Mitchell Books
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Incriminating piece of workReview Date: 2006-05-28
wonderful, jet disturbingReview Date: 2003-03-04
One of the 20th Century's BestReview Date: 2002-07-18
In his native land this book caused an uproar as the stories pass themselves off as fact but in Kis' style fact and fiction, history and imagination blend for a common aesthetic goal. This he picked up from Borges and his use of "document" in fiction.
All this helps the book stand out as a superior work of literature without even getting to the political theme of revolution and the role of individuals in mass movements.
This edition is perfect with the intro by Brodsky and William T. Vollmann's afterword.
A must read for anyone.
If a man does not erect in this age his own tomb ere he diesReview Date: 2005-06-17
Danilo Kis was born in Serbia in 1935 to a Hungarian Jewish father and Montenegrin Serbian mother. His father perished in the Holocaust. Kis died of cancer in 1990 at age 55. As noted in an excellent introduction by the writer, poet and Nobel Prize winner Joseph Brodsky, publication of A Tomb for Boris Davidovich in Yugoslavia in 1976 created a firestorm in Belgrade similar to the controversies that flared up when Solzhenitsyn's One Day in the Life of Ivan Denisovich was published in the USSR during Khrushchev's thaw. The book was savaged by the Yugoslav writer's union. As Brodsky notes in one memorable line, "there are several topics an author may deal with which can jeopardize his well-being, and history is one of them". The controversy, standing alone, may justify reading Tomb for Boris Davidovich. I am pleased to report that these stories are so well-constructed and laden with meaning that it would be worth reading even if its publication had been greeted with equanimity by the apparatchiks that manned the Yugoslav writers' union.
The seven stories that comprise Danilo Kis' A Tomb for Boris Davidovich have a few elements in common. Each involves a protagonist from a different country, Ireland, Hungary, Rumania, Poland, or Russia. In effect, each protagonist comes from a nation or a group that participated in the Comintern (the Soviet led Third International that coordinated the worldwide activities of various Communist organizations established by Lenin in 1919). Each gets swept up in the machinations that swirled around the Soviet Union's Great Terror of the 1930s. Each ends up either dead or in the Gulag.
With one exception each of the stories takes places in the 1930s. The one exception, "Dogs and Books" is set in 14th-century France at the time of the inquisition. Although that story seems out of place, when one compares the structure and fact-pattern of this story to the title story of the book one can only be struck by the obvious similarities between the methods and mind-set of the inquisitors and the methods and mind-sets of the interrogator in the story Tomb for Boris Davidovich.
The title story is also jarring because it contains many of the same themes set out in Arthur Koestler's Darkness at Noon. In the context of a short story, the brevity and terseness of Kis' language makes the telling of the story considerably more powerful in some respects than Koestler's novel length telling of a similar tale. Even if a reader feels that Kis' story does not quite match Koestler's, the fact that the comparison can be made with a straight face is high praise.
Last, Tomb for Boris Davidovich should be of great interest to anyone interested in the work of the great Argentine writer, Jorge Luis Borges. The structure and theme of Tomb for Boris Davidovich was intended by Kis to be part of a literary polemic between Kis and Borges, specifically concerning the title of Borge's Universal History of Infamy. Kis discusses this literary exchange in one of his essays. In it he asserted that the universal infamies related by Borges were those of gangsters, pirates and highwaymen. Kis argues that as far as infamy was concerned, "infamy is when in the name of the idea of a better world for which whole generations have perished, in the name of a humanistic idea, you build camps and destroy both people and their most intimate drams of a better world."
In many respects, Tomb for Boris Davidovich may be considered as an exquisitely crafted attempt to construct a literary monument to those who died (perhaps naively and foolishly) and for whom bells never rang and for whom the widows have long since stopped weeping.
L.Fleisig
So Sad, So TrueReview Date: 2002-01-28
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This book is a gift to C.Review Date: 1997-11-21
If I rate this book w.r.t any other book on any subject (comparing how much the authors are able to convey the subject to the readers) this book will easily be among the best.
The book is the best for begineers in C and will also be useful to those who know C but are not very clear about the intricate concepts(There are many to be learned in C).
However you should look for some other title if you are going for really advanced programming in C.
You can't go wrong.Review Date: 1997-03-03
What a book! Awesome!Review Date: 1997-08-22
The best books for those who are going to like DilbertReview Date: 1997-01-04
Excellent text, but the source code is pricey.Review Date: 1998-08-05

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Entertaining and Historical!Review Date: 2008-03-02
When Rivers MeetReview Date: 2007-02-28
Great reading.
Travel Back In Time!Review Date: 2007-02-25
One mans adventure through time!Review Date: 2007-02-22
When Rivers meetReview Date: 2007-02-20
Tom Coerper

