Jackson Books

William Jackson Barnard's successful career spanned the Depression Era through World War II to a success in civilian aviation after the war. Despite his childhood distaste for academics, it became apparent that he could not hide his talent for learning. It led him to undreamed of heights for most "mustangs," from a Seaman Recruit aboard ships to a multifaceted and interesting career in meteorology and aviation, retiring as a Navy Captain. He flew some 40 different types of aircraft. Serendipity played a large part in his unusual life - being in the right place at the right time to witness history in the making. An example was his presence at the Hindenburgh disaster. His prediction of the '38 Hurricane was of first-hand interest, as I rode it out aboard a ship in NY Harbor which had little warning of the impending storm. The narrative flowed from one fascinating episode to the next - maintaining the reader's interest throughout.

Don't stop until you have read this book, written by a truly talented and savvy Navy veteran of 24 years. The incidents of his childhood and career in the Navy are so well selected and artfully drawn that the reader is kept in a state of continued anticipation, awaiting the unfolding of more of the life events. The true life story chronicles the remarkable chapters of Captain Barnard's life and we are in his debt for sharing them with us. A must read for all and a great example for our youth, as well.

This is one of the funniest and most engaging autobiographies I've read in a long time. Bill Barnard must be part cat, because he has lived a full and often dangerous life and has survived unscathed. From his early escapades involving homemade rollercoasters to his later adventures overseas, Bill manages to describe the excitement in a way that makes the reader feel a part of the action. This book is proof that fascinating people live among us, and thankfully, sometimes, they tell their story.

This is a great book, of the shaping of a young man in the 1920's South and the changing U.S. Navy of the 1930's and 1940's. Bill has a remarkable memory and delivers a rich account of the everyday events that molded many of our fathers. His stories of growing up, in familar vocabulary and youthful excitement, are strikingly similar to the stories my own father told but never wrote down. His description of the U.S. Navy of the 30's and 40's was through the eyes of the ever optimistic and overly self-confident young sailor. The book is a colorful description of the service force ships, the support squadrons, and the search aircraft of a changing Navy.
It is a delight to read and offers a very positive,humorous and personal perspective of the changing Navy from the "boot" seaman, the pilot, and the squadron commanding Officer.

Eagle Wings and Mustang Tales by William Jackson Barnard (as told to Julia Barnard Nelms and David Nelms) is the instantly engaging and personal memoir of distinguished American aviator who served in World War II, earned the rank of Navy captain, and crossed paths with great figures such as Franklin Roosevelt, Ronald Reagan, Gerald Ford, Gary Cooper, and Jacqueline Cochran. A tribute to a devoted aviator, both in the military and in civilian life, Eagle Wings and Mustang Tales is the record of a truly fascinating life and a much appreciated contribution to the growing library of World War II era eye-witness autobiographies and memoirs.

Great introduction to eco-villages and what they are all about. Love the pictures.

I have never heard of ecovillages before and it seems to be the perfect idea. The book consists of articles about and by different people about different ecovillages around the globe. I am fascinated how many aspects there are to ecological cultural and social living. There is lot of pictures of "green" houses and maps of some villages, also there is emailadresses and a lot of recources. I just started reading but I know that this is definitly the most important book I found in a long, long time.

I had to do a paper for university on Ecovillages. What a blessing when i found this book at the library! It's just perfekt, I wanted to translate everything and not change a word.
It gives a good overvieuw of the movement and shows examples of ecovillages around the world. There are also some interviews whith key people!
GREAT GREAT stuff.
It made me want to take a plane and go and live in one of those places right away... I'm seriously considering it!

This book has the same potential for impacting global society as Bill Mollison's seminal work, "Permaculture: A Designers' Manual"! In fact, "Ecovillage Living" adds the human dimension to permaculture. As permaculture was a new word and espoused an alternative harmonious world view, based on a natural order and relatedness, "Ecovillage" has now been retrieved from the banality of contemporary "Green" suburban marketing slogans. An acceptable standard for "Ecovillage" has now been defined in all of it's wonderful, practical, complexity. "Ecovillage Living" comes from the source, Hildur Jackson, one of the founders of the Ecovillage Movement.

