Lawrence Books

Learn who's Jewish and who's not, who pretended not to be Jewish and who led with Jewishness. Learn who had it really, really tough and who had it relatively easy. Discover who could work together and who couldn't. Get the skinny on some really poor, skinny comedians. Rodney Dangerfield's true story seemed stranger than fiction. Find out who whacked Sinatra with a pie and got away with it. Find out how Dean Martin and Jerry Lewis really got together. Be privy to literally dozens of stories about famous people and get the history of radio, movies and television as a bonus.

I ended up liking some people I didn't know well enough to like. Some overt dishonesty shocked me. All the stories were at least interesting, many exciting and a few really disgusting.

What more could you possibly ask of one book?

This is one of only a few books which, after having read it, I wish I had written it. Of course, I am wholly unqualified to undertake such a task. However, I would have thoroughly enjoyed completing the research required and taken full advantage of every opportunity to interview, personally, as many of the Jewish comedians as possible. Also, as many as possible of the (non-performing) Jewish writers of comedy such as Larry David, Larry Gelbart, and Neil Simon. In a brilliant Introduction, Epstein observes: "The story of Jewish comedians in America is one of triumph and success. But their stage smile is tinged with sadness. It is haunted by the Jewish past, by the deep stains in American Jewish life -- the desire to be accepted and the concern for a culture disappearing -- by the centuries of Jewish life too frequently interrupted by hate, and by the knowledge that too often for Jewish audiences, a laugh masked a shudder. The comedians' story in America includes bitter encounters with anti-Semitism and the lures of an attractive culture along the way. The jokes these comedians told, their gags, and their nervous patter need to be set alongside the obstacles they overcame."

In this volume, Epstein combines the skills of a disciplined historian and cultural anthropologist with a writing style which has Snap! Crackle! and Pop! Obviously, he also delights in the comic art of so many who "exemplified two great themes of American Jewish life: assimilation and the search for an American Jewish identity....Also, they made Jews proud" while entertaining them as well as ever-increasing numbers of others who also went to the movies, turned on radios and then television sets, sat in nightclubs of various sizes, and bought albums. I am so grateful to Epstein for providing throughout the book an abundance of comic material from scripts, films, published interviews, recordings, and other primary sources. He covers a period from 1890 until the present, organizing his material within four sections:

The Golden Door and the Velvet Curtain (1890-1930)

NOTE: Epstein creates a context frame-of-reference within which to begin to examine "the two great themes" as countless immigrants arrived in "the land of hope and tears." He then shifts his attention to The Age of Vaudeville.

The Years of Fear (1930-1950)

NOTE: This was a period during which there were many fears (e.g. poverty, world war, nuclear weapons, Communism) shared by most Americans. Epstein examines what he calls radio's "finest hour" as well as films which had their audiences "laughing in the dark." He then shifts his attention to the rise of the Borscht Belt.

The Years of Acceptance (1950-1965)

NOTE: Epstein examines the American Television Revolution and then the emergence of stand-up comedy, devoting special attention to Milton Berle, Sid Caesar, and Jack Benny as well as to Lenny Bruce, Myron Cohen, Jack E. Leonard, Buddy Hackett, Alan King, Jackie Mason, Shelley Berman, and Woody Allen.

The Years of Triumph (1965-Present)

NOTE: In this final section, Epstein traces the further development and refinement of "the two great themes" of American Jewish life (i.e. assimilation and the search for an American Jewish identity) and I enjoyed reading this section more than any of its three predecessors. In it, Epstein takes a close look at the films of Woody Allen and Mel Brooks (among several discussed) and then shifts his attention to Rodney Dangerfield, Don Rickles, Andy Kaufman, Howard Stern, various Jewish comediennes, Jerry Seinferld, and (in the final chapter) an emerging generation of young Jewish comedians.

In the Appendix, "Schlemiels and Nudnicks," Epstein shares his final thoughts which help the reader to re-establish an overall perspective on material which covers a period of more than 100 years. (It could reasonably be claimed that Epstein has examined certain themes and forces which have been active within Jewish culture for several thousand years.) He concludes that "the comics who emerged from this Jewish background were not aware of psychological or sociological theories. As George Burns noted, they were not hungry for recognition, "they were hungry for food. They did not question their humor but rather just recognized and used it. Nevertheless, the roles comedians played and most particularly the contributions of Eastern European Jewish culture shaped the personalities of these comedians and lay, either hidden or not, in their minds."

For me, a Gentile, it is impossible to determine to what extent Jewish comedy became assimilated within American society, and, to what extent Jewish comedy helped American society became assimilated with Jewish values. Let's all call it a tie and consider ourselves that much the better for it.

I just finished reading "The Haunted Smile" and I loved it! I thought it was a perfect combination of history, story telling and wonderfully applicable joke excerpts. Not only did I laugh but I learned a great deal about the history of Jewish comedians in America and about the Jews who immigrated here as well. As a 30-year-old Jew living in America, I've never experienced the same issues which my great grandmother experienced upon immigrating to the United States. I remember her speaking Yiddish but I never could fully appreciate her sacrifices. This made me understand her background a little better and made me proud to be part of a people who took adversity and turned it into laughs. What a beautiful weapon!

