Jones Books

Purchased after a program on XM radio's golf station mentioned this book. Excellent, easy read on the master of golf. What a guy in a different era. You can visualize the time and some of the matches. Highly recommend.

Terrific insight to Bobby Jones - while O.B. Keeler must have "dressed" up the final product, the sense that so much came directly from a young man barely out of his teens coming to grips with the realization that he was the most famous golfer in the world... Just compelling reading!

Great read, one all golfers will want to make, as Nicklaus suggests in the modern edition foreward.

Why return to an outdated time of wood shafts and limitef flight balls? One finds it in this read, the character and strength of this great amateur.

What impressed this reviewer was Jones' humbleness, and love for the game. He wasn't really into all the winning, which in fact caused him anxiety. Moreover he was into the challenge against Ole Man Par and himself. He relished the comradre with his fellow competitors and is most quick to give them praise rather than discuss what he didn't have in his game that round.

Neat to realize that his prized trophy was the first, which he thought was improperly awarded to him, while Alexa Sterling should have won it, no question. This is what golf is about, not slugging it 300+ yds. to screaming fans playing for millions.

Takes us back to what the game is and should remain. It's become far too commercialized.

Will take a honored position in my growing golf book collection to be fondly recalled and reread.

If you not only enjoy playing golf but also cherish the game's traditions and values, and if you could purchase only one book about golf, this is it. Whether or not Jones is the greatest golfer ever is a judgment I eagerly entrust to those foolish enough to debate it. Suffice to say that he was among the greatest players and among the finest gentlemen ever associated with golf. Published in 1927 when Jones was just 25, three years before he won what has since been designated "The Grand Slam", this is a book in which Jones (in collaboration with Keeler) invites his reader to accompany him "down the fairway" of a life as well as a game. The first eleven chapters review the competitive process until what he characterizes as his "Biggest Year." In the final chapter of Part One, Jones observes that, "I started the year 1926 with one glorious licking and closed it with another. And it was the biggest golf-year I'll ever have." Or so he then thought. In that year, we're told, "Walter Hagen gave me the first drubbing, and of all the workmanlike washings-up I have experienced, this was far and away the most complete" and later, "George [von Elm] was too much for me....He simply outplayed me. It was coming to him....It was George's turn. So the biggest Year ended, as it began, with a beating. Still, I'll always feel kindly toward 1926."

In Part Two, Jones shares just about everything he has learned (to that point) about the mental as well as physical skills needed to play golf well. What struck me, throughout the book, is Jones's candor. For example, "There are times when I feel I know less about what I am doing than anybody else in the world." He discusses putting ("a game within a game"), the pitch shot ("a mystery"), iron play ("I like it"), "the heavy artillery" (woods), miscellaneous shots ("and trouble"), and in the final chapter "Tournament Golf." The reader is provided with a generous selection of photographs, many of which I (at least) had not seen previously. "Early in this little book I made the statement that there were two kinds of golf -- golf, and tournament golf; and that they were not at all the same." When concluding this book, Jones acknowledges that he's been "awfully lucky. Maybe I'll win another championship, some day. I love championship competition, after all -- win or lose." What will it feel like when he days of tournament competition have ended? "It's going to be queer." Then he confides, as his "little book" ends: "But there's always one thing to look forward to -- the round with Dad and [other kindred spirits]; the Sunday morning round at old East Lake, with nothing to worry about, when championships are done." Three years after sharing these thoughts and feelings, Jones won the Grand Slam and then retired from tournament competition. Some people have expressed their preferences for those with whom they would like to share a "fantasy dinner." Were it possible, I would like to share a "fantasy round of golf" with Bob Jones, Walter Hagen, and Harvey Penick. Given the impossibility of that, I must seek their companionship in books such as this.

Bobby Jones shares his perspective on winning, losing, and his life-long battle against "Old Man Par". This is a must read for any serious student of golf history and tradition.

