Gray Books

I found the Vendesi Group and Ryan Gray's book, to be an wonderfully easy to read book, while at the same time you find yourself needing a break after each chapter so that you can pause and absorb the content. Very simple and straight forward writing makes it easy to read, and the depth of wisdom makes it a book to carry along with you as you travel and continue on your quest to becoming a better salesperson.

I've read many sales books over my career. Almost every one tries to teach some grand strategy - first do this, then say that. I could find some tidbits of information to use, but I never adopted the strategy. This book just gives tons of tidbits to think about. I thought it was much more helpful than I expected.

I have read several sales "how to" texts through my 10 year career in medical sales (pharmaceutical, device, and biotech indutries) and this has been my best find to date. Recently, I have taken on national and international sales training for my company, and have ordered this text for the new hires who have limited sales expereince. There are also great tips for the well expereinced sales representatives as well. The MSDR includes great info on how to get past gate keepers, how to sell to multiple levels within a hospital, through sales basics.

Books like these don't come along every day. Ryan Gray and his team are the absolute experts when it comes to Medical Sales. Whether you want to be the top rep in your company or if you want to be working for the top medical company in the industry, you can't find a book with better strategies.

The unpretentious and straightforward writing makes it easy to read, and the ideas can be implemented immediately. This book is time saver and a valuable tool for being successful in medical sales.

Highly Recommended!!!!!!!!!!!!

I've been in the device business for about 5 years now and picked up this book a few months ago. There were things I'd never thought of in there. My return on investment (based on some new ideas from the book) was very high and my manager is taking a look at it right now. I was sceptical as well. Nice free gifts also. I just gave Ryan my Amazon order number and he sent the the freebies.

Love this book!!!!!!! it can be hard to find but it is worth it once you can get you hands on it!

In Neither God Nor Devil, Rehnmark eloquently and creatively presents wolves in a light heretofore unseen by most of us. This is a wonderful exploration of how humans have interacted with such fascinating animals over time, and the ways in which people have glorified and demonized wolves throughout history.

Whether you are interested in wolves or simply intrigued by the ways in which people interact with nature, this is a great piece. And while it is certainly a sophisticated work, it is written/illustrated in a way that even kids can enjoy.

This is just a fantastic book. One can only hope this is the first in a series.

"Lavish watercolor renderings and well-researched text offer a passionate, yet clear-eyed view of this fascinating animal. The first of the book's three sections explores the natural history of the wolf. The second offers a survey of the wolf's place in the myths and legends of many cultures. Finally, humankind's relationship with wolves is explored in a chronological overview that discusses where our paths diverged, and what factors were behind our deification and demonization of the animal. By Eva-Lena Rehnmark.

"144 pages with 125 color illustrations. Hardcover book size: 8 3/4 x 11 3/4". ISBN: 0-7649-1338-7."--© Pomegranate

This book is amazing. Miss Rehnmark has truly captured the light of the wolf like no one else I have ever seen. It is highly suggested, and would be a wonderful gift to anyone. EXCELLENT!

I would suggest this book to anyone!! Eva-Lena Rehnmark has done such a fine job of telling the story of wolves and has some of the most incredible illustrations that I have ever seen done of wolves. The illustrations and story worked so incredibly well together, and I am excited for the next book that she makes, whatever the subject. ABSOLUTELY INCREDIBLE AND EXCELLENT BOOK!!

doesn't mean that I can't recognize a great book when I see one. Christopher has the ability to bring buildings to "life." Andrea Stillman

A tremendous gift to anyone who loves the history of Manhattan. Gray writes well, his information is military in both precision and accuracy and the anecdotes alone are worth the price of the book.

My only wish is that one day, after he retires, a work of all his columns will be published. Perhaps the title "Gray's Anatomy" would suffice.

As a New Yorker all I can say is this is the best book I've read about the city.

I really enjoyed this book, the photos are so crisp and the text is quite informative. I am pleased that the vast majority of the buildings the author chose are still extant. After absorbing this book, you really appreciate the great architecture and workmanship of the past, the more current buildings in New York just don't measure up. The author does her research and it shows, I highly recommend this book to anyone with any interest in New York, it really is a must have.

Some books on the older buildings of New York City will give you the nuts and bolts about the structures: who designed it, who constructed it, when it was built, etc. And some photo books of old New York don't tell you anything at all. New York Times writer, Christopher Gray, with the assistance of the untiring researcher, Suzanne Braley, actually breathe life into these buildings. Not only do we learn the who and the when of a building's birth, but also the why and the how. Why were white brick apartment buildings so prominent at one time? How did the Winter Garden evolve from a huge stable? It's the little and, sometimes, epic anecdotes surrounding the buildings that fascinate Mr. Gray which, in turn, fascinate us. This is an indispensible book for anyone who loves the city, and who has ever stopped in front of a building and asked, "How did that ever get there?"

