Hall Books

I came across this book through a recommendation. I'm so pleased I did.
As an admirer of Duke Ellington's work, I knew of Adelaide Hall, mainly through her connection and early recordings with Ellington, but knew little about the lady herself or her significant achievements in the world of entertainment.
In the books preface, the author, Iain Cameron Williams, claims Adelaide Hall appears in many jazz anthologies as a mere footnote, whilst others abandon her career altogether. With "Underneath a Harlem Moon" Williams attempts to set the record straight by documenting comprehensively her exact relevance and role in the History of Jazz and, in my opinion, succeeds admirably.
Williams's familiarity with his subject clearly demonstrates the amount and depth of research he made in order to unearth the facts. One gets the distinct impression that during the process he left no stone unturned, so detailed is his descriptive. Although Williams's 20-year friendship with Hall must clearly have helped him in appraising his subject's temperament, it must also have allowed him the privilege to see an intriguing side to her character that her fans would not normally have seen. This becomes apparent the deeper one delves into the text.
The book charts in rich detail the life and career of Miss Hall during the frenetic Harlem Renaissance and documents all the colourful characters to emerge from this movement, most of whom worked with Miss Hall at some point in her career. It also gives a fascinating insight into the social history of the Twenties and Thirties when Prohibition, real-life gangsters and sophisticated nightclub culture ruled the sidewalks.
Overall, a hugely enjoyable read made easy by Williams's approachable style of writing and keen interest towards the characters he portrays within the text. A must for all jazz and popular music buffs. The book also contains a sizeable gallery of superb photographs (including one, which must be of great interest to all Ellington fans, a rare previously unpublished photograph of Adelaide and Ellington together, circa 1930.)

With a glittering International career that brought her into contact with such icons as Rudolph Valentino, George Gershwin, Maurice Chevalier and Al Capone, not to mention all her renowned fellow black musicians and colleagues from the Harlem Renaissance, one wonders why the name Adelaide Hall is still relatively unknown or charted in our history books.
Her talent was pure ... untarnished by the ravages of [chemicals] and alcohol. She claimed that she was born to sing and entertain, and with an astonishing career that spanned eight decades how prophetic were those words.
To say I thoroughly enjoyed reading this book would be an understatement. The book has been written in such an appealing way that at times I actually felt as if I were part of the story as a member of the audience, so realistic were some of the events and dramas that occur within its pages.
I wholly recommend this book and can truthfully say that it's the best biography I have read this year.
5 stars for the writer.

I can only applaud the writer for the depth of research he obviously engaged upon in order to put forward Adelaide Hall's story and subsequently, I think this book is an important one.
During the 20s and 30s Hall stood alongside giants in the entertainment world yet today, for some unfathomable reason, she is almost forgotten.
Whilst reading Underneath a Harlem Moon I had an uncanny feeling of discovering hidden treasure that has lain buried for centuries. Thankfully, the writerýs intent to inform rather than lecture makes for an engaging and rewarding read. I certainly had no knowledge of the fact that it was Adelaide Hall who helped create the whole genre of jazz singing and, remarkably, that Ella, Billie and all the other jazz divaýs that are nailed inside our history books, only followed in Hallýs steps.
Williams accounts vivid stories of the glory, persecution, pain and happiness Hall encountered in order to achieve her goals and in the process brings the subject's forceful personality, talent and human nature to light. Hall's focused ambition, drive and tenacity, along with the extraordinary eventful circumstances of her life will drive anyone's interest. Her painful contact with racism, the wrath of her impresario and mentor Lew Leslie, the continual envy she experienced from her colleagues and many of her so called friends, along with the tiresome neglect she endured from her philandering and money grabbing husband all led to an isolation Hall appears to have suffered from continuously throughout her life. Her only escape was to tread the boards, for it was here she felt at home and could bask in the real warmth, love and affection she received from her audience. The stage became her drug and, from the volume of work Hall performed, one feels it was an addiction she had no intention of ever giving up.
Energetic reading with thought provoking facts and the most fascinating account of the Harlem Renaissance that I have ever come across. Williams has done a great job of packing this book with valid information without making it overly wordy which makes for an easy read that fairly flies by.
I hope I'm correct in saying that Adelaide Hallýs prospects could very easy change with the publication of this book.

