John Books

Some concepts are not for the beginner. Let's you use your imagination to create outstanding layouts.

This is a great book on how to run and plan your next model railroad. Gives great idea's and samples of yards, train movements and point to point locations. Not just for beginers.

I don't think anyone in the model railroad hobby can say enough about the contributions of the late John Armstrong. His layout designs are masterpieces of getting the most out of a given space and working with the tradeoffs we all enevitably face. The book gives an overview of prototype operations and then goes into countless ideas and pointers for design and operation. I found the section on curve planning (p. 76), schematics (Chap. 8), and laying out an "easement" (p. 116) particularly useful. I recommend this to anyone planning a first layout or for anyone building a second layout after messing up their first. It is a good companion to "Classic Layout Designs," also by John Armstrong.

John Armstrong is one of the best known names to the model railroad hobby. He has written extensively but this book is his finest work.

A person interested in railroads finds himself caught up in lots of detailed scenes and complex trackwork. Armstrong explains what it all does and why it is arranged in the way it is. He does this by explaining railroad practice in the real world and then by looking at the problems faced by the modeler. He does so in a lucid and interesting manner...for the first half of the book.

While the first half of the book is dedicated to teaching about how railroads operate, the second is intended to teach how to model them effectively. He explains broad general concepts and then refines things and explains them in easy stages. He knows where the pitfalls are and he points out solutions.

This is a useful book for anyone from beginner to advanced but especially the beginner.

This book will teach you exactly what it claims. Numerous prototype examples are used throughout the book to give the reader an insight into how you can design a realistic track plan. This book has helped me to better understand why prototype railroads arranged track in certain ways. Excellent book, highly recommended.

Outside of the Bible, this is the most significant book I have read. TrueFaced has changed my understanding of how life with Christ can be free and fun,ie. it is not performance based. It explains GRACE and how it is freely given if we Trust Him with our lives.

Excellent book. Reccomended for ALL in christianity! Also, for all who have been disillusioned by those who wore the "masks" and faces of christians. Great book for healing, restoration, and cleansing of the mind. A must read!

TrueFaced is very well written. The writing is clear and easy to follow, yet deep. Real life stories help drive home the points. The book's concepts are very freeing-- like the idea that you don't have to wear a mask yet you can still be loved in a true community.

It's a great book that leaves you with a lot to challenge you to think about.

Not much to say, but having all the three men write the book, together, it gives more meaning to the Word of God than many writers, out there, like many well knowns. The book keeps it so simple, in understanding some truths of life.

This book is all about growing in the faith. It is not a self-help book that teaches you what you need to do to fix yourself. The book shows that trying to fix yourself leads to failure. The book emphasizes being honest about who you really are and relying on God's promises.

While the book is theological, it is not intellectual. Anyone can read it and understand its message. I would strongly recommend this book for those in high school and college.

This is a lovely book with simple, thoughtful passages for the days leading up to Christmas. The passages evoke feelings of centeredness, peace and calm similar to awakening to a beautiful, fresh snowfall.

Good reading from a variety of excellent, trusted writers...Nouwen, Bonhoeffer, Manning, etc. all offer reflections on the Advent/Christmas season that will make you go deeper...

Personally, I struggle with reading during this time of year due to busy schedule but I have found this daily digest a perfect way to enhance my Advent season of waiting...

This book features a wide array of Christmas messages--old and new. This book will inspire you and make you think about the true meaning of Christmas. This book also makes a GREAT gift.

Also recommended:
Christmas Gifts, Christmas Voices--heartbreaking yet inspiring
A Stranger for Christmas--a warm and cosy story for the holidays

Like a kid counting down the days until Christmas, I took a spiritual journey by reading the days until Christmas. My guide, Watch for the
light. Cheaper than a real journey...no stops for gas , no waiting in line. Pop open the book's cover and begin to read. Some funny stories, some poetry, some known authors and some not so well known, all leading the way to Christmas. When Christmas comes, you will be ready.

