John Books

If you are reading this review, you may be a newcomer to this children's Christian curriculum.

A brief history: Sonja M. Stewart and Jerome W. Berryman's YOUNG CHILDREN AND WORSHIP is not just another set of Sunday School or Church School materials. It's a paradigm shift in the religious education of children. Religiously,it shifts away from the view that children are "born sinful" towards the view that children are spiritual beings, born with a longing to connect with the heart of Being, longings that they do not have the language to express. Educationally, it shifts away from the view of teacher as adult know-it-all who pours learning in to an empty vessel towards the Montessorian view of children and adults as explorers together.

The educational roots here are with Maria Montessori. Her disciple, Sofia Cavaletti, created the curriculum known as "Catechesis of the Good Shepherd," used in many churches, but especially in Catholic and Anglican or Episcopal congregations. Sofia Cavaletti's disciple, Jerome W. Berryman, an ordained Episcopal priest, has created the curriculum known as "Godly Play," and Berryman, together with Sonja M. Stewart, an ordained Presbyterian minister, have produced the curriculum in this book, YOUNG CHILDREN AND WORSHIP, sometimes called the "Children Worship and Wonder" curriculum. All are rooted in the religious and educational assumptions mentioned above.

If you are a newcomer to all this, I suggest you start by reading YOUNG CHILDREN AND WORSHIP. Read the Bible "presentations," which make up 2/3rds of the book. Read the presentations as you would read a personal, devotional book, one or two or three daily. Notice how, in the course of a year, the lessons present the history of Christian faith and the story of the church. Notice how traditional Biblical language is used, but sparely and with child-appropriate simplicity. Notice how the curriculum spirals back on itself; notice the repeated introduction of Jesus: once there was a man "who said such amazing things and did such wonderful things that people began to follow him." Notice the repeated language introducing the parables: "sometimes parables seem to have lids on them. But when you lift the lid of a parable there is something very precious inside..."

If you think as I do that this curriculum is light years better than anything else out there, then study the teacher's helps also in the text. You may want to seek training or read some of the other works referenced above or go to their websites.

I have worn out my first copy- having used the patterns and lessons for teaching Sunday School. Godly Play is portable and the pieces may often be made from cheap or found materials.Godly Play is useful, not just for children- I have given lessons in nursing homes,to seminary students, and others. Every one takes something different from seeing the presentations. The energy is indeed holy in each instance, where I have done my job correctly- so different from the stuffy old paper curriculum !

This book includes explaination, 41 stories (lessons), and plans for materials needed of a great worship service children really get into. I have been doing this program for 2 years and my children are incredible. I wish the adults would have this much respect. I highly recommend this book for anyone looking for a successful worship program for their children.

Young Children and Worship is an inspiring way to draw young children into the stories of scripture, the stories of God, enabling them to worship, interact with God, and ponder who He is. The form is a simplified version of the traditional order of worship emphasizing quiet, beauty and awe. After the introductory chapters most of the book tells you how to present specific stories. The focus in this book is on basic stories that tie into the church year and traditional worship. I found it very inspiring, whatever your worship tradition.

This is the seminal volume of what became the Godly Play movement.If you haven't yet explored Godly Play, I heartily recommend the method as such, and as set forth in Young Children in Worship. Godly Play allows children to experience Bible stories and other stories that carry faith messages, told with an archetypal spareness that allows each listener to absorb and reflect on the material in his or her own way. A teacher tells the story with the help of tactile materials, then helps children "wonder" about the stories. Children then may move to independent or shared "work" (art or reenactment of the story). The atmosphere is quiet, focused, and meditative. Tactile materials used in storytelling respect children's way of processing information. The method creates a space in which children may link faith-based language with their own perceptions of God, or fulfill deep emotional/spiritual needs. Godly Play is adaptable to different traditions and faiths by choosing among, or amending, the stories. We've found it to be deep and satisfying to all participants, young and old.

Young Children and Worship will tell you everything you need to know to get a Godly Play program going. It includes patterns and specifications for creating storytelling materials as well as information on all aspects of the work and philosophical thought on the Godly play method. Most of the book consists of stories from the Old and New Testament, plus other lessons, such as The Light, or The Church Year, that present concepts of Christian faith. Teacher notes show the use of tactile materials and provide "wondering" questions.

The obvious comparison is to co-author Jerome Berryman's outpouring of independent volumes on Godly Play. Berryman's many independent titles provide a few additional stories and expand on classroom management and facilities provision. He examines the effect of the work on children as well. However, Berryman's independent work may have exceeded its usefulness to practioners. Young Children and Worship is a do-it-yourself work that Berryman now seems to wish we didn't know about, preferring to sell us an endless series of new books and, from the Godly Play website, expensive materials. To be fair, Berryman's refinements and insight have grown as he practices. But decide your priorities before buying additional Godly Play materials. Young Children and Worship may be all you need.

ESPN always puts out a good almanac, and this is of the same quality of years past. It provides data for the past year for all of the major sports (baseball, football - college/pro, basketball - college/pro, hockey), plus racing, soccer, amateur sports, world sports, and some business information, too. It's nice that it provides a lot of historical data, too, single-season and career records. It's probably not the guide if you want all of the historical baseball information ever (or something like that for any other sport), but it's authoritative in its scope of all sports.