By documenting Adelaide Hall's early career, which ran parallel with one of the most fascinating and culturally rich era's in American black musical history, the writer not only paints a vivid and well written account of the real first lady of Jazz, he also cleverly portrays the whole spirit and ethos of the Harlem Renaissance and all the wonderful characters that helped create this movement. "Underneath a Harlem Moon" is one of the finest books that I have read about the 20s and 30s Jazz Age and one that I thoroughly recommend.

When we are asked of jazz vocal pioneers, the names Ethel, Billie, Ella, and Dinah roll off our tongues without contemplation. However, Iain Cameron Williams, in his book Underneath a Harlem Moon, introduced me to a diva who had been omitted from the history books. This diva is Adelaide Hall.

Born on "the rough side of Brooklyn" and raised in Harlem, Adelaide Hall became one of the most famous black Broadway and cabaret stars, rivaling the legacies of Florence Mills, Ethel Waters, and the like. Williams traces her journey from an ordinary gal from New York to a famed singer, dancer, and actress, the world over.

Williams, a friend of the late Hall, has definitely done his homework. I could tell that he had sat with Adelaide many a time while she related her stories to him in great detail. While I understand that Williams was trying to set a backdrop for Adelaide's story, I felt as though too much time was spent on the histories of her surroundings and her contemporaries, such as Al Capone, Josephine Baker, and even the Duke himself.

I feel like the proverbial wool has been lifted from my eyes about where female jazz vocalists really began. I took the time to research Adelaide further, and even got a chance to listen to some of her recordings. I can now see clearly, after having read Underneath a Harlem Moon, getting to know Adelaide, and hearing her crooning voice, the profound effect she had on divas past and present.

Reviewed by CandaceK
The RAWSISTAZ Reviewers

This is an excellent addition to the often underappreciated and underwritten field of show biz history. But I've found some curious oversights that should have been corrected. For instance, Al Shean, of Gallagher of Shean, was said to have reprised the team's signature song in only one movie, Atlantic City (1944). How could the far more prominent Judy Garland vehicle, Ziegfeld Girl (MGM, 1941) be overlooked, where Al Shean reprised the number with Charles Winninger standing in for Gallagher? Also, in the Eddie Cantor entry, it's said that Cantor's film debut was a 1913 experimental film for Edison. Is this being confused with the 1922 experimental sound film Cantor did for inventor Lee De Forest (which isn't mentioned)? No reference book is perfect, but I just had to point this out. Plus, with the current popularity of the Jazz Singer DVD with all the Vitaphone shorts, I'm surprised that a consummate vaudeville performer like Adele Rowland isn't listed. But that's minor quibbling; I'm just glad a set of volumes as this is available, and I wish there was another set planned to include more of the alleged 50,000 performers who made up the world of vaudeville!

This is from my review published in "In The Groove" Magazine - April 2007
Frank Cullen LOVES Vaudeville in all it's forms, whether it's the baggy pants comics of burlesque, the "specialty acts" like strongman or eccentric dancers who graced the stages of New York and around the circuits in the 1920s, or the singers who went on to make some of the most popular records of their day. This passion is obvious in the recent publication of the huge two-volume 1300-page compilation Vaudeville Old & New: An Encyclopedia of Variety Performers in America (Routledge). Now in his 70s, Cullen saw his first Laurel & Hardy film at the age of nine and was hooked. (Yes, Laurel and Hardy both appeared on the vaudeville stage early in their careers and Cullen devotes six pages to them.). He started reading and watching and listening in his high school years and had a brief acting career as well. In the mid-1980s he formed the American Vaudeville Museum in CT and began publishing the quarterly Vaudeville Times (which I mentioned here last year). Now relocated to New Mexico, Cullen has put his energies into this fascinating book. The peak years for "Vaudeville" were 1905-1925, with over 2,000 theaters around the US. As many as 50,000 performers were in the business during that period. Obviously, not all are in the book but a good mix of the known and the "lesser known" are here. Record collectors will recognize many of them. There are the recording Bakers (Belle, Josephine and Phil) as well as the Smiths (Mamie, Bessie and Kate). Other recording artists covered in much detail include, Eddie Cantor, Sissle & Blake and Moran & Mack. The performers are listed alphabetical from A (Abbott a& Costello) to Z (Zetts Weekly, a rival to Variety, published in 1921). There are sections devoted to each of the "circuits" and the impresarios as well. Photos of the performers and sheet music covers are on many pages. In fact, you'll find a lot of performers who you've only known from sheet music covers. The very handy Bibliography and a 30-page Index, make the book even more useful. Whether you start from the beginning and read it straight through, or use to look up an artist you found on a recording, you'll find this book a great resource. It's a tribute to the hard work and passion of the author. Highly recommended!