I love that this series, including "Bread and Wine:Readings for Lent and Easter," because it challeneges our complacent culture-dictated experience of Advent and Easter. This is not a feel-good book, it is a faith-building book. Be prepared to be shaken up and for God to meet you in a new way.

I bought copies for my friends and family. Everyone loved it!

The diversity of authors come together in surprising unity. This broadened my perspective and made me want to find books written by the individual authors. I also loved that the authors are from all points in history and geography. An experience like this is what all of us in the US need.

John Welshons is an amazing author. Both of his books (Healing the Grief,Finding the Road back to Joy and When Prayers Aren't Answered) have brought so much peace and healing to me personally and all of my friends with whom I have shared his works. God has truely blessed him with a wonderful gift and blessed us, the rest of the world, with him. Both of his books are definately a MUST READ.
Carrie Joyce
Dunedin, Fl.

John Welshons has written another fantastic book! In an easy to read, compassionate and nonjudgemental manner, the author urges the reader to try to look at the way life is and not how we each believe it should be. A scholar of the world's religions, he draws on traditions from both the East and West. While the book does deal with different types of prayer, I think its appeal is much broader than those interested in theology. It is a book about how to find joy by understanding what is truly important. I recommend it as a gift to anyone you want to help find more joy in their lives!

First, please ignore the odd review of this wonderful book from Publishers Weekly and follow the reviews of the other readers of this book who have given John's book 5 stars. I have seen John Welshons in person at workshops and he is in every sense the real deal. He is one of the most patient and loving people I have ever come across and he has a unique ability to address every questioner in a caring and direct manner. I have given copies of John's first book to many people who have experienced a loss in their lives and they have always thanked me for the gift. They also recognize that "Awakening From Grief" is not just a book about death, but very much a book about life. I hope you will all give this book a chance to serve you in your quest for love and happiness.

A book I can pick up at any time to get an inspirational lift. Filled with such tenderness, compassion and lots of hope when so hard to find when carrying such a heavy heart. As fate would have it, When Prayers Aren't Answered came out to the bookstores it was like the book was written to match my life for the past five years as the same with John's first book Awakening From Grief. Once you start reading you will not want to put it down. I highly recommend reading it. John Welshons books are my Beacon of Light..

I definitely recommend this book. I love it because it considers all religious beliefs, and it makes quite clear that we are like little children in our love to God. If He doesn't give us what we want then we desert him and loose him all along, while the challenge is to love God and be connected with Him either He gives us what we want or not. Most of the time for our best.

The making of Rear Windows, The Man Who Knew Too Much, To Catch a Thief and The Trouble with Harry in one book! Through interviews with the key production personnel of Hitchcock and writer Hayes, this book covers each detail of how these films were made. Very recommended.

In 1953 John Michael Hayes met Alfred Hitchcock in the Polo Lounge of the Beverly Hills Hotel for dinner. After indulging in much wine and food with the legendary director, the 33-year-old writer, who was just starting to earn his spurs as a film scenarist after a luminous period in radio, returned home and told his wife he was certain that Hitchcock would never hire him to collaborate with him on projects.

How wrong Hayes proved to be, to the distinct benefit of himself and the great director. Hayes believed he would not be hired since he frankly criticized some of Hitchcock's earlier films. As things turned out, Hitchcock admitted he had heard very little of what Hayes was saying. Instead he focused on his manner, believing him to be glib and confident of himself. They then went to work on their first project together, with Hayes writing the screenplay adaptation of Cornell Woolrich's renowned short story, "Rear Window."

Steven DeRosa takes us on a fascinating journey with a succinct dual biography of the two men, brilliant creative forces with styles in some ways different, in other ways similar, while also showcasing the four films on which they worked during their collaboration. Despite his formidable background and lengthy film experience, Hitchcock knew where to tread and how to back off, giving Hayes plenty of suggestions on settings while providing him with all the independence he needed to place his own brand on his screenplays, particularly the masterful dialogue that made him sought after from the time he arrived in Hollywood looking for work. We learn that Hayes, before working on films, was a smashing success as a writer on the Sam Spade radio series starring Howard Duff and Lurene Tuttle. It was while cranking out radio scripts and being compelled to meet pressureful deadlines that Hayes developed a discipline that led him later to be branded as "Hollywood's fastest writer."