Like any almanac, the yearly data quickly ages. I suppose I would rather them carry data for the 2000-01 NFL season, for example, rather than the 1999-2000 season, but I suppose that given the continuous nature of the sport seasons, they have to make a trade-off for one sport.

It's very good; I highly recommend it for any sports fan with a knack for trivia or who frequently finds themselves asking (or arguing) about records and statistics and superlatives.

This is the best sports almanac you'll ever find! It is full of interesting facts about every sport and all the information you'll ever want to know. I highly reccomend this book to anyone who likes sports.

When it comes to sports, the letters that come to most people's mind are ESPN. Those letters have stood for sports for the last two decades. And the Sports Almanac delivers, every year.

This book is for everyone from the casual sports fan to the stats geek. It covers all sports. (At least every one I could think of!) For the amount of content and the price, you can't beat it!

I own a world almanac for knick-knack arguments and discussions, but I have found that when I am locked up in a heated sports debate, there is NO SUBSTITUTE for this book! It's the best! It's easy to read, and it has info on all of the sports that I care about (and even on some sports I could care less about!). It not only covers the pure stats of the games, but it also covers some facts about the arenas in which they are played! That, coupled with the in depth and far reaching historical material that it houses make this indespensible for the avid sports nut!

ESPN has shown the world once more that it is the beginning and end of sports information. Every sports fan should have this reference, as even the most avid fan will marvel at the breadth of knowledge contained in this must have publication.

A well written and illustrated book full of interesting thoughts about the evolution of brains leading up to our own.

The level of writing is about that of a review paper. Although Allman covers a lot of subjects, from genetics, developmental biology, palaeontology to primate vision, all concepts are well explained and illustrated and the book makes good reading for a research biologist as well as for an interested layman.

Allman started his career as an anthropologist, which gives him a different perspective than the average neuroscientist's. He not only describes the workings of the nervous systems and behaviors of different animals, but puts them into perspective with their evolutionary roots and their ecological niche. All these insights are not hand-waving speculation, but well supported by comparative studies.

Another strong point of this book is how Allman guides the reader trough the evolutionary lineage leading from amphibians to reptiles, mammal like reptiles, mammals, primates to ourselves. At every branch point he points out the critical innovations, the evolutionary pressures that most likely lead to these innovations and the trade offs made. A key question he addresses is, "why isn't every animal equipped with a big brain?". It is our own experience, both phylogenetically as well as everyday life, that a big brain, and the resulting high level of intelligence, is an advantage. Allman points out the high cost of rearing big-brained young and of maintaining such an energetically expensive organ.

If you are interested in how animals use their brains to deal with ever-changing environments and why our brain evolved to be so much more powerful than any other species', then this book is for you.

This book proceeds from molecules in bacteria with brain-like functions all the way to the very complex brains of primates. It explains the history of how the brains evolved in very understandable terms using pictures and graphs. It shows how various innovations in the nervous system created both new possibilities that could be explored by future animals as well as cutting other possibilities off. It talks about how having a complex brain is related to worm-bloodedness. In short, read and find out.

This is a sweeping examination of evolution's path leading to that mass of gray matter behind your brows. Allman has synthesized a wealth of research in producing this study. He explains in a clear, interesting style how natural selection has spent the last 500 million years tinkering with life to build complex systems from simpler ones. He is a forceful writer, supplementing a fine text with superb illustrative material to build his narrative. It's a refreshing view of natural selection's power of innovation.

Allman draws on the detailed research undertaken in recent years that has mapped the brain and detailed its operations. Like all life, beginnings were simple, but small variations among organisms had the potential for important roles. Deep in the Precambrian, floating cells developed appendages leading to hair-like structures we call "cilia". The cilia adopted dual roles: sensing the environment and responding to it. Allman explains how gene duplication led to opportunities for experiments. This process demonstrates how we can track many of steps leading to today's life forms. The original genes are usually still resident, with enhancements providing new functions added over the passing generations.

The author's explanation of the workings of chemistry in brain functions is worth close attention. Behaviour is the result of brain activity, but the interactions of various parts and functions of the brain elude simple analysis. One example is the brain chemical [neurotransmitter] serotonin which is found throughout the brain. It's impact gives monkeys their social structure while adding to the risk of suicide in humans. Neurochemistry alone doesn't explain the expansion of the human brain, nor does the author stop there. He goes on to show how bipedalism, diet, language and social behaviour all working in self-reinforcing feedback loops led to the gob of tissue that takes a fifth of our body resources to keep working. Even global climate changes played a role, coming at a time when our species was just prepared to contend with them.

The number and impact of revelations in this book are almost beyond counting. The "urban myth" that women live longer than men because of improved health practices has been disproved both by history and anthropology. A study reaching back into the 18th Century demonstrates that women have outlived men at least that long ago. Among the great apes, chimpanzee females also outlive their mates. Orangutans and gorillas have nearly parallel life spans between genders. There are also studies showing how caring fathers have extended life spans. His analysis of the development of colour vision is another novel thesis. Colour perception arose only 40 million years ago, after the demise of the dinosaurs. This raises again, the question of whether the emergence of flowering plants, which were toxic to those creatures, helped speed their demise.