Rocco Dormarunno, author of THE FIVE POINTS

This was a great book. Not your ordinary chick lit. It was funny, and romantic, but it also dealt with serious issues of loss and family dynamics. The book was a fast read, and very well written. I would definitely recommend it.

A real story about real human people. At times funny, at times frustrating, at times sad, but always authentic and full of genuine insight into the human condition. And isn't that what great writing is about?

Well done story, excellent heroine, fascinating characters and relationships. Much more than I ever expected at first glance.

I loved Cochran's first book - Mean Season - but Jonah Gray is perhaps even better. The complexity and subtlety of the charachter development is every bit as rich and fascinating, yet she explores emotion and the human condition in an entirely believeable and enthralling way. Like Mean Season, it delves into emotional issues without feeling bleak or gratuitiously depressing. I finished it in two days and was hugely sad to see it come to an end, because it's the kind of book you're constantly drawn into. A fantastic story. A fantastic read.

It had the perfect balance of humor and drama from start to finish. The lead character, Sasha, is someone you connect with in the first 25 pages and from that point on you don't want to put the book down. All in all a wonderful read.

Beveryly Gray is truly a wonderful biographer. She captures the tone and warmth of Ron Howard throughout the book. Beverly also puts you "in the know" for the locales, such as Greenwich, Connecticut, where Ron Howard moved to partially shield his children from the "glamorous temptations of the film industry." This is a book for people who want to take a walk with Howard and really get to know what drives him. It's warm, friendly, and low-key, just like its subject. And a great read! Well done, Beverly! Oh, by the way, did I mention Beverly also teaches film at UCLA Extension. A wonderful, warm person in her own right.

One of the advantages of an "unauthorized" biography is that it should offer a more creative and exciting challenges to the biographer and a much greater illumination to the reader.
There is always the danger when a biography is authorized that a conflict of interest may arise and the truth may be compromised.

Beverly Gray's unauthorized biography Ron Howard From Mayberry to the Moon..and Beyond is a "putting the record straight" kind of a book, wherein some of the myths that have been prevalent in the press for so many years are explored and set aside.

Many of us have grown up with Ron Howard the child actor Opie Taylor on The Andy Griffith Show, and then as Richie Cunningham of Happy Days.
Today, Ron Howard is a well known Hollywood film director and producer, who directed such films as: Through the Magic Pyramid, Night Shift, Cocoon, Willow, Parenthood, Backdraft, Far and Away, The Paper, Apollo 13, Ransom, How the Grinch Stole Christmas, and Academy award winner, A Beautiful Mind.

Gray practically begins her story from the cradle. Howard was born of parents, who themselves were actors, and at eighteen months he captured his first acting role as a crying baby, thanks to the efforts of his father.
Throughout his life, his parents, Rance and Jean Howard, played a tremendous role in shaping his life, and at the tender age of five years his father had imparted in him professionalism and basic acting techniques that have remained with him throughout his career.

As we read Howard's "unauthorized" biography, we are amazed at the extensive research that must have gone into the writing of this book, most of which was gleaned from Howard's interviews with the media over the years, as well as the author's interviews with many of his associates.
One advantage of writing Howard's biography in the prime of his life is that almost everyone is still around from his youth and his filmmaking career.

Practically no stone is left unturned, as we trudge along with the author from Howard's early childhood until his present day directing achievements.
We learn of his successes as well as his failures, and very often we are privy to some little known facts about him.
As an example, Howard was in awe by director George Lucas's talents and counter culture approach to filmmaking, as was in evidence in the film American Graffiti, where Howard had been asked to improvise scenes with other actors.

Movie buffs will surely appreciate the four appendices included at the end of the book that provide a timeline for the actor, filmography as an actor, filmography as a director and producer, and his major awards and honors.

One deficiency I found with the book, and one that is very prevalent in many biographies, is the creation of a narrative pattern that relies on the chronological tick of events; the day- by -day or year- by- year pattern should have been re-imagined. If the author had made Howard's story more innovative, it would have been more attractive to its readers.

