P Books

I recently took a trip to NYC and I got this and a few other maps in advance to get to know the layout of the land. This is an excellent, detailed close-up map. It would be especially helpful for those who are moving to NYC or are there on a long trip.

If your new to visiting New York or you have been there before, this is great to have on you. I found a copy at my local library, wanted one for my trip, no one else had any in stock. Needed it in a week and Amazon delivered in two days. This is a great book, it has everything you need.

In this city, knowing EXACTLY where you're going is valuable because we are on foot most of the time: it's important to be able to plan what subway and/or bus combination it will take to get to a destination without extra walking/trudging about the city aimlessly.

Having every single major building number marked on this street atlas is also helpful as I am not the type that does the "formulas" found in the tourists' books to determine cross streets based on building numbers.

I have lived in NYC over 5 years and am astounded by the value this little book has. Buy it so you know where you're going in NYC!

I purchased this earlier this year, just prior to my trip to New York City.
It was really handy, especially considering it's size.
It's really easy to read, and it makes using the subway simple.

The street numbering is also very handy.

I bought this weeks before my vacation in NYC and it helped in my planning - AND it was invaluable during my stay. The bus maps were highly useful (tourists: take the buses, it's a great way to get from point a to point b) and having the building called out is great. The varying levels of detail are also great. I can't say enough good things about this book. Also, everyone I have shown this book to (both tourists and native New Yorkers) loves it.

I have always been a museum addict. If the Metropolitan Museum of Art would let me place a cot somewhere, I would probably take up housekeeping. So, it was extremely rewarding to read this story of how so much of the stolen art from WW2 was found, protected, recovered and finally returned to rightful owners. These "Monuments Men" should all have received medals. The world owes much to them for making so many artistic marvels again available.

The illustrations are quite good. Many are available in other sources but so many, at least for me, were viewed here for the first time. The attempts to protect many objects - e.g., St. Marks in Venice - were also interesting. When I visited there a few years ago I was very appreciative.

Mr. Edsel is to be commended.

Excellent book with many historical pictures and historical comments of the war's effect on the art of many countries.

This book shows and tells another side of war. It is the story told in picture of Hitler and his Nazi thugs pillaging Europe and stealing priceless art objects, painting, statures, books, even ancient scrolls then hiding them in caves and bunkers in Germany. What I loved about this book were the photos of US Army units rescuing those stolen art treasures then returned them to the towns, churches and cities. The author has done an exemplary job of finding photos and stories which has made this an important work. Photos I've never seen and story I have never heard about. I think this book needs to be in every high school library in the country. Students need to be shown how our American Army worked to recover all this lost art. His book made me proud to have serviced in the US army.

Thank you for writing this book

I was really surprised by this book. I thought it was going to contain more text but it's really all about the art and the people who rescued it. The result is a very impressive, easily readable 'coffee table' style book that's beautiful and informative. Teachers should grab this up for the classroom and it also would make a great gift for anyone interested in WWII and it's aftermath. I can't say enough about the photos and the story they tell. Bravo!

This is one of the most fascinating books i have ever read. The period images are amazing, just the photo of italian masons bricking up Michaelangelo's iconic David is worth the purchase. After reading this book I was stunned that so few art treasures were destroyed. I had no idea that much of the treasures at the National Gallery of Art in D.C. was stored at Biltmore because of its remote setting. I was also blown away to see the images of workman removing winged victory from the Louvre, I just had no idea all of this went on leading up to the war and during the war. The German pillaging of the great European art treasures is disgusting of course, especially the art they looted from the weathy Jewry like the Rothchilds and others, some of which even to this day are trying to get back art work that is rightly theirs. I highly recommend this great book to anyone interested in art, history, art history, or frankly has an inquisive mind. I want to thank the authors for a job well done.

This book literally launched my CG animation career. I later took a class in CG animation and modeling and the tutorials in this book were in that class. Its was an excellent class, since it helped you learn the book's content is covered in 3 weeks instead of 2-3 months of night time after work animation. But this book is $30 not $2k.
What a great book. It does assume you know the basics, so learn the basics first and then dive in head first.

not even worth giving it up to my dog to chew on.

I have read several books about 3D Max but I consider this book one of the best books ! and I have learnt a lot from it ...If you want to make professional media animations logos you have to own one !

I have read several books about 3D Max but I consider this book one of the best books ! and I have learnt a lot from it ...If you want to make professional media animations logos you have to own one !