While this book is not a light read, it's an informative and edifying one. Allman deals with complex topics. Adding to the elaborate range of material involving the brain, behaviour and social issues is the background of the immense time spans required in dealing with these questions in the context of evolution. Given all these constraints, he has met the challenges of the task credibly and lucidly. [stephen a. haines - Ottawa, Canada]

How has the emergence of the super-sized human brain depended on the evolution of a good set of teeth? Why are the stomach and brain closely linked across the brambles of genetic code? This book answers not only those intriguing questions but also many others concerning the emergence of the brain on this planet. Especially fascinating to me was the explanation of the homeobox phenomenon, a process by which very complex mutations can arise in an organism without the mutation risking certain disaster. Being a non-biologist, I found this homeobox material quite fascinating, for it opened my eyes to how evolution could generate incredibly complex features without requiring a hundred trillion years for all the right components to come together all at once. Equally interesting are the many vestiges of our evolutionary past that are still embedded in the way our brains process information. For example, the sectors into which our brains split each of our retinae today for the purpose of signal processing: these are left overs from the days when our ancestors were prey and not predators, back when our ancestors' eyes were mounted to the sides of their heads! In summary, I would like to say that in reading this book, while just sitting in my chair, I felt myself moving up another notch on the evolutionary tree. It gave me a whole new appreciation for the miracle that is the development of brains and conscious life on this planet. A very pleasant read.

This book starts with some basics about the nature of brains, and a comparison of brains. Special mention is made of serotonin, which often "modulates the response elicted by other neurotransmitters." It seems that serotonin tends to reduce risk-taking and fighting. But it also reduces motivation, as well as sensitivity to opportunities for rewards that risk-taking can bring.

Next, there is a more detailed explanation of the different parts of the brain and nervous system as well as the senses of sight and smell. After that, we learn about brains in warm-blooded creatures and primates. And we get into the question of senescene (the risk of dying going up with advanced age rather than staying the same) and what brains have to do with that. As well as more about sight, and how our brains allow us to be so aware of patterns and motion.

There are all sorts of fascinating tidbits to be found. When babies cry out for their mothers, do they do so in a high-pitched voice? Well, in some mammals, they do so at such high frequencies that while their mothers can hear them (and find them), predators find these sounds to be ultrasonic, and thus do not notice. There is also a complex attempt to explain why primates tend to have specific alarm cries for aerial versus ground predators. I find this phenomenon totally unsurprising: sentries make an entire group safer, and since all group members are potential sentries, everyone benefits including the sentries. It's easy to imagine how such cries might have evolved, even though the individuals crying out might well call attention to themselves.

We humans have very large ratios of brain weight to body weight. And perhaps the most interesting part of the book deals with the evolutionary tradeoffs involved with bigger brains. By the way, the part of the body that is most sacrificed in humans to get the excess brain weight is the gut. The liver is also a little smaller than for a smaller-brained mammal.

At the end of the book, we get into the interesting question of why Women live longer than Men. Women definitely do tend to live longer, and often have the unhappy experiences of outliving not only their husbands, but even one or more sons. But why? There are, of course, some flippant answers (not discussed in this book, of course). Men are genetically inhibited from asking for directions, and as a result get lost, wander around, and die. Men are married to Women (actually, I think married men tend to outlive unmarried ones). Men tend not to wear panty hose, a marvelous invention that protects the legs against swelling and blood clots. More seriously, I thought a dominant reason might be the fact that Men generally weigh more than Women. Within a species, smaller mammals may tend to live longer. But Allman makes the point that in those mammalian species where males have major role in parenting (such as the owl monkey), the males live longer. And there's an evolutionary reason for this: a species does better if the caretakers of the young live longer. The author discusses a couple of mechanisms for this: Males take more risks, while in females, estrogen enhances the actions of serotonin, reducing risk-taking behavior. Another mechanism could be that females may tend to lose fewer hippocampal neurons, which "are richly supplied with receptors for the corticosteroid hormones, which are produced by the adrenal cortex to mobilize the body's defenses when subjected to stress." If that's true, it could explain the higher incidence of death in Men due to stress-related causes.

I enjoyed this book very much. I learned plenty from it, and I highly recommend it.

I read City of Night over 4 decades ago and was relieved to learn that John Rechy has survived his dangerous life style and has written this marvelous memoir. Rechy names many famous people, but for others he uses a fictional name. Perfectly understandable if he wants to protect the confidentiality of people who are still alive, but he probably should let us know when he does this. Apparently, Burt Schwartz is Herb Caine. But, was his wife Isabel Franklin? Was the kept woman of de Leon, Marisa Guzman?

The world of John Rechy comes alive in this luminous memoir.
About my life and the kept woman is the remarkable adventure of a man choosing a life-so colorful-on the strength of his mind and will. It takes skill to depict,as Mr Rechy has done, a work so imaginitive, dramatic and seductive.

As a preface to his compelling new memoir, El Paso native John Rechy offers a two-line caveat:

"This is not what happened; it is what is remembered. Its sequence is the sequence of recollection."