On the back of I believe the first paperback edition of Salinger's 'The Catcher in the Rye' it is written, "It will make you laugh. It will make you cry. And you will never forget it." So I feel about that remarkable list of American Jewish comedians who gave so much pleasure so much joy to millions of people. From the time of vaudeville, the Marx brothers, Gallagher and Shean, Ed Wynn up to the golden age of Television, its real beginning with Uncle Milty and Sid Caesar's 'Show of Shows' with that amazing gang of writers Mel Brooks, Carl Reiner, Woody Allen, Neil Simon. And then down to more recent times with Gary Shandling and Seinfeld, Andy Kaufman and the late Gila Radner. -these wonderful people made America happy.
In this richly informative work Lawrence J. Epstein tells the stories of many of the true greats, Jack Benny, George Burns, the Marx brothers. He too provides some explanation of why the Jews became America's principal comic entertainers.
In an interview about the book Epstein says "The Jewish immigrant's child came from a family that had to confront hatred, persecution and attack. This made the Jews anxious and fearful," Epstein explains. "They needed a way to cope. This way had to be portable because the Jews kept being kicked out of places and had to be rooted in language because Jews so prized words over physical activity. Humor could be taken from place to place and was based on language. The humor also was useful in dealing with anti-Semites. If Jews could deflect hatred with laughter, people wouldn't hurt them."
This to my mind makes some sense but is certainly not the whole story. True a good share of Jewish humor is self- reflexive and self- critical, but there is also the explosively abusive humor of a Lenny Bruce or a Don Rickles, humor in which the language becomes a weapon to injure and win laughs.
Yet to tell the truth the great gift of this book is in the particular stories and anecdotes it gives, and less in the 'theory'.
The truth is each of these comics is a great 'character'. And I believe the real strength of these comics as a whole , is that each one of them is so much of an individual, so much of a 'character'. And each has a particular humor and style all his own.
This is a wonderful book, and I recommend it highly. I cannot really capture its spirit in this review, and certainly cannot capture the spirit of each of the great comedians it is about.
But I am thinking of one most famous radio humor story. It is the one in which for the first time in the history of commercial radio there is a period of silence of several minutes. It is when the robber comes to the skinflint of all skinflints , Jack Benny and says, 'Your money, or your life". There is silence and then more silence. And then after several minutes, comes the plaintive voice of Jack Benny, " I 'm thinking, I'm thinking."
We love you guys . You were the greatest.

This book is full of history, anecdotes, personal stories, samples from comedians' stand-up material and movie dialog, and immigrant sociology and circumstances. He even gives details tying Yiddish language to Jewish American humor. He tells of vaudeville artists adapting to radio, then tv. So many details provided! At first I was not going to buy it (I am a frugal African American who buys paperbacks), but I am glad I did. Also, at first, I thought it was going to be too scholarly and dry, but once I got INTO IT -- I COULD NOT PUT IT DOWN!! BUY IT, BUY IT, BUY IT! And share it with your friends.

I have had the privilege of meeting Carole through a neighbor. Just in meeting her I feel blessed. Her book speaks honestly of her accident. Naturally, I wish that it never happened, but she is so positive and continually reaching for new goals. Her attitude throughout the book illustrates how she appreciated the people and animals around her. The relationships in her own family were exposed and then nurtured. Her blessings are many and suddenly, I could see how she not only turned her life into a survival story but a platform to help others. Anyone that reads this book will understand how Carole found the strength to go on and love deeper. This book truly is the way Carole is everyday. Read and enjoy how horses can be so much more than an animal to ride. I know that I will see horses differently now and think of how they kept Carole being a person who lives from "within" her heart and soul, instead of one who lives "without".
Lou Petty
Quarter Horse competitor and breeder

Carole's book Healed By Horses is absolutely awesome!! It touches many areas of all our lives!!! You don't have to love horses to enjoy and to be inspired by Carole's book!!! And if you do love horses you will be totally in awe of this woman's courage and will relate with the deep heartfelt draw to the beautiful four legged friends that she talks about!!! Carole Fletcher is a true inspiration and I am very thankful she shared her story with all of us!!!

As a fan and student of Carole Fletcher's Trick Training techniques, I was familiar with the bio behind this book before reading it. So it was with a literary mindset that I opened the cover, expecting to view the entire book with a critical eye; curious, mostly, to learn just what did Larry Scanlan do to bring the ashes of Carole's past back to life.

My resolve to be largely unmoved lasted maybe two pages. I was totally captivated. Through Larry Scanlan's ability to weave pertinent and insightful personal details through the charred remains of Carole's past, Carole emerges as she truly is: human, rather than a string of incredible facts. People everywhere can relate some situation in their life to what Carole has endured and draw courage from her story. Her hospital ordeal was gut-wrenching; the stories about her horses have the same effect on your heart. There were plenty of details to whet the appetites of horse people, but there is message and metaphor for every one, everywhere; lessons for all of us on overcoming obstacles, achieving goals, healing relationships, feeling real compassion, looking for the true beauty in every one and everything around you, finding meaning in life.

Through 'Healed by Horses', Fletcher and Scanlan have made a tremendous contribution to society.

Healed by Horses is a wonderful book that gives hope and encouragement to anyone who reads it! It reaffirms the fact that life is a gift, and, if you allow it, struggle can make you better. As Carole states on page 230: "It's working with horses that heals, by developing discipline, courage, patience, and perseverance. You may come to horses -- as I did -- unable to walk, unable to cope, disfigured and in despair, but what I learned is that horses do not judge by looks or class or reputation. Still, you must earn their trust and cooperation, and out of that comes self-esteem."

Healed by Horses is a must-read; a fantastic book that leaves readers entertained, educated and... changed.

Page by page, this memoir delicately, and sometimes dramatically, shows the true story of Carole Fletcher. Its inspiring message touches readers of all interests, ages and spectrums.