Like a well cut diamond, "Ecovillage Living's" beauty is multi-faceted. It could be a textbook for the wealth of data, practical real life examples, and additional resources presented. The remarkable compilation of photographs and renderings,takes the reader to many of the 15,000 sites and into the hearts and minds of the movement. This visual variety and global context easily translates into a coffee table icon, that could stimulate dreams into action. In a more personal vein it could be seen as a personal diary/contemporary record of an increasing number of people on six continents that sense their need to reconnect with the planet and each other. It's a diary/record of their dreams manifested, and invites others to join them!

As former President of Silicon Valley Habitat for Humanity,Inc., a "Green" builder and developer, and an aspiring Ecovillage occupant, it's a pleasure to give "Ecovillage Living" my highest recommendation.

Finally, it has arrived. I've been waiting for this book for a long time. As an environmental philosopher, I have come to believe that ecovillages (or urban villages - the Global Ecovillage Network doesn't distinguish) are our only hope for survival on this planet. And this is the best book available on the subject.

A quick glance at modern society shows many signs of cultural and economic stress: including war, militarization, gun violence, media violence, over-consumption of resources, overpopulation, failing democracy, money in politics, monopolization, sexual inequality, racism, inadequate health care, rising crime rates, advertisement glut, commercialized education, materialism, community fragmentation, work-related stress, mass layoffs, poverty, and a mass sense of alienation - from self, other and nature.

Signs of biological stress in the natural world are even more daunting. Fisheries are collapsing, forests are shrinking, rangelands are deteriorating, soils are eroding, species are disappearing, global temperatures are rising, rivers are draining dry, water tables are falling, the ozone layer is depleting, more destructive storms are brewing, the polar ice caps are melting and sea level is rising (see ECO-ECONOMY for details on the eco-crisis). It is in this context that Chris Bright's warning rings ominous: "Nature has no reset buttons."

Trapped in the confines of global economic corporatism, we must ask, Could it be that the fundamental design of society is flawed? Are large nation-states and even larger corporations conducive to ecological and cultural health? How about wage labor and the monetary system in general? How do we go about creating unique and beautiful communities without inequality, hunger, insecurity, want - and without killing the planet? In a word, how can we live the Good Life? Is it possible?

The answer to all of these problems is the same, and you will find them in this book. Ecovillages are the answer! In this book you can expect to find a great collection of photographs, wonderful charts and graphs, maps, people profiles, design layouts, philosophical perspectives and the historical background of the ecovillage movement. There is no better book on the subject, and no more important subject for the new millennium. How else will homo sapiens reach homeostasis on this planet? If you can think of a way, please send me an email.

For every published book, there are many editing steps from rough draft to finished product. If math alone were the determining factor, that should mean there would be many more books on editing than on writing. In fact, there are dozens (perhaps hundreds) of books on writing and only a handful on editing. To be sure, there are stylebooks that concentrate on grammatical and punctuational form. And most respectable writers give shelf space to Strunk & White and Zinnser and a few others. But while their efforts address precision of thought and clarity of form, McCormack takes the plunge and talks about artistic sensibility and the effective use of craft in a way that enlarges and energizes like no other book I've run across.

His main premise is that artistic sensibilty is something innate. We like or dislike something because it strikes a chord within or fails to. This resonant characteristic of art doesn't need to be taught. It is simply there. The purpose of craft is NOT to teach the writer how to hit that mark but to help him diagnose the ailment when he doesn't. A writer begins with a vision that drives him. The study of craft, at the outset, may hinder more than it helps. When the attempt falls short, there is plenty of time to apply technique and identify the lack or the excess that caused the work to be less than hoped for.

McCormack says there are two basic failures--bad things which have crept in and good things which have not. He demystifies the whole spooky process and makes it seem much more manageable and achievable.

He also encourages writers to find, cultivate, and appreciate good critiquers whether they be someone in the industry or astute and articulate readers. He encourages critiquers to focus on reader reaction (I had no sympathy for George at this point) rather than specific item that triggered it (George shouldn't have screamed at Alice). This allows the writer to address the effect of his choices rather than become bogged down and defensive of the choices themselves.

This is the best book I have read on the subject although I have to admit, it's not a light read. McCormack has a tendency to invent and run with jargon, a minor distraction but an occasional irritant nonetheless. Still, his obvious respect for writers overall and his passion for the subject matter give this book great value. I return to it every six months or so just to soak it all in again.

