Nova Books

It was a used book but was in good shape.
the book was send really fast.

Read this book before you read "Rain of Gold". "Wild Steps of Heaven" is a short read and actually the paternal part of the family story. I wish Villasenor had included the info in Wild Steps of Heaven" in "Rain of Gold". Both books are a wonderful patchwork of history,and genuine family integrity. Excellent summer read!

In times of hardship heroes are needed and none moreso than in Mexico as revolution rages. The Villasenor family patriarch, an exiled red-haired Spaniard, has married an Indian woman. The first ten years of the marriage are a time of great love and passion, and the children born first are fair and favor Don Juan Villasenor. Later children are dark like their mother. One of the dark ones, Jose, from age 12 must live in the barn because he defied his father and gentled a stallion to rescue his baby brother holding onto the leg rather than shoot the horse. In his exile and solitude a hero begins his training with Grandfather Don Pio Castro who knows Jose understands the power of love and gentleness. This will be the son who defends la familia during the revolution from the soldiers who time and again attach the village. The colonel commanding the troops more particularly desires Jose's true love Mariposa and destroys her. Ultimately, the younger brother Juan (author Villasenor's father) begins to show heroic tendencies himself and will be the one to defend his mother and the remaining family against the colonel. Villasenor moves the tale along with a powerful, songlike cadence. Notable characters are the giant cousins, Basilio and Agustin, who strip naked and race the lightning and then Halley's comet on January 17, 1910, a night of magic and love, the day before el colonel begins shooting up the home village, el paraiso de Los Altos de Jalisco. Each chapter begins with epigrams featuring "Great Father Sun" that provide a sense of power from above, as in "the heavens smile . . . as all around him the gods and serpents did battle." When the final epigram tells us "and out of these children of the earth and of the stars would now come a glorious new gente in all their wonder and fire," we realize that while we have been traveling through an exciting story with more twists and turns than fiction, we also have been participating in something approximating a creation myth. Highly recommended is Villasenor's first tale of the family Villasenor, Rain of Gold.

I first read "Wild Steps of Heaven" while I was in college. I have never been one who was able to finish a full book, but I couldn't get enough of this one. And once I was through with it I had to go out and find more books by Victor Villaseñor. He makes everything seem magical but at the same time believeable. It is like the ultimate adult fairy tale. Each character has so much life. The story is one that you just want to follow, you want it to keep going. Even the sad and painful stories shine with beauty as Villaseñor tells them. This is my absolute favorite book and I highly recommend it. You won't understand until you read it.

This is a wonderful book. This book is about a family living during the Mexican Revolution.His writing just takes into this magical world and even though you know that he has made a little piece of history into this great big piece of fiction, he does it so as a matter-of -fact that you just can't believe that it's not true.

Mr. Kofi Akosah-Sarpong wrote an excellent review of "Africa and the West" by Godfrey Mwakikagile, an academic author from Tanzania who has written many books about Africa, seven to date.

It is a major African work in the African Renaissance tradition and dignifies Africa, especially in the author's philosophical discussion of the African personality and Africa as an organic entity, in a way many African writers don't. And as always, as in his other reviews, Akosah-Sarpong captures the essence of the author's work few reviewers are able to.

There is, however, one semantic detail that needs to be clarified. The reviewer says: "Meanwhile, though the book deserves to be taken seriously, Mwakikagile states in the introductory chapter as if he wrote the book with another person by stating 'we' repeatedly."

As a well-read person himself, I'm sure Mr. Akosah-Sarpong knows it's common for writers, especially for academic authors, to use the first-person plural 'we,' instead if 'I,' in their writings; for example, by saying, "in the first chapter we discussed...," "We are going to address in the next chapter..." May be it comes from the imperial "We," when British kings said "we" instead of "I," and probably still do. It's acceptable in King's English.

One renowned African academic author is Professor Ali Mazrui in his book "Towards A Pax Africana" and others. As he states in the introduction to "Towards A Pax Africana": "In general terms we are concerned in this book with...We do not propose to limit ourselves to..." In chapter one, he states: "In this book we define diplomatic thought to be..." In chapter two: "In the last chapter we discussed utilization..." In chapter four: "We hope to discuss..." In chapter five: "We pointed out in the second chapter that..."

It does not mean Mazrui wrote the book with another person.

Otherwise Akosah-Sarpong's review of Mwakikagile's "Africa and the West," is not only excellent, but one of the best I have read of a major African book by one of Africa's prolific authors.