Norm Goldman-Travel Writer and Editor Bookpleasures

I found Ms. Gray's study of Ron Howard to be a highly creative and attention-grabbing presentation of a man with a constantly developing and fascinating career and personality, ranging from his child-actor beginnings through his current reputation as a successful director in many genres. The book brought to life his early years in the Andy Griffith television series and "The Music Man." The author's treatment of his recent film, "A Beautiful Mind," is especially moving and insightful and tied together Howard's consistency and creative exploration in all of his work. His ever-present optimism, human decency, energetic habit of taking on new challenges, and loyal respect for others in his life and his work is presented in a very appreciative and in-depth way.

Did you ever want to be Opie when you were a kid? I did. The thing about Opie was that even when he got into trouble, and he did get into trouble, everybody still liked him. Beverly Gray, in Ron Howard From Mayberry to the Moon, presents a good case that the same is true of Mr. Howard. Everybody in the motion picture business likes him, that is if you exclude a few pretentious critics (and even they probably like him, just not always his happy endings). Nice guys do NOT always finish last.

Howard did not cooperate with this biography because "he felt himself to be in midcareer and not ready to participate in a long range assessment of his accomplishment." OK, fair enough. Keep that in mind while you are reading, but do read it.

From Opie to Richie to director, this is a detailed portrait of a man whom everyone agrees is a real mensch and who is wildly successful. It is also fascinating, and adds to Howard's charm, to realize who loyal he is to his family and friends, yet how honestly he treats them when casting projects. Simply put, if he feels they are right for a part, they get it; if not, they don't. That takes quite a bit of respect and love - from the actor and the director.

Gray's extensive interviews bring out some interesting bits of trivia about Howard. Her prose flows nicely and her organization is excellent. Maybe in another forty years or so, she can write an update - next time with Ron Howard's input.

I read Beverly Gray's book on "Ron Howard: From Mayberry to the Moon... and Beyond". I found it to be very easy to read, very entertaining and full of interesting stories about Ron. Ms. Gray was objective, diplomatic and kind, never to offend any party involved. I thoroughly enjoyed the book so much so that I finished reading it in one and a half day while sun bathing in Del Mar, California recently.

Clearly this is not another coffee table book. Even so, it could grace any coffee table, or bookshelf anywhere in the world. National Geographic photographer, Martin Gray, displays his lifework in this treatise, as he portrays his ongoing love affair with the earth in exquisite and stunningly expressive photography.

The motivating factor behind these photographs has been threefold. The first was to "gather evidence showing that many pre-industrial cultures, recognized the earth as a sacred being, worthy of deep respect". The second was, to document, on film "the world's sacred architecture, the most sublime example of human artistic expression, before it is lost to the ravages of modernization". The third reason was "to study the miraculous phenomena reported at sacred sites around the world".

To this effect, this volume contains pictures of many of the well-known sacred and religious shrines of the world. The first section deals with pictures of sites in Europe, taken by the author during a year's bicycle tour. Starting with Stonehenge and other megalithic monuments and other similarly mystical sites in the British Isles and Western Europe, he goes on to present photographs of holy shrines associated with the early era of Christianity. Some of these are major pilgrimage centers such as the Cathedral of Compostela, the Church of La Magdalena, and Avila in Spain, Mont St. Michel, Notre Dame, Our Lady of Lourdes in France and our lady of Fatima in Portugal. Thereafter, lesser known monuments in Continental Europe appear. The emphasis goes on to Grecian influences, there is a fine picture of Mount Olympus and the Parthenon among others.

The second section takes up the Middle East and North Africa. Here the author proceeds eastwards, starting from remnants of Grecian and Christian ruins from Turkey to a beautiful cityscape of Jerusalem and other Jewish shrines. This is followed by rare pictures of the Kaaba in Mecca and Medina. The towering peaks of Mount Olympus as seen from Armenia are followed by remnants of Sufi shrines in Iran, after which appear the Pyramids, the Sphinx and other structures of Ancient Egypt. Other sacred Christian and Islamic sites from Ethiopia, Tunisia, Mali and Morocco are depicted. The pictures are accompanied by fascinating glimpses into the history and mythology of the people living in that region. One example of these nuggets of text, is about the Dogon tribes of Mali, who are believed to be of ancient Egyptian descent, and who surprised anthropologists by telling them secret Dogon myths about the star Sirius, having a companion star. This star, now called Sirius was photographed by modern astronomers only after 1970!