"And there you are!" says author Chester Jones. That's all you need to set eminent decorators, Colefax and Fowler to work. The "few good pictures" are preferably old masters and the "several nice pieces" should be priceless antiques, but if you aren't already blessed with such bounty, C&F will see to it.

This is a beautiful, delightful book! I bought it used, and it was pristine. There are 264 gorgeous color plates of excellent photography and the prose is a lively mix of C&F history (particularly John Fowler) and description, tips, and information about the homes/castles/estates decorated. There is a wonderful Glossary for those of us who are vernacular-challenged when it comes to elegant decorator terms. I for one was pleased to learn that a "fauteuil" is a "French salon armchair with carved decorations, sometimes gilt."

Put bluntly (which Mr. Jones wouldn't dream of doing), Ms. Colefax provided the money and contacts, and Mr. Fowler provided the inspiration and brains. And contacts were desperately needed for this venture. To achieve casual, elegant nonchalance required great outlays of money not to be had from your everyday man on the street. Colefax and Fowler became expert at the tactful handling of the temperamental, sometimes eccentric foibles of the very rich. If Mr. Jones is any example, I'm sure he would take it right in stride when I announced I'd like less "balance" on the mantel piece please, and I really didn't care much for massive curtains that puddled on the floor.

There are useful tips and diagrams that can be put to use in much more economical settings. For instance, a maxim of Mr. Fowler's was, scale of furniture should be relative to height, not width. In other words, a large low-ceilinged room would not call for big important pieces of furniture where a high-ceilinged room would.

This is a book of which you will never tire. The color schemes, the placements and the sheer beauty will call out to you again and again. A fine investment of your time and pleasure.
-sweetmolly-Amazon Reviewer

The grace and epitome of what we all have come to know and love as "English Country House Style". This book begins with the very beginning of Colefax and Fowler, and documents the evolution of "the look". Many wonderful color photos and sketches to refer to as well as beautifully written descriptions as to what makes this all work. While we may not be able to live in such grand houses, many of the concepts and designs work as well in contemporary and smaller settings. There is something for every one in this book, very desirable!!

The color photos of many completed projects done decades ago still resonate as the top in English design. Lovely traditional chintzes coupled with good furniture are the usual ingredients yet seeing the old photos of Nancy Lancaster's and Roger Banks-Pye's designs, one is reminded that these rooms are truly timeless. Understandibly,Colefax and Fowler is the benchmark for English decoration. The book does a fine job with both an overview and an exploration of specific areas. A must for designers.

No one tops the eye of John Fowler for colour or design. In a world of designers trying desperately to jump English country style few get it right. The distinguished firm of Colefax and Fowler always got it right, as one known Italian-American aristocrat said "The English style is one that few truly comprehend as well as John Fowler did at Colefax and Fowler." Elegant, high style, not mistakenly frilly foolish as many others are, this book highlights the very best of what this regional genre is all about.

I bought the original edition of this book over 10 years ago and was blown away by the gorgeous design depicted in page after page of mouth-watering English country house interiors. All these years later, it remains my favorite decorating book, that I constantly refer to for inspiration. The rooms are timeless. Most were created 20-40 years ago, but good classic design does not date. Although the antiques and handprinted wallpapers, etc., are far out of the range of most of us, the sense of comfortable elegance is one to strive for in any home.

I had never purchased a book of poetry before but this was recommended to me and I am very glad I bought it. The collection is superb.

These 'Collected Poems of Stanley Kunitz' were put together when the poet was ninety- five years old. He now is approaching one - hundred and his birthday will be celebrated this year, also with another collection of his poetry.
There are many reasons for wanting to read such a collection. First of all, it is interesting to see what a person has done in the course of a lifetime of work. As I understand it Kunitz evolved in style from a complex Blakean kind of writing to a more mature and simple style in which personal elements and reflections play a stronger part. Secondly, it is interesting to understand the accumulated ' wisdom' not simply in relation to his own literary craft but also about life and love in general. It is also interesting to see the kind of universes and worlds a person explores in their lifetime, in Kunitz's case these are of course many of the giants of English poetry, but his interests are also in activities like gardening,Jewish mystics, Russian poets of this century, and of course the passions of romantic love.
I think that there is something also here which is especially admirable. Faithfulness to the task, the dedication and the ability to work through many years, is a triumph of the human spirit.
This gives an added dimension to the enjoyment of the poetry.