An impressive range of scholarship. The author's knowledge of the works of leading Western thinkers - from Kant and Fichte to Heidegger and Montesquieu and others - and of African philosophical traditions, is indisputable.

A lucid thinker of penetrating intelligence, Godfrey Mwakikagile is one of those Africans writing scholarly works to reclaim the dignity of the African personality that has been subjected to so much abuse since the imperial powers conquered Africa. Yet he is honest enough to admit Africa's mistakes, and shortcomings, including many in the glorious past of ancestral ways so much glorified by Afrocentric scholars.

This is a vital text in the study of African philosophy and identity, an area of abstract ideas in which the African mind is grossly underrated.

And the chapter on South Africa is a brilliant analysis of where this multiracial nation may be headed after the end of apartheid. The legacy of apartheid may be with us for generations to come; a bleak prospect for a country that is a beacon of hope on a troubled continent.

To be a modern African is perplexing experience. Not only is Africa the only region with the most dominant of foreign values, but the African, more especially the elites, are confused, transmitting such confusion unto the entire African personality, and making the African not only misunderstand himself/herself but difficult to explain himself/herself to the world about his/her personality.

Godfrey Mwakikagile, a Tanzanian journalist who worked with Tanzania's leading mass circulation "Daily News," echoing a familiar rallying cry, argues passionately for Africans to return to their native roots for balance and order. "Africa and the West" is also a reflective treatise, especially in its philosophical discussion of the importance of African values, history and tradition, African philosophical concepts, and way of life in pre-colonial times as compared to the advent of colonialism. "Africa and the West" is also an uncompromising demand for dignity and respect for Africans which they have been denied by today's leaders, which was not the case in pre-colonial times and continuing, as the author says, though contentiously, under traditional rulers in most societies across the continent today.

The author says the traditional leaders ruled by consultation and direct mass participation at village meetings. How to transform such pre-colonial consultation and direct mass participation across Africa's 2,000 ethnic groups in order to usher in democracy that fits the African environment is missing.

Mwakikagile recognizes Africa's natural beauty and abject poverty, diseases and disturbing ignorance, but his thesis aims at Africa's weak unity - "That is one of the main reasons why they [Africans] were conquered by foreigners, and why Africa is still weak and poor today." Before Mwakikagile attempts to answer why Africa's weak unity is the root cause of all its crises, he reveals the contradictory nature of Africa: Africa endowed with numerous world-class natural resources but at the same time Africa as "the only continent where it has been so easy for foreigners to take what does not belong to them." Why this? Weak co-operative spirit among Africans, more markedly their elites.

For Mwakikagile, Africa's weaknesses can be located in its personality. So to understand Africa, there is the need to psychoanalyze the African personality in relation to the world, "especially to the West." Why especially to the West? Because the West, more than any other people, conquered Africa, colonized it, brutalized it, demeaned its culture and indigenous institutions, and a large number of Africans, especially those who have been to Western schools, "were brainwashed into believing that they had no history they could be proud of; that all their customs and traditions were bad, and that even their languages were bad. Nothing good."

More than physical brutality to Africans such as Belgium's King Leopold ordering the amputation of Congolese for not meeting working (quotas) as expected in rubber farms or Germans brutalizing and killing Namibia's Herero ethnic group, the author demonstrates that the West's capture of Africa has been more at the metaphysical plain through propagation of ideas that skillfully but quietly demeaned African values. While he acknowledges that not all foreign ideas are destructive to Africa, he also states that not all foreign values are good either. It is here that Mwakikagile takes a swipe at Africentrism, a courageous venture aimed against the excesses of Afrocentric scholars. For Afrocentrists, there is nothing wrong with African values, and in their zeal to recall Africa's glorious past, have distorted Africa's values in order to "inflate our achievements."

His prejudices are firmly on the side of African Renaissance thinkers who recognize both the negative and the positive values of African culture and how to discuss them for the health of Africa's progress. This reveals the balances of Mwakikagile who is honest enough to criticize his own kind regardless of the wrath which he may spark, and which the African intelligentsia need for the health of the climate of the African Renaissance process.

Mwakikagile's piece adds to the struggles being waged by the new generation of African thinkers, journalists, and media outlets such as "Expo Times" (Sierra Leone), "West Africa" and "New African" magazines to open up the African culture, its negative aspects as well as its positive aspects, for eventual policy formulation. The reason being that colonialism did not help the growth of African values in relation to Africa's progress, and African elites, ever weaker, have not been able to mix their colonial legacies with African values unlike other ex-colonies in the development game. Meanwhile, though the book deserves to be taken seriously, Mwakikagile states in the introductory chapter as if he wrote the book with another person by stating "we" repeatedly.