Finally a book that merges great tutorial writing and impressive content. Going through this book, I was intrigued with every sentence. Not only did I want to read what Chismar had to say but I would learn things at random times. New techniques and tricks sprawl throughout this book, were at times I even felt a little guilty getting all this info for just a few bucks. Don't keep us waiting too long for the next one, John.

This book is great! came with a CD. I received it on time . Great service for a great price.

It has the best illustration of the fundamental cancer biology to very advance level. The author has included a lot of clear and self explanatory diagrams and pictures which make my reading, as a very graphical person, easier and more fun. Everyone who is interested in cancer or study cancer should have this book as a bible.

This book is very basic but well written reference about cancer. I strongly suggest the students who want to learn cancer to buy this book.

I have received the book inavery good condition and the delivery was within the deadline

First you must consider whom the author is- Dr. Weinberg is a member of the national academy of science and one of the most famous researchers in cancer biology, as he discovered what is still the most important oncogene in Ras, as well as probably the second most important tumor suppressor in Rb.
Of course, he's done a lot more than just that (too many contributions to list), and he's still at the Whitehead Institute.

As a student working in a cancer research lab, I found the book to be highly instructive.
Sure, I can just read review articles especially Annual Reviews for a lot of the things in the textbook, but there is no better single source for all things related to cancer in one package.
The figures are very nice as well, and they are simplified for easy viewing (FACS plot will not have jagged lines, for example).
However, the book is not missing in terms of primary data either as it has plenty of data from primary sources to demonstrate many of the points.

For example, there is a 50 page chapter on p53 alone.
You're not likely to find a 50 page review article on p53 anywhere else.
And the text is filled with recent references too, as evidenced by a 2006 ChIP paper's figure, referenced in the p53 chapter.

This was the text for my college Shakespeare classes over 20 years ago (different edition of course) I still have it and still use it. A wonderful book for students and those who want not only the complete works but some well written and authoritative information about Shakespeare and the world in which he lived and wrote.

The texts of the plays are well foot-noted and the type is easy on the eyes. Well worth the investment.

If you can't afford the Oxford Edition of Shakespeare's complete works than this is the next best edition you can find.

While reading reviews of this edition elsewhere on the Web, I came across this review by David Allen White, professor of English @ the U.S. Naval Academy and editor (with Charles Boyce) of Shakespeare A to Z:

"Re-writing Shakespeare is nothing new. The Nahum Tate version of King Lear--with the happy ending--held the stage for nearly a century and a half. The great actors of the romantic age, Kean and Booth and Macready, not only spotlighted the heroes in the tragedies but felt free to beef up their roles. Directors began more than 50 years ago to monkey with the historical settings of the play, often with imaginative and instructive results. Scholars, critics, and directors have ridden various hobbyhorses through the plays for years, introducing us to Freudian Hamlets and Marxist King Lears and feminist Tamings of the Shrew.

"Recent Shakespeare production and scholarship, however, add a perverse twist to this long tradition. We no longer care what the Bard actually wrote. Years of deconstructionist theorizing have taught us that words are needy and we, readers or actors or scholars, have the right, indeed the obligation, to give them the gift of meaning--our meaning, the more bizarre the better.

"For the 23 years that I've taught Shakespeare at the United States Naval Academy, I have always used the same text, The Complete Works of Shakespeare, edited by David Bevington of the University of Chicago. Professor Bevington is an old-school scholar with a distinguished career. The book he edited had many advantages: large print, full character names before each speech, specific indications of settings, modernized spellings, solid introductions that connected the plays to the students' experience of love and politics, morality and order, passion and faith, and comprehensive but not overwhelming notes. Every few years a new edition would appear, and I would open it with interest and a little apprehension. But the changes would be minor--thinner paper (approaching the substance of tissue, a malady afflicting many recent books), hints here and there of encroaching academic perversity in the notes--nothing sufficient to make me seek another text. The 4th edition's introduction to The Tempest caused me to swallow hard: We learn there that Prospero's authority "is problematic to us because he seems so patriarchal, colonialist, even sexist and racist in his arrogating to himself the right and responsibility to control others in the name of Western and Christian values." But this is an imperfect world, and I soldiered on.