A former editor, McCormack knows the territory well. He admits that he doesn't have all the solutions (some of which may never exist because of the nature of the current publishing industry), but his grasp of crucial issues is strong. He also examines some of the ways "we"--readers, writers, editors, agents, educators--think about literature, and his debunking of myths is also insightful and provocative. I especially enjoyed his views on the concept of "Theme." The book also gives writers another way to look at their writing for revision, never a bad thing. Two quibbles: first, the aforementioned lack of solutions. McCormack admits that he has none, and I'm not sure that editors can function differently in today's publishing industry. Indeed, if the industry changes enough, editors might become redundant, a truly frightening thought. Second, McCormack's background in philosophy makes some of his style unnecessarily (?) complex. He says that this revised edition cuts through some of the thick language, but he could simplify even more without doing any damage to his ideas or message. I recommend to book to serious writers--and any English Teacher who still makes students answer the questions at the end of the chapter.

Now in a revised second edition that incorporates author's additional years of experience in the publishing industry since the publication of the first edition, The Fiction Editor, the Novel, and the Novelist: A Book for Writers, Teachers, Publishers, and Anyone Else Devoted to Fiction is a no-nonsense guide to planning, writing, and revising a novel. Written by award-winning publisher Thomas McCormack, The Fiction Editor, the Novel, and the Novelist offers constructive advice for each step of the creative process, from how to structure a novel, choose characters, and drive the story, to identifying common flaws in narratives, and apply appropriate remedies. Written in an amiable tone, often using examples, hypothetical writing scenarios, or dialogue-style discourse between industry professionals to clarify its points, The Fiction Editor, the Novel, and the Novelist is a superb handbook for fiction writers but especially recommended for prospective and professional fiction editors.

I have been around publishing houses, publishers and editors for many years. This is not only the best book I have ever read on the art and the craft of editing, but it is also the best of which I have ever heard. No editor I have known, and there have been many good ones, has described the goals and techniques so clearly.

I am inspired by this book, and you will be, too. You will also be left understanding exactly what should be happening between editors and their authors.

To be honest, the tone of the book didn't grab me. I had trouble reading this book in one sitting. This is not a bad book. It is just that there many books by editors who lambast their colleagues in front of writers in an effort to sign the writers. At first thought, McCormack seemed to be attacking other editors just to look better.

After completing the book, I see that is not the stance the author is taking. He acknowledges that editing is still an art, but avers that a more standard practice and terminology is needed to better the quality of writing today.

To this end, he suggests a vocabulary to help editors describe what works or does not work in a novel. One such word is the prelibation, which is the effect the writer is trying to get from the reader. After reading his suggestions, I am inclined to agree. McCormack also points out the contradiction in many fiction textbooks today. No wonder we have a disparity in editing ability.

I would recommend this book to writers and editors. This book will help you think about the novel in ways that can only help it become stronger.

This book is a great introduction to After Effects and Flash. If you have experience with Flash, it will have you creating stunning motion graphics in After Effects in no time.
Chris Jackson's writing style is light and eminently readable. He doesn't get bogged down in a lot of exposition, but instead introduces the concepts needed and then gets right down to step-by-step instructions. His examples are well-thought-out and, rare for books like this, they are actually realistic.
I had never used After Effects before, but this book got me going and up-to-speed much faster than I thought I would. I would highly recommend the book to anyone who wants to get started with After Effects and motion graphics.

I have been learning flash in school and am attempting to learn After Effects. Not only has it been easy to understand and helpful in learning AE, but i have learned useful Flash tips. The set up and pictures helps my "right brain" enjoy the studying process.

I was pleasantly surprised by this book and the included media!

Chris Jackson has hit on the right amount of technical detail and practical content to make this book easy enough for a beginner to follow, while still keeping it interesting for intermediate users. My 11 year old son and I used this book and went through the projects together. We enjoyed it very much!

Highly recommended!