The next section begins with the well known Hindu sacred sites of the Indian subcontinent, starting with Pushkar in the West, the stone carved caves of Ajanta and Ellora, and Dwarka in Gujarat, to the Golden Temple of Amritsar, the Jain temple at Shatrunjaya, the banks of the river Ganga at Hardwar, Allahabad, and Varanasi, among others. A number of temple sites in Southern India also find mention, Tirupati, Rameshwaram and Arunachala are those that are most visited. The Buddhist shrines come next with Bodh Gaya in Gaya, Adam's Peak and Mihintala from Sri Lanka.These are followed by pictures of the Bagan Temple Complex, the Yangon and the Mahamani Temples in Myanmar. The landscape moves on to Buddhist shrines in Thailand, followed with a picture of Angkor Wat at sunrise after which there appear other imposing temple complexes in the jungles of Cambodia. Sacred monuments and sites of Bali come next, before proceeding to the mountain temple shrines of Wu Tai Shan and Putro Shan in Mainland China. Next in line are the mountain and temple sites of Nantai San and Fuji San in Japan. There is a last coverage in the section on continental Asia, of Tibet and Nepal; there are pictures of Mount Kailash, Potala Palace and Jokhang Temple from Lhasa and the Swayambhunath Temple in Kathmandu.

From Australia, there are only pictures of the Ayres Rock from different angles.

The section on South America starts with pictures of Moai shrines in Easter Island, Chile, moves on to Lake Titicaca, sundry temple complexes in Bolivia, Machu Pichu, Peru, the Basilica of El Cisne, Ecuador and San Augustin, Colombia.

The last section in this book deals with North America. After the mountain complexes of Mount Popocatepetl and Mount Iztacchuatl in Mexico, the reader is led on to a beautiful picture of the Sun Pyramid, followed by Mount Alban, the Mitla Sanctuary and several other temple complexes associated with the Aztec and Mayan cultures. The Basilica of Nuestra, Mexico City and other churches follow before the entry to New Mexico in the United States, where the first picture is an aerial view of the Pueblo Bonito ruins, which are the ruins of the Anasazi community. This is followed by Shiprock Mountain and the White Sands in the same state. Thereafter, Devil's Town in Wyoming, the Red Rocks of Sedona make their appearance. Finally, the scene shifts to Mauna Kia in Hawaii and the Haleakula crater in Maui.

Most of the above sites are very well known, but a few are not.Some of the pictures contain mysterious stone heads representing enigmatic mythological figures. There are also megalithic monument clusters and statues of various gods and goddesses. All major religions of the world are represented in this volume. Some sites have no overt religious connections, apart from being ostensible power points, where Nature is at her wildest best. The book is clearly a feast for the eye, and generates a deep respect and regard for our heritage as custodians of the earth. However, there is more to this book than just a travelogue of pictures taken over a lifetime.

One of the major reasons why people travel is pilgrimage. Sacred sites, especially those containing relics of bygone saints are especially often visited by believers in search of miracles and healing. According to Martin Gray, and contrary to accepted beliefs, it is the topography of these sacred sites that carries an energy field, a 'field of influence extending in space and continuing in time', which characterizes their timeless vitality, rendering them as power points. The field could be produced by the earth's influences, the influence of celestial bodies, human intent, miracle working icons, ancient monasteries, places of Marian apparitions, whatever. It is the effect of this field that Martin Gray has attempted to capture on film through his photography. Therefore the medley of photographs have been taken from all possible angles at all possible hours of the day.When I see his pictures, it is as if history comes alive, as the monuments, stone structures and walls recount their tales of love, of lust, of power and passion to those who would stand by and listen.

Complementing each picture is an accompanying text that provides fascinating glimpses of the history of the site and the myths associated with its' rise to prominence'. Interspersed with these nuggets of wisdom, the author recounts his own personal moments of epiphany while absorbed in this work. It is clear that the author has gone 'out on a limb' to procure the outstanding photographs in this exquisite collection.

This compilation is truly a labour of love. It bears witness to Martin Gray's passion for Mother Earth and serves as a repository of Her memory of the collective history of the human race.

I can't recommend it strongly enough.

This book "Sacred Earth" by Martin Gray is exceptional, inspiring, informative & ever so beautiful. I admire Martin for his dedication to travel the planet and share his lovely photographs, research and writing. My Senior friend, who no longer gets out much, enjoys the travels to the sacred sites sitting in her chair, in the comfort of her home. What a wonderful service he is providing. May this book travel to many homes on the planet. I enjoy my travels as well. This awesome book is a joy! :)

I have a whole shelf of books on Sacred Places, but pride of place goes to Martin Gray's magnificent contribution to the appreciation of sacred sites. Martin's evocative photography inspires you and seems to evoke the subtle essence of the sites he has visited.
Sacred Earth is a book to be savoured slowly. It teaches us how to love and cherish this planet. It really is an outstanding contribution to the study of sacred sites and the mysteries they hold for us all.