In this day of scandalously false memoirs, it is certainly refreshing to read such words. But Rechy's story is, by now, well known to those who have read his critically acclaimed 1963 autobiographical novel, "City of Night," which caused a literary sensation in part because of its subject matter: male prostitution, or hustling, as Rechy calls it.

In the new book, "About My Life and the Kept Woman" (Grove Press, $24 hardcover), Rechy revisits many of the events that wound up in that first novel and in subsequent novels -- but with an overarching theme to assist him in explaining decisions that led to a seemingly contradictory life of literature and sex-for-hire.

That theme is the "kept woman" of the title, the glamorous Marisa Guzman, mistress of the rich and powerful Mexican politician Augusto de Leon. It seems that Guzman's younger brother was engaged to Rechy's sister, Olga. Guzman had "conveyed her intention to travel from Mexico City and return to El Paso to attend her younger brother's wedding, thus challenging (her father), who had banished her years ago."

Intrigued by this alluring outsider, the young Rechy could barely contain himself when he caught a glimpse of the kept woman at the wedding reception. Throughout his memoir, Rechy repeatedly returns to this image of Guzman's defiant yet elegant appearance in the midst of those who were both fascinated and repulsed by her unashamed disregard for social norms.

Rechy struggled with his own outsider status, arising, in large part, from a mixed heritage as the son of a Mexican mother and a half-Scottish father.

Moreover, growing up in El Paso during the Depression and World War II, Rechy's budding sexuality and precocious literary tastes put him at odds with the socially conservative mainstream.

Rechy enlisted during the Korean conflict, which allowed him to travel in Europe while avoiding actual combat. After a two-year stint, he began his wanderings (and hustling) in New York, New Orleans and Los Angeles. But he kept alive the desire to express himself through the written word, a desire he possessed from a young age. He eventually wrote fictionalized accounts of his life as a hustler that appeared in a small but prestigious literary journal. These shockingly honest stories resulted in his first book deal.

In the memoir, Rechy tries to explain why he became a hustler. At one point, he turns to a vague and uncertain memory of sexual abuse at the hands of his father and father's male friends. But he pulls back and is unwilling (or more likely, unable) to give a definite justification.

As Rechy became more famous, he encountered other luminaries including, in one hilarious passage, the beat poet Allen Ginsberg, who told Rechy to "relax, take your clothes off." "Why?" asked Rechy. Ginsberg answered: "Because you said you'd never grow undesirable. I hope that is true, really. For now, I want to see your body when I know it's beautiful -- and then it will be so forever in my memory." Rechy declined to disrobe.

As one reads this book, Rechy's warning that his memoir "is not what happened; it is what is remembered" often comes to mind. Whether each word is the unvarnished truth is of no matter: Rechy's life has been remarkable by any standard.

With 45 years of publishing both fiction and nonfiction under his belt, Rechy continues to create memorable and vital works of literature that honestly explore the importance of creating one's own destiny.

Marisa Guzman would be proud.

[This review first appeared in the El Paso Times.]

John Rechy's new book, "About My Life and the Kept Woman," although more realistic than his past work, is hundred percent Rechy. He takes you by the hand and with passion and warmth, leads you into his life. Indeed, with great warmth and intimacy. Reading the book, you feel you're getting to know him and despite the struggles, putdowns and unabashed prejudice he has experienced, you smile in he sharing and say, "Yes, this is John Rechy."

As we read, we are led from the wild exhilaration and dangers of street hustling to the life-giving sweetness of his mother's arms, his sister's food and stories, his brothers' unconditional support. We are led from Rechysque descriptions of special childhood moments in the El Paso of his youth to special, more mature moments in New York and Los Angeles. We are led through memories of two early loves, one for a girl who recreates herself into a new person,the other for "Marisa Guzman, the kept woman of Mexican politician Augusto de Leon," the woman needled and threaded through Rechy's memory.

The last sentence in the book proclaims Ms. Guzman's pride in who she is despite years of social disapproval. John Rechy, despite the prejudice and judgement he has experienced, exhibits the same fierce pride in who he is and from whence he came. He is his own Pirandello. Soniarita Lazar

Could it really be three decades since I read John Rechy's scandalous, mesmerizing and yes, titillating book The Sexual Outlaw? And now he has a new book out which is labeled a memoir - no way was I passing this up. Rechy's memoir About My Life and the Kept Woman is remarkable. Yes the "scandals" are still there, but this book, this life, plays out in multiple genres.

Unlike my distant memory of the Sexual Outlaw, this book is about people who are not anonymous. They range from Miss Edwards, to Chuck the Cowboy, Isherwood, Capote, even Marilyn Monroe and always to his parents and siblings -- not to mention Isabel and "The Kept Woman."

But the last thing I was expecting as I opened this memoir was an Aztlan tale. The story of Juan Rechy's upbringing in El Paso is told as a matter-of-fact autobiography, probably disguising for many readers the political story it actually is, adding him to a group of authors such as Americo Paredes and Ruben Martinez as a chronicler of this reality. And I dare say Rechy's a better story teller than Carlos Fuentes was in his acclaimed Crystal Frontier.

