O'Connor Books

What a wonderful book! Well, I admit, mostly I like looking at the pictures. But even for someone who's completely grown out of pink and purple, I often read this book wishing I could have the self-confidence to dress just like Nancy. I've read things about this book saying that there is no deep message, but I think there are several. I love that Nancy's parents make room for her to be herself even though they don't act like she does. And I love that Nancy has the desire even at such a young age to see beauty and elegance in everything around her. Her parents don't let her do everything she wants (think of the time she goes to her grandparents' anniversary party) but they let her do enough to let her personality shine through. And as for being too dramatic - I believe that the only people who believe that over-the-top clothing and attitudes are wrong are the people who need to take a deep breath and figure out why they spend that much time thinking about stuff like that.
Keep being Fancy, Nancy!!

Nancy is sweet, cute, fun and fancy!! This book is perfect for any girly girl- big or small! It's also a great way to teach your little ones BIG words!
Mommy's High Heel Shoes

This book is adorable especially for little girls who like to dress up and look fancy. The story is heart warming and funny but in the end, it teaches about love and family. Nancy's search for way to sound fancier also teaches children wonderful new vocabulary words(sometime in French as well).

The pictures inside and the story may be uber-cute but doesn't anyone find the cover picture a little bit JonBenet Ramsey creepy? It's basically what makes me reluctant to give this to any little girl.

How will this book make children who don't have fancy things at home feel? I think materialism is a vice that doesn't need to be taught in a children's book. Enough people learn this on their own, why try to instill it in a 3 year old? If you want a book about a cute silly girly-girl, buy Madeline.

I had never heard of the Fancy Nancy series until my daughter was given this as a gift. I love it, and both my daughters love it (ages 5 and 2). There are only a few sentences on each page but they are filled with [...] words, like "exquisite," "thrilled," "scowl," "ecstatic" and many others. Plus it gives a little French lesson ("Oui" and "Bonjour").

I highly recommend this book!

Excellent book . My granddaughter has enjoyed all of the Fancy Nancy books. Great messages for children

My daughter absolutely loves Fancy Nancy - these books make for great reading and the illustrations are perfect!

This book is really cute and has a nice story. I enjoy reading it to my daughter.

Fancy Nancy Bonjour Butterfly is a wonderful book that i gave to 2 pre-schoolers and they both loved this book- both the text and the wonderful pictures in the story. Kudos to the author.

This is a very useful book for will be speaker.
The book is very easy to read.
I'll recommend the book.

This is an informative and creative handbook aimed at the occasional to frequent presenter who may be nervous, unpolished, or just looking to improve. Kevin and Cyndi write colorfully, keeping your attention by using stories and short chapters devoted only to a narrow topic, intentionally making it easy to flip to what you need to know right now. The simple fact that they make the best of what could be dry material is enough to convince me that their suggestions have merit.

If your job includes speaking to audiences for the purpose of departing meaningful information, then you must add this book to your list. Every once in a while it is a great idea to polish your skills with the latest and greatest information. "Present like a Pro" is a well structured book that departs from clichés and goes into detail around the art of public speaking - from conquering the butterflies, to really impacting messages that stick!

I had the pleasure to meet Kevin a corporate training day a few week sbefore purchasing the book. I found him to be one of the most relevant, grounded and effective speakers I had ever attended. Once I found he had co-authored this book, I bought it within days.

This book is one of the finer books on public speaking I've ever reviewed. The beauty of it is in it's ability to be used in many ways. For instance, if you just want to hit key chapters relevent to your particular engagement it even offers which ones to read. It also offers a end-to-end approach which I think flows well for those who need a complete point of view in their speaking.

I would take issue with a previous review noting the lack of A\V embesshiments to speaking such as powerpoint... This is a book on building successfull tactics to speaking. It offers key strategies to prepare, connect and flow with your audience.

I have always dreaded speaking myself, not out of phobia, but out of a lack of confidance to think on my feet. This book really identifies why a good presenter has made themselves good and how we can use those same techniques.

I have attended a few "be a better speaker" workshops which focus on a few of the ideas presented here. The difference in this book is in it's completeness and relevence. I will bring it with me to every speach I make from now on.

I bought this book last year based on the reputation of one of the authors. I present about 25 times a year and I found the book very useful. I used a number of tips and techniques immediately with good results. The authors practice what they preach in their writing structure and style, proving the effectiveness of some of their techniques/points.

