May Books
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..includes controversial strikes, & (SAG) walkouts...Review Date: 2001-02-26
A great overview of Hollywood from the 1930s to 1950sReview Date: 2000-07-31
"The Big Tomorrow" depicts Hollywood as a 'populist and progressive world that offered a vision of an egalitarian and humanitarian world in film' before the 1950s. The author demonstrates this on the example of actor Will Rogers, a Cherokee Indian, director Frank Capra, and others. May shows that not only film content had changed but the theatres as well. The central themes were gangsters, fallen women and ribald comics while the language and dialects of the folk were used. The theatres underwent a change from lavish, sumptuous ones, where seating was divided between the high-paying and low-paying, to democratic movie houses. The author uses several photographs to illustrate the changes. Inside Hollywood actors, directors etc. formed unions that supported New Deal reforms. The second part of the book explains why World War II and the Cold War reshaped politics and moviemaking in Hollywood. May discusses censorship and the role of CIA agents in Hollywood. Films presented a 'new' woman now. Female characters focused ultimately on a home life that preserved traditional gender roles, symbolized in the rise of 'patriotic domesticity' while during the Depression female characters of 'empowered women' fulfilled themselves. May also points out the change in the portrayal of African Americans and Asians. The rise of anti-communism and its effects are dealt with. Those who wouldn't or couldn't prove their belonging to the communists were suspended. However, they found a new market for a dark 'film noir' that challenged the consensus and set the stage for a youthful counterculture in the 1950s and 1960s.
One of the finest film studies of recent yearsReview Date: 2002-03-03
Before I move on to the considerable praise I want to heap on this book, let me dwell briefly on a couple of negatives. I think this book has a much broader appeal than the author might believe. The book takes an essentially popular subject, and couches it in an overly academic style. As someone with a strong graduate school background (albeit in philosopher rather than cultural studies), I managed to always make sense of his argument, but sometimes only with difficulty. There was also a too-heavy reliance on statistical data for my taste. Clearly he feels that the data gives greater force to and to a degree validates many of his arguments. But I feel that it also caused the book to drag at points.
But overall, this book is a stunner. The thesis of the book is a complex one, and any attempt to state it briefly will distort it to a degree. I will try to minimize my distortion. May begins by arguing that there was a radical shift in social and political outlook in Hollywood in the 1940s. The effort in Hollywood to eliminate political dissent and to promulgate a monolithic vision of America is well known. May argues that this was a break with the legacy of the thirties, in which the Hollywood talking film had developed as a mode of expressing an egalitarian, anticapitalist, and multicultural affirmation of the New Deal. Thirties films were highly critical of big business, with representatives of big business frequently appearing as villains in films. As America entered WW II, however, and began to unify in order to oppose first Hitler and Japan and then the Red Menace, movies reflected a different order, which was nonegalitarian, pro-big business (with big business disappearing as a villain in films), and nondissenting.
May attempts to tell this story in several ways. His brilliant first chapter dwells at length on the movie career of Will Rogers, who articulated a vision of America that varied greatly from the Anglo-Saxon dream that looked to Europe for models of success and social ordering. As May quotes on several occasions, in response to the New England social elite, Rogers, who identified with his Cherokee heritage, wrote, "My ancestors didn't come over on the Mayflower--they met the boat." The second chapter of the book continues this to display many example of multicultural republicanism that permeated 1930s filmmaking. He then proceeds, in perhaps my favorite chapter in the book, to demonstrate how this egalitarian vision of America profoundly influenced American movie theater design. Rejecting the theater palaces that dominated 1920s theater design and which represented an affirmation of the social layering of the European model--with different prices of admission for various areas and separate entrances--American designers moved to a conception where all viewers paid a uniform price and seating was not restricted, with all viewers entering through the same entrance.
The second half of the book deals with the undermining of the egalitarianism of the thirties by a new vision of Americanism in the forties. The first of two chapters devoted to this displays this by articulating the vision of a white consumer culture, where individuals look for freedom in a private realm emphasizing family and material comfort. The second chapter deals with the politics in Hollywood to help eliminate all those who dissented from this vision or who had a political history that did not conform to this vision. These were painful chapters to read, with the ruthless suppression of political dissent. May deals in some degree with the history of the Screen Actors Guild (SAG), which in the 1930s strongly affirmed the ideals of the New Deal and egalitarian ideals. In particular, the career of the first appointed president of the SAG (in the 1930s, the president of the SAG was elected by the membership), Ronald Reagan (i.e., he was not elected by the membership at all) is dealt with at length. May ends his book with a discussion of film noir and its attempt to express dissent from the accepted and sanctioned cultural norm.
Anyone interested in cultural studies, the political climate and culture of the US in the thirties and forties, or the history of Hollywood should read this book. Easily one of the more compelling books I have read on film in the past two or three years.