Chris Jackson is an excellent teacher. His classes in After Effects at the Rochester Institute of Technology featured notes that were far easier to understand than standard books on After Effects and Flash, and I always hoped he'd write a book incorporating some of the lessons taught in his classes.
He has, and it's a winner. Most computer animation books are heavy going, but this one is easy and fun to read. There is no waste, no padding, no jargon, just solid information. It is easier to animate 'parented' puppets in After Effects and export in Flash than to work in Flash alone--the enjoyable exercises on the enclosed DVD will have you up and animating your own characters in no time at all.
I can recommend this book to anyone who is interested in hand drawn computer animation.

This book is excellent and I highly recommend it for all animators! There are many tips, examples, and workflows that show exactly how to bridge Flash and After Effects. There is a nice balance of web and video examples and how to properly prep and animate assets for each. I found the chapters on character animation and visual effects most helpful. The examples clearly show how to get the most out of parenting, puppet tools and fractals. I found the examples fun and inspiring. Unlike many books out there, the artwork and examples are well thought out and look great! The book is also well written. All examples were very easy to follow. I commend the author for this wonderful book!

I am a biologist that has been working in the Galapagos as a Naturalist leading tours there for the last 6 years. Michael Jackson's book is the "Bible" for the beginning naturalist and certainly more than adequate for the casual "ecotourist". Jackson covers all major aspects of the history, geology, ecology, and biology of the islands. In the "biology" section, he gives a clear, concise, but thorough group-by-group treatment of all major taxa including plants, reptiles, land and sea birds, mammals, and a brief section covering marine life. While there are other guidebooks available, none come close to the accuracy, clarity of presentation, and logical format of this book. Of particular usefulness are the many photos, tables, and graphs which provide a visual representation of many of the topics discussed and a synthesis of large amounts of data.

My wife and I bought Jackson's book in preparation for a trip to the Galapagos. The book served us well; when we arrived at the islands we felt that we were almost on a first-name basis with all the fantastic creatures and plants that make the Galapagos such a fascinating place. The book is considerably more than just a field guide; it includes information on the islands' history, their environmental and ecological setting, and the conservation efforts being made to preserve this truly unique place. And, as the title indicates, the book provides a lot of natural history, not just a brief summary of bare facts about each animal or plant. Not only is it a fine guide, it is a most enjoyable read.

Every naturalist guide in the Galapagos has this book. They also sell this book at the Charles Darwin Center in Santa Cruz, and it is a must read. It explains how the islands came about and what makes them so unique. I highly recommend this book!

I just recently returned from the Galapagos Islands, and the book that guided me throughout my journey was this book by M.H. Jackson. Very easy to find the animal you are looking, and also helps to discover more creatures to look for. Helped explain things further from what the guides had said. Also helped me in answering many people's questions about different creatures. A Great book! A must for all travelers to the galapagos in search of unique wildlife.

I would imagine that most visitors to the Galapaos are not naturalists. For those without a strong background in natural sciences, I would highly recommend this book. The book is easy and fun to read, detailed without being tedious. The photos are amazing and the author's passion for the islands is evident. If you only have time to read one book, this is one I would advise a Galapagos visitor to read in advance of their trip.

This is an important book about human relationships and how conditioning must be transcended to allow a new order of humanity to emerge. Chris's honesty is remarkable and refreshing. The forces against human beings coming together are big - the black/white racial issue just further highlights what most of us try to pretend isn't there. Their willingness to trust in God and something bigger than themselves because they know how important it is for the sake of humanity, is very moving and should not be missed. This is an unusual book because although the foundational faith is Christianity, the issues are human and can be appreciated by anyone interested in solving the complex issues of what it means to be a human being.

This is an important book about human relationships and how conditioning must be transcended to allow a new order of humanity to emerge. Chris's honesty is remarkable and refreshing. The forces against human beings coming together are big - the black/white racial issue just further highlights what most of us try to pretend isn't there. Their willingness to trust in God and something bigger than themselves because they know how important it is for the sake of humanity, is very moving and should not be missed. This is an unusual book because although the foundational faith is Christianity, the issues are human and can be appreciated by anyone interested in solving the complex issues of what it means to be a human being.