Another fascinating collaboration was "To Catch a Thief," in which the French Riviera settings form a brilliant visual backdrop to a thriller in which Cary Grant plays a reformed jewel thief who is enticed back into action to help the local police catch that period's successor to Grant. Along the way he finds romance with Grace Kelly, who will not that long afterward return to the French Riviera to reign over Monte Carlo with new husband Prince Rainier.

DeRosa provides interesting details on the remake of "The Man Who Knew Too Much," this time, 22 years after the original was released, as a spectacular color film. We learn how this film, starring James Stewart and Doris Day,was crafted in a way to utilize the good points of the original version while building upon that success and providing excellent original material.

This book is a rare effort. Scarcely ever does a reader receive such a close perspective on the important relationship between two master craftsmen, a brilliant veteran director and a young screenwriter at the peak of his powers.

This book is about the successful teaming of Alfred Hitchcock and screenwriter John Michael Hayes. Hayes, a native New Englander, and recently a screenwriting professor at Dartmouth, wrote four films for Hitch, including Rear Window, To Catch a Thief and The Man Who Knew Too Much. They worked extraordinarily well together, Hitchcock bringing to the table his mastery of suspense and technique and Hayes his knack for sharp dialogue and strong characters. Predictably, ego, money and a battle for credit soon got in the way and ended their partnership. Steven DeRosa's research is impressive, and his style accessible, entertaining and informative.

Although the book's main focus is on the four films Hitchcock made with Hayes, and on the personal relationsip between the two, DeRosa provides many insights into the director's collaborations with writers throughout his long career. It becomes quite clear that the very nature of Hitchcock's technique, that of planning everything in advance, made him more reliant on writers than he ever admitted. At the same time, DeRosa shows what it was like to be an up-and-coming screenwriter during that era.

In almost stupefying detail DeRosa describes how Hitchcock and screenwriter Hayes conceived, wrote, and produced four of Hitchcock's better films, including Rear Window and To Catch a Thief. Along the way DeRosa tells how Hayes' reputation grew to the point that Hitchcock was no longer comfortable maintaining the relationship. Engagingly written, this is a fresh take on Hitchcock which I thoroughly enjoyed, especially after seeing three of the four on the newly released DVD's.

"The 42nd Parallel," the first volume of John Dos Passos's "U.S.A." trilogy, is a novel about America and Americans from the 1890s up to the first World War. That sounds ordinary enough, but "The 42nd Parallel"--the title possibly refers to the latitude of Chicago, Dos Passos's city of birth and where a good portion of the action of the novel takes place--is notable more for its style than for its content, not that the latter is uninteresting. Dos Passos invents five young people from different backgrounds and parts of the country and follows the courses of their lives until their destinies eventually intersect.

The first to be introduced is a poor kid from Connecticut by way of Chicago named Fenian "Mac" McCreary who, starting out as an apprentice printer not unlike Benjamin Franklin, travels from city to city hopping trains and falling haplessly into a variety of odd jobs--assisting a con man, writing propaganda for a labor organization--until he ends up in Mexico running a bookstore on the fringe of a revolutionary movement. Then we meet Janey Williams, a middle-class girl from Washington, D.C., who makes a living as a stenographer while she is looking for a husband.

Next is a diligent, intelligent boy from Wilmington, Delaware, named J. Ward Moorehouse who after some bad luck in his career and his marriage becomes a successful public relations consultant for corporations. Eleanor Stoddard, a Chicago girl who dreams of a fashionable and cultured life for herself, breaks the social and economic barriers and becomes a highly reputable interior decorator in New York. Finally, Charley Anderson, a North Dakota native, struggles to find and keep work as a mechanic while he roams the country as a vagrant, ultimately volunteering for the ambulance corps in France as the United States enters the European war.