Never can I match Shalom Freedman of 1500+ Reviews and 60 in two weeks of July! Completing most of THE WILD BRAID, I browsed thru other Collections of Sir Stanley...He hooked me early in the midst of his neatly arranged Reflections! Since my getting stung by hearing him read, "The Layers" on NPR's Infinite Mind, I felt urged to get to writing my Oft' Postponed Autobio Reflections!

Whenever I meditate early each Morn on his infinitely inspiring poems I start with THE LAYERS from 6th Group of Reflections by the same Name! Goodies under that title: The KNOT; Words For The Unknown Makers: "To A Slave Named Job; "Girl With Sampler; "A Soft Answer Turns Away Wrath; "A Blessing of Women." THese 16pp proceed quite neatly into his Awesome, Consuming, though much Longer: "The Lincoln Relics" and "The Meditations on Death!"

Unless it be too hasty to add: I have named these as Best of his Poems to be found in The LAYERS! This 6th Group of Reflections fall into the dates of 1928-1978

In Summary: Three sections of Longer + Numerous Poems lie within THIS GARLAND, DANGER in SELECTED POEMS of 1928-1958 (4th Group) and THE TESTING-TREE of 1971 (5th Group) When I choose my great Favorites of his shorter Poems: VITA NUOVA; SOTTO VOCE; SUMMER SOLSTICE.. They combine varied length of lines, 2-3 verses, are both rhymed and free-style; SUMMER SOLSTICE is like Prose with a bit of punctuation. SOTTO VOCE has no punctuation, yet simpler and more personally focused!

Regardless from each perspective, anyone looking into Stanley's Poetry, may find he becomes less & less an Enigma! Exactly as stated in THE LAYERS of 1978: "and I am not who I WAS! My caps & my ending conclusion. Mit great Adoration--Retired 75yr old, Chap Fred W Hood

I heartily recommend this book of poems, and I especially recommend it to the reader who never or rarely ever reads poetry. What a treat is in store for you.

This is a great collection of poems. I recommend the book

This book is an excellent reference for pop-culture (and comic book) fans. It does a great job of covering the comic book industry and world since the 50s. It's really complete and entertaining, and very intelligent

This is a lively and insightful history of the men who created the Silver Age Super Hero comics at Marvel and DC. It also features some material on the more important post-Silver Age creators such as Frank Miller, Alan Moore and Scott McCloud. The narrative contains history, inside information and analysis of the work. It flows well and reveals a lot of the history of both the industry and the characters. The comic book heroes of the title are the creators. While it does not offer a comprehensive history of comic books, or even super heroes comics as the Golden Age is not covered, for what it is, it is the best book available and strong enough that one need not wish for more.

Gerard Jones and Will Jacobs have written a wonderful history of comic book heroes from the silver age (late 50's) to the present (mid-90's). It is an important book in providing the background details of the industry and also in its portraits of the creators of the various comic books. For one such as myself, who grew up in the middle part of this period, it combines a delightful mix of nostalgia with a healthy mix of cynicism for the business side of this industry. I was surprised that the twists and turns within the industry could often match for interest the myriad of confusing sub-plots that were being developed within the pages of the comics themselves. I was also pleased at the examination the authors provided of the fictional heroes themselves, even including the authors, at times, strong opinions. The book felt like a dialogue late at night with another expert fan of comics with often heated disagreements but always with a lot of fun and much insight. A highly recommended read.