The book, on the surface, is about a burn victim whose life is turned upside down after a near-death experience in a gasoline explosion.

Underneath, the storyline is even stronger and deeper, as Carole Fletcher delves into the meanings of inner and outer beauty, self-worth, "a never give up mentality," inspiration and other life lessons.

Carole shows us how horses, who never judge our outer appearances, dragged her out of a near suicidal state and, ultimately, launched her career as an internationally respected trick horse trainer and author.

I've had the pleasure of meeting Carole Fletcher at her Reddick, Florida, home. She is a true gem; a delightful, strong woman who sees each day as a gift. Her book -- and her story -- are a gift to us.

Healed by Horses gets TWO THUMBS UP!

Summer Best
Ocala, Florida

How great to read a book that is about the inspiring instead of the infamous. The people choosen are from all walks of life, thus there is someone whose life will empower each one of us to 'get a life'.

This book was a great book for anyone who wants to live a more fulfilling and self-guided life. The articles were a great way to take advice from all different kinds of people who did great things. I couldn't stop highligting!

This book is great. I liked the format. Each chapter provides insight into the thinking of a person who is a survior or a doer, or both! The life stories of Joseph Campbell, Jane Goodall, Mother Teresa, and many others, some famous-some not, was fascinating. But even more interesting was seeing the will of others in overcoming life's struggles. I have encountered a few "dragons in the middle of the road" of life. While each is a trial, the experience makes one a richer person. As a social worker, I will refer clients to this book.

I really enjoyed reading this book. The 15 essays had great messages that can be applied to your own life. I'm looking forward to the second round of books! Thanks Dr. McBrayer :)!

As a teacher of adolescents, I read this book in order to give my students wisdom. I soon realized that I wished that I had read this book when I was younger. It is a wonderful compilations of information about how some of the greatest people have lived their lives and ways that we can learn from the best. This is a great book for learners of all ages. I was so excited about the book that I suggested it for "book club". They loved it. It was interesting that all of us got something different from the book. Thank you Baines and McBrayer.

I liked this book, he makes really good points on bringing priority into what is really important in life and exposing some common ideas about Christian life that do not come from the Bible. But I think I must read the book again to understand what he is saying, the problem is I don't have the patience to go through his long thoughts again! The book could easily been half of what it is now. So my struggle was more with the style of writing rather than with the contents. and I'm not the only one, we used this book for a group study for about 9 months and the others had similar problems with the style of writing, but we all agreed that it is a good book!
o one more thing, we read it in Dutch!

Turned my world upside-down. Brought me face-to-face with my hidden motives and forced me to confront the totality of my sin. I've never been the same (thank God!).

This is an amazing and life changing book but you have to be ready to confront yourself. The book challenges you to be honest with yourself on a gut deep level. Several times while reading it I had to stop and take time to cry. It was both very painful and very healing. If you are not ready to take an honest look at yourself than you probably won't get it. If you are it is definately worth it.

Dr Crabb addresses issues in this book that most people try very hard not to think about! He points out that pain exists, that sin is real, and that the world is not perfect.

A lot of Christians pretend that life is wonderful even when in fact they are hurting deeply. Dr Crabb explains that it's *okay* to hurt, to be frustrated, to be disappointed, because of the reality of a fallen world! He also explains how the hope of coming perfection is what can keep us "pressing on toward the goal."

This book is a must read, especially for anyone who is out there wondering why they don't feel as happy and cheerful as the world says they should!

I have read a couple of other books by Dr Crabb "The Pressure's Off" and "Shattered Dreams" I had never heard of "Inside Out" before and was intrigued by the back cover. So I bought it.

Insight out has proved to be life-changing for me. I became aware of areas of sin in my heart that I never even knew existed before. Reading this book was both worthwhile and painful. Dr Crabb tells it like it is, but does so in a humble and loving way. This book will give a lot to think about and ponder and points the way to a deeper walk with Christ. This is a book I intend to read again and again.

I think this book should be read by all Christians, including new Christians. But I also definitely think that older Christians will benefit greatly as well.

I also like the way that Dr Crabb discusses the importance of genuine repentance and what true repentance looks like. This book offers real solutions to a real problem.

Who would have ever thought that the birth, evolution and eventual demise of comedy teams would present an insight into America's changing psyche? Author Lawrence Epstein did and we have him to thank for this interesting, insightful book on some of the most famous names in American entertainment including Weber & Fields, Burns & Allen, the Marx Brothers, the Three Stooges, Abbott & Costello and Martin & Lewis.

Epstein's book is sub-titled 'America's love affair with comedy teams,' an appropriate heading since the American audience embraced each of the various comedy teams in turn, loving them for what they brought to the public and then moving on to the next, new funnymen. Most people probably never bothered to rationalize WHY they enjoyed a particular comedy team; they just enjoyed the laughter of the moment. Luckily for us Epstein's probing insights help reveal much about why, for instance, Abbott and Costello was just what America needed during World War II. It's fascinating stuff but you also get to laugh along the way as Epstein includes some of the classic comedy lines and routines from the teams.

A good read!