A perfect rebuttal to the imperialist arrogance of the West.
Blunt in its assessment, incisive in its analysis, "Africa and
the West" is a vital work by one of Africa's most important
writers.

He may not be well-known like many others the continent has
produced; at least I have never heard of him, or read about him,
until recently. But that's probably because he's relatively new
on the literary scene, all his books on the market having been
published only since 1999. That alone is a credit to him, a mark
of distinction as a prolific author. And it does not diminish the
importance of his works.

"Africa and the West" is not only a definitive response to the
denigration of Africa by the West and others; it is also a major
achievement in the rehabilitation of the African personality
after centuries of subjugation by our conquerors. Godfrey
Mwakikagile has written an important academic book, which is
also a significant philosophical work about Africa, members
of the general public will find to be equally useful in their
study of the world's second largest yet least understood
continent.

Except for a number of typos, the publisher's fault, the work is
virtually flawless: unassailable its logic, well-documented, and
passionate in its defense of the African personality as a
spiritual and organic whole reminiscent of German nationalist
philosopher Johann Fichte in his lectures he delivered at the
University of Berlin, and published as "Addresses to German
Nation."

In one of the most important books written by an
African about African identity and the concept of the
African personality, Godfrey Mwakikagile's work,
"Africa and the West," is a compelling argument for a
return to roots, what Amilcar Cabral calls "a return to
the source," in Africa's quest for peace and stability,
equality and justice. Born and raised in Tanzania where
he also worked as a journalist at the country's main
newspaper, "Daily News," and at the Ministry of
Information and Broadcasting before going for further
studies in the United States, the author knows Africa
well. His book is also a philosophical treatise,
especially in its discussion of the importance of
African values, philosophical concepts, and way of life
before the advent of colonial rule. The work is also
an uncompromising demand for dignity and respect which
the vast majority of Africans are denied by their
leaders who constitute the modern African state, which
was not the case under traditional rulers in most
societies across the continent; they ruled by
consultation and direct mass participation at village
meetings. The book is also a blunt assessment of
post-apartheid South Africa whose economy is still
dominated by whites, as are most of its institutions.
The chapter on Afrocentrism is one of the most
courageous statements ever made against the excesses
of Afrocentric scholars, by an African scholar himself,
who is honest enought to criticize his own kind
regardless of the wrath he may incur. The book is also
an important work in the history of Africa's conquest
and subsequent colonization by the imperial powers. But
the author could have done better if he had concluded
this important study with a much longer chapter. The
last chapter has some very strong points, but is just
too short. Nevertheless, the book is recommended for
scholars and laymen alike, and has undoubtedly earned
its place in some major public libraries, and in
institutions of higher learning where it is used for
undergraduate and graduate studies like all the other
books by the author. He has a thorough command of the
subject, and the book is well-written without scholarly
pretensions.

I am a hugely ardent fan of the movie... and I think I have to admit that is even better. It goes into a lot more depth, and it is darker - this is apparently what Pogue really wanted to do with the screenplay but couldn't. You get tons more about character here too and the whole story is filled out. There are some very funny bits (Gilbert's first encounter with Draco par example...), and some haunting dark passages - a lot of Einon's thoughts... It's just a beautifully written, very emotional story. In the end it's good vs evil, but heroism is never simplistic here. The main characters are incredibly strong, memorable... not to mention working wonderfully as dramatic foils for each other :)

And everything describing Draco and his thoughts is just beautiful. There's a bit near the end where he wants a last flight and sunshine which breaks my heart every time.

I used to get this book out of the library on a regular basis until I finally tracked down a second-hand copy. The sort of book I will gladly stay up all night reading, and have done.

(Note: this review was written about the book, not audio cassette edition...)

Ijust have to say that I love this book!! Also the movie is Awesome!!!!

DragonHeart was a great movie, and this book is even more! It is about a dragon, Draco, but it is also about morals, codes, ethics, choices, and it was a story that makes you think. It also adds onto the movie, because the book goes much more into depth about the characters and their histories, thoughts, and dreams in a way I think the movie only touched on. I recommend this book to anyone who loves fantasy, adventure, dragons, or the stars.