Steve Ramm "Anything Phonographic"

A monumental and definitive encyclopadia by an outstanding theater historian. This tome is everything you wanted to know about vaudeville and its performers. It is destined to become the bible for historians and researchers of early American popular theater.

Frank Cullen's knowledge and articulation of the facts of vaudeville, old and new, is a welcome and needed addition to a genre sadly overlooked by the public. Vaudeville was America's first national pasttime and laid the foundation for the world of entertainment in our contenporary culture.

Nicely laid out, easy to read, ample photographs and humor make the two-volume set a must for libraries, archives and theater buffs, or anyone who has an interest in American social history.

Frank Cullen, longtime publisher and head writer of the Vaudeville Times magazine, has finally published his 2 volume biographical encyclopedia of vaudeville. For those who don't know, vaudeville was the main form of live entertainment in America from 1880 to 1930 and it continued even as late at the 1960s. This book carefully catalogues who was who in vaudeville, tells the major reason they became famous or were important, and offers biographies and descriptions of everything connected with the subject.
Along with the work of Professor Anthony Slide, these tomes by Frank Cullen constitute the most important documentation of this major form of American popular culture. Vaudeville is rapidly being forgotten today as its participants die off and younger audiences cannot even recognize the term. Cullen's work honors the performers and offers invaluable insights into what the experience was like.
The book is well written and, like vaudeville itself, immensely entertaining, whether you are reading about familiar stars such as Al Jolson or the completely forgotten ones such as the great Eddie Leonard. There is nothing to complain about in this effort-- if you want to know all about vaudeville, this is the magnum opus. It is lavishly illustrated and has about it that aura of love and care that comes when a writer is totally engrossed in his subject matter and approaches it with honesty, integrity and admiration.
Of course I have to tell you that I am biased because I'm in the book. I once was in "the show business" in vaudeville and there are only a few of us still alive who made it into the Cullen opus. But those of us who are left can assure you, dear reader, that all those vaudevillians who are encapsulated within would be proud of this book. It costs a good bit but it's got everything you need to know about a subject that once was close to the hearts of so many Americans. What's really fun is watching old movies on Turner, admiring the work of stars such as Eddie Cantor, Ruth Etting, or Trixie Friganza, and then keeping these volumes by your bed to look up the bios! Of course at my age that passes for high adventure! So, thanks, Frank, and good night Mrs. Calabash, wherever you are. If you know the meaning of that last phrase you'll love this book. If you don't you should read it anyway.

All that you could ever want to know about vaudeville is contained in a monumental two-volume work, Vaudeville Old and New: an Encyclopedia of Variety Performers. It surpasses anything previously written about the American equivalent of British music hall and will stand as the major reference work on the subject for many years to come.

Given its scope, there are entries about entertainers whose names will mean nothing to the average British reader. But that is more than offset by the comprehensiveness the authors bring to all they touch. It is fascinating, for instance, to get an American take on British artistes who became big stars in the U.S., the likes of Vesta Victoria and Alice Lloyd. We learn more about such top-liners as Al Jolson and Danny Kaye and find the answers to all manner of questions. What was so special about Fanny Brice? What brought Sid Caesar's career to a halt? And who knew that the distinguished commentator, Walter Winchell, started out in vaudeville?

The books' essays about burlesque and music hall are as good as you'll likely to get and the fine writing evinces some deft and delicate touches: a description of Beatrice Lillie, for instance, is as "a treasured English tea-rose with thorns" is spot on. The "new" in the title is no false promise. The encyclopedia is bang up-to-date with entries on Britain's Chris Simmons, for example.

The extensive knowledge and deep love of vaudeville by the author, Frank Cullen [working with Florence Hackman and Donald McNeilly], shine through in each of these tomes' 1,300 magnificent pages.