Though the subtitle suggests that great comedy teams lasted at least into the 70s-80s and the cover's inclusion of a couple characters from Friends would suggest they lasted in the 90s-00s, the reality is that they were pretty much through by the end of the 50s, but what a run they had. Though the heyday of the teams came in vaudeville, Golden Age movies, and early television, those of us in the Baby Boom generation -- especially those of us born later on, who grew up with television -- were probably more thoroughly exposed than any other demographic group and seem most likely to love this book. We got to watch The Little Rascals, Three Stooges, I Love Lucy, The Honeymooners, and even Amos 'n Andy in syndication every afternoon when we got home from school. Abbot and Costello was a Sunday morning staple and Laurel and Hardy, the Marx Brothers, and Hope and Crosby's Road movies made perfect cheap filler for non-network broadcast stations. There were enough variety shows still going that older teams and solo comedians would still show up from time to time. We may not have gotten all the jokes, but we spent an awful lot of time laughing at their varied antics. In Mixed Nuts Lawrence J. Epstein treats us not just to a history of these acts but a sociological dissertation on American humor. The anecdote and joke-filled history, though brisk and though it extends several decades too far, is informative and fun, but it's the context he adds that makes the book fascinating.



No one will agree with all his analyses, and sometimes he's obviously reaching in order to give comedy acts a significance they just don't warrant, but the text is so rich in ideas and so thought-provoking that the few misfires are easily forgiven. Consider, for example, this discussion of George Burns and Gracie Allen:
[C]omic timing was a crucial part of their professional craft. In comedy, the straight man's "timing" refers to his ability to wait to speak until the laughter has peaked, receded, and finally stopped so that audiences can hear the next line, but not wait for so long after it has stopped that audiences might get confused or bored. The comic's timing refers to the response after the straight man has finished a line. The term "beat" is used to measure the pause between lines, and it and the "pace," or speed of the delivery, had to be perfect. The comic in the team needed an appropriate appearance and funny lines. Both the straight man and the comic needed rhythm.



Burns and Allen were experts at all of this. They knew which words to emphasize. They learned to control their voices. The staccato rhythm of their delivery was perfect. Other performers would have spoken too slowly or too fast or fallen out of the rhythm, which had to be maintained with each line and each silence. They even used pauses well. Gracie would giggle, an infectious sound and a prompt for even further audience laughter. George's repetition of much of the material was also crucial to the pacing, allowing the audience to grasp the premise precisely and be set up by George for the line to follow. It was impossible for Burns to be a comedian in such a structure. Any joke he interjected would break the patented Burns and Allen patter.
Note how deftly he establishes the general concepts he'll need throughout the book, but illustrates with a specific team, describing what made them masters of the form.



Likewise, here he discusses an irony that I've always found especially delicious, that two of the most conservative men in Hollywood politically were also the great innovators of post-modernism, years before academics and intellectuals imagined they were inventing a new phenomena:
Beyond creating an alternative to classic teams, Hope and Crosby signaled the decline of the traditional comedy team in two ways. First, they helped erase the line between the two worlds created by classic comedy teams. They developed the fourth and final model of the relationship between reality and the comic world created by teams, which negated the three previous models developed by Burns and Allen, Laurel and Hardy, and Abbott and Costello. In this new model, there was no necessity for one member of a team to have a tenuous hold on reality while another character brought the team back to the real world, or for the team to create a fantasy world in which the team members banded together to overcome a strange, hostile reality represented by an outside straight man, or a team in which a straight man represented a tricky world seeking to con us.



Hope and Crosby developed a realistic humor that mocked the illusory world their movie producers had arranged for them. [...]



[I]f you didn't take the real world too seriously there was no great need to create a fantasy comic world. Such an approach required a lack of sentimentality, an ability to avoid so strong an attachment to any person or place that you couldn't face the inevitable disappointments inherent in those people and places.
The earlier portion of that is bang on, but by the end seems quite wrong. Rather it is precisely because we are realistic about the inevitability of being disappointed by people and places that we can find the disappointments comic when they come, rather than tragic. Therein lies the secret to the notion that all comedy is conservative.



Let's end with one more, a look at Ralph Kramden that let's us see The Honeymooners in an almost religious context:
The character goes through a transformation in each show -- but then returns to his old form for the next show, only to be transformed again. Audiences wanted to see that transformation -- that change from the angry loser, the guy with a thousand get-rich ideas that all fail, that yells at his wife and his neighbor, that never seems to get ahead -- to the Chaplin-like, sad and sympathetic soul who is touched by love and, in Gleason's view, by grace and somehow finds the means to express it. As an episode was about to close, he often gazed lovingly at his wife and said, "Alice, you're the greatest."



Audiences saw in Ralph's transformation hopes for redemption in their own marriages and lives.
That's good stuff. Even if you disagree you're forced to grapple with what you think is wrong about it, an edifying exercise in itself. I suspect though that as you read you'll find more you agree with than disagree, and while it would have been better to end the story before we get to the point of considering Rowan and Martin and Cheech and Chong to be peers of the greats, all of it worthwhile.

Mixed Nuts: America's Love Affair With Comedy Teams From Burns And Allen to Belushi and Aykroyd isn't the typical biography of a single comedy act but an all-embracing set of memoirs of America's love affair with comedy teams as a whole, from Belushi and Aykroyd to Burns and Allen. Analyses include portraits of rises and falls in popularity, departures from traditional comedy team norms, the changing world of comedy as it moved from stage to the big screen, and more. Author Lawrence Epstein is an English professor who frequently lectures on popular culture, with Mixed Nuts bringing a scholarly, yet accessible, atmosphere to a fine history of American comedy interests.