Chris Rice is brutally vulnerable and honest about his attempts to achieve the goal of racial reconciliation in partnership with Spencer Perkins. And, while the goal is important, the means of achieving it takes center stage in this poignant and absorbing chronicle of life in an intentional biracial community. Chris and Spencer discover that, when it comes right down to it, the only way they can overcome their own personal hangups and self-centeredness, and achieve true reconciliation between them, is by fully accepting God's grace. As they accept God's grace, they become transformed people who are whole, healed, and capable of truly seeking the best for others. The book clearly documents the work of God in the deep, private recesses of peoples' lives. It should be read by anyone who wants to achieve lasting change in their own life and the world around them.

What a tremendously honest book. There are no shortcuts to true racial reconciliation and justice. Attempts at shortcuts usually lead to a perpetuation of racial injustice or merely a reversal of who is oppressed. Reading "Grace Matters" clearly indicates this truism. Most of the books on race relations are dogmatic about the ultimate solutions there are to racial harmonty. This book is a more honest reflection of the struggles we will have to undergo so that racial reconciliation is possible. Rice does not make himself the "hero" of this book. He freely reveals the ugly side of himself. But just as important he does not deify Spencoer Perkins - his best friend in the book who is black - or blacks in general. This is a real book about real people.
If you want to just rely on those who pretend that they know all of the answers to racism, from color-blind whites to afrocentric blacks, then this book is not for you. The answers in this book are not offered through an unrealistic idealism but through the blood, sweat and tears that happen when people of different races really start working at racial healing. So if you want to gain a little sense of the type of struggle that we are going to have to undergo to eliminate racism then go get this book as soon as you can.

This memoir by Chris Rice is important, not because of the people involved, though they are in the forefront of evangelical ministry with the poor. It is important because for the first time someone is being brutally honest about what real relationships across the black-white chasm will cost and why they are worth the effort. This is no sugary, "Can't we just all get along" picture of the ideal "brotherhood of man." This is a chronicle of misunderstanding, miscommunication, determination, reconciliation and forgiveness. But finally, the story of Antioch Community and the friendship of Spencer Perkins and Christ Rice is about grace--God's grace working through flawed and struggling Christians who are radical enough to take the Sermon on the Mount as a call to lifestyle and mission.

Everybody who is interested in miinistry with the poor, racial reconciliation, Christian community and social justice should read this book.

Have you ever read a book and felt like the person said exactly what's been in on your mind? That's how Sherman A. Jackson's Islam and the Blackamerican is for me. As a "Jamerican" (Jamaican and African-American), I feel this book can also apply to Black Caribbean Muslims who are unwittingly converting into "Modern Islam" and becoming Salafis.

I sincerely hope to be a part of the "Third Resurrection" Mr. Jackson so eloquently discusses in this book. If I had my way I'd require every Muslim in America to read it.

Dr. Sherman Jackson's book is concerned with the "third resurrection" of Islam among Blackamericans. The first resurrection refers to the period before the death of Elijah Muhammad and his proto-Islamic movement, which was essentially a "holy protest" against white supremacy and anti-black racism. In the period of the second resurrection, it was charismatic leadership rather than "any objective method for scriptural interpretation that made or unmade doctrine." The third resurrection would hopefully be characterized by the "appropriation and mastery of the Islamic tradition." Dr. Jackson defines "appropriation" as the "enlisting of a set of non-indigenous ideas or doctrines for one's existential or ideological struggle." In other words, Blackamericans will not come to a foreign Islam that looks to the world through the prism of others' historical experiences ignoring their own experiences and predicaments, nor to a domesticated Islam that appeals to the dominant groups rather than combating supremacy and striving for a just peace.

In order to clear any misunderstanding, Dr. Jackson spent considerable time detailing his vision for the third resurrection. The protest spirit of Black Religion must be maintained but not to the detriment of the moral and spiritual. Put simply, what is required is a balance between protest and piety, activism and spirituality, the pursuit of secular goals and the quest for eschatological success. Black religion must rid itself of the exclusive obsession with race and the insistence on eliminating the evil of white supremacy without an attempt to contribute good to the world. Blacks, and the other Muslims, must understand that they need to recognize the US constitution and embrace America "in protest," something that Dr. Jackson authenticates and justifies using the Islamic sources and tradition, and not to destroy themselves by victimology, glorification of ignorance, and rejectionism. At the same time, the last thing needed is a theology of accommodation, dictated by certain tendencies in Immigrant Islam especially after the catastrophe of 9/11, where Islam is domesticated and used to bolster the assumptions of the privileged groups and to beg for their recognition.