Richard Anthony Baker

If you have not read Ross Thomas before I envy you because you are in for a great treat and have a lot of books to chose from. Like many Ross Thomas books the plot is inventive but also incidental to the humor and flash of the characters. I recommend reading A Chinaman's Chance, and Out on the Rim before reading this book. They earlier books featuring Artie Wu and his partner Durant. It is not necessary to read them in order of publication, but it helps a little, and to be truthful I enjoyed the earlier books more.
St. Martins Press is to be congratulated for reprinting many of his books. He had gone out of print for awhile, but the more I read his books the more I wonder why. He is a great stylist with a edge of dark humor. Ross Thomas should be on anyone's reading list who wants to consider himelf or herself familiar with recent American mystery/thriller writers. He is one of the best.

Ross Thomas could do just about anything he set his mind to, and fortunately for us, the readers, he set his mind to writing fast-paced, funny, complicated thrillers that are as much fun to read the second time around as they are the first.

By the way, VOODOO LTD is the third in the Artie Wu, Quincy Durant series, not the second. The first is CHINAMAN'S CHANCE. All three book, like Mr. Thomas's other books, are terrific.

Ross Thomas, the author of a long series of mystery/thrillers, reunites the shady team of Artie Wu and Quincy Durant in "Voodoo Ltd." Also returning from "Out on the Rim" are Georgia Blue, cashiered Secret Service agent, Booth Stallings, terrorism expert (and sometime Georgia Blue paramour) and the timeless Otherguy Overby. This novel sets up the team a bit differently from Out on the Rim, in which they straight-forwardly set out to "liberate" US$5 million of other people's money. In Voodoo, they are commissioned by a rich German who runs a rather sophisticated version of an employment agency, to track down two missing brother/sister hypnotists and figure out who really shot the billionaire boyfriend/fiancee of a Hollywood actress. As with most Thomas novels, the characters and their interplay are what carries this story. Each is a distinct personality playing the game by their own rules as they see fit, and sometimes it's difficult to figure out which side each is on. This is another fine Ross Thomas effort - I only wish he had lived long enough to write a 3rd Wu/Durant novel (as he was able to with Padillo and McCorkle).

The book's title, Voodoo, Ltd., derives from a mispronounciation of Wudu, Ltd., a London based detective agency run by two Americans, Artie Wu and Quincy Durant.
Early in the course of this smartly written dark comedy, a wealthy German businessman with the improbable name of Enno Glimm hires Wu and Durant to locate a pair of British hypnotists who have suddenly gone missing in Southern California. Glimm suspects that the hypnotists are about to blackmail Ione Gamble, a Hollywood actress-director, who has been charged with murdering her ex-fiance. Which is to say that Voodoo, Ltd. is the granddaddy of all shaggy dog stories. And what an entertaining one it is!
Before descending onto the Los Angeles scene, Wu and Durant hire three former colleagues to assist them. They are; Booth Stallings a 65 year old counterterrorism expert, Georgia Blue, a statuesque former Secret Service agent who has spent the last five years in a Manila prison, and Maurice Otherguy Overby, an adventurer with dubious ethical standards. Together, these five very colorful and supremely resourceful characters use every trick in the book to solve the mystery while at the same time making sure that one or more of them doesn't double cross the others.
This is a deliciously witty, irreverent novel. Believable? Not for a minute. It's not meant to be.
It is meant to be a hilariously funny, over the top, comedic novel. And by that standard, it is an overwhelming success. Read Voodoo, Ltd., you'll love it.

This is the second book in a series with the same cast of leading characters. Artie Wu and Quincy Durant are still teamed up as a pair of detectives. Booth Stallings has joined Otherguy Overby to form Overby, Stallings Associates, a consulting firm. The plot centers around the murder of a Hollywood producer and subsequent attempts to blackmail film star Ione Gamble. Wu and Durant are hired by Gamble's rep to help on solving her problems. They, in turn, hire Overby, Stallings and Georgia Blue. All are survivors from OUT ON THE RIM. Five years have passed and Georgia has just been released from a Manila prison. The others have made a bundle of money and then lost it in the interim. Now they are hungry for work again. This book is well worth reading.

Facing chronic disease myself, I've turned to books like this for information, comfort, challenge and ideas. Nancy Mairs is the best I've found for writing honestly about what it means for people (women in particular) to face chronic, degenerative illness. She writes from her personal experience, but I see myself in her struggles. A book to read and re-read.