When I first saw Dragonheart in the theatre my first thought was "I want the soundtrack!" My second was "I wonder if it's a book?" Many things from the movie are more thoroughly explained in the book(like what the things on Bowen's shield are) and at an earlier point in the story. Sometimes its hard to make things clear in a movie without getting too graphic! This book provided me with a lot of good reading because I was able to read it many times over without getting bored. I just hope Mr. Pogue does more work of this calibre in the future

I read this book because of an article I read in which Charles Edward Pogue claimed that his screenplays for Dragonheart & Kull were savaged by their Directors. To give the man a fair shake, I read his Dragonheart Novel. I can see why he was so upset! Wherever the film takes a wrong turn, the Novel goes in the right direction. Everything that is wrong about the film is RIGHT in the Novel. The writing, while now and then a little spare [which is better than overwriting] and a little too modern, is, overall, exceedingly literate [some of the dialogue is close to Tad Williams level]. The characters are believable and involving. The story explains itself and it's world. I HIGHLY recommend buying a copy of Dragonheart!

A deceptively simple beginning, the desire a father has to teach his two sons how to play golf, turns into a powerfully moving story told with eloquence, humor, and humility. If you are a parent or a child, and/or you love golf, this is a book that shouldn't be missed.

The book was right on the money. A lot of your words took me right out to the course and thoughts that were going through my head while playing. My son is only 13 months but I look forward to taking into advise all of the great points in your book. Look forward to reading more from you.

Andrew Shanleys book really hits home. I could see myself and my sons in every turn of the page. It's insipred me to do more and be more for my kids.

I'm a mother of a son, not a father, and I don't golf, but I loved this book! As a parent, it was a great story to read, and offered some wonderful life lessons. Andrew Shanley is a talented writer who truly opens his heart and soul to readers, making this a book with true universal appeal.

I love my son, I love to read, and I love the game of golf. I found that Shanley articulated much about my love for all three. It was as if he had read my mind and put my thoughts and joys on paper. Then I realized that he was describing a common heritage which men that love golf share, a legacy we want our sons and their sons to know intimately. If golf constantly frustrates you, if you never find contentment on the links, if you never think how analogous golf is to life then this book is not for you. On the other hand if you derive joy, peace, and the wonder of God's creation during a stroll across the links; and often reflect about the seriousness of fatherhood and the great truths you must urgently convey to your son then this book will capture your heart, mind, and spirit. I don't suppose there are many golf books that Jack Nicklaus and other pros of his stature can benefit from but here is one. This is the best book on golf I've ever read and I didn't learn a thing that my heart didn't alre

Patricia Eslava Vessey shows us intentionality in making your life become what you want it to be and Ken Piazza Malchiodi teaches that unconditional love means sensitivity toward those who we tend to ignore. Patricia was my "retirement" coach - I went from fear and trembling into a satisfying retirement life! Get a life coach - it is well worth it.

I purchased this book because I know one of the contributing authors--Patricia Eslava Vessey "Discovering Your Core Heart Essence (CHE).

I have had the opportunity of working with her on a personal training level, and liked her outlook on life, it's challenges, and how you can take a "bad" situation and use that as a springboard to find your "CHE."

This book is a great gift for those around you that are in a "rut." I like the different chapters, all written by different authors. It gives a different perspective and anyone who picks up this book will relate to at least one, if not more, of the chapters in this quick and easy ready!

I keep it in the bag I carry with me. Anytime I need a break from the stress, or just need a "pick me up" I refer to one of the chapters. I like the different writing styles, the book is written from their experiences, while at the same time keeps it "real" without getting too "clinical."

I was privileged to be part of the editorial preparation of this book, so I know the chapters intimately. Each of these coaches brings brilliant expertise into her aspect of fostering success in building a vibrant relationship. The chapters are an interesting, easy read, and the contents are both pithy and practical. You cannot go wrong in purchasing this book because it's juicy contents will aggrandize your life! I highly recommend it. I own it!

What a great concept. We are all so busy these days that we don't take enough time to know ourselves and figure out what WE truly need. I really enjoyed the chapter by Ann Golden Egle on Falling In Love With Yourself. This is something we should all do, and every one in our lives will be the better for it!

After reading this book twice already, I'm much more aware where I am in my life, where I want to be, and how to get there. Those coaches are a beacon of experience and inspiration! I was especially transformed with the chapter 'Designing Your Success', where author Denise Braunstein coaches us through an unforgetable step-by-step life changing journey. Simply brilliant. Cheers to your best life!

I wasn't sure at first if I was going to enjoy this cookbook because I am not at all familiar with Latin dishes or ingredients. The recipes in "Latin American Cooking Across the USA" are very accessible, as I've read many of them I've thought to myself "that sounds really good", even ones with ingredient combinations and preparations completely unfamiliar. I am happy that this book dispels the notion that all Latin food is super-spicy, there are subtle and flavorful recipes in this book not just heat ( I think Americans have gone way overboard with hot spices and garlic as if that is a guarantee of good flavor, which it is not). It is also interesting to see how recipes have changed because of availability of ingredients in the US or because of change in tastes by later generations. I can't wait to try so many of these recipes!