Dr. Jackson deals with aspects of the relationship between Blackamerican and Immigrant Islam focusing on the monopoly exercised by the immigrants over the interpretation of the faith and the determination of the substance and priorities of Islam in America. His analysis is elegant and deeply objective. This is clear from his refusal to make one historical experience the sole determiner of the goals and objectives of Islam in the US and his refusal of "false universals" where a version of Islam is considered to be the "true" Islam without paying any attention to the particularities of the various Muslim communities. Rejecting "false universals" does not at all mean compromising anything essential to the doctrinal integrity of Islam; it means taking the historical experiences and customs of the different Muslim groups into account while formulating a vision of Islam that helps them in this life and the afterlife.

Despite his correct and convincing critique of Immigrant Islam, Dr. Jackson also deconstructs the assertions of "Black Orientalism"---a tendency by some Blacks to consider Islam the (main) enemy of Black people. The fundamental problem with Black Orientalism is that it analyzed the historical experience of Black people through the prism of American slavery. Dr. Jackson did not deny the presence of anti-Black sentiments in the Islamic tradition. Backing his arguments with historical facts, he calls for an objective assessment of these since there is a huge difference between societies which produce expressions of racial and color prejudice and societies that are founded on notions of racial superiority of some people and the utter inferiority of others who do not have the same skin color.

Dr. Jackson's book is a must-read for anyone interested in the future of Islam in America. The most important thing about his prescriptions is that they can be embraced by all Muslims regardless of their background. First, they are faithful to the definitives of Islam. Second, they are balanced and take the different aspects of the Islamic faith into account. Third, they are based on the emphatically tolerant and pluralistic Islamic tradition---something that should promote intra-Muslim tolerance and, most importantly, prevent any particular group from laying exclusive claim over the divine truth.

a very interesting book- extremely analytical- especially in its critique of Black Orientalism- while unlike regular Orientalism which misinterpreted the Muslim world in order to dominate it, misinterprets the Muslim world in order to protect black identity from influences which supposedly threaten the African core. He's very adept at making comparisons- and highlights some issues that are certainly the most pressing towards the Black Muslim community today; now that Black NAtionalism is no longer a common rallying point for black Muslims, and now that immigrant influence has seen to be obnoxious and domineering, it is indeed time for a "third resurrection"- for blackamerican Muslims to appropriate the mainstream Muslim tradition for themselves so that they are neither dominated by Muslim foreigners nor simply using Islam as a protest ideology without an authentic religious connection. To become more in a sense like the West African Muslims who so impressed Blyden- deeply Muslim, yet dignified having appropriated it for themselves, not having been dominated by non-black foreigners. Sherman Jackson's solutions are interesting (it is after all just a book meant to start off discussion)- his consideration of Sufism interesting- I certainly hope to see more such discussion in this direction- but of course- it will be long before the masses see the issues above as lucidly as the academics.

Sherman Jackson has delivered a powerful piece on the history and current situation of religion in the Blackamerican community. Jackson dispels some myths as to why Islam has found such popularity in the Black community. He also provides poignant insight into the nature of how Islam has come to operate in the West. Alternative choices are outlined and provided to the Black community in reconciling with their uniquely Black and Western heritage. I cannot recommend the book enough. A must read for anyone who has religious, social or anthro-social interests.

Dr Jackson write a remarkable summary of the condition of Islam in America, specifically as it relates to the Blackamerican (a term he justifies using early in the book) and Immigrant Muslims. For academics and laypeople, the insights he draws from his research and his own experience as a Blackamerican Muslim are eye-opening, especially as he relates the challenge of indigenizing Islam in America.

He concludes the book with a chapter on Sufism, Muslim spirituality, and the Blackamerican struggle. While I disagree with some of his conclusions, he nonetheless offers Blackamerican Muslims a natural entry point into Sufism, a part of Islam that is greatly maligned in some Muslim circles.

Overall, a must read for Muslim Americans, immigrant, white and black!

Dynamic pictures.... factual historic information...bought 3 for Christmas gifts.