Nancy Mairs writes about the human condition with humor, compassion, and ruthless honesty. This is a book of personal reflections about disability, embodiment, marriage, religion, and lots of other things, but fundamentally about the possibility of honestly acknowledging all the pain and confusion in our lives and at the same time--within that pain and confusion--living fully, gratefully, joyously.

Wow. What a gift. Thank you, Nancy Mairs.

This book and "Ordinary Time" are my favorites by Mairs.

I had to read this book for one of my women's study's classes nearly 7 years ago. It has been too long to remember much of the detail but what I do remember is the depth of the impression that was left upon me. It is a very difficult task to look at someone's life, through their eyes, and experience their total destruction of being...slow....poignant...and startlingly real.

As we discussed this book in class, one of the girls ran out in tears, later coming back and disclosing that she, too, suffered from MS, making the book that much real and impressionable for me.

Reviewer: robert dorroh from Sonora, CA United States Nancy Mairs, with devastating honesty, chronicles life as a cripple (her choice of word) in poignant essays in "Waist High in the World."

Beset with multiple sclerosis and bouts with clinical and situational depression, she offsets these stumbling blocks with joy, candor, eloquence, and cultural and political insights. It is a book for everybody, not just the disabled, for it challenges our fears, cultural hangups and citizenship: "The more perspectives that can be brought to bear on human experience, even from the slant of a wheelchair or a hospital bed, or through the ears of a blind person or the fingers of someone who is deaf, the richer that experience becomes." She attacks the stereotype that cripples must be passive and unfailingly polite in a culture that doesn't want to deal with them: "Beyond cheerfulness and patience, people don't expect much of a cripple's character."

Pondering her husband and caretaker George's battle with cancer, she offers a balanced look at suicide in the face of his death. Though she has attempted suicide "more than once," she questions the right-to-die movement, which extolls "rational" suicide: "Since hopelessness is a distinctive symptom of depression, which is an emotional disorder, actions carried out in a despairing state seem to me intrinsically irrational. This last time I clung to shreds of reason, which saved me." Still, she sees suicide as a possibility: "I want to be the one in charge of my life, including its end."

Why should society pay for the misfortunes of others? people ask. Because it's what human beings do: take care of one another, Mairs says, adding that it's the government's role to ensure that its citizens are entitled to the pursuit of happiness. Mairs notes that the abled-bodied should aim to preserve the dignity of the disabled. This takes in seeing them as sexual beings: ... "The general assumption, even among those who might be expected to know better, is that people with disabilities are out of the sexual running."

As a paraplegic, I admire her advocacy on my behalf. I admire her more, however, for her willingness to work toward the betterment of our society through a rare and gifted intelligence.

Nancy Mairs is painfully, startlingly brave. Her book is something I recommend, not just for people with MS but people, period. She reminds me of just how powerful telling the truth can really be. We all need this book!

As a die hard Tomie De Paola fan, I have to say this one is my favorite. The story is cute and funny and the illustrations are adorable. Third graders love to read this independently. Younger kids will sit up straight the minute you pull it out. Over the past 10 years I've purchased several copies. Kids will read it untill the binding breaks and the pages disappear. And adults won't tire of repeating this one at bed time. A fun must read and re-read!

One day, while looking for books to read to my son, I came across this book in our library. I almost flipped! When I was very young, my Italian grandmother always cooked the feet along with the rest of the chicken, and I thought they were great! My mom tells a wonderful story about the first time when one of her non-Italian brothers-in-law came to Sunday dinner. The expression on his face was priceless when Gram put the chicken feet on the table, especially when everyone started to fight over them! What a precious walk down memory lane...

What a joy to share this book with my two sons, ages 4 and 6! The dialogue and illustrations evoke strong memories of growing up in an Italian-American household, where love was given and received around the dinner table. A house filled with treasures, a kitchen filled with warm cooking and a heart bubbling over with enthusiasm make Joey's grandma an irresistable character for Eugene, introduced to her for the first time, for Joey, whe sees her all over again with new eyes, and for my sons, who delight in her loving personality! It was a wonderful springboard for sharing family stories with my boys, and it is a story that they ask for over and over again. (Especially if you read grandma with a great BIG friendly Italian accent!) By the way, did I mention that there's a recipe for baking bread at the end of the book? My son is calling over my shoulder: "Mommy, don't forget the bread!" A whole DIFFERENT reason to enjoy this book together!