In a perfect world, this book would be less necessary than it is. Because "The Comic Book Heroes" is one of very few serious works of comics history - and certainly one of the most detailed I've seen - it's forced to bear a weight that Jones and Jacob's writing isn't completely up to. Not that it's bad, by any means, and it's clearly a labor of love for its authors, but it's weirdly partisan, especially as it begins to cover more recent comics, and Jones's experiences as a comics writer, and his opinions of his peers, come into the foreground. If this were a "my life in comics" sort of work, then that'd be okay, but given that the book's presented as an objective history, the opinionated (and occasionally bitchy) tone feels odd and out of place. Still, for all its problems, it's a serious study of a subject that is sadly underrecognized, and, as such, essential reading for any student or reader of comics.

Along with Jim Steranko's work on golden age comics, this is the best comics history there is! Instead of the nostalgic and illustrative emphasis of Steranko's books, Jones and Jacobs bring a rigorous critical approach to comics from 1956 to the present, not shirking from questioning the reputations of some accepted "classics" while finding value in some works previously derided or ignored. Their history encompasses the business itself, the personalities involved, and the growth of comics fandom, as well as the content of the comics themselves. The text is always entertaining, sometimes hilarious, and always stimulating and informative. There are few really essential critical works on comics, this is definitely one of them, and as fun a read as the comics it discusses.

Have recently purchased this book. Started skimming through it and couldn't put it down. There was a party for every occasion and it was all planned out for you. The tips were fantastic. I plan on buying more for gifts. This book will make a great Christmas gift and will definitely be on my shopping list in December. I hope they do another book. It was so easy to follow and I know I will have no disasters at another party.

This book has everything you can think of when it comes to party planning! I got some really cute theme ideas and I love the 'Chips and Tips' throughout the book! Great Resource for anyone! This would be a great gift!

I was very impressed with the numerous party themes and quantity of ideas for each theme. This is planning made easy and I recommend this book to all hosts and hostess -- whether this is your first party or you have been throwing parties for years, this book is perfect for different ideas, more ideas to enhance been-around themes with easy to follow directions, everything to make a party memorable! Great resource for any organization (church, Scouts, philanthropic, etc.) planning social and fundraising events. I have been a professional party planner (family and corporate) for years and love this book! I recommend it highly as one of the best on the market and I personally give these books as gifts.

This book will make you get off your couch and want to party. With the clever ideas, tips on every topic you would not even amagine, and most of all the expert advice for all sorts of celebrations. All the work is done for you all you have to do is pick and choose. Great job to you both for a wonderful book... Dawn Hogan, celebration expert, speaker, author of party planning guides.

Why did it take these guidebook people so long to discover a need for this book? Cambria and Sachs have done a superior job of streamlining the stresses of party giving so that the hostess has a chance of having just as much fun as her guests. Thanks, guys!

This cookbook is just what I thought it would be and I'm pleased. It's an easy read and go to book. There are many, many recipes of the same thing made in different ways with changes in ingredients sometimes too. I like that sort of thing.

I've had this book for several years and I still use it. The Cream of Cauliflower Soup on page 93 is so good that my family was licking their bowls. And if you really want to impress someone or yourself make the Bacon-Wrapped Chicken on page 192. Absolutely wonderful!

This book was given to me by my sister as a part of my bridal shower gift. This is quite possibly the most useful gift I recieved. As a new homemaker and wife I have faced reality that I need to learn to cook and this book has come in handy just about every week. The recipes are easy and most ingredients you will already have in your cupboards and fridge. I also like the fact that they don't take long to make especially when everyone in your house works, the last thing you want to wait for is dinner! I highly recommend this to anyone and would also think it would be good for kids since the recipes are so easy. Five stars!