If you're a Baby Boomer like I am you have been exposed to just about all of it. When we were growing up in the 1950's and 1960's the George Burns and Gracie Allen Show, Abbott and Costello, Laurel and Hardy and of course The Three Stooges were all staples on TV. In the early 1970's, the antics of Groucho, Harpo and Chico enjoyed a remarkable revival and at colleges and universities all over America Marx Brothers film festivals were all the rage. We enjoyed the antics of Lucille Ball and Vivian Vance and lived through the controversary surrounding the Smothers Brothers. And we howled at the comic genius of John Belushi and Dan Ackroyd. That is why I was so excited when I came across "Mixed Nuts".
Lawrence Epstein has succeeded in chronicling the history of comedy teams in his exciting new book. I enjoyed it from cover to cover. Epstein tells the remarkable story of comedy teams from their earliest days in vaudeville. He introduces us to names we probably never heard of but who were nonethless influential in the history of team comedy. He cleverly intersperses bits of some of the classic routines into his narrative. And he attempts to explain the political, social and cultural reasons why certain acts were wildly popular while most others fell by the wayside. It is quite obvious that Epstein is a big fan of comedy teams. And in the end, he offers reasons why they have all but disappeared from the American scene. Whatever your age, you are sure to enjoy this informative and extremely well written book. Highly recommended.

The Smother Brothers were one of the most important influences on me in my formative years. By the time I was in the sixth grade I had all of their albums and the last television show I watched before we flew to Japan to live there for several years was "The Smothers Brothers Comedy Hour." I went to school proudly wearing my "Mom always like you best" button and still have my autographed photographs of Tom and Dick. Not only did I learn all of their routines and to sing both parts of their arrangements, but from the Brothers Smothers I got my love of satire, parody, political humor, folk song, and two-part harmony. I even got to tell this to Tommy Smothers once upon a time when I ran into him in a Minneapolis hotel and was able to inform him of his personal responsibility in making me the person I am today.

Of all of the comedy teams discussed in "Mixed Nuts: America's Love Affair and Comedy Teams from Bruns and Allen to Belushi and Aykroyd," the Smothers Brothers are the only ones still performing. I saw them perform just this summer and their opening number is entitled "We're Still Here." In this book Lawrence J. Epstein looks at the great American comedy teams of the 20th century. Epstein started off his research for this book in order to explore why the classic comedy teams disappeared and ended up advancing the idea that the importance of these comedians was in how they helped American survive the trying times in which they lived. The author of "The Haunted Smile: The Story of Jewish Comedians in America," Epstein obviously takes comedy seriously.

The focus here is primarily on the great comedians of the movies, with chapters being devoted to Laurel and Hardy, the Marx Brothers, Abbott and Costello, Hope and Crosby, the Three Stooges, and Martin and Lewis. However, the volume begins with Burns and Allen playing the Palace for the first time and by the time television replaces the movies in the 1950s and 1960s, Burns and Allen are on television. In between a lot of things have changed, and there are chapters devoted to particular mediums (e.g., radio) and decades (e.g., 1930). With television forcing comedians to be funny every single week we have a move towards ensemble comedy. At the heart of "I Love Lucy" and "The Honeymooners" you will find Lucy & Ethel and Ralph & Norton, but Ball and Gleason do routines with other cast members and guest stars as well. Eventually we get to the ensemble casts of classic situation comedies from "The Dick Van Dyke Show" and "All in the Family" to "M*A*S*H" and "Friends."

However, you need to be forewarned that just like the real things, "Mixed Nuts" is going to leave you wanting more. You cannot toss in "The Password" routine from "Horse Feathers" and not immediately thinking about other choice verbal duels between Groucho and Chico Marx. Fortunately Epstein includes the entire "Who's on First" routine as performed in "The Naughty Nineties" or I would have had to take the book and throw it against the wall. But while Epstein does revisit several of the best-loved comedy routines from the previous century, that is only part of his purpose here. He also wants to look at the personal stories on how these groups came together, and how each team was shaped and were shaped by their respective eras. So be prepared to be tantalized by those snippets of favorite routines and wish for there to be much, much more. For the Smothers Brothers we get their short little "Moron" routine, but nothing about their masterpieces, like the way they took "I Talk to the Trees" over the years to the point where they got laughs when Tommy did not come in or the way they they can milk Dick's glare for multiple laughs in "Cuando Caliente el Sol."

In the end the key thing is that Epstein makes the case for his thesis. Weaving in lesser known comedy teams, from Gallagher & Sheen and Amos & Andy to Nicholas & May and Rowan & Martin, is more important than providing a comprehensive look at any given team. Epstein wants to define the uniqueness of each group and establish their place in the era they helped to define. Besides, there are plenty of books out there about the Marx Brothers and the cast of "Saturday Night Live," and if Epstein wants to leave the door open for somebody else to write a definitive history about the lives and comedy of the Smothers Brothers, I am certainly not going to be complaining on that score. Epstein is justified in keeping "Mixed Nuts" lean, because that way his thesis is not lost in the laughter. Now, you have to excuse me because I suddenly need to watch "A Night at the Opera" again.

Nintai offers readers another option in the martial arts memoirs arena. It proves an easy and interesting read from the prospective of someone who spent nearly a decade training in the budo in Okinawa. Although nothing contained in Mr. Vellucci's experience was dramatic or overly inspiring, if you're like me and can't get enough of reading about other's quests in the fighting arts, Nintai is worth the weekend it will take you to read it. It is a poor mans version of Moving Zen; still the benchmark on this genre of book.

Sensei Vellucci has captured in simple words and metphoric story presentation the essence of true karate-do training in a traditional Okinawan dojo. This is a great read, short and sweet. It can be read as a short chapter lesson when on the run or straight through if the time is allowed. Sensei Vellucci's insight is phenomenal. I have studied and taught alongside Sensei Vellucci and his stories of Sensei Oshiro's training methodologies are right on the money. Both men are a fascinating study into the inner training of Karate-do. Exceptional book, Exceptional author. Sensel Mike Tobin, 6th Degree, Matsubayashi Shorin-ryu stylist, Mendocino County California.