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Very cute book!Review Date: 2008-07-31
Good book for baby/toddlerReview Date: 2008-07-11
Over and over!Review Date: 2008-05-05
My daughter loves this bookReview Date: 2007-12-23
Interactive Bedtime StoryReview Date: 2007-01-16

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Hiking in My own back yardReview Date: 2007-09-10
Great Read!Review Date: 2005-01-20
A+ for JeffReview Date: 2006-09-01
Each trail narrative is preceded by a chart summarizing 13 "want-to-know" items for the trail: its length, approximate time needed for the trip, a difficulty rating, typical terrain and trail conditions, blazes, water supply, area vegetation, trail highlights, maintaining organizations, sources of maps/guides/contact information, and trailhead directions.
The trails are divided into seven geographical regions, with a map for each region showing the counties and general layouts and locations of the trails there. For each of the 37 trails, another map shows the local roads, towns, creeks, parks, and potential campsites and vistas. The narratives are sufficiently detailed that backpacker armed with this book would be able to save the purchase of many individual trail guides and maps, though these would offer more in-depth information on the history, geology, or other particulars.
This book is a great guide for planning backpacking ventures of appropirate duration, difficulty, and location in the Keystone state. I most recently backpacked the Bucktail Path and found Jeff's summary to be quite on-target. It should be in every Pennsylvania backpacker's library.
jmitch does it again!!!Review Date: 2005-03-16
Jeff Mitchell's Preface in "Backpacking Pennsylvania" is a righteous testamony to those special places which are rapidly disappearing in the 21st Century. "By respectfully visiting and experiencing these places, we can appreciate and protect them" and "Backpacking reintroduces people not only to nature, but also to each other".
Excellent Intro to PA's Surprising Outdoor OpportunitiesReview Date: 2005-02-09
What makes this book a real winner is an outstanding introduction concerning various backpacking issues and challenges, and excellent geographical info for each trail described, especially in terms of trail conditions, locations of trailheads, and contact information. I have completed several of Pennsylvania's long-distance trails, especially in the central and north-central regions of the state, and given Mitchell's knowledgeable and accurate writing I can attest that he has either hiked these trails himself or has talked extensively with people who have. For this reason I am confident about his descriptions of the trails I haven't yet tackled, and you should be too. So if you're in Pennsylvania but are unaware of the adventures in store, this book is an outstanding introduction to our vast backpacking opportunities. [~doomsdayer520~]

Gorgeous!!Review Date: 2001-09-11
Gorgeous!!Review Date: 2001-09-11
What Fairy tales are supposed to be!!!Review Date: 2002-08-10
This book is a wonderful telling of the fairy tale. The true meaning of the tale comes shining through. The illustrations bring life to the printed words.
You will love this book.
Best version of Beauty and the BeastReview Date: 2000-01-31
Beautiful illustrationsReview Date: 2002-06-22

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Great Cooking for TwoReview Date: 2005-12-05
Great cooking for Two!Review Date: 2005-09-27
Cooking for Two can be easily doubled for a party!Review Date: 2001-05-09
My only regret is that the book is out of print. I was intending on giving it as a bridal gift to a young co-worker, but I am afraid a used copy will not do!
Such a Great Book!Review Date: 2002-06-18
Desperately needed!Review Date: 1999-08-01

So descriptive, so tellingReview Date: 2008-07-18
Mitchell came to New York from rural North Carolina, and quickly found a fascination with life in the city. His essays, a combination of oral history, natural history, and psychological observation, reflect his love for the people and the surroundings of New York, with a special emphasis on fishermen and others involved in life around the harbor.
The first essay in the collection, "Up in the Old Hotel," is a kind of mystery--from a restaurant on the ground floor of a building near the Fulton Fish Market, Mitchell leads the reader to wonder along with him what the abandoned floors above may hold. It is this idea of mystery, things hidden from view, which permeate his stories. Whether he is describing the rat infestations on board ships in the harbor or the wild flowers growing in graveyards, his eye for detail is captivating. The narrative in each essay unfolds slowly, following a kind of wandering trajectory like the paths Mitchell takes to visit the individuals whose stories he relates with charm.
The Bottom of the Harbor is a book to be enjoyed slowly. The characters and settings are vividly drawn. The historical detail will delight those readers with an interest in New York's past, and the oral histories will captivate those readers who have a penchant for dialogue and psychology.
Armchair Interviews says: First-class essays all will enjoy.
Old New YorkReview Date: 2007-09-03
This collection is particulary good and Up In The Old Hotel contains more of the same style. The latter book is more readily available although I found a copy of this at the Strand bookstore off Union Square.
He takes you placesReview Date: 2005-04-26
This is the first I've ever read of Mitchell, but he's already one of my favorite authors. Journalism at its finest.
Excellent 1940-50's New York waterfront life short storiesReview Date: 1998-06-12
Exquisite portraits wonderfully writtenReview Date: 2003-07-10
But the best part of the book are the characters Mitchell writes about. They come alive through his portrayals and you will find yourself thinking about them, their thoughts, and their ways of life long after you stop reading.
The book contains six separate stories, each about 40 (short) pages long, so you can absorb them at your own pace without losing the thread. Personally, I had a hard time putting the book down.