This is really a neat book! Just like the title says, all recipes contain 5 ingredients, some even less. The main chapters are: Appetizers & Beverages; Breads, Brunch & Breakfast; Soups, Salads & Sandwiches; Vegetables & Side Dishes; Main Dishes; and Sweets. There is a page to take notes next to the main dish chapter, plus the main dish chapter gives suggestions as to what side dishes and/or desserts to serve them with. The last half of the main dish chapter is entitled "Your Guide to Left-Over Turkey, Chicken and Ham" with recipes using up the leftover meat you might have. There is also a couple pages in the Sandwich chapter that gives "new and different combinations" for sandwiches, a page listing 6 "special sandwich spreads" and a basic hamburger recipe along with a page and half of creative ways to spice up the average hamburger. All in all, I think this is a really cool book, despite the fact there are no pictures, especially if you are really busy or don't want to take the time to fool with long complicated recipes!

If you told me that someone had made a book of recipes that only take five ingredients and three steps to make I would not have believed it contained so many delicious recipes. From appetizers, to breads, to brunch, soups, salads, sandwiches, vegetables, side dishes, main dishes, and sweets just about any type of recipe is represented here. This is a great cookbook for the novice cook or people in a hurry. The recipes are so simple that even a young teenager can prepare a complete meal without any problems.

Some of the recipes that I really liked were the Roasted Garlic Dip, Mini Reubens, Green Olive Spread, Pineapple Teriyaki Chicken, Ranch Chicken, Sweet and Sour Spareribs, and Peanut Butter Fudge. It was really hard to pick favorite recipes from this book because everything I tried was great. This cookbook has already become one of my personal favorites. It has everything that I look for - comb bound so it lies flat, easy recipes to follow, easily acquired ingredients, minimal cleanup, and very tasty. This is a highly recommended cookbook for anyone to have around the house to prepare that elegant meal that looks and tastes like you have slaved in the kitchen all day.

It's great to hear from Authors on REAL supernatural experiences they've had. I thougt this was an awesome book, a great find if you come across it!

this was a excelant book, but some of the stories were pretty unbelivable.

My nephew is an aspiring horror writer. This book, including segments by his favorite authors, was the perfect gift at this early stage of his writing career.

I discovered a few authors in this wonderful collection and enjoyed these stories tremendously. I really enjoyed this collection o stories and I didn't expect to as much as I did. The book is worth its weight at least in sterling silver with about sixty tales - TRUE tales of the macabre and paranormal.

Okay, so they spelled Stephen King's name wrong on the cover. So, what? If found this book fascinating and entertaining at the same time. It is filled with stories by famous authors, both past and present. The one that sticks out the most is Ramsey Campbell's "The Nearest to a Ghost." He goes to the cemetery to scatter his mother's ashes and feels a powerful sense of grief that isn't his own. The feeling vanishes after a moment, his own grief returning. Creepy, huh? This is one of about thirty true-life experiences these people came face-to-face with. A great read.

This is an absolute essential guide for Dark Ages: Vampire players. It has info on Medieval life, history of the time, religion of the time period, and fictional info on more obscure DA:Vampire bloodlines and disciplines, including the frightening Baali and the mysterious and doomed Salubri. Definitely recommended, excellent reading..... If you're going to play a Dark Ages Vampire game, get this!

While Vampire: The Dark Ages is infinitely resourceful, the Dark Ages Companion is infinitely more so. It has detailed information on aspects of the dark ages which will help any chronicle. Included are several new bloodlines, plenty of new disciplines and new powers for old disciplines, and details on several religions. Possibly the most valuable resource is the new data on combat, including the mass-combat for the armies of the day.

All in all, this product is essential to run a complex chronicle, and well-worth the money.

If a chronicle is hard to build, it is a dark ages chronicle, not because of lack of plot, but excess of it, there's too much going on with the church, also there's chivalry and clan differences begin to break the vampire society. Certainly it is a good time to have a companion to give you few details.

It expands existing disciplines providing new ones, with even new rituals. The blood lines also prove to be interesting characters that players might enjoy, and storytellers trying to run the dark ages chronicle will find this book quite useful.

Great book filled with lots of info on different religions, really helps form backgrounds for npc's. On top of that I also have a pc who is a salubri and It REALLY helps, thank god I found a book that has the discipline of Valeren in it. Anyway overall this book was very helpful.