What all these people have in common is that they each epitomize some facet of the new American socioeconomic picture of the emerging twentieth century--the socialist, the working single girl, the corporate image softener. The novel reflects the changes America was undergoing at the time, especially in light of the problematic relations between labor, industry, and government, and the country's potential position as a new global superpower awaiting the biggest, bloodiest war the world would witness to date. Dos Passos wrote this in 1930, so of course he had the benefit of some hindsight; there was no second world war, nor even yet the threat of one, to obscure his vision of the era.

The narratives of the main characters alternate with "Newsreels" that provide glimpses of contemporary events, headlines, and snippets of popular songs; sections called "The Camera Eye" which record random prattle from snapshot subjects and look like modernist prose poems; and brief versified sketches of actual personalities and prominent figures of the day who shaped American history, from Eugene V. Debs to Thomas Edison to Charles Proteus Steinmetz. The novel is experimental in structure, but Dos Passos is breezily conversational in his prose, telling pure stories with natural drama; there is no unbelievable comedy or tragedy here, no sentimentality or jingoism, just life as it is lived.

This first part of Dos Passos' acclaimed "USA" trilogy takes the reader from the start of the 20th-century up to America's entry in World War I through the alternating life stories of five regular (white) citizens. Had he stopped there, the book might have been perfect, but modernist experimentations creep in through the "Newsreel" and "The Camera's Eye" sections and muddy up the work. These are kind of abstract prose collages or montages comprised of headlines, snatched phrases of songs, news clippings, and random phrases -- presumably intended to convey some of the mood and seeming frenetic pace of the time. The fourth element in his brew are brief sketches of notable figures of American history (some more familiar to contemporary readers than others), including Thomas Edison, "Gene" Debs, Andrew Carnegie, Henry Ford, Charles Steinmetz (pioneering electrical engineer) and more. However, if one can ignore all of Dos Passos' uneven futzing around with these various elements, there's quite a good social history underneath. When writing about his five core characters, he's very straightforward and proves to be an engaging storyteller.

Dos Passos uses his five characters to show the pre-war period as a time of great change in America, when the political field was still wide open and the opportunities for social mobility were a tangible lure to young people. Probably the closest to his heart is the first one we meet, a poor Irish-American apprentice printer from Connecticut named Mac. His picaresque adventures take him train-hopping around the country and into a turbulent Mexico, taking on odd jobs and working for the labor movement. Raised by Fenian rebels, he's a card carrying Wobbly and proud of it. The middle three characters are middle-class strivers. Janey is a Washington, DC stenographer whose halcyon days of youth end when her teen crush dies in a car wreck and her golden boy brother joins the merchant marine. Eleanor is a naive Chicago girl who is introduced into a "arty" set and eventually works her way up in the world to become a fashionable Manhattanite interior decorator. Both of these women's lives eventually intersect with that of J. Ward Moorehouse, an industrious Delaware boy who manages to latch on to a rich wife and leverages that to make a name for himself in advertising and public relations. A Minnesotan hick named Charley forms the working class bookend to the five characters. Like Mac, he wanders the country, living close the edge and picking up mechanic or carnival jobs where he can, and gets interested in the labor movement.

As the lives of these characters unfold over the decade and a half, we see the energetic face of modern America emerging. The rise and fall of unions, the rise of the working woman, the rise of advertising and media spin, the tension between government and the people, the rise of American hegemony and nationalism, and the inevitable class divide -- the one area that escapes major attention is race. Lest this sound rather dry and boring, the five characters go through personal and professional trials and tribulations familiar to our time. Playing an especially large role in the characters' lives are love and sex, the former generally playing out poorly, and the latter sordidly. There's an interesting tension that surfaces off and on through the lives of the male characters, in which females divert them from their avowed course. This is introduced very early in the book when Mac is warned by his father that he must stay away from women, because women will make you "sell out" and betray the revolution. The idea that a man can't be an effective revolutionary if he's got a woman to deal with is a recurring one -- which is not to say that women don't have their own problems throughout the story -- and it would be interesting to see a feminist analysis of the book. In any event, once you get used to the structure and style and concentrate on the core characters, it remains a very readable and important portrait of America's history from the perspective of a social revolutionary.

