George Books
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A real page turner!Review Date: 2007-09-09
Great adventureReview Date: 2001-11-26
George Siglar Writes Like a PilotReview Date: 2006-10-16
However, any student of sea survival should definitely read about George and Charlie's experience sailing a ZODIAC boat (Its unfair to call it a Raft) across the pacific with nothing more than a survival kit prepared by Mr. Siglar. No food (really) no water, just the kit. There is nothing like first hand accounts to inform students of the realities of any situation, and Siglars account (like Steve Callahan's Adrift) is full of the things you never think about unless you've been there.
My advise, pick one up.
Amazing storyReview Date: 2005-07-04

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Amazon screw upReview Date: 2005-08-20
I'd love to say something about this book as I am a huge Alan Moore fan but haven't read it.
An Extraordinary ConversationReview Date: 2005-05-25
The story of a master writerReview Date: 2004-01-21
Most of this information has been covered before elsewhere, but not with this kind of depth and inter-connection. Take Moore's family, for example. In other interviews, he's spoken about his marriage, divorce, and daughters. But here, with years of hindsight, he describes these events in a way that is respectful, humorous, and free of gossip. It's all very matter-of-fact, but never dull. The more important topics --- the comic books --- are approached in the same way. Moore is proud of his body of work, but he is honest about disappointments and unrealized ideas.
In the later sections, he gets into his exploration of magic and occultism. He sounds like a professor who has decided to experience his topic of study first-hand rather than reading about it. He's trying to find the source of human creativity, but without pretension. It's fascinating to read about. It gives you an insight into how and why he's created so many amazing comics over the last few decades.
Finally, this book is full of extras. Alan Moore's daughters get the first and final word of the book. Collaborators get small interviews and comic pages to comment on their relationship with Moore. There's a long bibliography at the end that covers 99% of everything he's done, and a sample of one of his scripts (which has never been illustrated).
An Extraordinarily Worthy Tribute to a MasterReview Date: 2003-08-27
Tributes in comic book form are smattered throughout, by some cohorts-in-creation including Neil Gaiman/Mark Buckingham (who provide an utterly charming, affectionate 2 page strip; Rick Veitch (a sublime dreamy sequence); Dave Gibbons and Brian Bolland who each write/illustrate warm fuzzy funny one-pagers... Also peppered throughout the book are rare works by Moore including Pictopia, a powerhouse short story-comic that illustrates the state of the industry from the 80's until recent times, that Moore's current ABC line (Tom Strong, Promethea, Top Ten, etc) provides the antidote to...
If you've never read anything by Moore, this book is the perfect launching point into his ouvre; if you've read everything by him, you'll enjoy it even more...

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Face of Appalachia-One Terrific Photo BookReview Date: 2003-11-18
Terrific, truthful portrayal of AppalachiaReview Date: 2003-11-29
Barnwell's Magnificent PortraitsReview Date: 2004-12-11
"When Bill Taylor was sick," Rector recalls, "a bunch of us went over to his place and shucked and put up seven hundred bushels of corn so his hogs would have something to eat over the winter. We didn't get a penny for it, and didn't expect it either. ...Today, if you were dying of thirst, you couldn't get a man to give you a drink of water for less than a dollar."
That story has nothing-and everything-to do with that picture. It's one of 85 brief oral histories Bramwell has appended to the more than 100 duotone portraits and landscapes here. This captivating book makes you wish more photographers wrote down what the people they picture have to say.
Barnwell's studious, scrupulous achievement is worth a long look.
The Old Days Are Still HereReview Date: 2005-09-18
Appalachia hasn't changed much over the years when it comes to the rural areas. These people look like they could have lived a hundred years ago instead of the 1980's! Gardening, quilting, plowing and haymaking are still going on today but it seems much easier in the modern world then these pictures show.
The people remind me of my grandparents. They make me want to go visit them. I'm glad there are people who want to remember and pass on the old ways.
Any one interested in farming and rural things will enjoy seeing this book. The conversations are very real and believeable even in today's world.

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Historical without the soft focus lens!Review Date: 2007-10-14
Matching George's honesty, I'll admit I know the author, but even if I didn't, I would have bought this book!
Not Fade AwayReview Date: 2007-10-03
The Fade-away is, as one of my mentors used to say (that would be James N. Frey [not the fibber], author of How to Write a Damn Good Novel), a damn good novel. As someone who still manages to read most days, I am always grateful when I come across a book that I look forward to `getting back to'. I do most of my reading on the train during my commute and The Fade-away is such a book. It provided a wonderful antidote to the cell phone yakkers and other boors that take the train these days. On a superficial level the novel is about baseball, but baseball is a metaphor for life and Jansen has a lot of wonderful insights into both. Set in the turn of the century, not the last one, but the one before that, and told from four disparate points of view, The Fade-away is well-written with intricate period detail and believable characters who filter what happens to them and those around them through what I consider to be properly-adjusted period attitudes and biases, rather than our modern ones. As a sometimes writer of historical novels I know how tricky this can be. A balance must be struck between old, sometimes extinct, attitudes, which are needed for authenticity, and new, 21st century attitudes, which must be acknowledged in order to entice and hold, not repel, the modern reader. The Fade-away does this. I would term The Fade-away literary fiction due to the sophistication of the characters and situations. It tells the story of the Port Newton Athletic Club baseball team, which is tired of losing. At the urging of Foghorn Murphy, they start down a new path, echoing modern sports scandals (Bonds and his alleged steroid use, coaches betting on games, etc.) along the way.
George Jansen's rendering of minorities living in the white man's world back when people settled their differences (or acted out their hatred of the `other') with their fists, seems to be right on target. It was a time when life was a little crueler, but despite that, men (and women) still strove to lead lives of dignity, or at least to appear to do so. Jack Dobbs, aka, The Chief exhibits the former quality right through to the end. And speaking of "the end", hundreds of endings are available to the writer. There are no rules. Jansen chose one that has the unmistakable ring of truth to it. The sweetly sad and wonderful world of The Fade-away won't fade away in this reader's mind for a long time to come.
A fascinating taleReview Date: 2007-07-14
More than just a baseball book.Review Date: 2007-07-12
It wouldn't take much detective work to learn that I'm a friend of the author, so I thought I'd get that out of the way. If a friend of yours has ever written and published a novel, you may have struggled through it, and then thought up something polite to say. I knew that would not be the case here, having thoroughly enjoyed George Jansen's first novel, The Jesse James Scrapbook, and then waited anxiously for his next book. In this second novel, he has further refined his distinctive, multiple-viewpoint, mosaic style of storytelling. I read it nonstop, cover-to-cover, and when I was finished, went back to savor some of my favorite parts.
As an historian, Jansen really does his homework. He thoroughly researches the time and place in which his story is set, but then he doesn't turn around and beat you over the head with what he's learned. Rather than getting a history lesson, you comfortably settle into that time and place, and come away with the feeling that you've been there.
The Fade-away is LOL funny at times, but mostly poignant. It is sweet, but honest. Its characters are far from heroes, but you might find yourself loving some of them anyway.