Rechy's coming out story ... or did he? ... is achingly familiar to millions, a genre that busts all demographic groups; as are his chapters on his years in the army. I'll leave it to others to conduct the psychoanalysis of his life - it frankly, is none of my business.

Yet, it is his public voice to the gay sexual underground that he will be remembered for: "That was the time, those were the times, of lost jobs, of threatened shock therapy, or gay men beaten and dragged bloody out of bars, exposed to rape by heterosexual inmates in jail `holding tanks' - a time of bashings, invisible years -- long incarcerations, suicides, uninvestigated murders."

Invisible still, but because of John Rechy not lost to our history.

Interesting story. Made me think a lot about how comfortable sometimes we become as Christians and loose the "fear" of the Lord. While I don't agree with the premise that you can loose your salvation (http://www.ppbc.org/can_you_loose_your_salvation.htm#Believe%20in%20Him), I do think that as believers, we need to examine our motives and make sure we are bringing Glory to God in all we do.

A story that will jolt you out of complacency, whether as a believer or non-believer. It pushes the believer to a sincere heart check and self assessment of their relationship with the Lord. To the non-believer it's a compelling cry to know the truth, and discover the true God that brings life changing significance.

Affabel is the most inspiring cd anyone can listen to! It will change your life! A friend told me that with life in general as busy as we are, we forget why we are here. She said that Affabel put her back into place. I have seen it with my own eyes absolutely change my jewish girlfriend overnight! How awesome is that! I am so blessed. My daughter gave Affabel to me and I have listened to it 5 times and still have it in my car listening to it. I can't pass mine on because I want it. I have purchased many more and have given them to my family and friends. My 91 year old Auntie LOVES it and is going to listen to it again. She tried to listen to it a little at a time but just could not stop! She was up until 12:30 in the night so that she could finish listening! I sent her 2 of them so she could pass one on and I am in the process of spreading God's word by buying some more. I love it. God has blessed me and my family and friends. Amen!

This audio drama is very profesionally produced, very profesionally acted, and the message is very convicting. Just make sure when the drama is over you listen to the message at the end. This drama is great for the unsaved, but also extremely good for people that claim to be Christians.

This was purchased as a birthday present for my sister in-law. She loved everything about the audio tape.

Excellent, informative history of the rave scene in England... everything is in here: how influential Ibiza was to the scene, MDMA and its history, smiley faces, baggy pants, all the main players and djs... it brought back a lot of happy memories of my raver days in NYC in the early 90s. A must read for those interested in this scene especially the beginning which shows that it all started in America: Larry Levan and the Paradise Garage, Frankie Knuckles's Warehouse parties, Dr. Shulgin and his MDMA studies... Britian took it to the next level in the 80s beginning with the Summer of Love and raves and was then past back to the US in the early 90s: Frankie Bones and the Storm raves, NASA, and the rest. This book tells you all about it!

This book is truely entertaining, it covers music, culture, politics, drugs, ect... It was hard to put this book down, I was sucked into it and learned a great deal about the scene in Eroupe. I recommend this book to people who are looking for answers to questions they didn't know they were asking...

As someone who "came of age" in the club culture of Austin, Texas in the mid-1980s (Halls, Stephanie's, 606), I have been quite surprised that the Dallas (Starck) and Austin dance subculture has not been fully explored in many books as "ground zero" for the ecstasy-fueled rave movement that developed in Europe during the late-80s and early 90s. Although MDMA had been around for a while, if it wasn't for a chance meeting between a certain Austin DJ and one of Britain's top new wave bands after an Austin concert, England's 1988 "summer of love" might not have happened (or at least it would have been delayed for a few years). That "three days of love" on Lake Travis had a tremendous influence on the social history of youth over the next twenty years! The book mainly focuses on Britain's experience with the rave and dance subculture. However, it is the first few chapters that I find so fascinating . . . the development of MDMA and its infusion into the mainstream population through unassuming college students who had no idea they were guinea pigs for the multitudes to follow. Well worth the read, especially for those of us who experienced the phenomenon first hand.

Garage, House, Acid House, Techno, Balearic, Drum & Bass, Jungle, whatever you call it: this is the book about the real history. Sometime in the past fifteen or twenty years rock died finally, amd weren't you glad? I was happy but I was on E and my vote doesn't count. I was taking alot of smart drugs too and I wrote a few novels on those so-called "pep pills." But I wasn't hanging out in Ibiza with Danny Rampling of Claire Manumission, or even Larry Levin at the Paradise Garage. I was still listening to Wire and Gary Numan. Like most people, at first I didn't care for most techno or house, but you know what? It's all I listen to now (I am still living in 1999). How did that happen? Before I used to listen to a lot of punk, ska and reggae, and then dropped out of the music scene for a while. I liked punk music especially since there were no rock stars, and anyone with long hair (or even looked remotely like Evan Dando) was immediately uncool and we used to beat them up. Boy, we were thugs back then, eh? But sometime in the late 1980s, someone slipped me a hit of E, and this disco record came on and it sounded like the best record I ever heard, and I was in love with everyone and I dove in the middle of the groping room. A few years later, I got serious and became the literary insider, and read Joyce, Proust, Beckett, Pynchon, Irvine Welsh, back to back, you know the story.... Well, what I'm saying is this book is a wonderful read, and adds a little narrative to the no-narrative techno policy. It also documents the most profound youth movement of the last ten or fifteen years. That's what I like about Techno: no rock stars!