To read John Dos Passos' "The 42ND Parallel" is a unique reading experience that I highly recommend, though not to everybody. It is a great book, but very intellectual, slow and sometimes confusing --therefore it requires a lot of concentration from the reader. But those who adventure this superb work are likely to be very pleased. This is a great portrait of the USA circa 1900 --a remarkable read.

To begin with, the format of the story can be a major drawback. Not only is it segmented, but also, from time to time, sections that haven't much to do with the narrative itself pop up. Sections named "Newsreel" and "Camera Eye" may not make the main narrative --or narratives --move on, but they are important to set the mood and give historical background to the reader. They can put off the reader, or helpful, it only depends on how much one likes historical context.

Each main character is a book itself. They have long stories that are told from the beginning. Each one has his or her main conflicts, supporting characters and so forth. But the closer we get to the end, the clearer it is that all the storylines will get together in the end. And this is one of the biggest accomplishments of Dos Passos. Many writers try to do this kind of device and fail --they are neither convincer, nor surprising. But this is not the case in "The 42ND Parallel". You may have a feeling the narratives will eventually meet each other in the end, but the end is so engaging that surprises us.

Since "The 42ND Parallel" is the first installment of a trilogy, clearly, it has no ending so to speak. The narratives come to a finale, but still there is water to pass under the bridge. The last paragraph is the perfect hook for the next novel. It leaves the reader with a natural excitement to read "1919".

if you like On The Road by Jack Kerouac, than you'll love this trilogy.

When I first came across John Dos Passos' USA Trilogy (42nd Parallel, 1919, and The Big Money) as a teenager I thought they were the most exciting books I'd read to date. I was enthralled by its scope, its style, and its highly politicized substance. Dos Passos' montage-style (that seemed to be some sort of homage to the great Soviet director Sergei Eisenstein) mixed interwoven story lines of fictional characters with brief contemporary biographies of famous contemporaries. To that he added "newsreel" items, brief inserts from news clippings of the day that gave some sense of the cultural and political world these characters inhabited. Last, Dos Passos added subjective, autobiographical snippets (the "Camera Eye") that served as some sort of exterior voice of the author. I was concerned when I picked up 42nd Parallel many years later that I would find that my excitement was more the product of teenage naivete than from reading a truly unique literary work. Happily, I was not disappointed to find that the USA Trilogy remains for me, a wonderful piece of writing, one that has fallen inexplicably out of the American literary cannon.

Seventy years later we think of American fiction from the 1920s and 1930s as being dominated by three writers, Faulkner, Hemingway, and Fitzgerald. It is not much remembered that at the time Dos Passos was thought of as an essential fourth. When 42nd Parallel was published Edmund Wilson's review went so far as to claim that Dos Passos was "the first of our writers, with the possible exception of Mark Twain, who has successfully used colloquial American for a novel of the highest artistic seriousness." Upon publication of The Big Money in 1936 Dos Passos made the cover of the August 10, 1936 issue of Time Magazine.

42nd Parallel is a wonderful title for Volume I of the Trilogy. The 42nd Parallel of latitude runs right through the heart of the USA. Starting from the west it forms the north/south boundary of California, Nevada and part of Utah from Oregon and Idaho. Running east it crosses Wyoming, Nebraska, Iowa, Illinois, Michigan, and the New York/Pennsylvania border. After cutting across Connecticut it reaches the Atlantic Ocean just where the Pilgrims landed, at Plymouth Rock.

Dos Passos' 42nd Parallel cuts a similar swath across the USA. Set roughly in the years from 1900 to the First World War, Dos Passos traces the lives of five characters, each from a different part of the country and each with a different class and cultural background. We are presented with the stories of Fainy McCreary (Mac), Janey, J. Ward Moorehouse, Eleanor Stoddard, and Charley Anderson. As the stories progress they converge (personally or geographically) and diverge sometimes as randomly as two ships passing in the night. We have a range of characters from a card carrying member of the International Workers of the World (Wobblies) in Mac to a budding man of wealth and importance in the new field of public relations (Moorehouse). Some hop trains and tramp from town to town looking for jobs or social unrest. Others strive for respectability and try to make a `nice' middle class life for themselves.