"Notified that a 5th Edition would appear this fall, I took time to examine it closely. Many of the introductions remain the same; but new editors and commentators have significantly altered others. Despite the myth of progress that reigns in all the disciplines of modern academia, "new" is often far from "improved." Apparently, Professor Bevington has either ignored the changes or allowed the young scholar-colts to have a romp. In some of the new introductory essays, especially under the guise of new brief histories of stage performance, questionable judgment, to put it mildly, has crept in. For example, the introduction to Othello ends with the following observation:

'In another recent development, Emilia has stood out in several productions as the raissoneur and heroic figure in the play, speaking as she does on behalf of maltreated women, urging Desdemona to stand up for her rights. One recent Chicago production went so far as to rewrite the ending: Othello and Iago both survive unpunished for what they have done, while Desdemona and Emilia lie dead as their innocent victims. This deliberate and provocative overstatement might seem extreme to some viewers, but unquestionably did signal the direction of recent performance history of the profoundly disturbing play.'

"It may be time to stop buying tickets to that great play.

"The current obsession in academia is "queer theory," and the homoerotic is everywhere, not just in Shakespeare studies. But this particular perversity fills the introductions to the new Bevington, especially the introductions to the comedies. Compare the following passages, the first from the introduction to As You Like It in the 4th Edition, essentially a carry-over from earlier editions:

'Rosalind's disguise name, Ganymede, taken from Jove's amorous cupbearer, has homoerotic connotations that are easily misinterpreted today. Shakespeare delicately acknowledges the suggestion, to be sure, both in Phoebe's pursuit of a young lady (but really a boy actor) in male attire, and in Orlando's courtship of "Ganymede" as though addressed to Rosalind. Yet this innocent titillation, found also in Shakespeare's source, is not meant to hint at homosexual attraction as we understand it. On the contrary, the point is that Orlando can speak frankly and personally to "Ganymede" as to a perfect friend, one to whom he can relate in platonically spiritual terms without the distracting note of sexual interest.'

"These are eminently sane and sensible remarks. Now from the Introduction to As You Like It in the 5th Edition:

'Rosalind's disguise name, Ganymede, has connotations that suggest ways in which human sexuality can be partly understood as socially constructed. If Rosalind in disguise as Ganymede wins the affection and eventually the love of Orlando, while her father and the others are equally taken in by the disguise, are maleness and femaleness chiefly matters of sartorial convention and superficial appearance? When Phoebe falls in love with Ganymede, is not her infatuation a way of showing that the roles of the sexes can be put on and off? Theatrically, the device of having a young male actor play Rosalind who then disguises him/herself as a young man adds to the witty confusion of sexual identities by introducing homoerotic possibilities. Not only can the roles of the sexes be put on and off, sexual desire itself is unstable...'

"This is ideology masquerading as interpretation.

"To be sure, the range of possible interpretations of Shakespeare's work is wide, for he encompasses all of humanity and tells profound and mysterious truths about human life. Such inexhaustible expansiveness invites discussion and dispute and differences. At the end of the Introduction to Richard II in this volume, for example, there is a brief but superb account of various interpretations of that rich role by leading actors. Professor Charles Forker of Indiana University provides that account; another old-school scholar, he knows more about that play than any other living soul. Too many of the revised introductions, however, are more interested in advancing the latest academic-political orthodoxy than in discovering and illuminating the natural and conventional moral order so abundantly on display in Shakespeare's works. Nothing is more orthodox--still--among contemporary literary critics than the alleged truth that there is no truth, that all interpretations are valid except the author's own.

"Thus Puck in A Midsummer Night's Dream can be presented as "the denizen of a drug culture, with the love potion as the weed he gleefully distributes. The experience of the forest becomes a drug-induced 'high,' for audiences as for the actors. The fairies, sometimes played by adult and hairy males, can exhibit a streak of cruelty." And, indeed, in a recent production at the Shakespeare Theater in Washington, D.C., the fairies were hairy males who carried something like miners' lights. So much for lightness and charm and magic. This same Dream introduction gives the game away in words that are echoed in many of the other essays: "These modern interpretations are arguably neither more nor less 'true' to Shakespeare's text than earlier or more 'traditional' versions. What they do demonstrate is the play's remarkable permeability and openness to differing views."

"The new Bevington retails for $90; in good conscience, I cannot ask students to fork over such a sum of cash for a book that is now rife with nonsense. So next fall I'll assign The Riverside Shakespeare, which fortunately is still in its 2nd edition. I fervently hope it is not soon updated.

"Of course, the Bevington volume has come to reflect the universities it serves, where young students pay small fortunes to be taught that there is no enduring meaning or beauty to be found in the poetry of Shakespeare, no tradition worth preserving, no "truth" other than personal whim and innovative foolery. If the price of the new Bevington is petty theft, the tuitions charged by these institutions have become, at least for the study of the humanities, highway robbery.