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Lasting LoveReview Date: 2002-03-11
Dr. Mitchell, who died suddenly in 2000 at the age of 54, founded the journal Psychoanalytic Dialogues and was renowned for his work in relational psychoanalysis, which features a more collaborative approach than traditional psychoanalysis. As Mitchell's widow, Margaret Black, C.S.W., points out in her foreword to the book, when it comes to his analysis of relationships, "Freud's formulations have not been particularly helpful, certainly not very optimistic."
A shame, really, since it is love, according to Mitchell, that makes life worth living. But nurturing love is no easy task since, as he points out in his introduction, "Modern life, at all points on the socioeconomic scale, is difficult, draining, and confusing." That's where his book comes in, offering guidance on how to look at the differences between love and desire, and how to have both in a relationship; doing so with prose that is often illuminating and even poetic. Describing the need for both security and adventure in a relationship, Mitchell writes, "Romantic passion emerges from the convergence of these two currents," which are "at once both erotic and sacred."
Based on modern divorce rates, Mitchell argues modern relationships are "based on fantasies of permanence." Although we seek committed relationships for security, in reality, rather than safe, these relationships are actually dangerous. "Love, by its very nature, is not secure;" Mitchell concludes, although "we keep wanting to make it so." The key to Mitchell's approach to making love last lies in acknowledging this danger exists and harnessing its energy to restore desire and passion through spontaneity and romance.
He makes a good point when he argues it is curious how separated couples often resolve to recover their "lost youth" through reckless abandon, when in reality, during their youth they longed for commitment and security. Hence, one's youth was not "lost," but willfully abandoned. And when he takes this premise one step further, it stands to reason that within a relationship, we actually avoid adventure for fear of destabilizing our comfort and security. Subconsciously, it's a Catch-22 situation.
The book can be slow going at times, but only because Mitchell's theories - understandably so, given the complexity of human dynamics - are complicated. But if you take the time to sort through them, the rewards could be significant.
It's a fantasy most of us have shared: the-knight-in-shining-armour boy meets his girl-princess; girl marries boy and they live happily ever after. But in the real world, "back in our imagined castle, both the knight and the damsel, alas, often lose their allure." The most common reaction is to deduce that we have been deceived - that the knight was no knight, or the princess was no princess - which is often the "safest" recourse since blaming the other partner precludes the need to look at oneself.
When a patient not named Carl entered therapy with Dr. Mitchell, he discovered that although he still cherished his wife's many admirable qualities he could no longer tell her so since doing so would leave him vulnerable. To him, it would feel like "begging" because "He had come to feel that his stalwart performance as husband had earned him the right to her love. To approach her appreciatively or seductively would be to renounce those claims."
Coming back to the "danger" in a long-term relationship theme, Mitchell explains "falling out of love" with your partner can be a defense mechanism, and "What is so dangerous about desiring someone you have is that you can lose him or her." Especially revealing is the fact that our "ever-intensifying fascination with celebrities seems to feed our hunger for idealization and our fear of its consequences by glorifying and then exposing and destroying our 'stars.'"
At least one age-old question ("Why do opposites attract?") is finally answered here. According to Mitchell, "Opposites attract because they are inversions of each other, the same thing in different forms." If Harry is attracted to Sally because she is outgoing while he is shy, it could be because Harry also has a desire to be outgoing but has suppressed that desire.
When it comes to other advice, Mitchell says it's okay to be "made for each other" as long as you don't take it too far, for "fantasies of perfect harmony and synchrony can be enormously destructive if taken too seriously, as a steady expectation, rather than a transient, episodic connection." But the answers Mitchell offers to his question, "Can love last?" aren't always altogether romantic; especially his advice that "the capacity to love over time entails the capacity to tolerate and repair hatred."
At last, he suggests that instead of doing something to improve our relationships, "Time might be better spent on reflecting on what one is already doing!" "Spontaneity," he notes, is discovered not through action but through refraining from one's habitual action and discovering what happens next." And although "Desire and passion cannot be contrived," they "occur in contexts, and we have a good deal to do with constructing contexts in which desire and passion are more or less likely to arise."
Many of the case studies in the book - although sometimes perverse - are utterly fascinating, and Mitchell has taken relationship theory to a new level.
Try to use your common sense firstReview Date: 2004-12-06
The last illusion.....Review Date: 2002-02-25
Mitchell suggests most relationships don't last because of romantic love. If romantic love exists at all in a long-term relationship, most of the time it does so in spite of other key factors that hold the couple together. In other words, there are many 'ties that bind' and most if not all kill romantic interest.
The most common motivation for coupling is the perceived need for security most people associate with connectedness to another person. Romance is not associated with security, however, it is associated with risk and unknowing. In the end, the need to acquire security via knowing all the details about the beloved, i.e. objectivity or elimination of the 'unknown', overwhelms romantic love. Generally, individuals who grew up in chaotic situations have an excessive need eliminate the unknown and are therefore very likely to kill romantic love.
Dr. Mitchell provides a number of case histories in his book to illustrate his key points -- ideas others have explored that he presents in a fresh and unique way. In the end, he seems to side with the existentialist Sarte who suggested that security is an illusion since death intervenes in every life. Dr. Mitchell asks, will you regret the things you did or did not do in your effort to secure your life? To truly live, one must work past the last illusion.
Should be required readingReview Date: 2004-05-02
Not fade awayReview Date: 2002-10-25
Does passion always fade? Do we need to choose relationships at the base of the pyramid of needs-- passionless but sustaining, predictable but safe? Can we ever sustain that passion that we feel at the beginning of a relationship?
What Mitchell says (with quiet authority that makes me believe him) is that yes, we can, if we are brave enough to really want that to happen. What he argues is that passion, while desirable, is ultimately quite threatening and that it takes both personal mastery and courage to be willing to let it into your life. Mitchell asserts that it is not romance which is the illusion, it is safety which is the illusion. Romance is the thing which brings the reality of the world to us-- with all its danger and complexity. Safety is a veil which we throw over others potentially close to us to keep them from coming close enough to hurt.
Mitchell created a readable book which should appeal to professionals in the field as well as ordinary folk looking for some answers to complicated problems. He builds his arguments carefully using a combination of prior work and original thinking derived from his practice and patients.
Very impressive, thought provoking, and blessedly free from overly complicated language.