In between chapters Dos Passos provides us with biographical sketches of famed Americans such as Thomas Edison, Bob La Follette, Andrew Carnegie, and Luther Burbank. Also interspersed throughout the book are the Newsreels and what Dos Passos called "The Camera Eye" made up of his own musings on his life and times. All of the fictional characters live for the moment and don't engage in any literary musings on the meaning of life and their role in it. The Camera Eye seems, in many respects, to consist of Dos Passos setting out his own interior life, something missing from his characters. 42nd Parallel is a politically charged piece of work and is fully representative of the highly charged and turbulent early years of the 20th-century.

By the time I was finished with the 42nd Parallel any qualms I had about revisiting Dos Passos had long since evaporated. I recommend this book to anyone who, like me, read the book many, many years ago. I strongly recommend this book to anyone who hasn't yet discovered The USA Trilogy. You won't be disappointed.

What a wonderful book. APACHE is beautiful.

What a beautiful book. It's really stunning. I'm envious. I hope the publisher does as well with it as I think they should.

APACHE is a beautiful, really beautiful book.

APACHE: The Sacred Path to Womanhood is magnificent. It, the photography and writing, deserves an award.

Apache is graphic & well-told as a photo story, which is rare indeed.

This book provides an excellent overview of the arc of Diebenkorn's painting style, from abstract to figurative and then to his final amazing abstracts. This is a good starting point for understanding Diebenkorn's art, with large beautiful color prints of his paintings. And, because it's a paperback edition, it's pretty affordable for an oversized, color fine arts book.

Great reference on Diebenkorn with lots of color plates and in-depth text on the process of his work. It was recommended by my professor and I keep it by my easel!

If you love the Bay Are Figurative movement as much as I do, this book is the definitive volume.

Richard Diebenkorn has finally achieved the status of Modern Master, but his success was only secured later in his life and after his death. Although he was at first an Abstract Expressionist artist who painted as convincingly as Still, Rothko, Kline and Motherwell, he was too much identified with the Bay Area, and therefore he did not have the imprimatur of the New York critics. Then, in the 1950s, he was viewed as having betrayed the New York Abstract Expressionists, when he turned to figurative painting with David Park and Elmer Bischoff. Eventually, until his death, he returned to abstraction with his much-acclaimed "Ocean Park" series. And then the critics finally realized what had eluded them for years: That Diebenkorn painted abstract realism, leaning more to one and then the other, all his life.

Jane Livingston does a fine job of portraying the life of Richard Diebenkorn through his stunning paintings, which exemplify fire beneath the calm. Be sure to read the Norland book as well, since his book is still the seminal book on Diebenkorn.

This is a great collection of Diebenkorn's work through the years. Though it's a paperback, the book is big, sturdy, and will last a long time. The color plates are very true to his original works.

As a sports fan I found Blades of Glory to be a great story of a team's journey toward fullfillment of a life long dream. Rosengren does an outstanding job of highliting the ups and downs of high school athletics and the culture of youth/hs hockey. Additionally, the historical aspects of the book made me more appreciative of past programs and the role the sport plays in the hearts and minds of Minnesota residents.
However, as a high school coach, what I found even more valuable were the qualities and characteristics needed to build and maintain a successful program. Rosengren's brings to life a number of ethical questions that coaches face concerning winning, loyalty, and relationships making this a must read for anyone interested in coaching.

This is a great inside look at an elite high school hockey program. From the players to the coaches to the parents to the cheerleaders to the fans, no angle is left unturned.

Humor, history and controversy: Blades of Glory has it all. More important, Rosengren taps into truth from a variety of perspectives, including those parents, players, coaches--and scouts whose livelihoods depend upon not just upon a prospect's potential but also his circumstances.