Recommended to me by a friend. I have read all the books on our culture, and found this to be the most informative, historical, and unbiased description of the Rave culture. I was also quite suprised that the book dealt more with the actual culture of ravers, and didn't spend so much time on drug talk. Interesting discussion of the role the Alcohol industry played in the criminalization of ecstasy. Gives a lot of food for thought. A definite MUST HAVE.

Sorry, meant to mark four stars.

I like that it has so much information all in one place, however much of the information in this book can be found on the internet (although with A LOT more work). This book gave me a much appreciated focus to my cancer research.

There are breakthoughs that the book does not cover (for example fungal infection) and it was written when the understanding of prions (the cause of mad cow disease for example)and their role in health risk was only beginning.

Would like to see a more updated version, almost 10 years old, a more recent version could only be better.

With a working diagnosis of advanced ovarian cancer, this book gave me HOPE and DIRECTION. Statistics say: One in two men and one in three women will face cancer. IF POSSIBLE, be prepared in advance to know what course you would take. BUT, if you or a loved one are diagnosed with cancer, have courage! There are MANY choices BESIDES surgery, radiation and chemo. Better choices! This enormous book will educate you.

Don't miss the AMAS test on pages 702-705: an accurate blood test that can detect ANY cancer up to 19 months BEFORE conventional medical tests for cancer can find it! This test gave me GREAT PEACE of MIND as it ruled OUT cancer for me before my surgery to remove a grapefruit-sized endometrioma (NON-malignant). Praise the LORD!

Im a 33 year old young woman, who was diagnosed with advance local breast cancer 5 months ago today (24 May 2001, date of diagnosis). I was fortunate enough to have a close friend in the US who know of this book, due to working with one of the doctors who are published.

This book has become my Bible and has literaly saved my life. Im sitting here tonight in the wee hours of the night to let you know that today I have no turmors and am living cancer free. Five months ago I have 4 tumors all at approx 4cm each, today they are all gone, by the grace of God and his direction led me to this book which in turn gave me the information, the wisdom and guaidence to get through this tragic disease that so many people, possibly thousands world wide die from.

God Bless the all those who contributed to the truth about cancer. I thank you.

"Enza"

A large part of beginning to win the battle with cancer is reasearch and information, so that one can make informed decisions about ones own health care. This book provides a wealth of easy-to-understand information about the options to conventional treatments. Whether or not one chooses to prescribe to any treatment offered in this "encyclopedia" of different modalities, one is almost certain to come away from reading with one of the greatest cancer fighters of all - hope!

This massive (1116 pages) book is published by the editor of the magazine 'Alternative Medicine.' The first section consists of richly detailed accounts of the successful cancer treatment plans of 23 respected alternative physicians from Robert C Atkins to Charles B Simone. Part 2 is a fundamental explanation of the nature, causes, politics and prevention of cancer. I have never read a better 225 pages on the subject. When you come closer to understanding the conditions that precede cancer you are empowered to change those conditions and assume control over your own body. The final section presents alternative therapies one by one from nutrition, botanicals, and metabolic factors to physical and energy support therapies ranging from ozone and thermal (infrared heat) to acupunture and magnetic. In all, a finely-written explanation of a life-and-death topic meant for those who have cancer, their friends and families who refuse to give up and, who knows?, maybe even your doctor! This is a book I run to every time an acquaintance is diagnosed. I learn about the specifics of their condition and the hope that exists beyond the conventional.

Wow!

That is all I can say. This book is the one that proved that good visuals do matter in history books. Arms and Armor of the Medieval Knight has it all: types of armor, weapons, historic data of where and when the weapon was used... but most important of all , VISUALS! Hundreds upon hundreds of page-size, full color photos of actual suits of armor, not crude drawings and diagrams that other books on the subject offer.

Also, I have to say that the texts is incredibly well-written an precise, the data is vast and accurate, and all the sources are quoted perfectly. This is the definitive book on the subject.

This is THE book that I wish every SCA armorer and fighter had on his/her shelf and more importantly in the shop. It is a solid reference for every period activly covered by the Society. This book, with its excellent images and information, is always a good source of inspiration and documentation for any armor project that I take on. This book has raised my level of expectation of my own work and any other armorers work I come across. Its a must have for anyone who puts hammer to steel and wants to call it armor.

This book is really great--full of pictures and medieval art concerning armour. The chapters each cover a century in the development of armour. It takes a very archeological, historica approach to arms and armour. That's good because it makes an informative text, but I think the language a bit confusing at times, and not enough detail at other times. But it is a great book, for its pictures if nothing else.

I think most everyone will agree that if there is one book on Medieval arms and amour that you buy, this is the one to get. I covers the complete history of the knight with hundreds of beautiful pictures of armour. My #1 reference. It also includes rare inside shots of some armour, and construction section.

Lavishly illustrated guide takes you through the development of armor and knighthood from beginning to end. We use it daily as a source for inspiration at albionarmorers.com.