Good oneReview Date: 2008-06-07
Learn about NigeriaReview Date: 2004-12-06
I learned a lot about Nigeria from these stories. Sometimes, the stories seemed to end a little too abruptly, but I guess that's part of the story format: it has to end sooner than a short novel, anyway.
Mr. Achebe is a fine storyteller and he has many interesting things to say about the people and customs of Nigeria. I recommend this book, but only after first reading his classic novel about 19th century Ibo tribe people, Things Fall Apart.
After reading these stories, I was both attracted to Nigeria and repelled by it (I've never been to Africa). Achebe does a good job of capturing the ambivalence aroused by Nigeria's exotic nature (to Americans) mixed with its societal dysfunctions.
Diximus.
Great stories by a master writerReview Date: 2000-12-08

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We ARE free to think and decideReview Date: 2004-02-09
The ultimate breast cancer reference, naturallyReview Date: 2003-12-03
A very good book giving you all the facts for treatments .Review Date: 1998-01-11

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Exasperating!Review Date: 2004-11-11
I Took The JourneyReview Date: 2003-10-16
Sad, yet InspiringReview Date: 2003-10-16
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A Book for Teenagers and also Grandmothers!Review Date: 2007-03-02
The above paragraph was written by my 15 year old grandaughter, Sadie. As a 68 year old, this book is not what I usually read, but the first page caught my attention and I finished it the same day. 'Butterflies in May' is for all ages!
my most favorite bookReview Date: 2006-09-12
~~Emiley from Texas
insightful look at teen pregnancies Review Date: 2006-07-23
However, objectives change when Ali becomes pregnant. She must decide what to do. The choices are obvious but none simple. Her loving parents want the best for her, but they also want to make that choice. Her boyfriend Matt is confused and bewildered; one moment feeling they can do it if he gives up his artistic dreams and she her journalistic endeavors to raise the child as a married couple; the next just wanting to attend college with no responsibilities except grades. Her best friend Monica is there for her, but Ali knows in the end everything is up to her.
BUTTERFLIES IN MAY is an insightful look at teen pregnancies through the eyes of an intelligent, cautious female who abruptly finds herself needing to make difficult adult decisions, Ali holds the tale together as she struggles with her world reversing polarity from a somewhat carefree existence to making complex adult choices. Karen Hart provides a deep character study-family drama in which the emphasis is to provide teens with honest education, information and knowledge instead of sound bites, shrills, and platitudes. Parents and leaders need to be there not preach as sometimes even a careful person can land in a sticky situation.
Harriet Klausner

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Essential Reading for Every CommunityReview Date: 2000-05-28
A Can't Miss OpportunityReview Date: 1998-08-24
The Gold Standard ToolReview Date: 1999-08-12
Thank you again, for developing such a wonderful and needed tool. Success in saving lives and making a difference in our community will be achieved once we implement the model so expertly outlined in your book.
Sincerely,
Stephanie Mayeaux Program Director
Dr. Chuck Wyatt Medical Director, Acadiana AED Task Force

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This Book helped me in Dating a Chinese GirlReview Date: 2008-06-13
I wish I had read this book soonerReview Date: 2003-12-19
~Most of all, because I grew up Americanized, it helped me understand the Chinese aspect of my life. It helped me understand my parents' actions and helped me understand how to deal with them.
In addition to this book, I'd like to recommend Maxine Hong Kingston's book, The Woman Warrior. It's another great look into growing up American with Chinese parents.~~
Powerful and InsightfulReview Date: 2000-08-09


A keeper!Review Date: 2008-06-09
Chloe May: Daughter of the Dust BowlReview Date: 2008-05-29
The book brings history alive and makes it real. It was written from notes left by the author's mother. The book moves smoothly and swiftly along. It is hard to put down. This family history helps you live history. It's alive! I highly recommend it.
Wonderful read!Review Date: 2008-04-07

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An excellent glimpse of life during the Civil War.Review Date: 2002-12-30
These recipes are taken verbatim from a magazine that was fairly widely read by the ladies of the North and South. They are all dated with the year they were published, in some cases more than once. There's a glossary and notes to help you read the somewhat antique language. There's also a wonderful reference list, with lots of titles for the Civil War historian to look for.
I wanted this book because I love being in the kitchen. I also wanted to improve my knowledge of history, as seen through the eyes of the wives, mothers and daughters. As a genealogist, this book enhances what little I know about my female Civil War ancestors. As an added bonus, many of these recipes sound recreateable in the modern kitchen! This is a great read, even if you're not a cook.
Fascinating reading. Not just a cook book but history too!Review Date: 1999-03-18
Interesting. Well researched & well written.Review Date: 1999-02-26

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Cliff May HomesReview Date: 2008-06-25
Long-OverdueReview Date: 2008-06-08
Cliff May and the Modern Ranch houseReview Date: 2008-04-24
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