But these aren't the reasons I selected the book in the first place. No, I picked up Blades of Glory because I'm a hockey fan (of all levels) and a hockey player; I selected the book because I have lived in Minnesota and have coached hockey (and other sports). I didn't know I'd learn so much about things I thought I knew about, and I didn't realize I'd get more than just a fleeting glimpse of the big hockey picture.

There is a wide variety of hockey books sitting on the virtual shelves at Amazon.com: NHL autobiographies, training manuals and minor league misadventures. I have read many of these books. I'll continue to read them--and will enjoy them for what they are. But these other books won't likely be laced with the same doses of humanity and history as Blades of Glory.

The story of Bloomington Jefferson Jaguar hockey in 2001 could easily have been written about my high school 15 years prior. I grew up one 'burb over and attended Tom Saterdalen's hockey schools as an early teen. It was held at the Bloomington Ice Garden in "prestigious West Bloomington" - the storied venue chronicled in the book.

High school hockey in the Lake Conference is a very big deal. I knew as much from the time I was a Mite and my dad took me to watch our community's team play. Yes it is competitive. Yes there is a win-at-all-cost mentality that draws fire from many - including some of those that have reviewed the book for this site. You can be the judge of whether that is good, bad, or neither.

We (and I'm including pretty much every male hockey player in my community) all wanted to suit up for Varsity very badly. We wouldn't have wanted it so much if it weren't as competitive, as important. Like professional sports, successes are a great source of civic pride.

Blades of Glory takes you inside this world for one sometimes glorious, sometimes frustrating season. Indiana basketball, Texas football, Minnesota hockey. This isn't participatory high school athletics in obscure sports at some random school. Rosengren does a very good job of capturing the emotions. He also weaves in enough tales to make stabs at social commentary without coming across as preachy.

My only knock against the book is that he opts for an effect that takes things out of their chronological sequence in order to emphasize certain emotions and certain points. (Example - wait until you read about the Jefferson Jaguars GIRLS hockey team late in the book. We hear about how some of the boy players are dating girls that play on the team throughout the book... their successful season is covered late, almost as an afterthought. Another example - much is written about a parent's critical letter to the community paper in the early 90s about Saterdalen's overzealous competitive drive. Context on the source is provided at the very end. I'm not sure why that was held back as some sort of finale.)

Anyone that thinks they'd like this book will. A great work.

A former UM-Duluth goaltender loaned me this book. I enjoyed parts of it, but Rosengren's factual errors call into question the whole narrative that the author asks us to believe.

Among Rosengren's goofs:

1) Larry "Pops" Ross never coached at UW-River Falls, as Rosengren claims.

2) Scott Stevens never went head-hunting for Eric Lindros, which led to Lindros' sixth concussion. I watched that game, and Stevens hit Lindros with a legal shoulder check delivered at chest level. Lindros came across the blue line with his head down and he paid for it. There was no malicious intent on Stevens' part, as Rosengren implied.

3) The United States Hockey League (USHL) is not a "beer league" filled with goonery as some of the Jefferson players in the narrative state. Rosengren later slips in subjective evidence to reinforce the notion that the USHL is a thug-filled, bottom-end league. He's way off: The USHL is a top-tier Junior A league with many talented players that end up playing collegiate hockey and beyond.

Here's proof: Blake Wheeler, who played with the USHL's Green Bay Gamblers in 2004-05, was taken fifth overall by the Phoenix Coyotes in the 2004 NHL draft. A bloke named Gretzky runs that outfit. In the NHL's 2005 draft, 26 USHL players were selected by NHL teams.

Must be some beer league. I don't know of any beer leagues that have teams that draw more than 100,000 paying fans a season.

Moving on, I had trouble keeping Rosengren's five hockey-playing characters straight. Perhaps that's on me.

Give Rosengren credit for exposing the drug use among the Bloomington Jefferson players and head coach Saterdalen's erie obliviousness to drug use by his players. I liked the way Rosengren neatly worked in Minnesota hockey history, assuming the new history I read was accurate.

