonder, though, why the 1964 movie starring Anthony Quinn and Ingrid Bergman is never mentioned, and has never been released on video or DVD? I saw it 30 years ago and found it chilling in its own way, though not matching exactly the play.

This is the book, in this format, my mother read to me 50-plus years ago, and it is still as good. I recently purchased four copies. One each for two adult friends who are very ill. Both responded with uplifted spirits. One each for two young women who will be welcoming new "Young" ones soon.
Please note "Disbobedience" was set to music in the '60s by, I believe, the Chad Mitchell Trio, and James James Morrison Morrison Weatherby George Dupree is still warning his mother "not to go down to the end of town unless you go down with me ..."
"Vespers", at the very end, not only brings back memories of your own and your children's innocent childhoods, but also contains a very important message, "Oh, I quite forgot/God bless me."
And God bless you and those with whom you share this book.

One day, I found one of these poems running around in my head 40 years after I first began reading them to my boys when they were very young. As my older son took possession of that copy some time back, I had to order a new one for my 67-year old self just to get the lines absolutely right. It was worth it. My only regret is that I have no grandchildren to drum them into. Charming, literate and comforting.

This is one very good book and can be enjoyed by people from 2 to 92. I've read it to senior citizens as well as my grandchildren. The subjects are universal. The rhyme and rhythm are delightful.

My copy of this book is 51 years old and has my grandmother's autograph. Talk about a lasting gift! I love books as gifts, and this is my all-time favorite.

I had to read this for a little while before I got to a poem I really liked. The first 10 or so poems just seemed incomplete to me. "Independence" caught my eye first. In very few words it pretty much tells us adults that our kids are going to do what they want, despite all the things we say. It's followed by the wonderful poem "Nursery Chairs" where a child pretends the chairs in his house are different things. Then after "Nursery Chairs" is another strong poem, "Market Square" where we learn that there are things all around us in nature that we don't need to get from the market.

"Disobedience" is another interesting poem. It's kind of a role-reversal story about a kid whose mother disobeys his orders to stay away from the end of town, and she gets lost as the result of her disobedience.

"Spring Morning" emphasizes the beauty of nature to us, saying, "It's awful fun to be born at all." Next is "The Island" which has a wonderful closing message that screams, "God made it all - FOR US!" to me.

And there are so many other joyous poems in this quick read too. There's "Jonathan Jo," "Rice Pudding," "The Wrong House," "The Dormouse and the Doctor" (which has some terrific rhythm), a very touching "Little Bo-Peep and Little Boy Blue," "The Invaders," "If I Were King," etc., etc.

But perhaps my favorite poem in the collection is "Halfway Down" which is about nothing more than sitting on stairs. Man, if someone can take such a simple act and make it so astoundingly wondrous, then that person truly must be one of the greatest writers ever.

Like features on a face or shadows on the moon, what we remember most is the unusual, the unsmooth, the wart or the wrinkle. Thus, for most of us, our picture of Henry David Thoreau consists of parts of two years spent in a hut on Walden Pond, interrupted by a one night stay in jail. If a quote comes to mind it is likely to be the aphorism about those who march to the beat of a different drummer. A two year camp-out is not a life, emblematic or no, and though Thoreau's life was short (snuffed by tuberculosis at 44), there was a great deal more to his career than the shack on Walden pond. He supported himself as a surveyor, teacher and lecturer, and his naturalist writings were widely published throughout his life. He was a knowledgeable taxonomist and was conversant with naturalistic texts in Greek and Latin, as well as with his contemporary, Charles Darwin. WILD FRUITS was his last manuscript, still in the works at the time of his death, together with a sketchier companion volume on the Dispersion of Seeds. Painstakingly transcribed from the author's scribbled notes by Thoreau scholar Bradley Dean, this book is a walk through the fruiting season. We meet each fruit as it ripens, from the elm seed and dandelion fluff forward to the succulent berries of summer and on to the wizened fruits of winter, still clinging to branches long after their season has passed. Thoreau was an acute observer. His careful identification and description of each plant could not be improved upon today, and being closer to the European invasion, he had the benefit of Indian wisdom concerning the habit and uses of native plants. Most surprising to this reader, after many seasons spent hiking and canoeing in Thoreau's stompin' grounds, is the diversity of edible berries I have overlooked. I consider myself a "grazer," inclined to sample berries, fruits, nuts and mushrooms* in my travels, but I see that I have much to learn (and nibble). All of the author's observations are interwoven with commentary on the habits of humans and animals, most particularly the damage being done to the natural world by thoughtless developers and badly conceived laws. Once again Thoreau proves deserving of his reputation as the progenitor of modern environmentalism. His voice rings true and clear across the 20th Century.