If you have just purchased Vampire: The Dark Ages, then you will want to look deeply into this book. This book contains information to help make vampire chronicles even more dynamic than before. This volume contains a detailed section outlining the various actions and reactions of different religious organizations. I state organizations because too often the word Church is assumed to mean the Holy Roman, or Catholic Church. Although it was a major power in Europe, there were still plenty of other religions in the world; each religion had its own agenda and these are illustrated in the Companion. Now a Storyteller can be sure throw a massive curve into a Chronicle when Cainites are now confronted by not only Catholic clergy, but also pagan and followers of even more remote religions. What basis of belief do the Assamites follow? It is most assuredly not catholicism. With this book, you can get a slight taste for their beliefs, or the beliefs of those in their homelands.

So that is the church, but what about Cainites themselves? The Companion carries the higher level disciplines for the one listed in the Dark Ages core book. The authors have also included more Thaumaturgical paths as well as power to make better Infernalists. This book carries a wide selection of Dark Thaumaturgical paths and rituals. It also carries a few new disciplines altogether. Wait! New disciplines? Who wield them? This volume also adds four new clans/bloodlines. The Laibon, Lhiannan, and Lamia make their possible First Appearances in the White Wolf canon. Their chapters contain information on their origins, structure, beliefs, and discipline just as it does for all others. The one exception is that it also spells out each bloodline's fate. These Cainites do not survive into the modern days, and now you know why. But, I only mention three, who is the fourth?
The Dark ages are a strange time. Not only does it see the "birth" of a new clan, but also the genocidal hunting of another. Yes, the Salubri are still alive at this time and the Companion provides both a clan overview as well as a long listing of Valeren, the Salubri principle power. For all you veterans, Valeren is not the same as Obeah. Now we have the actual power the Unicorns wielded long ago in Enoch, the very power that is said to have temporarily soothed Malkav of his madness. This alone makes the book worth its cost, but the authors have included so much more.

In summary, coupling this book with Vampire: The Dark Ages will only enhance a chronicle. If players feel they done this before, add a few new religious antagonists, or just drop one of the unknown clans into he story to add danger, intrigue, and a huge new enigma to solve. Do not forget to spice the game with the upper levels of Disicplines. You may have a Brujah or a Nosferatu with a ton of Fortitude, but what good is that when you opponent can strike you from across the room without moving? What good is a ton of Potence and Celerity when your weapons shatter upon impacting another Cainite and not leaving the slightest mark? Who said the "things-that-go-bump-in-the-night" in the night do not have their "things-that-go-bump-in-the-night" as well? Can we say Methusala? Sleep well, childer. Sleep well.

General Sir Anthony Farrar-Hockley shares his personal experiences from the Korean War in "The Edge of the Sword". The result is a powerful book recounting battlefield heroism and the highest standards of conduct during his 30 months of captivity.

This incredible book begins with then Captain Farrar-Hockley, the Battalion Adjutant, in position on the hills overlooking the Imjin River in April 1951. After four human waves of Chinese soldiers attempting to overrun their positions, the British broke contact and attempted to rejoin the rapidly retreating allied forces. After days of brutal combat, they were surrounded and surrendered to Chinese forces.

General Farrar-Hockley details each of his six escapes from either the Chinese and North Korean forces. Along with these gripping tales, he also shares the emotional stress caused by some of the various torture methods, including the particularly cruel water-boarding.

In 1955, President Eisenhower created the Code of the U.S. Fighting Force to serve as an ethical guide for US combatants who fall into enemy hands, as a result of actions of US prisoners held captive during the Korean War. The current code contains seven articles providing a moral compass in the areas of leadership, resistance, escape, and faith in your country. In this book, General Farrar-Hockley's tale exemplifies each of the key articles of the US Code of Conduct taught to all US service-members.

This book is a powerful, inspirational story that belongs in the library of every modern day warrior.