"Nintai" is a thought provoking account of a determined martial artist's challenges to overcome his most daunting opponent: himself. This author motivates the reader to join him on a spiritual journey, leave your ego at the door, and free your soul to change your attitude. This book is recommended to anyone looking to improve upon their own way of thinking.

Until reaading this book,as a student of Renshi Vellucci,I had never fully understood what he went through to achieve his karate goals. His personal experiences in Okinowa make me more determined then ever to improve in Shorin-Ryu. This is a must-read!

What an enjoyable read. I really wasn't ready for it to end. The story is entertaining, the cultural contrasts enlightening, and the philosophy priceless. There is a sense of pleasure in watching the auther navagate the challenges of a foreign Dojo with the personalities, the hard lessons , the developing relationships, the evolution of a young man through the challanges of karate. I was motivated, yet, I felt a sense of regret in the contrasts with American martial arts schooling structur.

Once again Martha C. Lawrence delights her readers with a good, solid mystery. Elizabeth Chase returns in this fourth installment of the psychic detective series. After losing her fiancé at the end of the last book - Elizabeth is unsure as to her feelings on returning to the life of a private detective.

She is summoned from her slump by a fellow PI and asked to help out on a particularly odd and gruesome case. A murder and scalping has taken place out on the Temecu reservation at the casino being run there. The body belongs to casino owner Dan Aquillo and the supposed murderer is locked in jail and her lawyer needs Elizabeth's help as the case does not look as simple as it seems.

Elizabeth uses her psychic abilities to aide her in the case but as always, it is her fine detecting skills that really do the job. Thanks to the help of her newfound friend Sequoia, Elizabeth not only learns more about the case but she is also able to do some serious soul searching of her own.

Who killed the casino owner? Could it really have been the accused Bill Hurston, a former doctor and gambling addict who was in way over his head, or was it his ex-wife? What about Dan's nephew Wolf who has strong feelings against the casino? Or someone from the political group that is fighting against the casino? Only Elizabeth can find out and the reader enjoys every minute of the plot.

This is a great addition to the Chase series as not only does the reader get what they are used to when it comes to great plots and writing, but we get to see some major character development here. This series looks to be a good bet for the long run. I can't wait to see what trouble Chase gets herself into next!

I've been a fan of Martha Lawrence ever since her first book, following her psychic detective, Elizabeth Chase, around the zodiac from Murder in Scorpio to the current Pisces Rising. Her gutsy detective, Chase, combining sound detective skills with her psychic gifts, sets out to discover the murderer of casino owner, Dan Aquillo. Along the way she encounters one of Lawrence's most compelling characters, the Native American shaman, Sequoia. Lawrence introduces the reader to some fascinating Native American lore, as she combines a taut, thrilling tale with tantalizing psychic phenomena. Combining suspense with New Age is rare, but fascinating. The only other book I can think of that does that successfully is "The President's Astrologer", which interweaves an exciting political drama with the world of astrology.

As a Southern California-based mystery writer, I have been genuinely impressed by Martha Lawrence's works. Many people initially react to Ms. Lawrence's psychic detective as a silly gimmick. As created by Ms. Lawrence, Elizabeth Chase is a fully-realized and realistic character. In this fourth outing,PISCES RISING, Elizabeth is mourning the death of her lover, and she becomes involved in investigating homicides that occur on an Indian reservation. Gambling issues play a major part in this novel, as does Native American beliefs. Ms. Lawrence tells a fine tale with a swiftly moving plot and fabulously drawn characters. Another winner for Martha Lawrence.

I just love entering Martha Lawrence's world, and I so hate to leave it! This one is her best yet, and the others are terrific too. ( I'd recommend reading them all chronologically.) I applaud her gutsiness as an author in doing away with appealing characters in situations that realistically might call for that. (I'm reminded of T. Jefferson Parker doing the same with Tim Hess in The Blue Light--a very interesting and appealing character.) ... was a real loss, I felt, but it's clear that she has even better characters up her sleeve.. I'm particularly drawn to the Sequoia character in this book. Wish I knew someone like him.

Her ear for dialogue is unerring...I'm a stickler for fake-sounding conversation and I can't find remember a false note being struck in any of her books. Wish you could write faster, Martha!

Once again Martha C. Lawrence delights her readers with a good, solid mystery. Elizabeth Chase returns in this fourth installment of the psychic detective series. After losing her fiancé at the end of the last book - Elizabeth is unsure as to her feelings on returning to the life of a private detective.

She is summoned from her slump by a fellow PI and asked to help out on a particularly odd and gruesome case. A murder and scalping has taken place out on the Temecu reservation at the casino being run there. The body belongs to casino owner Dan Aquillo and the supposed murderer is locked in jail and her lawyer needs Elizabeth's help as the case does not look as simple as it seems.

Elizabeth uses her psychic abilities to aide her in the case but as always, it is her fine detecting skills that really do the job. Thanks to the help of her newfound friend Sequoia, Elizabeth not only learns more about the case but she is also able to do some serious soul searching of her own.

Who killed the casino owner? Could it really have been the accused Bill Hurston, a former doctor and gambling addict who was in way over his head, or was it his ex-wife? What about Dan's nephew Wolf who has strong feelings against the casino? Or someone from the political group that is fighting against the casino? Only Elizabeth can find out and the reader enjoys every minute of the plot.