... this is your book. The history of the area is fascinating, but the interviews with the locals really bring this book to life. David Gonzales has collected a plethora of amazing pictures from the area's best photographers, too. Whether you've just visited Jackson Hole or have lived in the area, 'Jackson Hole: On a Grand Scale' brings back great memories of skiing and snowboarding a place that's like no other!

Many times "coffee table" type books are placed around one's home to look nice, but are never opened and read. This is one coffee table book that is fabulous - easy reading (and great writing), which is also full of interesting facts and stories and amazing photographs to go with it all!

I'm not much of a skier, but reading all the stories about the skiing in Jackson Hole, is making me want to learn!!

I originally bought this book as a gift, but ended up keeping it for myself! I have never seen a "coffee table book" that is so well written. The photography is what initially grabs your attention, but the stories and historical information are what keep you coming back for more. I would recommend this book to anyone, whether they have an interest in Jackson Hole's past and present, or they just like looking at amazing photographs.

An insightful, well-researched and thoughtful book finally conveying to the printed word the somewhat complex history of what locals here in Jackson call "The Big One". Beginning with Paul McCollister and Alex Morely's vision of a grand ski resort on a European scale, Gonzales carefully weaves through the dynamics of the complicated business that is running a ski resort, and interjects wonderful qualities and stories of the "good ole days". Not one for half-truths Gonzales doesn't sugarcoat reality and really gets into the heart of the challenges and triumphs of McCollister's struggle to see his vision to fruition. The chapters "True Grit" and "Patrolling the Hole", were my personal favorites, perfectly chronicling the spirit of the incredible endeavors of managing, both fiscally and physically, this amazing ski resort. "Patrolling the Hole", gave me a newfound respect for the men and women (many of them good friends) that on a daily basis battle mother nature and the harsh Northwestern climate so that we may all enjoy the bounties of lift served fresh powder skiing and reveals both their unbelievable character and great humor, and "True Grit" is a wonderful history of the finer points of lore that surround the mountain. Beautiful photographs and superb anecdotal sidebars highlight this wonderful read, and Gonzales' solicitous prose relates to the reader that wonderful feeling of "being there", and more importantly truly captures the intimate local flavor. A thirteen-year Jackson local myself, I couldn't put it down and read through this delightfully put together book in a single sitting.

This is the catalogue for the landmark Pollock exhibition held at the Moma and the Tate in 1998-1999. Considering the steep rise in the insurance value of Pollock's paintings, such a comprehensive retrospective is not likely to be repeated in the near future and we are therefore fortunate to have such a brilliant book to help us remember it. The late Kirk Varnedoe was one of the best interpreters of contemporary American art and his text, never anecdotical and always informative without being pedantic, does justice to the masterpieces without falling into any of the cliches that often pollute our view of this great artist.

Beautiful illustrations make this book an indispensable presence in any arts library.

Having just taken in the MoMA show, I was very satisfied with the Pollock catalog. Very nice job reproducing the works (a difficult task in the printing of art catalogs!) Many fold-outs assist in conveying the size of Pollock's larger works. Large, full-bleed detail shots add a nice touch, complimenting the entire painting. While I'm not thrilled with the cover design, the interior is well-written, well-presented, and well-worth reading.

I picked this book up at the MOMA Pollock retrospective a couple years ago and have used it extensively. Having seen many of the paintings in this book firsthand, I can say that these are some of the best reproductions offerred in book form on Pollock's work. Another plus is that several paintings are printed on fold-out pages, so that the work doesn't cross the book's seam. So many of his paintings are extremely wide that this makes a lot of sense (otherwise, there would be hardly any resolution in the height dimension).

If you're interested in Pollock and need to refer to the reproductions, I absolutely recommend this book above all others out there.

This breathtaking catalogue is simply the best single volume available on Jackson Pollock, and this is primarily--but not only--because of the number and quality of the reproductions it offers. Almost every one of the dozen or so Pollock books in my library contains a painting not available in the others, but this book collects and beautifully photographs the greatest number and variety of his canvases--outside of a catalogue raisonee.

As the other reviewers state, there are many generously-sized fold-out pages here, and the crispness and resolution of these big reprints and of the more modest pages are simply amazing. To take two essential examples, this book's reprints of "One: Number 31, 1950" and "Blue Poles: Number 11, 1952" are astoundingly clear, better than any of the many other versions I've seen in art books, even in Ellen Landau's large-format survey, a book which also includes gatefolds.