Valuable for the unique insights it providesReview Date: 2008-04-05
It was a hard book to sit down and read front to back because the book was structured as a series of quotes from both boys or conversations between them and their family members, and also because the way they phrase things is different from what I am used to, so I instead enjoyed reading a few chapters a day.
I was a little taken aback at some of Jason's attitudes towards women at that time, but I appreciate that he was a high school student at that time and may have matured in his viewpoints since then - I know I am very different from when I was a high-schooler! People with strong religious convictions may prefer to read this book before handing it off to their teen with DS, since the views are largely secular.
This was a valuable and unique look inside the heads of two strong young men who are working hard to be accepted and beloved contributors to society, and I am so glad they wrote this book to share their thoughts with us.
A wonderful bookReview Date: 2008-04-01
As a Mom, I Couldn't RelateReview Date: 2006-07-22
Count Us In by Jason Kingsley, & Mitchell LevitzReview Date: 2003-06-04
very educational Review Date: 2007-05-06
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What was so incriminating in that book, that communist party simply had to make that move? When one starts to question revollution, when one starts to question necessity of one voice-one peolpe doctrine, when one sees in "fight of the oppressed" just a certain kind of tragedy, human misery that has been manifesting repeatedly through human existene, one must become "enemy of the state". And that has not changed up until today, nor it will. But that is the story for some other place and time.
There is much of J.L. Borges influence in this work, especially in the short stoy called "Dogs and books", but you mustn't think that this is Borgesian "collection" of stories. These work are much less artistic (whatever that means) and much more they resemble reality, life itself, than Borges work does.
By telling the story of seven individuals, the lived their life in a countries rich with political struggles, Danilo Kis draws excellent portrait oh human ability to endure, and even so, to somehow fail miserably and be forever gone from this world.
Why the four stars? I was hearing so much of this book, and when I finally read it, it somehow dissapointed me, probably was expecting to much, or maybe is just that, taht I have failed to grasp entire meaning of the novel. So, better to read it again :) If you looked for great writer from, Mid-Southern Europe, Kis is the one you could deffinitely start with.