I used it teaching beginner lessons. It really helped me come up with new and creative exercises for the kids to do. You replace the jumps for rails on the ground for students that do not jump yet. I love it and use the exercises in this book all the time.

Brilliant diagrams, excellent keys, simply mapped out and laid out information for difficult and also the easiest of dressage manoevres. It's bound at the top for a vertical flip, with a hole punched down near the bottom so you can hang the book on a nail on your bulletin board or at home and keep it open while you study it. It has handy hints how to achieve positions and gives you ideas to improve certain flaws. It is by far the best book on jumping exercises I have read so far that is dedicated purely to jumping exercises.

Just about EVERY page has another full A4 riding arena on it showing the pattern where the horse is going, it shows crossbars and it shows trotting poles, verticals, gymnastics and where to place them, it shows where you should be directing your horse and what way to approach with an excellent use of diagrams and patterns which have a key right next to it so the design remains uncluttered and simple to read. It even gives you cheap alternatives to make some jumps yourselves and offers quick solutions. A best buy for anyone serious about jumping - or even dressage - to keep their horse supple and to keep their horse (and themselves!) from boredom. Brilliant.

The best how to book on ground poles and jumping that I have experienced. It's a great tool by an expert to keep your horses (young and old) interested as well as the rider thinking. Linda laid out the book very well. Good illustrations and great explanations accompany each exercise. The ground pole exercises are very helpful to use between jumping lessons. This one is a book to keep and give as a gift to a riding friend!

This book has so much info on different exercises and each exercises has little hits about when to use this exercise and what to watch out for while riding it.

This book breaks the demands or jumping down into a logical progression of skills until it takes the insecure beginning rider into a confident partner to the jumping horse. If these lessons are followed correctly, it can also take a training level horse into a skilled show jumper. This book is a must for anyone interested int he discipline of jumping.

Superb. Simply. Great literature. The character of John, the main character's friend was the best and most gratifying of all. Please obtain and let your eyes go to work. To think the author died short of fifty. Man, we get burned sometimes.

This simple but beautiful bittersweet story of life among the Irish-American citizens of an unnamed eastern city is a joyful and beguiling tale. O'Connor's characterizations and dialogues are engaging and from my personal experience utterly authentic. I feel as though I have met all the main chacters and could give them names among family and acquaintances. The set piece of Father Kennedy' battle with alcoholism is tastefully done.

I am thilled to see this book being available in hardcover and paperback as well. I read this book about ten years ago and I read it regularly every couple of years. The story is very compelling and the scene of the protagonist walking home through a run-down community is a classic of American literature.

What this book and O'Connor's other novel, The Last Hurrah, apart is the writing. In an era where writers seem to challenge one another to be more like Faukner and less comprehensible to the average man, O'Connor wrote very well and his language is beautiful. From this fine prose arises really deep characters which are flawed and so easily identifiable to us all.

I found this to be a wonderful novel and a great pleasure to read. I have been trying to find this for years and could not in any bookstore. While this could not translate to the movies as easily as Last Hurrah, I found this to be so much more interesting. A truly Catholic novel, it is a joy to find something that takes spiritual issues seriously and yet is hardly preachy. And if you are Irish, the dialogues of the "friends" of the family will make you laugh outloud while reading. This brought back the charms and frustrations of my childhood and my own family of Irish aunts and uncles. Long but worth the effort. A great find.

As I was reading THE EDGE OF SADNESS, I couldn't help but think that in 1961, when this Pulitzer Prize winning novel was published, it must have been rather controversial. It dealt with the humanity of priests, noting flaws but in a respectful manner. While some writers such as Georges Bernanos dealt with such issues in his DIARY OF A COUNTRY PRIEST, American audiences were still used to the Hollywood Big Screen concoctions of Spencer Tracy--Father Flanagan/Bing Crosby--Father O'Malley models of priesthood. While the priest in THE EDGE OF SADNESS may be worthy of the warmth and love given to his movie counterparts, he's hardly perfect.