This book makes fascinating reading. It helped me to appreciate more the musicians I was already familiar with, such as Jack Teagarden, and opened my eyes to a lot of people I knew little or nothing about. Be sure to pick up the companion CD, too.

This is the finest book about jazz that I have ever read. I own many of the records that the author dissects, as well as having seen several of these great jazz artists perform, and I find his judgment perceptive and unerring. But this is far more than just a book about jazz music. What makes these musicians tick, how did they happen to assemble together for a recording session, how did the record business impact their selection of pieces to perform? The author draws on a variety of academic disciplinces, including art, psychology, economics, and social history, to put his subjects in perspective. Most important, he is a fine storyteller who empathizes with the people he writes about. While many reviews focus on his overall thesis about race in jazz, this is but one theme he articulates, and it serves more as an organizing structure for the book than as its sole message.

First of all, Dick Sudhalter is a gifted writer. He crafts his narratives like a well constructed solo or composition. Second, this book tells us about early white jazz musicians and correctly describes the interplay between vital African American innovations and the contributions of Caucasian jazzmen. Sudhalter in no way diminishes the seminal contributions of African American jazzmen. He simply talks about the contributions of other artists, and does a masterful job of helping us to see the interplay between musicians who have given us this wonderfully entertaining music. I thought I knew a fair amount about the history of jazz. After reading this book, I know more. Nothing is more American than Jazz music (just my opinion), and the more you understand it, the more you know about the USA in the 20's and 30's. I keep re-reading parts of this book because there's so much here.

While a brilliant documentary, Burns' "Jazz" also reinforced the notion that jazz is exclusively an African-American artform. Fortunately, "Lost Chords" does much to blow away that misperception. While never belittling or downplaying the role of those African-American giants in jazz, this book does an outstanding job of profiling all of the individuals and bands who received short shrift from Burns: Steve Brown, who pretty much invented jazz bass playing; the Jean Goldkette Orchestra; Miff Mole; Frank Trumbauer; and may more. And he does so in a way that is both interesting to the casual fan (with anecdotes and such) and the hardened muso (excerpts of scores abound). A scholarly tome, this is a worthy addition for any jazz fan's library. I look forward to Volume II.

Not a mere antidote to political correctness in jazz criticism; Lost Chords is a prewar cultural history, a lesson in music structure, a history of woodwind instruments, a guide to innovations in guitar tuning, AND MORE. It shows the musicians as human beings with all their failings, humor, drives, hard work, and talent. I especially loved the account of the bass sax --- an instrument that looks like it could double as a moonshine still --- and its usefulness in the early days of sound recording. Sudhalter admonishes us to listen to the music and to make up your own mind. Exactly right. A good place to start is Robert Parker's Bix Beiderbecke Great Original Performances 1924-1930 (available on Amazon) If you have ever heard an early 78 rpm record, you will be astonished at Parker's sound restoration.

In a previous review of this book, I mentioned some minor gaps in the discography. Actually, it was my own error, I hadn't noticed that the cut-off date for this mainly '60s-oriented work was 1972 and that releases by the artists discussed after that date were discussed fairly extensively in a "postscript" to the main entry on the group or artist.

In any event, that was only a very minor concern. As I've read more and more of this book, I've come to decide that it is an almost indespensible reference work for lovers of rock, blues and 60s music in general.

And I take issue with those who feel a bit miffed that this or that artist or group has not been included in this volume. If all goes as hoped, this book will be one of many in a series devoted to music of the 60s. The old goats at Old Goat Publishing are hard at work at follow ups, so please be a little patient. (You can check them out at www.oldgoat.com.) Many artists of the era were eclectic to the point where genre bending became their modus operadi. Creatively, that was an exciting and flat out wonderful turn of events. Critically, well, it makes classification and categorization all the harder.

Yes, Led Zeppelin had a strong blues influence, but there would be a much stronger argument for including them in a future volume on "metal" or "megastars." The focus of this work is more on those artists that you may NOT have heard of and whose work deserves attention. (No one can deny that Led Zep has not had a fair amount of ink spilled in their name.) By comparsion, the inclusion of Cream in this volume is justified, not just because Cream was significantly "rootsier" than Zep, but because (apparently) an editorial decision was made to include all of Eric Clapton's work in one volume.

And speaking of Erics, wouldn't Burden be more appropriate in an eventual "British Invasion" volume? Yeah, it's all somewhat arbitrary, but if you're familiar with any kind of criticism (literary, film, music or whatever), you know that those kinds of distinctions are absolutely necessary. There are people out there, for instance, who will tell you in no uncertain terms that "classical" music should NOT be an umbrella term for the music of the Baroque, Classical, Romantic and Modern eras. But sometimes that kind of critical shorthand is necessary if you're going to have any kind of discussion at all.

BLUES-ROCK EXPLOSION should help initiate discussion of the oft-neglected music to which it is devoted. There'll be plenty more to discuss with future volumes in the Old Goat series. At least this old goat hopes so.