The other 5-star reviews have it right, this is one terrific story that is difficult to put down once begun. However, this book provides more than an engaging account of a lost battle and the subsequent periods of escape and captivity by the author. The author delves deeply into the psychology of the captor/captive relationship - both in general and the specific dynamics of this war.

What I found fascinating is the maniacal desire of the communist Chinese to obtain some measure of legitimacy for their actions, both political and militarily, in signed statements, confessions from their captors, and in the comical re-education classes.

It becomes apparent that for these captors and captives at the Pyongyang Political Prison, this period was a test of the legitimacy of their way of life - philosophically, politically, and morally. And while these men lost the military battle for the hills near the Imjun River early in the war, they held the intellectual and moral high ground until the day they returned home. This was their victory.

This account of the fight put up against overwhelming odds by the "Glorious Gloucesters" at the battle of the Imjin River in April 1951, and the subsequent imprisonment as POWs of most of the survivors, deserves to go down as a classic tale of warfare and heroism.

The author, Captain (later General Sir) Anthony Farrar Hockley, who was adjutant (e.g. battalion chief of staff) of the first battalion, the Gloucestershire Regiment, originally wrote the book in the mid fifties, shortly after his return from captivity.

During a major Chinese and North Korean offensive during the Korean war, the 1st battalion of the Gloucestershire Regiment held their position on the Imjin river against many times their numbers for three days. There were heavy casualties on both sides - shortly after his capture the author counted more than two hundred Chinese bodies on one slope of one hill after one morning's fighting.

After supplies and a relief column failed to get through, the battalion was forced to retreat and most of the survivors were captured while trying to get back to Allied lines. The first seventy pages of the book describe the battle: the remaining 216 describe the author's experiences in captivity, including his attepts at escape.

I can't improve on the description of this book in the foreword to the 1955 version which was written by Major General Brodie.

"Captain Farrar-Hockley, then Adjutant of the Glosters, who himself was outstanding in the battle and afterwards, has written the most graphic account of a battle and of escaptes from captivity I have ever read.

This is a book which ought to be read by every soldier and prospective soldier.

Here he may learn what is meant by real discpline and inspiring leadership."

I must have read this book at least seven times, and also acknowledge the author as a great military historian (22? books), as well as being a knight of the realm. He was a gutsy Adjutant of the Gloucestershire Regiment at the Battle of the Imjin River in the Korean war. He pens a rivetting story about his exploits in escape from the North Koreans and the Chinese. I believe that he remains the most escaped prisoner of war in history.

He was decorated for his gallantry in Korea, and retired a Field Marshall, (five star general). I believe as the Allied Supreme Commander of NATO?

His story is an inspiration to all persons military, and to many who may have never even spoken to one. He suffers his captors and their tortures to become an extraordinary personality.

I'm about to read it for the 8th time!

Do yourself a favour, touch through these pages a hero from the "forgotten" war.

An account of the stand of the 1st Battalion, the Gloucestershire Regiment, at the Eastern crossing of the Imjin River during the Korean War 1950-1953, by the Adjutant of the Battalion at the time. It continues with an account of the captivity experienced by the author: of his journeys up and down North Korea, now an escapee, now recaptured; of interrogations in Pyongyang Political Prison, of life with the Chinese both in and outside prison Camps; and of the men with whom he shared those experiences.

If you're looking for a book that teaches you how to draw in Flash, this is not the book for you. It will, however, teach you the nuts and bolts of animation, the technical information necessary to make animation less time consuming, which is a must-have imo.

This book is a must for everyone who is tired of animating on paper and wishes to ditigalize their work completely in Flash or After Effects. The book covers many great aspects including; making shortcuts of your workflow with user made extensions, brilliant tips & tricks and personal advices how to make life easier for the animators.

This book is also amazing for those who already have knowledge of Flash or After Effects, but wish to enhance their skills or take their production to the next level.

After reading this book, my animation workflow and quality improved.