The novel tells the story of an alcoholic priest named Hugh Kennedy beginning again in ministry in an older, run down parish. Readers get a sense he's not the priest he once was, and throughout the novel we learn of his early ministry, the ramifications of the death of his father, the struggle with alcohol, and the loneliness that is a real part of his life. The book is written in the first person, and we hear the story of his life as he tells of his rekindling of a friendship with the Carmody family: Charlie, the patriarch, his son John the priest, Dan, the ne'er do well, Helen, the outspoken sister married to a doctor and Mary, the daughter who remains at home to care for the aging but still independent and at times ruthless Charlie. We also meet a host of minor characters: Helen's husband Frank, their son and daughter-in-law Ted and Anne, Charlie's longtime friends P.J. and Bucky, Roy, the maintenance man who works at Fr. Kennedy's church, and Fr. Stanley Danowski, the endearing yet naïve and at time nerdy young curate at Fr. Kennedy's parish. As the events of the novel unfold, we see changes in Fr. Kennedy as he discovers his love for God and his vocation.

This is an older style novel in many ways. O'Connor is not short on words and he gives a number of details, yet the novel flows and is a fast read for a volume of nearly 650 pages. The issues of struggles in priesthood, vitality of parishes, older priest verses younger priest, unstated yet real competition between clergy people, and a hunger for God are all present in this book. In some ways if some historical details were changed in the book, it could be about modern day Catholic life. Perhaps this is the power of this book and why it can seem timeless. While it tells a story from an earlier day, it's not an invitation for nostalgia, at least for Catholic readers. Instead it will remind readers of what truly matters in life: the importance of faith, and the importance of having people who love us and people we love in return. While it may seem dated in some ways, readers will agree that the editors at Loyola Press were correct in reissuing this book as a classic.

My husband purchased this book, but I'm going to write a review for it. He loves it, BUT...read the other books referenced in this book first, otherwise there may be some spoilers in this book. My husband only read part of it and then ordered one of the other books before he reads the essay about it in this book.

Flannery O'Connor has offered a challenging call for Christian artists to be good at what they do. She has reminded the church that beauty, the senses, and art must not be neglected.

When I first read some of Flannery O'Connor's short stories I was baffled and a little disturbed by them. This book helps the reader to gain a deeper appreciation of O'Connor's craft, of her use of the grotesque, and how she exercises her art. To read O'Connor merely on the surface is to do it all wrong. There are many levels on which she is writing and on which she can be read. These essays not only serve as a guide for those seeking to understand O'Connor and her art, but in a more general way they serve for all readers and writers alike, by providing insights on the craft of writing.

The recurrent subject in this first-rate collection of essays and occasional pieces is the business of writing. O'Connor was scrupulous in her insistence that the writer begin with the humblest of materials, the sights, sounds and smells of the concrete world. She found unreadable, apparently, those writers who had nothing to offer but one abstract psychological insight after another. At the same time she recognized that writers skilled only in giving the world's body a fond description would never transcend mere competence. And of writers merely competent, she asserted that there was in her time a glut. What distinguished the writer of the first rank, always a rare bird, she maintained, was vision, vision of a sort, allied with the aforementioned competence, that enabled such a writer to reveal through concrete events something of the mystery of our existence and experience on this odd planet. Such vision, she consistently held, was a gift that could not be learned in creative writing classes. Therefore, when asked if she thought such classes for writers stifled many talented practitioners, she quipped in her memorable style that such classes, unfortunately, "didn't stifle enough of them."

I haven't read anything by Flannery O'Connor since "All Things That Rise Must Converge." I fell in love with her stories. There is so much life in them. I read this work to get an idea about her "sitz im leben", her life-situation, her milieu. A lot of it is correspondence, and there are some presentations as well. I am wondering if it speaks to the modern would-be novelist as much as it spoke to writers of her time and place. She says that one needs to write out of the context of where you are: the place, the people, the geography. This is mandatory, not optional.

This book is for writers. I appreciate her writing about how to be Catholic in the South, a very small minority. She has contributed much to finding faith in the stories of life, even violent and brutal stories. I look forward to my next work of hers.

David Crouse's Copy Cats is a book of fictional short stories revolving around characters that are on the fringes of society searching for their sense of self and struggling with truth and lies. Crouse's characters are unable to cope with reality, so they fabricate stories (or lies) to make their lives meaningful and justify their own actions. The structures of the stories are all a kind of twisted irony. The truth and reality the characters live in are presented very simply. By the end the reader is either extremely confused or distraught at the happenings of the story, or a mix of both. And yet, through all the darkness, confusion and irony, the reader is drawn to the beauty of the writing and the almost intimate, personal window given to the reader through his style of writing, allowing the reader to catch a glimpse of the struggle these characters endure.

Crouse writes modern tales in a modern world. His story Click, a novella, is filled with conflict, longing, tension building up to a slap in the face of reality. If you bought the book for this story alone you will come away feeling satisfied with the overall product. Crouse is an excellent writer that tells a great story.