This is a wonderful book, from the beautiful and often breathtaking photographs to the very interesting and insightful commentary. Martin takes you to places you might otherwise never see- a guide to the best of the world's sacred places. A must have for anyone interested in sacred places, or for anyone looking for a great view of the world we all call home!

Sacred Earth: Places of Peace and Power

Martin, for years I have been following your work with admiration and gratitude and know what tremendous hurdles you had to overcome to stay true to your divine calling, spiritual cause, and life's passion: to explore the sacred sites of this magnificent earth and to present them to us as gracious gifts by way of your moving, awe-inspiring photography accompanied by your insightful, perceptive, and multifaceted narrations. Graham Hancock's foreword is as stimulating and thought-provoking as are his books and TV documentaries. Your new book has particular value for those of us who believe in, have knowledge of, or who experience the realms of finer vibrational energies - call them mystical, sublime, transcendental, or divine.... Your book captures these dimensions in a unique and fulfilling way conveying a profound sense of wellbeing to the reader. If we had more enlightened sages like you, humans would be able to enjoy paradise on Earth. But since spirit is working through you in such a powerful and beautiful way, you are giving us a taste of it now and are paving the way for that future experience. You fulfill the soul's longing to touch the inner source of being which inspires, invigorates, and delights us. And you do it ever so gracefully. You make us immensely happy and I continue to deeply appreciate your work.

David Douglas Duncan is one of the great photojournalists of the 20th Century. Beginning in 1950 he published twenty books over his lifetime. The first one, "This is War" was about the U.S. Marines in Korea and was recognized as a classic as soon as it reached the market. His book "The Private World of Pablo Picasso" introduced that enigmatic artist's personality to the world. People were able to see the private world that the artist both shaped and functioned within. When I was growing up I was so impressed with that book-length photographic essay that I wanted to follow in D.D.D.'s steps. It impressed me every bit as much as "The Family of Man," a Museum of Modern Art exhibit catalog of many photographers that changed the direction of my professional life. Alas, this book is not in the same league as Duncan's classic coffee table photography essays that have sold an almost unbelievable 2 million plus copies. Don't be too disappointed however, that this is not anything like his classics or his wonderful illustrated memoir "Yankee Nomad."
This is a dog lover's book. Anyone who is a German Shepherd owner will especially enjoy it. Overall, I rated it five stars for the dog memoir. I rated it only three stars for a photographic essay. That's how I arrived at an over-all rating of four stars. I was somewhat disappointed in it, but still love having it for my personal book collection.
The chief reasons for my disappointment with the book are my awareness of the volume's poor layout and design and so-so text. Many of the pictures are not up to the usual standard of the famous photojournalist author-photographer. Some of the layout looks exactly like a poorly done photo album. There is even one oval shaped photograph included to make it really resemble a family snapshot album. It's a lovely image and it suffers from the oval presentation. The biggest design problem is the choice of text fonts. I suspect the book was probably printed in several different languages and the French edition was just fed into a computer to translate the text. It was a perfect example of how not to translate a book. As a result, the font and layout reminded me of an elementary school textbook from 45 years ago when that style of type was the norm. At this time in history the poorly designed text blocks actually distracted the reader from some of the really beautiful photographs. I also had a problem with the free verse. The text is a bit confusing, disjointed, missing some basic information and seems too much like a cut-and-past edit, but that too may be the result of translating the text via a computer program?
For the loyal D.D.D. fans as well as all dog lovers, this is a must for your collection. Duncan was always a dog lover and this is only the latest acknowledgment of it. "Thor" really was well named. An unusual observation, feeling, I noticed while reading the book was how interesting the homes and countryside of Southern France appeared in many of the black and white photographs. In some cases I would have liked to be able to step into the pages of the book to better explore the locales shown in the pictures. Thor lived in quite a picturesque home and mountain village. Some of the interior pictures of Thor relaxing at home in front of the fireplace while guarding his owners have a distinct Georgia O'Keefe flavor to them. Some of the bronzes shown decorating the home's interiors have a distinct Picasso feel to them. Thor seemed quite happy living in this artist environment. Like most dogs, however, home to him was were his owners were and he would have been just as happy living in an igloo.

Simply the best book ever published, in my opinion. I wish I could have known Thor. It would have been an honor to share a piece of my life with such a noble being. I see so much of the dignity, the desire for solitude, the love for a family, and the good sense of Thor in my own beloved dogs, Pup and Skit. If you want to know the goodness that resides in the soul of dogs, then find a copy of this gentle book.