"I know a father who gave his son the equivalent of a year's tuition and told the lad to go to Europe, to travel, to observe, to learn for as long as the money would hold out. The young man came back after two-and-a-half years, mature and educated, and instantly found a good job. The time has come for imaginative, alternative learning. I talked recently with a very intelligent young woman who loves literature; she is completing her sophomore year at Yale, where she had hoped to pursue an English Literature major. She informed me with sorrow that she was abandoning that plan. Her reason was quite simple: she had already sat through too many classes where lunacy prevailed. She mentioned the possibility of looking at traditional Catholic convents. Could this be the first refreshing drop of a wave of the future? It would not be the first time that civilization was preserved in the convents and the monasteries. Nymph, in thy orisons, be all of Academia's sins remembered."

(Allen, David White, "An Unweeded Garden," The Claremont Institute, http://claremont.org/publications/crb/id.959/article_detail.asp [originally published March 22, 2004])

I guess it's safe to say that, based on his review, Professor Allen'd give this edition 1 star...right?

I purchased this book as a birthday present for a graduating high school student who is a big fan of Shakespeare.
This volume has a lot to offer to both students and casual readers. In addition to very readable text of all the plays and sonnets, the fifth edition provides historical and literary context, including drawings and photos, as well as insightful essays on each of the plays. The essays include background, plot summaries and discussion of major themes and would be very useful to anyone seeing a play, especially for the first time. The helpful glossary is extensive, so the reader doesn't have to look up unfamiliar words or feel intimidated by the language. Professor Bevington's fifth edition of the Complete Works is a gem, authoritative and attractive. The birthday girl thinks so, too-- she gives it an A+.

This is truly a great book. Not only does it contain all of Shakespeare's works but it also has an enormous amount of information. There's a little bit on his life and a bit more about the theater during his time. There are also some great drawings in the beginning of the book.

I cannot begin to describe how much I love Weis and Hickman's writing - while I will be first to admit that, on a most basic level, Martin, Jordan and Tolkien definitely outshine them in certain areas, I find Weis' work to be more readable on a base level. I -enjoy- reading her work. At times Martin can become a pure chore, and Jordan's dangling plot threads are a monstrous beast of their own - he even spent an entire, HUGE book going over the happenings of a 24 or 48 hour period. It was disgusting. And Tolkien was amazing, but he's unrefined iron in the face of good steel - he was great for his day and age, and is still great - but these authors have learned from their predecessor's mistakes.

I often see people ranting about Zifnab, and his seemingly out of place remarks and references to the past. While I'm not quite convinced Zifnab IS god, I would deeply believe that he is a very, very old Sartan, perhaps one of the first to be born/imbued with their power after the nuclear war that ended what we know of as contemporary society. Zifnab was undoubtedly one of the first Sartan to challenge the Council, because they found the omniscient being their leaders wanted to deny. When you're thousands of years old, probably living only because the Higher Power wills it, you're allowed to be insane, you're allowed to see the nature and pattern of the Wave, and work to correct it - and you're allowed to make references to the ancient past, like to George Lucas (and the Raistlin remarks just get a chuckle every time!).

An amazing writer, Weis will always be in my top five. Forever and always. I hear the words 'cliche' and 'regurgitated' thrown about in reference to her work - so what if they all follow the same staple characters? I find it makes the books more readable in a leisure sense. The first time I read this series, I started on Book 2, read book 5, book 6, Book 7, then went back and read them all. Years later, I've come back and am rereading them, all over again - and am greatly enjoying myself.

No, there is no doubt in my mind - Weis and Hickman will forever go down as some of the best fantasy authors of our time, even if people wish to deny it.

The finest series this side of Dragonlance Chronicles. However hey never gave the series much credibility and for that I wish they had. Deathgate has the best character development, best storyline and a great mixture of comedy and interaction from other worlds, Got to love Wiess and Hickman. Highly Recomended.

This series like all the works of Wies&Hickman are outstanding. They show a great deal of the characters thought procession. The magic is also ingenious and aslmost entirely different than the magic of Dragonlance. After reading all the Dragonlance Chronicles I was reluctant and wary of many of Fantasy Series, though this one was amzing.

I've read the entire Death Gate Cycle and it was great. The system of magic is complex and powerful. The characters are very well written. Not much else to say except you need to READ THESE BOOKS.