The characters are dark and foreboding, with good intentions through every situation Crouse's protagonists deal with. The plots are cutting but believable. It is as if you were listening to a friend telling you a supremely odd tale tempting you to cry out, "No Way!" right in the middle of them. Stranger things do happen in the real world, and when they occur they are the things one talks about over and over again amongst friends and at gatherings.

I highly recommend this book.

This is an incredible collection of short stories, deserving of the Flannery O'Connor award. Buy it, it's wonderful!

The kind of book I love to savor, but can't put down. Every single story is a treat, with unforgettable characters that want to stay longer than you wish.

I think of that line, taken from a Silver Jews song, because it describes this book fully. These are real people--fringe, or whatever you want to call them. There is something true about this book that some people may not want to admit. The sometimes broken nature of our selves that plays out in unsuspected ways runs rampant through these stories--they are stories about here, about now. Buy this, you need it.

Also, look for a fun little story by Crouse in the Dark Horse Book of the Dead.

How sweet the sound that saved this wreched human race. O'Connor writes of God's love and redemption of humanity. She uses exaggeration to make her point. Her characters are so very silly, obtuse, bigoted, loathsome they become cartoons, yet there is a deep integrity to their shallowness. She's not making fun of them, but giving them the justice of a pitiless description. Indeed they do not seem judged, but naked -- the fruits of their stupid, misguided ideas and actions on display. And these children of God do shocking things to others and themselves. And yet . . ..

And yet God allows them to live and learn, or not learn if that is their inclination. He gives them this freedom. He loves them. How can this be? How?

I love O'Connor for her art, her convictions, her courage, and her love. She is so very true and honest.

In addition to her novels and a thorough selection of short stories, there is a chronology of her life and a selection of her letters which are rewarding reading. The book itself is a wonderful object. The pages are of fine paper. The binding is such that you can lay it open on a table without breaking its back, and the pages will not move unless a breeze or you do so.

I am thoroughly enjoying this authoritative collection of O'Connor's writings. The writing speaks for itself as truly great and unique. This particular book is very classy and well put together; an excellent choice for someone with a significant interest in O'Connor.

The complaints about the poor organization of the collection can be overcome by simply reading it from front to back. Surely it is that good.

My foray into the works of Flannery O'Connor, a southern, gothic author of darkly humorous novels and short stories came via a recommendation in Harold Bloom's, "What to Read and Why." As it turned ot, I had read one of her short stories, "A Good Man is Hard to Find," in a collection somewhere and had been surprised and shocked, by the turn of events and ending of the story, so much so, that I remembered it instantly, even though it has to have been thirty years since I read it. I enjoyed everything, short stories, novellas, and even her letters. She writes about southern Christ-haunted people, most backward, all damned, but many redeemed. Bloom says that according to her, we are all damned but one should put that aside and simply enjoy her beautiful, grotesque, and wonderful comedic stories. Her protagonist is often a woman, forced to take on a role and duties she didn't sign up for but resignedly and with no illusions playing and discharging both out of a sense of morality or necessity; those women are usually the most superior beings in her stories.

Many of her insights stick with me months afterwards. For example, O'Connor says in one of her letters, "...Hazel's integrity lies in his not being able to do so. Does one's integrity ever lie in what he is not able to do? I think that usually it does, for free will does not mean one will, but many wills conflicting in one man. Freedom cannot be conceived simply. It is a mystery and one which a novel, even a comic novel, can only be asked to deepen." That brought tears to my eyes -- perhaps because it is so beautifully put.

Now that I've read everything by O'Connor (including works that were part of her thesis for her degree in writing) I am still amazed and inspired by her work. I'm not from the south or Catholic and I was not alive during the eras of which she wrote, but her writing transcends region and time. My favorites remain A Good Man is Hard to Find, Everything That Rises Must Converge, and Revelation, but I love all her stories, although I find the novels a bit more challenging - I think short story was her finest form. Her ability to mix desperation and violence with comedy is amazing, and often when I read her I think: "I shouldn't be laughing at that." I often wonder what additional work she would have produced if she had not died so young. Highly recommended.

Oh yes! I adore her, and so do my mum and dad. They talk about her all of the time, and so I grew up with the prose ringing in my ears. I am so pleased to be reading her now.

This book is darling and fun to read with a kindergartener/first grader. If you like the other "Fancy Nancy" books, then you'll be pleased with this one. You can't beat the price.