First things first, as they say. Very appropriately, other reviews have started with a heart felt admiration and thanks to Bradley Dean and all of his associates for this monumental accomplishment of editing and bringing this "Last Manuscript" to fruition. No easy task, either. Included in this book are photo copies of original handwritten pages from the manuscript. Think of the proverbial Doctor's scribbling and you get the picture. The research required to make sense of it all and get it to book form was monumental. Also included is an overview of how this project was handled with significant editor's notes and further research info and a chronology of Thoreau's life. For more info on Thoreau's life and work, there is a note to readers that invites all to check out the Walden Project or the Thoreau Society website (www.walden.org).

This book mostly reads like a botanist's field guide to wild edible plants with very exacting seasonal attributes: uses- edible, medicinal, etc.; locating/identifying/gathering/processing. Fine plant illustrations by Abigail Rorer compliment the plant descriptions.

Added to this and sprinkled throughout the book are Thoreau's thoughts and keen insight to the workings of nature and the need of the public to be educated on the virtues of native flora/fauna. Thoreau posits on the need for large tracks of land (like nature islands) to be set aside in their pristine/untouched/native condition for the protection and health of plant and animal life.

This book is not a sequel to Thoreau`s "Walden", rather, it stands on it's own as a great illustration of his profound knowledge of flora/fauna and for his admiration and love of Nature for all that it provides- "To watch for, describe, all the divine features which I detect in Nature. My profession is to be always on the alert to find God in nature-to know his lurking places". Thoreau certainly lived up to that aspiration and more! I highly recommend this book.

This book is a collection of notes concerning the timing of various fruits that grow in and around Concord, Massachusetts. The word "fruit" is used very generally, and not all the "fruits" in the book are wild, since Thoreau includes comments about corn, potatoes, and other crops in the book, as well as about weeds and trees that produce seeds, such as maples. The book is comprised of articles that run from 1 or 2 sentences to 20 pages, depending on how much Thoreau has to say about the topic. The articles are arranged chronologically, according to when the "fruit" first ripens, beginning with elm seeds in May and ending with juniper berries in March. While some of the articles are accompanied by black-and-white sketches, they do not generally have enough information for readers to use the book as a guide for identifying plants. Rather, the book provides notes about the growth habits and ecology of plants. In addition to Thoreau's Wild Fruit material, there is also an introduction by the editor, Bradley Dean, and end material, including a selection of related passages (alternate beginning to Wild Fruits, the history of the apple tree, notes on the dispersion of seeds), a Thoreau chronology, a short glossary of botanical terms, a few black and white plates of Thoreau's manuscripts, editor's notes on the manuscript, a list of works cited, and an index.

This work represents the most detailed and systematic collection of Thoreau's naturalist observations. Even though the work is primarily about fruits, Thoreau still manages to slip a little philosophy in here and there. In his own introduction, he writes "The value of any experience is measured, of course, not by the amount of money, but the amount of development we get out of it." In his essay "Wild Apples," he writes "There is thus about all natural products a certain volatile and ethereal quality which represents their highest value, and which cannot be vulgarized, or bought and sold." Later, in an essay concerning cranberries, he notes "Both a conscious and an unconscious life are good; neither is good exclusively, for both have the same source. The wisely conscious life springs out of an unconscious suggestion....Indeed, it is by obeying the suggestions of a higher light within you that you escape from yourself and, in the transit, as it were see with the unworn sides of your eye, travel totally new paths." It's a fascinating book for readers of Thoreau, and would make a great reference for those interested in learning more details about the ecology of wild New England plants than can be found in common field guides.

What could be more pedestrian than the fruits (talking broadly) of plants - such fruits that include grains of wheat, hips of wild roses, apples, blueberries, etc. We may enjoy some of them as taste treats, but most of us ignore the everyday development of fruit from flower. The flowers are more noticed, except for some ornamental types like hollies. Yet the fruit and/or seeds of plants are amazing structures, many evolved to be carried by the wind, floated on water, eaten by animals or inadvertently carried by same through the devices of spines or hooks. In addition the seeds, surrounded by fleshy fruits or not, are little wonders- holding within them the promise of new growth. It always amazes me a little when I plant a seed and in a few weeks or months I have in its place a tall corn plant or tomato! Oaks are in acorns and tall pines in the seeds shed from their cones.