Let me first state that this was the first 'series' of books I've read. Now, on with the review: This really was a great collection of books...too good, in fact. I read them twice just to feel the emotion from them. I was unfamiliar with the works of Weis and Hickman. But, I bought them at my library for 10 cents a piece so I couldn't resist them. I blazed through them; the plot grew with my favoring of the books. The last page was turned a few months later, while propped up in bed. I closed the book, and smiled. No works in literature would ever touch this series...ever. I pondered on the books for a while longer, thinking about the characters, climax (which I never saw coming). And thought the authors deserved a five minute hug and large sums of money to compensate for the sheer greatness of these books. And if you find them for 70 cents altogether, take it.

As a former Outward Bound instructor who loves adventure, I found this book riveting. As a business coach I know that learning occurs when we are on the edge, in a little less familiar place. This story supplements the narratives about Shackleton because Perkins takes the story and applies it to leadership. Hence, it becomes contemporary. I liked some of his points so much that I referenced him in my book. I strongly encourage you to read this book. Doug Gray, PCC, author of [ASIN:0975884158 Passionate Action: 5 Steps to Extraordinary Success in Life and Work]]sionate Action.

Perkins uses Shackleton's Antarctic expedition of the early 1900's to identify ten leadership strategies. These stategies have proven useful for me in both military and civilian business settings. Perkins uses real-life examples form the Shackleton expedition in Part One to identify the strategies. In Part Two he uses recent (from when the book was written) business example to demonstrate how these strategies can be applied. This is an easy read and the stories of the Shackleton expedition helped keep my focus on the people that we lead while keeping the ultimate goal in sight. The title of this book applies whether you are leading at the edge of the world, the edge of survival, or at the edge of competition.
"Fortitudine Vincimus"!

This book is a "must read" for everyone aspiring to become a leader. The different life and death situations that Shackleton and his men faced, and how they overcame the obstacles in their way, is an example for all to follow.

The book is written masterfully, allowing the reader to reflect on how different leadership techniques were applied and how to apply the techniques to the situations particular to the reader.

Outstanding Work!

A fantastic text based on an epic journey. The history of Shackleton's ill-fated expedition is a sharp contrast to the modern view which epitomizes personal liberty as the highest virtue.

This book features vignettes from an expedition faced with nearly insurmountable odds that highlight the difficult choices faced by Shackleton and his men. In the face of adversity, they managed to endure, though not without cost. Perhaps the most moving part of the narrative is knowing that, after he and a few of his men made it (barely) to the safety of a remote whaling outpost, he insisted on mounting numerous rescue attempts for his other stranded crew-mates until they were successfully extracted.

I highly recommend this book to anyone, whether or not you are involved in business management. As a father, I found many of the examples and stories inspirational, and I have shared them with my children to teach them the virtues of perseverence and the responsibilities of leadership.

The author, Dennis N. T. Perkins, shows extraordinary insight in leadership with 10 clearly stated principles. Based in strong part on Shackelton's expedition, these 10 principles are not only clearly stated, but truly make a difference. It is obvious that Perkins understands leadership. The book is easy to read, but takes plenty of mental energy. This book should be read by any manager, and should be considered a classic.

The Blue Djinn of Babylon is mouth-watering continuation of the Children of Lamp series. The twins learn more about the advantages and disadvantages of their djinn powers and discover some fascinating facts about their mom. Not to mention twins get separated by the Blue Djinn and have some wild hair-raising adventures trying to find each other. I'd tell you more, but its more fun to read the book! Let your imagination do the walking.

My daughter is a big fan of the series and really enjoyed this book and the first one as well.

this volume and the one after it kept us all involved till the end

The Blue Djinn of Babylon
By: P.B. KERR

The Blue Djinn of Babylon by P. B. Kerr is a story of magic and adventure that I would recommend to children who like fantasy books. The story begins with two unidentical twins John and Philippa Gaunt go practice there Djinn powers on one of the last warm days of the year. John and Philippa have just recently discovered there djinn powers when there Uncle Nimrod told them in a dream. Djinn also known as genies are made of fire so they can't use there powers to its fullest when it is cold. When Philippa enters a Djinnverso tournament (which is an ancient game only played by djinn) she is disqualified when someone takes over her body and says Philippa cheated. During the tournament the Blue Djinn assistant tells John and Uncle Nimrod that Solomon's Grimoire was stolen by himself accidentally! Now they have to arrange a meeting to get the book back. But little do they know it will put the twins in danger!