Mr. diPaola paints an accurate and touching picture of Italian life. I saw both my Italian grandmothers, and my great aunts, and all their household furnishings in this book. I could smell the fragrances inside the house: the olive oil, the basil, the spagetti bubbling in the pot. It brought back astonishing memories (which included tasty chicken feet in the soup). For my children who never had the opportunity of experiencing the Italian side of their heritage, it allowed me to present it to them in a most heart-warming way. The welcoming warmth of the old matriarchs and their great love of family comes out strong and clear. For non-Italians, it will present to their children a look into another culture in an appealingly simple way. The book was especially meaningful to me because one of my grandmothers made a variation of the bread dolls for all her grandchildren every Easter. We modified the recipe and it became my family's tradition as well, to make and distribute them to friends and teachers around Easter. It's one of the few children's books I've kept -- and my kids are now in their 20's.

Watch Out For Chicken Feet in Your Soup is a wonderful book by Tomie dePaola. It's about a little boy named Joey, that brings his friend, Eugen to his grandmothers house and Joeys grandmother is a, well, old fashion Itailain women. In the beginning Eugen is surprised at what stuff she does like putting their coats over the doe to make it rise high and when they had a lot to eat for supper. Then when Eugen was done Zup as Joey's grandmother calls it Joey's wasn't so, while Eugen was making bread with Joeys grandmother Joey was sitting at the table glowering. So just when Joey was done dinner Eugen and Joey's grandmother were done making the bread and putting them in the in the oven (BUMMER). Then they left with some of the bread. At the end Eugen said to Joey, Hey Joey I love your grandmother and Joey says Yeah me too. I know your thinking but he was mad at his grandmother because he didn't make bread but there is something I can't tell you that happens to make him happy but you have to buy it to know.

My favorite part is when Eugen says hey Joey I love your grandmother and Joeys says yeah me to. I like it because it makes me happy that he loves his grandmother and made another person love him to (even if it's just a book).

I would recommend this wonderful book to preschoolers to any one who likes picture books. But for people that can't read it's still a great book that has a good lesson in it.

There are many other fabulous books by Tomie dePoala just like this and they are all just as exiciting. Thank You

Best treatment of weapons and Renaissance-era warfare !!

Bert Hall delves deep into the technological history of Renaissance warfare and demonstrates both how much and how little new technologies have changed the face of battle. It deftly combines both a technical understanding of how those technologies were made with Mr. Hall's detailed understanding of the military history of that period.

The work is primarily focussed on the effects of gunpowder and firearms, but begins in the pre-gunpowder era of the late middle ages. By demonstrating how wars in this period were waged, the author shows the reader just how little the first gunpowder technology changed the way wars were fought. In essence, he shows how commanders faced with the new technology tried to fit it into traditional roles previously occupied by the longbow and crossbow any it did not immediately eclipse those weapons in such roles.

From there, the author goes on to show how the peculiar advantages and disadvantages of the increasingly sophisticated gunpowder technology came to revolutionize strategic and tactical thought.

It is a rare work that considers topics ranging from the way in which the differing "recipes" that existed for gunpowder vastly altered the explosive potential of the substance to the tactical innovations and battles of Gonzalo Fernández de Córdoba. Mr. Hall handles both technological and historical matters with equal ease and effectively demonstrates how deeply the two are intertwined.

It is a tremendously engaging and enlightening work, and very well documented in its more than 800 endnotes. Perhaps surprisingly for an historical work, it was a real page-turner. When forced to set it down, I found myself counting the hours until I could get back to it. I will definitely be looking for additional books by this author.

It didn't take long for me to be pleasantly surprised at the high level of scholarship and clearly presented facts, the sort of writing all too often lacking from this area of history. As the author notes, many technology historians, military historians, and arms and armor writers propagate continuing myths and assumptions that can't be supported when the facts are examined closely. Here, Hall does the topic justice and it is clear he did his homework. The chapter discussing the technology of gunpowder was especially interesting, and supports his case for the reasons firearms developed as they did. I recommend a trip to the Metropolitan Museum in New York to have a look at their firearms, where many aspects of his discussion will further illuminate the items on display.