This is a great addition to the Chase series as not only does the reader get what they are used to when it comes to great plots and writing, but we get to see some major character development here. This series looks to be a good bet for the long run. I can't wait to see what trouble Chase gets herself into next!

Even though this collection of essays from folks talking about gender and sexuality outside of the narrow boxes is from 1997, the personal accounts are still very interesting to read. Have things changed? We can hope so. For now this is a good read but the essays could be more carefully organized. Frankly it feels like the essays were collected first then the table of contents fitted around them leaving some a bit odd feeling. The quality of the essay varies with the author frankly. The best and most wide reaching essay is the very first: Greta Christina's look at the power of words. A good introduction for almost anyone on any topic.

If you've ever chafed at being asked to choose from "straight/gay", "man/woman," or wondered why anyone else did, you'll love these essays. I laughed, I cried, I was turned on...; it's all in here. I would have liked to see more racially-diverse perspectives (although Lawrence Schimel's essay was a welcome and much-needed addition), but it's an excellent book nonetheless.

A truly wonderful book, Carol Queen et al have given the gift of insights into things that I have long felt and tried to convey to friends in much less eloquent language. These are real stories from real people who prove that human sexuality is never an either/or affair. It shows that narrow-mindedness and discrimination occur within nearly every group -- including within the queer community and its sub-communities. When will we accept that we are all sexual -- period -- and that we needn't categorize, condemn or exclude based on how others choose to express that sexuality? To do otherwise is to live a lie and to force others to do the same. Read this book and share it with others!

Carol Queen, my hero, goes exploring for wisdom from the unlikely source of genderbenders and folks whose sexualities can't be expressed in a single word (eg. straight, gay). She finds an above average collection of revelations about life from people who have taken the time to examine and re-examine why they think differently. Keep in mind that Pomosexuals is a collection and the quality of insight varies but queer folk have a special duty to read this book before they laugh at a pre-op or dismiss someone who loves boys and girls as going through a phase. Call Pomosexuals a paradigm buster.

A small volume of essays from mostly radical sex activists who put queer theory into practice, all the way to actual erotic experiences and the identies created by them.

This work deals with the postmodern as the construction of "mulitple subjectivities" and features contributions from transsexual authors. Cutting edge stuff, more accessible than other theorists. Also written from a different perspective, one that helps close the gap between the academy and the street.

A lived testimony to the inadequacy and decontstruction of "heterosexual" and "homosexual" as discursive labels.

I wish Walters has written this book 25 years ago, when I was struggling (fruitlessly) with prayer. My failure to make any sort of meaningful connection soured me on the whole thing for the next twenty years. Walters hits the nail on the head in this step-by-step retreat on prayer/meditation. The problem I made years ago, and the problem too many other people make, is that we try too hard when it comes to praying. Letting go is a lot more difficult than grabbing onto. Anybody who wants a richer prayer life will cherish this little book.

This little book is a reflective how-to manual on continuous prayer/meditation. It takes the reader step by step to the point where he or she is ready to practice what today we would call the centering prayer. It was the text for a workshop on prayer I recently attended, and all of the participants agreed it was a great help. It's also a great guide to books and movies that deal with prayer and meditation.

I don't much like your typical retreat or howtodoit spirituality book, but this one is different. The best way to describe it is a Zen approach to Xtian prayer, where the reader/retreatist discovers that he's the riddle that needs to be solved. Very good. (although I can't figure out what the description listed by amazon.com has to do with the book. seems like it should be for another book)

Where else can you find Monty Python, C.S. Lewis, and the Kabbalah, all wrapped up in a single book? +Praying Ceaselessly+ is a gem. Anybody who has tried to meditate but quit after a few sessions ought to read it. You'll get some fantastic tips on mind-control and prayer, and along the way you'll meet two men worth knowing--Brother Lawrence and the Russian Pilgrim. I really recommend this one. It's funny in places, sorta tearful in others, and inspiring everywhere.

I wish Walters has written this book 25 years ago, when I was struggling (fruitlessly) with prayer. My failure to make any sort of meaningful connection soured me on the whole thing for the next twenty years. Walters hits the nail on the head in this step-by-step retreat on prayer/meditation. The problem I made years ago, and the problem too many other people make, is that we try too hard when it comes to praying. Letting go is a lot more difficult than grabbing onto. Anybody who wants a richer prayer life will cherish this little book.

Being interested in speculative reality and philosophy, this was a must read. I was not disappointed.
Philip K Dick writes, "All responsible writers, to some degree, have become involuntary criers of doom, because doom is in the wind...and the doom stories are intended to call attention to reality."
This is made all the more relevant by the fact that the human folly that gave way to encroaching doom(war) ~ as the interviews and essays complied for this book run anywhere from twenty five to fifty five years ago ~ is far more manifest and pervasive in our own perceived time. That much closer.

Part five: Essays and Speeches, deals with schizophrenia, LSD and Gnosticism. He delves into the Jungian concept of synchronicity regarding his own life, and the inexplicable coincidences in his novel, "Flow My Tears, The Policeman Said"...(also see the movie, "Waking Life")..of "fiction mimicking truth, and truth mimicking fiction."
What he refers to as "a dangerous overlap, a dangerous blur." Take a look with *open* eyes at the society we've created and you realize that the "dangerous blur" is scarcely acknowledged it is so routine, so deeply solidified. 'Entertainment'(of the mindless sort) has proven to be the ultimate vehicle for Big Brother totalitarianism, so to speak.