A few people reviewing this book have it confused with a novel titled Thor. This is by far my favorite book of all time, in fact, so much so, that I have 2 copies. The pictures are amazing and the love oozing from the words of the author are so touching. I could write a book just like this about my past and present "babies". God speed sweet Thor....snow dancing forever.

The book Thor is one of my favorites...assuming there are not two. The synopsis above does not seem to describe at all the book I and the reviewers have read. The book I so enjoyed described a loyal dog's silent, lonely, heroic struggle to protect his family from an enemy within which he had no chance of defeating. It's truly a wonderful book, in some ways in the spirit of Watership Down or Tailchaiser's Song. The book described in the synopsis, however, seems to be the story of a beloved pet in real life. Very confusing...if you find the suspense tale entitled Thor, on which I believe the movie "Bad Moon" (and equally bad movie, but not the author's fault) was based, pick it up. It's a wonderfully engaging one or two night read that will keep you up til dawn. I hope the author gives those of us who enjoyed the book so much another night or two of pleasure...it's a stretch, but if Bruice Willis continues to get into Die Hard situations, why not Thor? Thrilling, heartwrenching read. Poor kitty.

reviewer o.c., ca. certainly never saw or read the book. as a shepherd trainer and owner i would have to describe this a combinatin of poetry and fine art. genuinely touching. a remarkable epitaph to a dog that was loved and is missed.

It probably sounds almost like a cliche, but I still must say it--Anne Sexton takes a new spun perspective on the classic Grimm fairy tales. She has a "theme" which she feels is appropriate for each story. Then, she fills in the blank of what elements and details seem to be missing in the fairy tales. The flat and static characters such as Mother Gothel now become a more complex character. In this cynical and dense poems, Sexton makes it seem as if her stories are the untold truth of the fairy tales.

I teach Anne Sexton in my freshman College English class and I work specifically from this text because the stories are at once familiar shared traditions and disturbing alterations of those traditions. The 18 year olds I teach, who only know fairy tales from the white-washed Disney versions, are intrigued by these dark and psychological interpretations. For the fairy tale afficianado these poems are a must read.

I have Anne Sexton's complete works, and this book rises above the rest. The fairy tale framework compels more structure and discipline from a poet accustomed to rambling (but often brilliant) confessional observation. It is, in my estimation, her finest work.

Her take on "Snow White" refuses to establish heroines or villains. The girl is a lovely virgin, "cheeks as fragile as cigarette paper...lips like Vin du Rhone." The jealous queen, still beautiful at middle age but fearing that time isn't on her side and informed by her mirror she's no longer "the fairest of them all," tries to kill her. For this, she is punished by torture. The twist here is that Sexton makes it clear that some day the virgin girl will meet the queen's fate: "Meanwhile Snow White held court,/ rolling her china-blue eyes open and shut/ and sometimes referring to her mirror/ as women do."

The lesbian implications of "Rapunzel" are brought to the fore, and the transvestite deception of "Little Red Riding Hood" is remarked on. Sexton crashes the dreamy romance of Cinderella with the mundane reality of marriage. "Happily ever after" is contrasted with "diapers...arguing...getting a middle-aged spread." The Freudian power of mother is accented in the poet's take on "Hansel and Gretel"; Sexton brings out dark implications of child murder and pedophilia that the original tale merely glosses.

Twenty years before Robert Bly tackled the "Iron John" fairy tale, Sexton put her spin on it, stressing the main character's cannibalism and outcast status. She compares the hairy wild man to a string of deeply troubled characters from her imagination. It is here where her poetry reaches the peak of its intensity: "A lunatic wearing that strait jacket/ like a sleeveless sweater, singing to the wall like Muzak.../ And if they stripped him bare/ he would fasten his hands around your throat/ After that he would take your corpse/ and deposit his sperm in three orifices./ You know, I know,/ you'd run away."

Sexton's deep-delving into childhood stories, unearthing the very real and plausible taboos they skirt, is refreshing. Her anachronistic use of modern language (Muzak, for instance) is artful and effective. The best thing about this book, however, is that so much madness and sadness is surmised from such timeless and appealing stories. Happy endings are left intact but with a shadow cast over them. Sexton is a poet of the dark--with no one to save her "from the awful babble of that calling."

In all my readings of fairy tale variations, this has to be one of the best. Anne Sexton takes a grim and twisted approach to the already grim and twisted versions of the Grimm Brothers.

Of course, these poems are simply an extension of Anne Sexton's already established confessional form, but poetry is, first and foremost, an expression of society. These poems fail to remain part of Sexton's inner turmoil. Rather, they mock society and the roles that women are traditionally placed within fairy tales. Anne Sexton, in an example here, uses anachronisms to reach her audience, making references to popular culture.