This book is a good self-reading story with a fun character my second grader can relate to.

My daughter loves Fancy Nancy books. I think the character is cute and perfect for little girls. This is a starter book, but I figured she could pass it on to younger friends and get them started on Fancy Nancy after she reads it.

My five year old daughter enjoys listening to Fancy Nancy and recites pages and those 'fancy words' throughout her day.

She's charming...and you can't help but love her. How cute it was that she thought she had finally met a real French person...oh well, Paris, Texas isn't very close to the Riveria, but as the book says, she did make a new friend, and that's a good thing too.

is like the impact of violence," Flannery O'Connor once wrote, which doesn't explain her stories but does help illuminate them. Having read her short stories and seen the cult film of Wise Blood, I nevertheless approached her letters gingerly. However, they hail from a time and tradition when letter writing was not only an art but a means of expression and communication. She works out a lot of the ideas she's writing about in her letters, which makes reading the finished works that much more fascinating.

O'Connor raised peacocks and lived on a farm in Georgia, but she also had lupus, an incurable disease. She's not sentimental about it (or about most things); she'd be a candidate for a Catholic realist (if there is such a category). Almost any writer or reader will find these letters fascinating for what they reveal about O'Connor and her method of working. Almost any spiritually-minded reader will find them equally intriguing for her insights on the human condition. Because Protestants don't have sacraments (Catholics have seven sacraments, Protestants have two), she once suggested, they have to make everything up as they go along. That seems to me to be the case in some post-modern churches where, it would seem, anything goes. But it would be incorrect, as Ralph Wood shows in Flannery O'Connor and the Christ-haunted South, to think she therefore held the fundamentalists who people her books in disdain, as did liberal Protestants and much of society in her time. Her generous nature is one reason so many are returning to reading O'Connor, and so many new readers are discovering her.

My thirty-five-year-old copy of this book is worn to tatters, and not just because of O'Connor's killer sense of humor. When overwhelmed by it all, this book does the trick. These letters won't be what her readers expect. True, they are ironic, economical, vivid, and eccentric. But their eccentricity runs not to blood, evil, and delusions; it runs to peacock farming. And--although a few noted writers are correspondents-- O'Connor mainly recounts the daily routines: setting the table, collecting the mail, entertaining the neighbors, reading the latest book. But seen through her eyes, these events are page-turners. Meanwhile, without one grain of saccharine, she conveys her acceptance, contentment, and steely dedication to writing while crippled with lupus (which killed her before she was forty.) But no bitterness here. Not only do you get absorbed in the writing; your own problems become trivial. By the way, aside from being one of the best writers I've ever read, she may also be the most authentically southern. By this I don't mean she's from the south. I mean she nails southern speech without ever resorting to embarassing attempts at "dialect."
If you're from the south too, you'll know what I mean.

This book is wonderful. If you're interested in O'Connor, you should definitely read it. AND, if you're NOT interested in O'Connor, this will make you interested in her. This book gives meaning to all her other stories.

I thought the title, "The Habit of Being" was extremely strange. But as you read it, it becomes very clear why a) it was titled that and b) O'Connor exemplified that motto.

Throughout this book you will see a thoughtful, kind, and analytical artist love on her work and her friends--in the most natural, uninhibited way. She spells words wrong. She speaks of her failing health. She talks about life on the farm. In the next letter it'll be theology and Aristotle though. It's beautiful and you will learn a lot from it.

That said...it's almost 600 pages long. BUT, I couldn't put it down.

She's witty and extremely funny too.

One of her best friends complied this set of letters to share the real Flannery with the public. That she did, and it is a blessing indeed.

These letters offer deep insight into the importance of the Catholic faith to Flannery O'Connor and to her audience of a number of decades ago. I found it an important book for today as well because we are still breathing in the toxic gas of nihilism. Not only did I enjoy her writings, but I found them to be exceptional well constructed.

Flannery O'Connor's correspondence is a fine testimony to humor, faith, and work in the life of a fascinating and absolutely unswerving human being. As she says in a letter to Andrew Lytle from this collection, the fact that she was a Catholic kept her from being a regional writer and the fact that she was a Southerner kept her from being a Catholic writer. If you want the best tutorial you're apt to ever read on how to write fiction, forget the usual "Write a Novel in 30 Days" garbage and get a copy of THE HABIT OF BEING. She'll also teach you quite a bit about living.