This is a great cookbook. If you have any interest in cookbooks that are worth reading, as well as using to cook from, just buy it already. You will learn a lot about Latin American family traditions, too.

More than 10 years ago, while browsing cookbooks at the Strand bookstore in New York, I came across this book, and discovered Puerto Rican holiday recipes. "Why not try them this year?", I thought. So, I made Puerto Rican christmas that year, and ever since. A testament to how good/authentic these recipes are is that in that first year, the guests included my (Puerto Rican) mother-in-law and a family friend in from La Isla. The results we warmly greeted. "Eddie's Puerto Rican Roast Pork" is one of those recipes that is super easy, but will result in an indescribably good dish, and a beautiful centerpiece to your dinner. I have made many of the other dishes, too -- all to great acclaim.

Favorites inclue the "Arroz con Gandules", "Panama Canal Seviche", "Shrimp Seviche", both Flan recipes, and, of course, "Coquito", the yummy Puerto Rican version of eggnog, with rum and coconut.

The stories are as good as the recipes, so even if you don't cook, the book is a terrific read. But, be warned, it _will_ make you hungry.

THIS BOOK IS A KEEPER, FOREVER AND EVER. I FELT I WAS TRAVELING THE WHOLE HEMISPHERE WITHOUT LEAVING MY BED! NOT ONLY ARE THE RECIPES DIFFERENT, IMPRESSIVE AND EASY TO PREPARE, THIS BOOK IS A TREASURE OF CULTURAL ANTHROPOLOGY ABOUT THE MANY LATINO GROUPS WITHIN OUR OWN USA BORDERS. I LEARNED CULTURE AND GOT A FEW LAUGHS AND IMMEDIATELY TRIED SOME RECIPES THAT REALLY IMPRESSED MY FAMILY. IT'S THE BEST COOKBOOK I'VE EVER HAD. IF THE AUTHORS READ THIS, I'D LIKE TO REALLY CONGRATULATE THEM FROM MY HEART!

I tried the Jerk marinade recipe for chicken and curry goat (lamb) and both came out delicious. Even though the jerk recipe I have been following for a while now calls for green onions and brown sugar, both of which are omitted in the recipe from this book, the result (it uses ginger and garlic that I havent seen in other jerk rubs before) was delectable. Following the recommendation of the author, we recently visited Vernon's Jerk place in the Bronx and were very pleased with the food!! I have been dabbling in caribbean/cuban/spanish cuisine for a little while now and this book is a must have if you wanna prepare authentic latin american dishes! This book also has a huge dessert section. Colombian American Guava Bread, Pumpkin Flan and Coconut Bread Pudding all came out excellent! Happy cooking! I am sure this will be a book you'll keep coming back to every time you feel like whipping together something spicy and exotic!

This book features a wide variety of recipes from across the spectrum of Latin American cookery, including contributions by notables Celia Cruz, Cristina Saralegui and others.

Our favorites have been the "Latin from Manhattan" chicken soup, pork and rice, black bean soup, chicken fricasee *and* the Guatamelan coffee. And this Thanksgiving I will be making the wine-infused turkey! Other recipes include pasteles, chicken and beef dishes, milk shakes and desserts.

There are also interesting side articles such as "How Jamaican beef patties came to be sold in New York pizzerias" (I had always wondered about that!)

A great resource for the novice or experienced cook!

I've been a fan of Graeme Base books since I was a kid, so naturally I started expanding my original 2 book collection to share with my son.

Although the illustrations aren't as gorgeous as some of his other books (more of a scratchy/pencil/diff medium style) and every 2-page split is not colorized, they still work perfectly with the story. Really fun read, especially if you've got an eccentric gran/nana in your family.

This beautifully illustrated book set in Australia's outback has the most interesting animals I've ever seen! The multicultural theme can be used in classrooms and at home to promote an understanding of native animals of Australia, relationships with elders, women of independence, and travel. The story is beautifully written in prose and the illustrations are patterned in pencil/charcoal and brilliant pictures.

This is definitely the best picture i have ever read to my children and i would recomend it to all parents and children alike. It makes you smile and feel so content and happy as you reach the last page. The illustrations, superb, the story, edge of your seat stuff.

Recommend t for everyone, young and old.

