Marshall Books
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Best of wesReview Date: 2007-04-17
Best of WesReview Date: 2004-08-12
All of Wolf's books are dead accurate. I have played his cds and origional recordings side by side and the match is identical. He and his band have got every note, every cymbol crash, every lick, everything down identically. The tabs are also right on. Wolf is the only one I've found who gets tabbing correct.
Buy ALL of his books. Not only is he an amazing guitarist, he is also a totally humble man. He even gave me some pointers that have helped me considerably when I first met him at a John Pissano/Henry Johnson gig at Spazios in Sherman Oaks.
Great tool for improvementReview Date: 2006-06-16
Good transcriptionReview Date: 2005-08-29

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Beyond the CallReview Date: 2000-05-10
Beyond The CallReview Date: 2001-02-25
beyond the call, beyond the ordinaryReview Date: 2000-04-16
A nice reading from a knowledgable authorReview Date: 2001-05-29

Only in Christ Can We Have Victory!Review Date: 2003-10-07
Among the important points Huegel cover includes:
1. Instead of imitating Christ, we are to let Christ live His life through us in His power.
2. God must have our consent before He will work in our lives.
3. Being alone with God is worth much more than constantly being around others.
4. The amount of the divine life we experience depends on how much we let Jesus have His way with us.
5. Victory in our life is only achieved by death to self.
6. The devil uses many strategies to discourage and mislead us.
7. How to overcome the devil's strategy.
8. We will also be involved in Christ's Second Coming.
Read and be encouraged to abide more deeply in Christ!
Another Goldmine Read!!!Review Date: 2006-04-11
Highly recommended!!
Buy It!Review Date: 2001-06-05
It'll bring you up to the next levelReview Date: 2003-08-12
It goes into the Nth degree about understanding our relationship in Christ. It really puts the "spirituality" into Christianity. Some churches are dead spiritually. Some have gone off the deep end in chasing, what they think, is the Holy Spirit. What's the correct spiritual understanding for Christians? I think this book shows it quite clearly... real spirituality without the wackiness.
I recommend this book to even "mature" Christians. For those who think they've seen it all, I'll bet they still learn from this one. It goes right to the heart, and it will make you love and live in our Lord much more deeply.

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For my childrenReview Date: 2002-04-22
A "Must Have" !!Review Date: 2004-07-07
Great Gift for Pet Owners or Yourself!Review Date: 2001-06-12
Remembering Significant BeingsReview Date: 2000-11-25
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Thuds going downtown...Review Date: 2007-06-26
Gripping, Moving, Can't put it DownReview Date: 2002-03-29
Although Harrison develops his charactors carefully, the reader is pulled rapidly through the unfolding story with its tragedies and triumphs and - surprises.
If you can find the book, get it. But make sure you have a clear couple of days to get through it.
A MILITARY MUST READ FOR INSPIRING PILOTS TO BEReview Date: 2001-09-27
AWESOMEReview Date: 1997-08-22
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Almost-new conditionReview Date: 2008-04-05
Quick & Very FastReview Date: 2005-03-10
This will be the first place I look for new & used books.
Thanks so much for the quick service
The best textbook on corrections available!Review Date: 2000-10-08
The best textbook on corrections available!Review Date: 2000-10-08