1.000 words could be not enough to praise this book. Bert Hall produced a long needed work that will remain a foundation-stone in military technology of the black powder era.

This book presents a serious, unbiased and well documented view on gunpowder-technology origins and evolution and its real significance in medieval and Renaissance land warfare. However, only the projectile weapons have a good coverage, and warfare (and use of gunpowder) at sea is almost totally forgotten! If its title reflected its contents this book would get SIX stars from me.

I am an amateur when it comes to using any Web design software as well as software that can be as intimidating as PhotoShop. That's why I think Sherry Hutson's book is so good. She is a teacher, and that shows throughout the book. She is able to break everything down into steps that are clearly understandable. Too many of these guides skip just enough steps that you can't follow. Not this book. It has helped to take me from being an amateur to not being afraid to try different things with Photoshop. The index is very helpful, too. I have a question, go to the Index, and invariably find the topic I'm looking for. You can't go wrong with this book even if you have never used Photoshop at all.

Yaah! Finally a book about Photoshop that even a beginner like me can really make sense of. The Web Wizard's Guide to Photoshop has introduced me to the joy of improving the images that I download from my digital camera. My friends and family are delighted with the much improved, innovative, and high quality, images that I am now able to create using this fun, user friendly, program. The clear and simple explanations in this book have encouraged me to move on to the next step. I am now in the process of designing my own web page. What fun!!! If you're interested in improving the way you work with images and/or in trying your hand at designing a website, this is definitely the book for you. If you try it, you most definitely will like it.

mick rasley, Sculptor,silversmith, September 20, 2004,
Breath of fresh air
Well spent $s. It costs more to get film developed today.This book was what actually cured my of 'film',and put me in the world of digital photography(and comfortably too).Glad this book was recommended to me ,and I will for sure pass on the 411.

Sherry Hutson has produced one of the most informative and consise books on Photoshop that I have ever read. It covers all tehniques of a very complex graphics program in an easy to read (and learn) format.

As a former student in many classes taught by Sherry, I can attest to the value of this book (I now design web sites, myself). A definate value for beginners and a strong resource for the expert.

Sherry Hutson obviously knows exactly what we Photoshop beginners are facing and what language to speak... no arrogance in this `how to' masterpiece. I have books on other programs in my bookshelf, as well as on Photoshop, which are about 800 pages and my eyes just gloss over so I've never even tried. When I started this book, though, I just followed step 1 and kept going because it was easy to understand and stuff miraculously started happening.

Although I'm not a website designer, my work requires me to create and maintain the company website along with my other duties. In small companies, the few wear many hats and it's terrifying to create a website when you don't know what you're doing. My nephew recommended the Web Wizard's Guide to Photoshop and I decided to go for the `keep it simple' approach, using the book's "Do's" and "Don'ts." Now feel like I've published a site as appealing as some of the big corporate ones.

Under "Features" on the back jacket of the book, the list reads, "Assumes no Photoshop experience . . .; Progresses in a natural order . . .; Contains extensive reference material, including a Web-Safe Colors chart, keyboard shortcuts, and annotated tool bars . . .; Provides tutorials in each chapter . . .; Uses full-color screen shots, so what you see in the book is exactly what you'll see on the computer screen." I'm usually pretty skeptical at such claims, but it's all true for once.

Don't be afraid. Just get the book and start in. I bet you will be surprised at how quickly, for example, you catch on to working with and correcting pictures, and the different types of image formats and when to use them. I had tried to figure out layers once before, but now I understand exactly what's happening. I've done the exercise on how to make an animation and it's amazing. The eagle actually flies.

This book is straightforward and very much a "fast start for beginners." I'm giving it five stars.

Matt Bourdoul joined a wagon train because the beautiful Jacquine Coyle and her family would be traveling on it. He knows there is something wrong because they are going to the gold country. Matt feels the danger and he must find out the plans of this wagon train before it is too late. Louis L'Amour is very descriptive of the setting and his characters. He paints a vivid story of danger, intrigue, and adventure. This is one of his best books. By Ruth Thompson author of "Natchez Above The River" and "The Bluegrass Dream

Writing as a Small BusinessQualifying Laps: A Brewster County NovelSins of the Fathers: A Brewster County NovelTravelersNatchez Above The River: A Family's Survival In The Civil WarThe Bluegrass Dream: A Wilderness Adventure of Early Settlers

L'Amour does it again. Not only a captivating, well-written story but he shares a bit of history from the physical location of the story. Much overlooked, L'Amour is a tremendous writer who can create character, plot and drama in an efficient and exciting way.