My Grandma lived in Gooligulch,
Near Bandywallop East,
A fair way north of Murrumbum
(Five hundred miles at least)...

In Sydney and in Melbourne Town,
They all knew Grandma's name,
And all about the animals,
That Grandma used to tame.

THe Australian place names and the premise of the Grandma taming exotic animals (exotic to most non-Australians kids) is as colorful as Grame Base's 11 2-page spreads. The story concerns Grandma (while we're told that everyone "knew her name," we're never told what it is), her taming, training, and befriending of wombats, kangaroos, dingos, goannas and local birds, including kookaburras, galahs, magpies, and coots. The color pictures are beautiful and often wonderfully improbable: A goanna (some kind of reptile) is shown in an easy cair, quaffing some type of drink (Foster's?), while he and a dingo (wild dog) watch a rat balance an Australian coin.

After introducing the animals who overrun Grandma's house, Base's brief plot concerns Grandma's journey (via pelican) over the desert sands and mountins, "until at dusk they reached a place, Where giant tree-ferns grew. There's a lush picture of this riverbank oasis, followed by a dark, fun/scary night illustration of the wombats--their eyes open in fear--"looking nervously around...for a wombat-eating snake." Grandma and pelican journey to next to the sea, where she dons "frilly bathing gear," and rides the waves on a blowup sea-dragon.

HOwever, things take an unexpected turn when Base decides that Grandma will be taken by the tide: "ANnd no-one's seen my Grandma/Even to this very day." This sudden disappearance is tempered by the narrator's speculation that Grandma probably landed on an island and thence to England , Spain, San Francisco, or Tingoor, or (her best bet), that Grandma's "back in Gooligulch, just like before." While the fantasy elements of the book make Grandma's fate less important, and the narrator's speculation more plausible, this turn of events may make the book somewhat unsettling for toddlers, restricting the book's audience to those around the ages 4-9 or so. You'll have to use your judgement. There's no hint that Grandma had a disaster, she pictured (in the narrator's fantasy taming animals "in thejungles of Tingoor" an d heading to San Francisco "On a Western Union train." Still, you might want to consider whrther the ambiguity of what happened to Grandma will be upsetting to your readers. Still, in keeping with the light, silly narrative poem (which is very imaginative and well-written), I think a zanier, more explicit conclusion would have been a better fit.

The other non-color picture are a monochromatic dark brown, made interesting by Base's lined shadings. Unfortunately, these are sometimes too dense, his most effective picture leave more "white space." In addition, Base introduces some of the animals without a nearby reference illustration: You have to go to the inside of the front cover to get the key to the two-page illustration of all the animals located inside the back cover! This is a little inconvenient. Overall, a very good book, with excellent color illustrations, and a clever poetic narrative that will draw engage individuals kids or in group reading.

My kids really enjoy this book. It was a gift from Grandma for my oldest son because he likes to say funny words. This book is full of funny words and names that all three of our kids love. At the end of the book, my daughter always wants to know "what happend to Grandma", so we come up with all kinds of possibilities. This is a wonderful book and is read often as our bedtime routine.

TASTE A HAPPIER REALITY
The Utopian fantasy is reinvented for the 21st Century
in this dazzling
collection of short stories detailing
the eternal life and times of the
denizens of Bullford, a place beyond our recycled human psyche
filled with laughter, hope, and eccentric wisdom.
Written and brilliantly illustrated
by international artist Melissa Henry.
A generous portion of food for hungry minds.

"A remarkable and revealing piece
of work."
(Professor Ronald Comer,
Princeton University).

Just have to say: I adore "THE NOBLE SOCIETY". These very unusual stories put me in a wonderful funny mood.

These "adult fairy tales from another dimention " have a quality characteristics of the best literature: they shimmer.You will get something different from them upon each new reading.

A wonderful exploration of human and social behavior. By brilliantly setting her stories in an imaginary place inhabited by unusual people, Melissa Henry provides readers with an endless stream of provocative insights about the potential and limitations of the human psyche. A remarkable and revealing piece of work.

This was a real surprise. I bought this because of the beautiful cover and the interior art plates, but the stories -- they really are "Adult fairy tales from another dimension!" -- totally captivated me. Set in a society that seems to exist in an altogether different time and space from our reality, the stories that comprise "The Noble Society" offer entertaining, amusing and beautifully written little parables about money, war, eternal youth and other contemporary obsessions. It's a little bit science fiction, a little bit fantasy, some sociology and a dollop of satire. Tasty indeed!