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For Both Directors and Actors, truly "...utterly invaluable"Review Date: 2007-08-10
How do we create the most fertile ground for truthful living on stage? In an almost simplistic, highly organized methodology, Marshall Mason lays out a set of tools for us to use. Mason manages to present this material so simply and lucidly, that almost anyone who picks up this book, interested amateur or Broadway veteran will profit from its contents. This is very difficult material to articulate, but he manages to relate concepts of character, behavior, even consciousness and spirituality in a way that is practical and executable on stage.
Highly useful for both actors and directors of all levels, it truly is "...utterly invaluable".
NOT JUST FOR DIRECTORSReview Date: 2007-07-11
Mary Scriver
So You Want to Be A Director!Review Date: 2007-06-28
Creating Life on Stage--I'll be using itReview Date: 2007-05-16
Not all great directors make great teachers. And not all great teachers make great directors. I'm too young to have seen Harold Clurman's work, but there seems to be a consensus that his productions did not always meet the standards of his wonderful, seminal book On Directing.
Mason's book, written in a clear, often chatty voice, undertakes to describe a system for directors--akin to Stanislavski's for actors--that can reliably clear the way for inspiration and creativity. Mason draws on both his own vast experience and the groundwork set down by other major figures, ranging from Elia Kazan and Sanford Meisner to Anne Bogart.
The result is a rich blend of the traditional and the adventurous, drawing on the best of each. He describes how to make effective use of improvisation to stimulate the depths of actors' creativity (explore the history of the play, but don't demand a predetermined conclusion...); as well as innovative techniques such as the baby exercise for lovers (check it out--you'll love it).
Nor does he neglect the basics, and even they can have a fresh feel to them. Look for advice on how breaking down a script and constructing a rehearsal schedule can be conduits for inspiration. Even volume notes and tech can make a good story. After shouting several times from the back of the theater "I can't hear you!" during a dress rehearsal an actor shouted back in frustration "F*** you!" To which Mason immediately replied, "THAT I heard!"
Most of the book, however, is devoted to creating a rehearsal dynamic that invites the maximum creativity and enthusiasm from designers and actors alike. "We'll try to be something of a family here," he tells his cast, "but our family will be based on mutual respect." He goes on to add, "if we, the artists cannot communicate with each other, how can we hope to communicate with an audience?"
Creating Life On Stage is an important and welcome book to any director's library. None that I have seen offers the kind of advice for talking to designers that Mason gives, both practical and rich. It is telling that he calls this section not "working with designers" or "dealing with designers" but rather "stimulating designers." The same holds true for working with playwrights--and if there's one thing Marshall Mason knows, it's how to sustain a successful relationship with a playwright. His fifty-year collaboration with Lanford Wilson is proof enough of that.
There are a few times where he seems a bit caught up in the virtues of his approach--telling us in one instance that he thought his production of Private Lives was "much funnier (and more honest) than the acclaimed Broadway production the same year." But this is hardly a flaw--his goal is to help directors create work they can be justifiably proud of.
The approach to directing he describes, from choosing a play to "Enduring Opening Night" may just be one man's opinion. But any director would do well to consider his techniques. Perhaps the highest compliment I can pay it is this: I'll be using it.

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A must for travelers to EcuadorReview Date: 2008-06-22
Culture Shock EcuadorReview Date: 2008-04-11
InterestingReview Date: 2007-10-02
Going to EcuadorReview Date: 2007-12-20

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BrilliantReview Date: 2008-02-06
I shared it with my Finnish friends while I was there and we roared with laughter because it is all dead on!
Finnish Culture - demystified !!Review Date: 2007-07-10
However, for the children of Finnish Immigrants, ( I can really only speak for Canada, but think it would apply evenly to the United States, specifically Minnesota ) I think the work to be ESSENTIAL READING. Much of Finnish culture was imparted to me, and my cousins while growing up, but it was Swallow's attention to the details, and her "anglo-sizing" events that made many things much more clear to me.
Swallow has a wit and humour to her writing, and it was an enjoyable read. I have kept it secret, and away from my wife, as I am sure that she would poke fun at some of the Finnish idiosyncrasies.
Excellent book.
A must readReview Date: 2002-10-09
A must have for anyone going to Finland!!!!Review Date: 2001-06-26

Series of Essays on Why Custer Became a LegendReview Date: 2001-07-15
Required Reading For Custer Battle StudentsReview Date: 2004-07-09
This book is primarily focussed on an examination of the immediate aftermath of the Little Big Horn and how the various lines of controversy were established that still echo (unresolved) and are with us today. These include Did Custer Disobey Orders? Was Reno a coward when he fled from the valley fight? Were both Reno and Benteen negligent in not responding to Custer's written order for the packs, an order with an audible reminder of the gunfire four miles away that, two days later, the men on Reno Hill learned signalled the end of Custer and his command. All of the seeds of future books and endless debates were firmly planted by the end of the 1870s, topped off with the Reno Court of Inquiry. Excellent insight into that event and some of the second-hand talk and gossip sorroundingsthe officers who testified and why they may have said what they did. Utley is his usual dispassionate, detached self as he explores these issues in his highly engaging writing style.
Originally published in 1962, the book concludes with Utley's brief commentary on most of the major battle books published up to that time. One can only wish that this section were revised and updated. Lacking that, we can all look forward to the autor's CUSTER AND ME, due in October 2004.
The place to start for the Custer-Little Big Horn studentReview Date: 2007-09-05
Custer and the Great Contorversy.Review Date: 2000-05-06
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Great music, accurate transcription.
I just keep on playing the cd, and reading and working at the book.
If you are interested in improving your playing, this is a must!
NEW UPDATE 11-oct-2007
1 year later I'm still enjoying this book and cd!
Slowly progressing through Missile Blues and Sundown.
I can play the heads for both songs, now moving into the solos.
Trying to speed up my reading of notes.
Still using both tabs and notes, as I reckon tab is still essential because the guitar sounds so different depending on the frets used.