(Another reviewer, by the by, states that "Lucifer" is not available in any other book, which is not true. Among other places, it appears in Landau, in Elizabeth's Frank's concise volume, and as the sole color reproduction in the book for the 1965 MOMA retrospective. Anyway, it gets terrific treatment here.)

Another invaluable inclusion in this book is a great number of full-sized detail photos of the canvases. For example, on a page adjacent to "Lucifer" and "Autumn Rhythm" and "Full Fathom Five," we see another photo of just one small section of that same painting but in 1-to-1 scale; these details reveal much of the dynamic, kinetic, urgent quality of these works, their encrustations of sand, glass, pennies, paint caps--traits which even this book could otherwise never offer a livingroom Pollock-viewer.

Further, having seen the exhibit in January of 1999, I can attest to the generally excellent fidelity of the color-balance. (Curiously, no one seems to be able to capture "Autumn Rhythm"'s grey-teal passages in a book, but if you were at this show or have viewed the painting at the Met you've seen them.)

The accompanying articles are excellent. Kirk Varnedoe overviews of Pollock's life, artistic aims, his accomplishments, all illustrated with family and archival photographs and drawing on Pollock quotations. Pepe Karmel uses the extensive photographic and film record of Pollock painting to analyze Pollock's physical movements. Most wonderful are Karmel's computer reconstructions of early states of the painting "Autumn Rythm," based on Hans Namuth's photos of Pollock at work.

In sum, this book gives the finest, fullest offering of both Pollock's life and art.

Excellent companion piece to the MOMA show (which traveled to London's Tate) goes beyond all other Pollock explorations. A "must" for students of modern American art as well as those just wanting to get a better understanding of what Pollock was REALLY DOING.

Large format features fold-out reproductions of breathtakingly high quality. Among these, incredibly, are paintings not found in any other published sources. (The incomparable Lucifer (1947) is one such work).

The text is scholarly but readable, and although there is a considerable amount of it, each open page of writing offers at least a couple relevant and highly interesting photos or other illustrations. The many large color plates would certainly make a gorgeous and impressive coffee table book for anyone who doesn't choose to read it.

Kirk Varnedoe writes definitively about Pollock's mercurial life & career. Varnedoe's nearly 75 pages of biographical analysis are a welcome alternative to the kind of misguided mythologizing about Pollock that has for a long time colored the artist as an overrated art "star."

Pepe Karmel's contribution to this book is an amazing analysis of Pollock's painting process through an exhaustive examination of the famous films and photographs of Pollock at work. This was a fascinating, ground-breaking part of the exhibition, and is equally wonderful in the book.

Well worth the price.

sry for anyone who thinks otherwise...but i am joshua jacksons bigest fan...and obsessor...i honestly cannot speak for everyone but almost everyone i know finds out how much i love joshua jackson in the forst 5 minutes of knowing me...so for all those heartbroken girls who dotn quite grasp it..i am joshuas biggest and most adoring fan
xoxo

This book was way cool. I don't just give it five stars, i give it 10,000! Scince I am Joshua Jackson's BIGGEST fan (sorry all those other girls out there, but i know I beat you!) I want to know as much about Joshua Jackson as I can. I thought this book did a lot of that. I could have done with more pictures though. (but of course I already don't think there are enough Joshua Jackson pictures in the world as it is) This book is great, but even if it wasn't i would buy it anyways because it's about Joshua Jackson! What more do you need in a book!!!!!!!!!!!!!

I think this book was great because it brought out a lot in his home life as well as his personal life. I kno we all love gossip gals! ! I also think Josh Is the HOTTEST guy on the planet and that also makes this book great ! ! !

I think Joshua Jackson Is Brilliant. He has done a lot for himself. He always looks great and all the films hes been in are exellent! I have seen all of them so far. This book tells you what hes really like. Not pacey in Dawsons creek, not damon in Urban Ledgend but Joshua Jackon,the greatest star in the world. I love him! Email me if you think so too

I really liked this book. It told me a lot about Josh. He's a really great guy, and funny as well as cute. I always loved Pacey, but now I think I prefer Josh.