I read a lot of cruising narratives, many of which I plan to review here in time. I find many of these books both entertaining and informative, even if the writer has a different style of travel than I'm interested in or sails a type of vessel I'll probably never own. Most of the books of this type that I read were written in recent years, as cruising has become much more popular due to the availability of fiberglass boats, both new and used, and new equipment such as GPS receivers to take the hard work out of navigation.

Before this new wave of modern cruisers appeared, the pioneers of modern singlehanded or family-style voyaging under sail had to either build their boats themselves or convert existing vessels, mostly built of wood, to their needs. Most sailors these days would stay ashore if this was still the case, but thanks to those who did it the hard way and wrote about it, the way has been made much easier for those of us with an abundance of boat choices at our disposal. Their successes and failures, described in the great books many of them wrote, have saved many of us from coming to grief through lack of knowledge. Most people who sail today and even think just a little about long-distance voyaging and cruising are familiar with the works of at least some of these writers like: Joshua Slocum, Hal Roth, Bernard Moitessier, the Smeetens, and John Guzzwell. But there are other, lesser known sailors from this era as well, and some of the best writings are easy to overlook.

The Saga of Cimba: A Journey from Nova Scotia to the South Seas
by Richard Maury is one such sailing classic that I myself passed up for years, even though I had noticed it from time to time among the more contempary narratives in the sailing section of various bookstores. It was only a few months ago, when I was lacking something inspiring to read, that I decided to pick up this book that was first published in 1939 and remains in print. Upon reading the first chapter, I found myself immediately hooked. This is one of those rare narratives that not only recounts a fascinating adventure, but does so with a captivating writing style that takes you right along and makes you want to find an old fishing schooner and follow in the author's footsteps.


Perhaps the most interesting aspect of the voyage recounted in this book is the time period in which it took place - in the 1930s - before World War II brought the remote South Pacific islands into mainstream consciousness and when practically no one set out to voyage half way around the world for pleasure on a small, short-handed sailing vessel. This was a time of almost limitless freedom for those few who could pull off such a voyage. The world was wide open to them and the rules and regulations and fees that we have to pay for docking and even anchoring in many places were unheard of then.

One of the most difficult hurdles in the 1930s was simply finding an affordable vessel of suitable size and adequate seaworthieness for such a voyage. Maury and his partner in the adventure at last found their ship among a fishing fleet on the Nova Scotia coast. "We first saw her from the top of the cliff. She turned at her chains to every attack of wind, swaying, airy, buoyant, as though cut of fragile porcelain on the sea below. She was a two-masted schooner, almost as small as they go, almost as stalwart...."


The schooner, which they subsequently purchased and christened Cimba, was 35-feet overall with a 26-foot waterline and 9 1/2-foot beam. She carried a fisherman's working rig - gaff mainsail and foresail, and one jib. Maury and Carrol Huddleston sailed her down the coast to Stamford Harbor where they planned to fit out and equip the vessel for the voyage ahead.

From this point on, two ocean passages lay ahead: New York to Bermuda, and Bermuda to the Caribbean Islands. To prepare they made some modifications to the schooner, such as adding a deck hatch to ventilate the cabin, painting the hull and cabin and rebuilding the engine. The also took on the necessary stores and supplies, including everything needed to maintain the hull, rigging and sails. In light of the time period and the remoteness of their ultimate destination, it's not surprising that ship's equipment included a 30.30 Winchester rifle with 1,000 rounds of ammunition, and a .38 revolver and 12-gauge shotgun. Despite the preparations and large equipment list, the schooner "retained an air of almost puritanical simplicity on deck and down below" according to Maury.

Maury's first setback occured when his friend Carrol was swept overboard and lost his life in the harbor while tending the schooner in a storm. This event is mentioned only in a short paragraph. Maury sailed for Bermuda shortly after with a new crew - "Dombey" Dickinson. The schooner proved her seaworthieness in a winter storm enroute that caused a rollover and set fire to the cabin with coals scattered throughout the interior. From Bermuda, the pair sailed Cimba on to Grand Turk and then through the Windward Passage past Haiti to Kingston, Jamaica. From Jamaica they ran down to Panama's San Blas Archipelago and explored some of the jungle rivers of the coast. On the Pacific side of the Canal, they explored the Perlas Islands and then set sail for the Galapagos.

Among the remote Galapagos, so little visited at the time, they came upon a wrecked boat on a deserted beach, with two skeletonsin the sand nearby. They also found fresh footprints and heard a rifle shot from somewhere in the interior. Maury's account of the unraveling of these mysteries again illustrates how different the world was back in 1935 for a couple of adventurers willing to sail to such far-flung islands.