The long lost manuscript of Henry David Thoreau has now been published as "Wild Fruits", edited by Bradley P. Dean and elegantly illustrated by Abigail Rorer. It is a gem! Thoreau recorded his observations and thoughts about every sort of fruit and seed he encountered in New England, including the domesticated or semi-domesticated types. Occasionally he goes on about some favored fruit, such as the apple, explaining some of the folklore and history. In essence, especially in this troubled world, it is a great pleasure to read about these amazing, but everyday, objects of nature.

A good book to read and savor, I recommend it as an antidote to the hurried and harried lives we often live.

Do we have a preference for our Thoreau? ABSOLUTELY! But even the adulterated varietal will do in a pinch. The long lost diary of HD's romps in the woods serve well to remind us why some fruits are forbidden. Thoreau's posthumously edited musings over cattails, gladiolas, and other seductive succulents put the reader in the mood, apparently, for wanton strolls in a wooded glen savoring everything from unbridalled grapes (of wrath?) to the odd jack-in-the-pulpit. 'Tis better to give than to receive and this new work by an old friend makes a great gift when you want it known that you are in the mood for fruit more private than Publix.

If you appreciate an 'old fashioned' tale free of graphic intimacy and violence, if you appreciate vivid description, romance and intrigue this is for you. I read all but one of Mary Stewart's books in my early twenty's through late thirties. Now, nearing seventy, I am rereading them and cherishing the stories I read in my young years. I have divested myself of hundreds of books. Mary Stewart's remain a constant. "Wildfire at Midnight" tells of a young divorcee, unusual in Ms. Stewart's books, traveling to the Isle of Skye to recover from and get over her ex. BUT...he is in the same hotel on the remote Isle. Like many of Ms. Stewart's work murder has been done, intrigue and danger abound and one is constantly wondering WHO DID IT? a good read.

I loved this book! It is a great example of Mary Stewart's ability to create suspense and atmosphere in writing. I only wish that she would write another book sometime. I don't even know if she is still around.

This was the first Mary Stewart I read and I was hooked. It is still a favorite along with Madam Will You Talk and The Ivy Tree. The author is masterly in setting up the suspence and romance along with compelling action.
In Wildfire at Midnight, the setting is the Isle of Skye and the tension becomes quite frightening as the heroine feels drawn to a possible murderer. Someone is committing ritual murders on the mountainside and the murderer is likely one of the guests at the remote lodge.

This is a very good book, but the first chapter is a beautifully polished gem. The description of the heroine's look-alike but very different ancestor is unforgetable: "the Vixen Venus ...a Beauty in the days when beauties had a capital B, and were moreover apt to regard beauty and capital as one and the same thing."

Some books are like relatives. You love them despite their lack of perfection. Perhaps they are better than other books in the ways that count - with characters who truly live in their pages and your imagination. Or perhaps they become alive because they transcend the confines of genre fiction and have the complexity of real life.

I love this book, and the author's Nine Coaches Waiting, but both books raise issues about love and trust that I don't think they resolve realistically. However, it is probably my persistent re-reading of the books that caused me to see flaws the casual reader would not.

When I was a child in the 1970s we were on a holiday on the west coast of Scotland and by chance, taking refuge in the car from the torrential summer downpour in the barren square of Portree, my father turned on the radio. What came on was a creepy, disturbing drama set on Skye. A young woman, the only visitor to this country hotel not on the suspect list for a grizzly murder is sitting in the dead of night by the unconscious body of another would-be victim of the murderer. "How appropriate!" my mother laughed, and we listened on. The landscape of the story was the same landscape that was around me, though I couldn't see it for the rain, and there were strange characters, a crazed climber, beltane fires and murder. I thought it was great and it really, really stayed with me. It was years later that I read Wildfire at Midnight and realised that this was the self-same story I'd heard as a child. It's cracking, unashamedly romantic, but really rather well written. A good read for a sick day tucked up on the sofa, or a quiet night in. Mary Stewart's great - if only new pulp fiction could manage the same alluring balance of literary poise and good swash-buckling plots. No one else does it as well.