The Queen Cried two pails of sea water. She was as persistent as a Jehovah's Witness.

Anne Sexton, "Rumpelstiltskin"

Although Sexton's poems are not suitable for an audience of children, they do serve as interesting, even necessary reading, once a child has matured and read beyond the traditional fairy tales that are `suitable' for kids.

In this remarkable collection of poems, Anne Sexton offers readers seventeen transformations of classic Brothers Grimm fairy tales. As she makes clear in the first poem "The Gold Key", Sexton assumes the persona of the storyteller for this collection, calling herself a "middle-aged witch" with "my face in a book and my mouth wide, ready to tell you a story or two." This device allows her to write about intensely personal topics, such as a sexually abusive father, through the detached voice of a storyteller. The use of fairy tales also provides Sexton with a shared cultural framework that enables her to communicate her own experiences and perspectives in a universal language that readers already understand intimately.

Fairytales have a power few of us realize. The stories shape many of our fantasies as children; they also condition us to accept traditional gender roles as we grow up. I believe that Anne Sexton understood their power and influence. She brilliantly tapped into that power and transformed the tales in a way that forces the reader to look at them with fresh eyes. Before launching into the tales themselves, Sexton set the themes of the stories in a modern or personal context. These connections, along with the interlacing of 20th century details (like soda pop and jockstraps) and her use of modern syntax in the fairy tales made their subversive commentary on the burdens and fears of women in a society shaped by male dominance startlingly clear.

In her transformed tales, Sexton examines the female archetypes they depict: the docile virgin, the wicked stepmother, the aging witch. She also sheds an illuminating, feminist light on the themes of female competition and the idea of happily ever after which pop up often in fairytales. It is significant that Sexton uses the gritty Grimm versions of the tales, instead of the child-friendly Disney versions we grew up with. Their original form reveals the subversive nature and insightful symbolism of the fairy tales, many of which were crafted by women.

While this collection is a departure from Sexton's typical confessional style, the poems of "Transformations" are unabashedly naked and intimately introspective--a wondrous achievement by one of our greatest poets.

Written by columnist and polka dancer Bob Dolgan, America's Polka King: The Real Story of Frankie Yankovic and His Music is the true-life story of ethnic Slovenian and Cleveland native Frankie Yankovic, winner of the first Polka Grammy, whose hit, upbeat tunes earned him international fame and fortune. Chapters cover his turbulent life, his service in World War II, the loves of his life including the bitter end to his first marriage, raising his children, and of course, the absolutely stunning and smashing popularity of his music. Black-and-white photographs, an extensive discography, and an index round out this appealing survey of the sunshine and shadows in a groundbreaking musician's life.

This was a great book about Frankie Yankovic. Bob Dolgan did a great job on this book and should be commended. I grew up on Frankie because my dad loved his music, as I grew older, I appreciated more the music and the man behind it. Yankovic truly sacrificed allot especially his family life. This book covers everything, there were some things that kind of bothered me, not that the book had anything to do with that, but I guess things that I learned about Yankovic that really told me more of who he was. I reccommend this book not only to Yankovic fans and fans of polka music but anyone who loves the history of music. Great book!!!

My husband and I found "America's Polka King" to be the most interesting book we have read in a long time. The book is subtitled "The real story of Frankie Yankovic and his Music" and although Yankovic is the focal point of the book and a person who has done remarkable things for the polka genre, we also found the side stories of other musicians and incidents to be absolutely fascinating.

Frankie Yankovic was the most famous polka musician in U.S. history but this book also brings other legends (guys like Johnny Pecon and George Cook)to life for us, and explains their influence on the music and the musicians of today. Until we fell in love with this music we did not realize that Cleveland and the surrounding area was a "hotbed" of such incredible talent in those early years. Frankie Yankovic was quite an interesting individual who sacrificed much of his personal life for his love of polka music, but when put in the context of the other musicians of his era, the music, and the times - the book is even more than his story. It is a history of the Cleveland-style music that is so loved by so many today.

We took turns reading the book (should have bought two copies!), laughing at the stories, and saying to one another: "Did you know............?" Bob Dolgan does an excellent job of bringing these people to life and you will enjoy the book thoroughly.

In 1977, the author, Bob Dolgan, wrote a book entitled "The Polka King" about the life and times of Frankie Yankovic. That book has been out-of-print for many years. In his new book "America's Polka King," Dolgan revisits much of what he covered in 1977, but additional information and subjects are covered because Yankovic lived another twenty-one years after the 1977 book was published.