Onward into the Pacific, on the 3,000-mile downhill run to the South Seas, Cimba, working west and south averaged 6.4 knots or 150 miles per day. Maury writes: "The testing of a craft goes on forever - but a point is reached where finally the spirits of ship and men to some degree reflect each other, where often the weakness of one becomes the weakness of the other, the strength of one the other's strength."

Cimba made landfall off Ua Hiva in the Marquesas 19 days out from the Galapagos. Beginning in the Marquesas, Maury and his partner found the South Pacific they were looking for, and their adventures continued through the French territories and then westward to Fiji, where the voyage sadly ended on a reef. Although the schooner was with great difficulty salvaged and rebuilt on the beach, Maury never managed to sail on to New Guinea as planned due to various complications, and ended up leaving her in Fiji.

If you've every dreamed of sailing to the South Seas, or if you simply like good adventure narratives, you will love The Saga of Cimba. If you have an ounce of interest in boats or sailing this book will make you long for a sturdy old fishing schooner that you can fix up and point south. Richard Maury may have written only one book, but the The Saga of Simba deserves to be an enduring classic in the literature of the sea. It's definately worth checking out, but watch out, or you may find it inflicts a bad case of sea fever.

I suspect this is THE book that inspired otherwise sane and sensible people to abandon their career, family and fortune in order to sail off to the South Pacific.

The Saga of Cimba is a masterwork. I find this book as compelling, captivating, and yes even mesmerizing, now as when I first read it many years ago. It is one of very, very few which I can always re-read with unwavering pleasure and delight. Richard Maury has crafted a volume as close to perfect in terms of making the essential -nesses of cruising in small sail boats clear to the reader as any I have ever found. It's facinating to me that right through to the last page he never tells of himself, and only word sketches his alternating sailing companions very briefly. Cimba herself is the main character and Maury never loses sight of that fact. The Saga of Cimba is a book filled with the unpretentious magic of greatness.

This is a book for sailors who love words, and readers who sail. Not an instructor, Maury spends his tale with the spareness of bare poles. Seamen will love the action - and the calms, mostly for the lovely lyric writing and the gift Maury has with print. Kin to the Maury who invented organized navagation charts for seaways, tides, winds, currents; this tale of the smallest fishing schooner to make 1937 ocean history reflects talent aboard and with the pen for Richard Maury. Best book I've read, sadly I couldn't enjoy it from land.

Having sailed for 40 years, I came across an old edition of this gem written in the 30's and was astounded by the economy of prose, yet the depth of feeling created by its author.

It is a deceptively simple story, but packed with thoughts and observations which are thoroughly relevant today. And it is written in a style which came BEFORE the present supermediatic hyperbolic overstatement that characterizes most of what we read and hear today.

It is an excellent gift, and an inspirational work, even if you are never planning to cross an ocean. It is in a word, a classic. (And it is wonderful to think about how these places actually were in the thirties, and to listen to proper nautical language and vocabulary which has been washed away by the advent of the jet plane and skidoo.. Bon voyage!

This book tells the story of Dr. William Karesh, a wildlife veterinarian. Karesh tells us about his early interest in wild animals, and how he came to study veterinary science in graduate school. Following his studies, he used his skills working for zoos and the Wildlife Conservation Society. Now he spends much of his time traveling around the world studying the habits and health of various wild creatures. Highlights of Karesh's stories include nursing an injured okapi back to health, and chasing peccaries through the Peruvian forests. The best tale of all, however, has to be that of the time he was high in a tree, attempting to stare down a jaguar who thought he smelled like a nice hunk of meat. The point of the book is not all light-hearted stories, however. Karesh provides us with some important points to ponder about wildlife conservation and the future of the planet.

Simply put - this is my most favorite book of all time! If you love wild animals, adventure, and a great read - this well-written, heart felt book is for you!

Books by vets are usually very interesting and concern more common animals. This book is different as Dr. Karesh only works with wild animals and puts his life on the line many times during the year.

It is always interesting to discover how a person got into his line of work and this story is no exception. Though he loved animals from birth (almost), being a vet was furtherest from his mind.

This is a good read and highly recommended.

I listened to this book on audio tape, and thoroughly enjoyed it. I didn't realize a vet could enjoy his life so much. Each illness was an adventure, and some were quite dangerous. He obviously loves his work, and won't let anything stand in his way. His stories were humorous and interesting, and just technical enough to appreciate his vast medical knowledge. This book was a pleasure to listen to, and I recommend it highly.