The final section, Exegesis, at times feels like listening in on a discussion, a contemplation, within his own conscience, on the matter of God/Cosmos: "Creator: time past. Holy Spirit: time is. Christ: time completed."
Overall, a fascinating and unique read.

THE SHIFTING REALITIES OF PKD is a perfect title for this material. It was in his speeches to college students that PKD exposed his mental terrain--holding little back. Here he discussed his two obsessions: What is reality? & What constitutes an authentic human? This material shows how Dick used his sci-fi novels to poke holes in simpler cosmologies. Dick made the universe his own sandbox.

In THE ANDROID & THE HUMAN he says that free will may be an illusion. Were humans also controlled by tropisms that are so evident in the growth of plants? He sounded out his greatest fear as ýThe reduction of humans to mere use--men made into machines, ... what I regard as the greatest evil imaginable.ý Dick saw the time to come when a writer would be stopped not by unplugging his electric keyboard but by someone unplugging the man himself.

In MAN, ANDROID & MACHINE Dick found a hopeful theory at the end of his dark tunnel. In this essay he discussed Teilhard De Chardinýs Noosphere, ýcomposed of holographic & informational projections in a unified and continually processed Gestalt,ý--a summation of the globeýs intelligence. Dick never worried about the label ýmade in a laboratory.... the entire universe is one vast laboratory,ý he writes. Here he also lays bare his own reality--one composed of a series of crystallized dreams. He cites Ursula Le Guinýs THE LATHE OF HEAVEN as his model for ýunderstanding the nature of our worldý. He adds: ýI myself have derived much of the material for my writing from dreams.ý PKD challenged the reader to pry beneath the facade of daily existence and knead the silly putty of the dream world into some recognized shape.

While I've read this entire book cover-to-cover, I have probably read the last half (Part Five: Essays and Speeches, and Part Six: Selections from the Exegesis) at least four times. That's where the real philosophy is. Or perhaps I should say the real mysticism. Actually, P.D.K.'s thought was a combination of philosophy and mysticism, not unlike the works of Pythagoras or Plato. Indeed, I would not hesitate to place him in such exalted company.

Dick's Gnosticism is the Gnostisism of true revelation, of epiphany and theogony (of union with the divine.) Yes, some people arrogantly write this off as the rantings of a "schizophenic", but then they would no doubt apply that same meaningless, garbage diagnosis to every great mystic teacher or shaman.

Here you get the revelations of his novel ,_Valis_, developed and fleshed out in a much more satisfying manner. Indeed, unless you are fortunate enough to track down a copy of his mythical _Exegesis_ this is the best expression of his thought that you will find.

One last note, as much as I agree with the gnostic idea of a transcedent God (or Logos, or Tao) breaking through into our material "Black Iron Prison", I do have a problem with his concept of a Yaldaboath (i.e. deranged, lesser, creator god.) You see, human materialistic, hyper-rational, civilization functions as such a lesser "god." Have we not made money, science, and ego into idols that are worshipped in their own right to the exclusion of the the true transcendant God? You simply do not need to posit the existance of such a supernatural demiurge, devil, or "Moloch" (as Ginsberg called it.) Human ignorance and evil are quite up to the role.

(...)

This book is a gathering of eclectic, mostly non-fictional, writings by one of my favourite authors -Philip K. Dick. I have given it a five star rating in spite of the fact that the material is of uneven quality. Dick can't talk to us anymore since he died in 1982, and so it is wonderful and special to come across these writings. From a literary point of view they are invaluable as spotlights on the mind of the author of such brilliant, disturbing and important works such as The Three Stigmata of Palmer Eldritch, Ubik, The Man In the High Castle, Faith of Our Fathers, etc. But these works also stand on their own for their intelligent, creative and transcendent analysis of what it is to be human. If you have any interest in Gnosticism, you are in for a treat, since Dick is a kind of Gnostic warrior, and offers up many fascinating, and at times, profoundly uplifting Gnostic thoughts and speculations. There is much more -biographical material, thoughts on SF as a genre, comments on other SF works and writers, political commentary, musical musings, two excellent completed chapters from an abandoned sequel to The Man In the High Castle, and even a brilliant pitch for a never-made television sit-com about angels visiting earth on commission to help clients out of tight jams. Some of this material is frightening, since Dick is constantly challenging the very concept of reality. As with all of Dick's writing -fiction and non-fiction -there is a mind expanding effect. Your universe is never the same after reading him -it will be enlarged or even multiplied, as well as being rendered a lot stranger. All P.K. Dick fans should have this book, but anyone wanting to learn more about the views of one of the brightest, most intriguing minds of the past century will find it an invaluable and entertaining book to read. Lawrence Sutin has done us all a wonderful service by making these pieces available, some of them for the first time. These are peculiar and magical writings from a 20th Century savant. Read it. It could change your life.

PKD is my number-one writer, both for style, but more particularly for ideas. There is so much in this book that shows the man was a thinker, an explorer of ideas not just for the novels and short stories he could generate from them. With PKD, ideas developed a unique philosophy which is why his fiction is founded on such a firm basis. Even when his ideas change and we can see the change (for example 'The Three Stigmata of Palmer Eldritch' and 'A Scanner Darkly') there is no contradiction involved, just a clear evolution. For PKD fans who haven't yet read his non-SF novels I encourage you to do so - I would be surprised if you were disappointed.

PKD has also left a great legacy of pithy quotes - such as 'reality is what is left behind when you stop believing in something'. My favourite, however, he wrote in a forward to one of the anthologies of short stories. He said that science fiction is not about 'what if ......' it's about 'My God! what if .....'.

There is a lot of this in his philosophy too.