As for Minnesota hockey parents, he nailed the worst ones dead one. I coached youth puck in Minnesota for two decades. While most hockey parents in Minnesota are wonderful people who put the game in perspective, there are the toxic few who only see their investment (child) and nothing else. Some of the Jefferson parents demonstrate what psychologists call "achievement by proxy." It's grossly unfair to any young player.

I sometime suspect that we hockey fans are so glad to have anything in print about our sport that we become giddy with joy reading it. This is an average hockey book that fires some of its factual content wide of the net.

Engaging, enlightening -- could not put the book down. If you drink water you must educate yourself and read this book. Dr Morris weaves his points with medical research history and brings you to the present conclusion, our water is still not safe, millions still die each year from drinking it. His conclusions inspire you to do something about it locally and globally. Thank you for the references, too. I am inspired to read more about these topics and subtopics.

Robert Morris' book is great for anyone who is interested in issues of drinking water supply and safety. For that reason I give it five stars.

I was puzzled by a major omission. Morris mentions repeatedly that population growth is straining the water supply. Why is there no follow-up on this? In the book's conclusion, Morris makes seven proposals to guard against present and future threats to safe drinking water. Population control does not even appear on the list. It should have been #1. Without population control, most of Morris' proposals either won't be possible or won't work to reduce the problem. If we don't take steps soon to stabilize world population, waterborne disease may well become one of the major Grim Reapers doing it for us.

Morris also discusses how strained municipal and other local government resources are in the U.S., making it difficult to invest in necessary water infrastructure. I would like to point out that a major reason governments are so strained is that in the last few decades a huge percentage of local revenues has gone to automobile infrastructure--roads, highways, parking lots, and the like. America sooner or later needs to rethink its love affair with the automobile. For more on this, see Kunstler's book Geography of Nowhere: The Rise and Decline of America's Man-Made Landscape and Shoup's book The High Cost of Free Parking.

I've recently finished reading "The Blue Death" which highlights early stuggles against cholera. Throughout this gripping book, I felt a resonance with a book I read as a child in the early 1940's titled "Microbe Hunters" by Paul de Kruif. De Kruif's description of Pasteur's struggles with rabies was also compelling...and scary! His book sparked my early interest in science. Perhaps, Dr. Morris' book will do the same for today's young people.Gene Primoff

This book is a great read. It provides an interesting and exciting history of the search to find the cause of cholera. It then goes on to discuss the status of drinking water in the US up to the present. Dr. Morris provides science to the reader in the form of a fast moving novel. I would reccomend it to anyone.

If you think your public water supply is safe because "THEY" are taking care of it, then think again. This book profiles the history of water borne diseases as well as Dr. Robert Morris's initial entry into the world of public water as a college researcher. Initially naively thinking that public health was the most important issue, he soon learns that ego, competing intersts, and the politics of "not raising taxes" are far more important to many politicians, public water works directors, and even the EPA, than the truth. He explains how ego, politics, money, lack of education, and just general organizational structures in city, regional, and national governments often mitigate against protecting the public health in regard to the drinking water supply. Real life examples of full scale water disasters in the city of Milwaukee, Walerton Ontario, and New Orleans should serve as a "wake up call" to many cities around the world.

Other important issues addressed include the fact that the target is always moving because the microbial world is constantly evolving and now new organisms have emerged which can survive chlorine treatment....such as in the case of Milwaukee. And yet public officials still refuse to change the standards after huge disasters like this.

The first half of the book includes the valuable background on the history of water born diseases such as cholora, and just how devastating the death toll was before researchers discovered the connection. While this first half of the book has a lot of valuable information, it's unfortuanately written in a dramatized historical novel style which I personally found annoying.

In spite of this style issue in the first half, the second half is so incredible that it competely over rides this minor issue, and takes this book to the top of my "must read" list. I give this book 4 Stars and HIGHLY recommend it. It should be mandatory reading for every public official as well as the public at large. No scare tactics or hype here, just the facts laid out for the average person to read and decide.