Best recommendations from here.


-Alex Volkov (Flash Animator)

not only did i read the book cover to cover i went back into the book and downloaded the source files and worked through the tutorials. this book is perfect for organizing and creating flash animation at a professional level which is a key foundation for any up and coming flash animator. this book teaches you industry secrets that are priceless if you are pursuing a flash animation career. thanks guys. the best flash book i have come acrossed in a long time.
josh johnson

This book is probably best for the reader who has some drawing experience, and preferably, a grasp of animation principlals as well as some Flash experience.

It should be noted, there isn't an over-arching animation project created in this book; However, readers could certainly follow along with their own project as the process is fairly linear, from the planning stages, through effectively using Flash's library and a host of useful plug-in for tasks such as timing and motion tweening. There is a fair bit of coverage of Adobe's After Effects, and the book discuses the pros and cons of doing various tasks in either software.

For Flash animators, two chapters stand out in the 300 pages: There is one chapter on how to properly use Flash's tweening tools so as to avoid the overly-precise look common with generated animations. A second is on 2D effects, covering common special effects like smoke, fire and water.

There are many books about cartoon animation in Flash. What sets this book apart from the rest is the approach the authors have taken to make this book much more than just another step-by-step book about drawing and animating characters. Foundation Flash Cartoon Animation is for the animator who needs to stretch beyond the mechanics of the Flash tools and perfect the decision-making process necessary to become a productive animator. One of the biggest questions that is answered in this book is when to use Flash and how to use it most efficiently. The next question is what tasks are beyond Flash's capabilities and when to turn to another software such as After Effects.

The authors assume that the reader has a basic knowledge of Flash and the principles of animation. Because of this, you will find only a few step-by-step examples. What they do cover thoroughly is every phase of the production process for cartoon animation from planning, storyboards and animatics to post-production and delivery. The approach for this book is to examine working examples which can be downloaded from the publisher's website.

If you have ever created a complex character animation including lip synching and facial expressions, then you know that your character must be divided into a large number of individual animated parts. This is why the authors dedicate a whole chapter to organization and using the Flash library system to build character libraries. As you progress through the process from head comps and onward, the authors show when it is best to draw from scratch and when to use Flash symbols. Storyboards and animatics are next in the production process and the book covers several decisions that must be made such as choosing between traditional, hand-drawn storyboards and the digital method in Flash.

Moving from the planning stages to character creation, the authors discuss the technical and organizational issues such as Flash file structures and project architecture. They take a look at several working examples to give the reader a comprehensive overview of this topic. One of the most helpful aspects of this book is how the authors help you decide when Flash is not enough to get the job done and how to expand Flash's capabilities with plug-ins. They discuss several of their favorites, how to find more on the web and when to make your own.

One of the most important decisions that an animator will need to make is the choice between traditional frame by frame animation and tweening. The authors share their four step process for frame by frame animation and then discuss tweening and how to avoid common mistakes.

I mentioned earlier that the authors discuss the use of a dedicated motion graphic software such as After Effects to take your Flash project to a higher level of quality and sophistication. They discuss some of the advantages to using After Effects for editing and composition such as complex camera movements and 3D effects.

Flash has been plagued by one major drawback since its conception a decade ago and that is the extreme "digital" look of the vector artwork created in Flash. The authors share several tips and suggestions for enhancing your Flash project to achieve a more "hand-drawn" appearance to your animation including line styles and color choices. They also cover the digital equivalents for traditionally hand-drawn special effects such as distortion, drag, fade in/out and blurs.

This book was a joint effort of several authors. Tim Jones is an Emmy Award-winning producer and writer and head of production at ANIMAX Entertainment. Barry J. Kelly is an Emmy Award-winning editor and artist and is also a member of ANIMAX Entertainment. Allan S. Rosson is animation director at ANIMAX Entertainment and has over twenty years experience as an animator. David Wolfe was an animator at ANIMAX Entertainment and is now with Cartoon Network Studios.