Whenever I find a book that devotes significant ink to my all-time favorite singer (the criminally neglected Tracy Nelson--and no, I don't mean Ricky's TV actress daughter), I can't help get excited. BLUES ROCK EXPLOSION devotes several pages to Tracy and her original band, Mother Earth. And the info is all pretty much accurate, with quotes dug up from what now must be pretty obscure sources like late 1960s HIT PARADER articles. (HP used to be quite the informative little music mag back in the day--before it went heavy metal hair band crazy.) There are gaps in the discography, and that disturbed me a bit. But any coverage of this great singer in a major publication is heartening nonetheless.

Interesting though, the entry on Tracy goes on at some length about the inevitable Joplin comparisons (which were always somewhat misleading, since Tracy was more gospel influenced and much less raspy and raw than Janis--god love 'em both though). But oddly, there is no entry on Joplin herself. Hmmm. Could it be that they're going after only the rootsiest of "blues rockers" for this book, and that Janis and Big Brother will surface in some future volume (psychedelia maybe? or rock icons in general?).

Some of the reviewers below complain about this or that artist or group not being included in this otherwise fairly comprehensive reference work. I AM guessing here, but as indicated above, this appears to be the first in a series of Old Goat publications, and it is likely that when the artists overlap genres that they will be included in some other volume. Led Zeppelin may strike some as the "ultimate blues rockers" as one poster notes below. But, as mentioned, this book's focus seems to be on the rootsiest artists--and Led Zep could be being saved for the metal volume. And of course, Zep only showed up at the tail end of the 60s (which is the temporal focal point of this volume) and went on to conquer the world mainly in the 70s, so that could be another factor.

I have less of an answer for why Eric Burden and the Animals didn't make the cut, however, although Eric could slip into a psychedelia volume later on too (that just wasn't his BEST work). And maybe Hot Tuna was too much tied to the San Fran scene as well (though on their own, they were pretty darn rootsy too). Well, we'll have to see what future efforts by the Old Goats bring. In the meantime, this is welcome coverage for some pretty deserving artists, much of whose work is still available. Even though the book is a bit on the pricy side, I recommend it to any half-way serious student of the blues.

No cobbled-together overview, this is an impressive, meaty book of great integrity. Care has obviously been taken to do the research & get the facts straight. "Heavy hitters" like John Mayall, Fleetwood Mac, the Butterfield Band & the Yardbirds are covered admirably in a way that is both comprehensive & concise. Lesser known artists also appear, & when reading the book one constantly encounter players who would turn up in other places, at other times. The reader feels himself in good, knowledgeable hands from the get-go. (Martin Celmin's introductory essay is worth the price of the book in & of itself.)
It's that rarest of things, a book that is both entertaining & a solid reference work as well. The A-Z approach also makes it, as my friend Chris Darrow calls it, a great "toilet book." Meaning, I hasten to clarify, a book one can dip into whenever or wherever.
It's the first in a series, & I look forward to the future volumes.

This book is fantastic! The only thing that would make it better yet, would be the addition of a few more blues artists that seem to have been left out. (The Animals, Eric Burdon, Spencer Davis,...and WHERE is Led Zeppelin!...the greatest Blues rock band ever??) It is still well worth owning, if you can still get one...lots of information, and things even an avid Blues Rock fan probably didn't know. The "Introduction" is one of the best parts, giving you virtually a complete history of how this great music evolved. Gives Blues Music the attention it has deserved for so long, and never got.

Old Goat Publishing Company, located in Mission Viejo, California, is a group of elite rock music writers who have come together for a common purpose: Bring the vibrant music scene of the 1960's to life in a series of books that are painstakingly researched and meticulously detailed. Blues-Rock Explosion, the first offering in this series, delivers 42 profiles of many of the seminal groups of the so-called "Blues Revival Movement of 1968." Generously assisted by recollections from many of the principals involved, Blues-Rock explosion paints a vibrant portrait of a (primarily British) scene suffused with excitement, as the musicians start by slavishly imitating the great American bluesmen like Howlin Wolf and Muddy Waters, then grow by leaps and bounds to create an entirely new genre (blues-rock) that forms the basis for much of popular music's later development into hard rock and heavy metal. One could argue for inclusion of more bands, such as, say, the Animals and Led Zeppelin, but the author's decision to limit the time period covered (from roughly the mid-1960's until 1973) puts sensible boundaries around the subject, making the book's length a very manageable 300 pages instead of 900. Several future Rock and Roll Hall of Famers are detailed in these portraits (the Allman Brothers, Cream, Eric Clapton, and the Yardbirds), but just as compelling are the chapters concerning artists whose careers were cut short by tragedy (the Mark Leeman Five, Jo Ann Kelly). Also, even though it is not surprising that many of the British artists played with and were influenced by each other (since England is a smallish country), it is a great pleasure to read that Chicago in the 1960's remained a vital component of the blues scene, contributing such greats as Electric Flag, the Paul Butterfield Blues Band, Mike Bloomfield, and Nick Gravenites. Last, and perhaps most important, Blues-Rock Explosion finally spotlights such long-neglected heavyweights as Savoy Brown, Chicken Shack, Canned Heat, and Ten Years After, many of whom are not only still alive in the 21st Century, but are still contributing relevant, listenable new albums to those of us who never tired of hearing the blues in its many incarnations. Good luck and continued success to the Old Goats for continuing to believe that these great artists are still worthy of our attention.