The Hanging Palace of Babylon is a enormous structure that the Blue Djinn lives and gets to design. The Blue Djinn is the ruler of all djinn good or evil so she must be beyond good or evil to so that it is fair for all djinn. Only women Djinn are allowed inside. The Blue Djinn has invisible maids to clean her house. The Hanging Palace of Babylon is underground in Baghdad. Outside the palace is guarded by terrible creatures. To get to it you must take a boat because it is a underground island. A Giant Bird guards the island and lets no one except the Blue Djinn past. A wish monster guards everything on the island including the Hanging Palace of Babylon.

You should read this book because this book you on the edge from beginning to the end.

Even though I am definitely not a young teen (unless 65 qualifies) I love the Children of the Lamp series. One of my granddaughters bought the first book at a school book fair; I had run out of my own reading material for relaxation; and, as they say, the rest is history.

After I finished The Akhenaten Adventure, I bought the Blue Djinn and Cobra King of Kathmandu. I am awaiting the next three books as much as my granddaughter.

This a very good book. It is written by two people that together have more than 40 years of experience in project management (PM) and provides with real and usefull examples.
I strongly recommend reading to people that already know PM. Its not a basic book in PM.

This is very good book on project management, i am a member of pmi, but in pmi u learn more about project management in general but this book is for IT guys, esply chapter on project management process is good, allso about tackling issues is well documented.

I have applied methods in this book and a related seminar to a number of real projects and have gotten excellent results. I am not an IT person and was placed in charge of systems. The book helped me to plan and execute a huge IT project from scratch.I have 12 staff who were applications programmers of which 2 were analysts. I divided their tasks and attached them to users per the ideas in the book. The approach was applied to enhancements, new systems for tender evaluation and purchasing, and hardware. Per the methods of the book, all arising matters with management, vendors, and users were seen as issues and not as problems. By the team approach we were able to sack one person and reassign his roles. A 4 year project was finished in 2 years. Hardware and WAN were completed in two months. Right now we are planning a project to reach out to the remotest plantations that we own that is another 170 areas. We are using the book here as well. The key idea here is that the methods in this book are different and WORK.

IT projects are very different from standard projects. This books provides an in-depth approach to managing IT projects. It has some very good specific tips regarding risk analysis, the management critical path (as opposed to the critical path), the use of score cards for project evaluation, how to deal with issues, and how to use lessons learned and experience to get continuous improvement in project management. In addition, the book focuses on templates rather than the traditional work breakdown structure-so it is gives greater flexibility. Another novel approach is use of the team members in participating in project management. Overall, very useful and informative.

Our organization has reviewed over 50 books in IT and general project management from the view of usability and useful methods for a multiple project, complex environment. We found books like Schwabe and Menche somewhat useful, but very limited in dealing with the actual problems faced in projects. There was just too much introductory material. This book, on the other hand, is very useful in that it addresses problems such as scope creep, changing requirements, high management expectations, dealing with vendors and users, and other specific issues. It is also being translated into Chinese. This is the book you should get if you want to address problems in real projects and want specific guidelines.

A collection of short stories and traditional medical treatments. Reading for entertainment. Choose this book if you find comfort in other peoples problems or want to know if your symptoms could be lyme disease. Not very well written, more a collection of chart notes. If you need ideas on where to turn next, you may want to read this book. If you are well informed about lyme disease you will find this book a waste of time.

The patient stories are eye opening, to say the least. It's puts in perspective what the Lyme patient has to go through to get diagnonsed, and get coverage from Medicare or insuranrce companies (not!!). Everything is out of pocket. Read about Joan, the last patient, a Canadian, who has to deal with her government, and the U.S. Very frustrating!!

This is an incredible book. It might not be for someone that has just been diagnosed. But if you care for someone with this disease it helps you to get a sense of what they are going through. Once you are committed to getting better it is important to see that others have had to deal with some similar hardships and that you are not alone.

This book is excellently written. As a student of public health, it's great to see a book that shows the effects of lyme disease on those who have it. It's a great resource for contacts if one contracts this chronic illness, and builds empathy for those who have contracted it. Most importantly, it delivers the message that treatment for lyme disease must be sought immediately, and that the current methods of treatment are often times ineffective. Overall, an enlightening and excellent piece.

This book is incredible. It highlights the extent of suffering and the strength of spirit of the people who weer affected so terribly by such a misunderstood disease. I would highly reccomend that you buy this book-- even if you yourself are not in any way impacted by Lyme disease, this book is an inspiring and educational one.