Cleveland has been internationally renowned for its symphonic Orchestra since shortly after it was formed in 1918. In the late 1900s, we became the home of the Rock and Roll Hall of Fame and Museum. In between these two events, however, Clevelanders knew--and danced to--a different kind of music. This music was by Frank, as in Yankovic, the man who made the words `polka' and `Cleveland' nearly synonymous from the late thirties until his death in 1998. In fact, in 1948 Yankovic won the first of his three titles as America's Polka King three times running when the competition was new. (It was sponsored by the major record companies, each of which had at least one polka band in their collection.)

He won the first-ever Grammy Award for polka music. Just his name alone drew the largest crowds ever to many dance halls throughout the midwest during a time of less mobility than in our current era. It was also a time when the media wasn't always busy creating the new hotshot.
Ten famous accordionists played for his funeral--one of the largest ever seen in Cleveland.

Recently-retired sportswriter for the Plain Dealer, Bob Dolgan, who knew Yankovic when they were both hardly more than pups, has written an engaging book about "America's Polka King - the real story of Frankie Yankovic." Yankovic, who was not born in Cleveland, certainly made it his homebase (as much as anywhere) for most of his adult life. Dolgan tells it like it was--the shiny and the tarnished parts--without dwelling on those bits that might possibly be considered a tad unsavory. This is a portrait of a real person.

Yankovic was a natural on the stage--a born entertainer, who loved what he did, unqualifiedly, and made sure the people in the audience enjoyed themselves as well. The ones who suffered most were his family--wives and children who remained behind in Cleveland, while he toured for 325 days a year. The flip side of that is that he earned an excellent living by doing so, and none of his three wives or ten children ever went without anything he (or they) thought they needed--except for his presence or companionship.

It may come as a surprise to some to discover that polkas are not exclusively Polish. There are many differences between the Polish and Slovenian varieties, and Yankovic was entirely Slovenian. Once he learned how to play the accordion, he was a gifted musician, able to write lyrics to go with melodies that he wrote, or to put American lyrics to older Slovenian or Italian folk songs. Either way, he quickly made the new song his own, and happily shared with his huge audience. His biggest hits were "Blue Skirt Waltz," "Just Because" and "In Heaven There is no Beer".

Dolgan also honors other Cleveland polka greats: Johnny Pecon and his sons Jeff and John, Jr., Lou Trebar, Eddie Habat, Kenny Bass, Johnny Vadnal, Jimmy Sturr, George Staiduhar, Dan Wojtila, Don Wojtila, Ed Sumrada, Tony Petkovsek and Joey Miskulin. There are photos, an index and a splendid discography, in addition to the history of Cleveland through the 1900s, told as a framework to the man and his music.

It's too bad that Yankovic didn't listen (or pay attention) to another popular song of his era, however. "You Always Hurt the One You Love," might have saved him some heartaches along the way. Or maybe not. He was one of a kind--a showman through and through, and as Dolgan says, "He brought a lot of joy to a lot of people." Not a bad epitaph, after all.

... buy this book. This is a must have for anyone who don't know anything about cars and is buying a new one o wants to learn about car basics.

This is a great product for those looking to learn the very basics about car engines and car care. It gives a good, brief overview of how the major components of the engine work and even some care tips on basic maintenance procedures such as changing the air filter and oil.

I just started using this book and the workbook for a high school class that I teach, and hope to get a class set for next year! Finding this book made my automobile lessons a million times easier and better, and helped me explained things to my students much more clearly than I was able to in the past. The step-by-step pictures and directions in the activities, the diagrams, and the details of this book are wonderful. My students are at the age where they're preparing to drive and own a vehicle... this is the perfect book for my classroom!

I am currently teaching "Automotive Ownership" to high school students and I am using this book as a reference. It is a great book to give students the basic information about owning a vehicle. Many of my students do not know how a car works or how to treat their car, by the end of class they are prepared to own a automobile.

Great book and I suggest it to other teachers with a similar class.

Craig Christensen
St. Ansgar HS
St. Ansgar, IA

We are a Home Educating family (12th year) and have 2 teenagers and 2 more coming up. After reviewing this book online, we ordered a copy, along with 2 workbooks as our son had requested "Auto Shop" as an elective this year. It is our primary text for the first semester, covering everything from purchasing your car to maintenance/repairs and basic auto care. Our son is getting more out of it than we could hope for and wants to know when there will be a sequel on 'customizing' your car! =) We decided to make it a required course/text for all teens in our fam who are looking to purchase/own their own car. We highly recommend it!!! Oh, and the CD that comes with the kit puts the 'icing on the cake', including all the administrative extras you, as instructor, will need.+++