I rated the book,Westward the Tide by Louie L'amour to get four stars.In the beginning, they used a great way of describing characters and built foreshadowing at first opportunity. I also enjoyed how they explained some important events durinmg that period, and the relationships between white men and Indians.When there were fights, they described what happened very clearly, and drew an almost perfect picture in my head. Halfway through the story, an Indian comes to a man, and explains the Indian's entire point of view of white men, and told what they are doing to the land. I thought this was very clever of L'amour, and it was helpful for anyone reading it to further undertstand that time period. The battles made the book exciting, but some parts of it lacked interest and were too boring.

Westward The Tide is perhaps one of the best books written by L'Amour, while reading this book, I found it really hard to put it down. The gold, the girl, and the setting are perfect for alot of excitment and danger. If you are a Louis L'Amour fan and you haven't read this book I recommend it.

Just one look at the beautiful and spirited Jacquine Coyle and Matt Bardoul knew that she was the woman for him. So when he finds out that she and her father and brother are planning to go on a wagon train, he decides to go along too. When he first learns about the wagon train heading for the rich pasture of the Big Horns and the gold which would be plentiful there, he finds nothing wrong. But soon he starts getting an uneasy feeling that something is definitely wrong. The wagon train would be made up of strong and innocent men and their families but they would be lead by a pack of the worst murderers, thieves, and gunslingers. Though Bardoul gets and urgently whispered message telling him not to go, he is still determined to go on the train because of Jacquine and the land at Big Horns. Bardoul doesn't realize that he is getting involved in a very deadly plot where the bad guys would stop at nothing to make sure everything goes according to their plans. Will Bardoul be able to figure out their plans before it's too late?

I just love Louis L'Amour's westerns and "Westward the Tide" has got to be one of his bests ever! With plenty of intrigue, suspense, action, and romance, for any L'Amour fan this is a must read. One of the best things I like about this book are the characters which are portrayed. Characters like Matt Bardoul, Jacquine Coyle, Brian Coyle, Clive Massey, Buffalo Murphy, Logan Deane, Ban Hardy, Portugee Philips, and more, L'Amour wonderfully displays the different types of people who made up the American frontier.

Other L'Amour books I highly recommend are: All of the Sackett books, including my most favorites, "Jubal Sackett" and "Galloway, "North to the Rails", "Broken Gun", "Crossfire Trail", and "Comstock Lode".

Williams obstetrics is a very distinguished textbook of obstetrics, and enlightens and guides the physician. Every new edition is more breathtaking than the previous one, I can't wait to have it on a CD or better, a PDA..
Kadin Dogum uzmanlik dalinin en onde gelen kitaplarindan olan Williams Obstetri kitabi, her kadin dogum uzmaninin sahip olmasi gereken gercek bir bilgi hazinesi...

This is a true study guide and will help not only in preparation for exams but will help understanding the textbook better.

This is the most comprehensive obstetrics text that you can find, Whether you are in training as a residnet or practising OB. Excellent Reference text. Well laid out with detailed index.
Excellent!no need to buy anotehr Ob text.

There is perhaps no medical specialty that has more misconceptions, "wives tales" and variation than Obstetrics. Williams Obstetrics is more exhaustively comprehensive than any other text for general Obstetrics. Williams has long prided itself on presenting "evidence-based medicine" - separating the wives tales from medical knowledge obtained from published studies from peer-reviewed journals. Perhaps there are those who prefer their Obstetrics with a little voodoo. For those who want to know the most up-to-date scientifically based Obstetrics, Williams is your book!

I am looking for a cd rom of thisbook, may be you can tell me if this cd exists? if yes how can I get it?
best regards Dr` Roman Korobochka MD

The product arrived in a timely manner. The product was shipped as the seller described.

I received the book within a very short amount of time after ordering it. Nicely packaged and in new shape. Thanks!

This product is in amazing shape, thank you for being so eager to send it out so quick. It came just in time and I love the book. Thank you Jamie

This is a great clinical reference! I highly recommend it to all health care providers!

I found this book very helpful when studying the healthcare of a woman. However, I wish there were more illustrations.