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Absolutely MUST READ for EVERY PERSON in first world!! MUST!Review Date: 1998-05-26
Blows the Lid Off of Certain Economic FantasiesReview Date: 2005-01-18
Ms. George sees debt as the great, unsung cause of increased hunger, a lack of food security, and a generally deepening level of misery for the vast majority of the world's population. She approaches the topic from the standpoints of food security, economic development, and equity. All three, she has found, have a common cause: crushing debt burdens imposed by rich country donor elites and their rich counterpart recipients in the poor countries. She sums up the situation best by saying, "The elites, either out of stupidity, cupidity, or lack of foresight, racked up debt, and when they could not pay, transferred the burden to the larger nation." Though she goes to great lengths to distance herself from the 'vast conspiracy theory of history', what she documents throughout the book amounts to a veritable conspiracy of criminal proportions. In her defense, every single assertion she makes about how the economic (mal)development assistance programs worked back then, as they still do now, were later fully corroborated by an entrenched member of the economic development establishmment in his memorable book, Confessions of an Economic Hitman.
Ms. George explains the problems in very clear, common-sense terms using the then available information. Since then, the problem has gotten much worse, however, but the debtor nations are making payments on their debt. The truly shocking thing was to learn the true nature of this debt- almost all of the nations involved went into debt in an attempt to finance prestige projects, ape the West through misguided modernization schemes, or to purchase things they did not really need, meanwhile very basic needs such as for infrastructure, health and education (those things that really would have helped the poor) went unheeded.
While there is little historical depth to the book (again, her attempt to distance herself from the Vast Conspiracy Theory of History), she does present example after example of how official development assistance hurts the people all involved say they are trying to help. As such, it does much to dispel the prevailing notion that many in the Third World are simply do-nothing deadbeats looking for a handout to squander. Instead, many hardworking people in these countries have found it harder to make ends meet because they are burdened with the consequences of someone else's stupidity- they literally pay for the idiotic ideas that their leaders put into motion.
In the end, the issues she presents boils down to a question of priorities and self-interest. The needs and wants of a rich and elite minority (often educated abroad and having sizable assets in other countries) in-country take precedence over the very real day to day needs of the poor majority. While investments in economic growth uniformly benefit this minority and the foreign investment community, economic development could (and indeed would) benefit everyone, rich and poor alike, by setting the stage for continued, sustained growth. In the two decades or so that this book has been around, we have seen the consequences of such destructive self-interest. In Brazil, for example, you have a rich and isolated minority living in fear of poor hordes pressing upon their gated, high security communities (or is this the USA!?!). Everywhere one looks, we now have a polarized world rife with conflict, but as long as debt gets serviced, no matter how crushing the burden on the average citizen, no intervention (economic or military) is required. Perhaps it is time that all of us thought about a more enlightened self-interest, one that would avert total disaster- aka The Economic Apocalypse, as opposed to managing small (but increasingly more frequent) economic disasters here and there.
Anyone looking to understand some of the economic reasons for the failure of official development assistance to the Third World must read this book first. The book also contains a list of highly informative source materials, though somewhat dated, for further reading. In sum, this book does much to release some of the hot air surrounding techno-economic fixes to many of the problems in the world. We really can't rely on technological quick fixes or economic palliatives to bring relief to much of the suffering humanity when self-interest works counter to these measures.
What Price is Peace?Review Date: 2001-11-15
serious reasonings.
Zeech
This book changed my life, shows what REALLY goes on ....Review Date: 1999-03-10

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A total page turner!!From begining to end ..Review Date: 2005-03-07
When Is a Circus Not a Circus?Review Date: 2001-05-01
On a mission to rescue Statler, Mongo flies to Palmetto Grove, Florida where many circus players have retired. He talks the residents into funding the repurchase of the circus and putting Phil back in charge as manager. Not quite coincidentally, Mongo also manages to kindle an affair with Harper Rhys-Whitney, the snake trainer. Or maybe Harper does the kindling. In any case, Harper is now a bit on the wealthy side, so she and Mongo fly off in her plane to track down the errant circus.
Little does Mongo realize that, on his quest for the circus, he is about to cross the paths of a violent murderer, a crypto-biologist, the world's greatest lion tamer and an illicit arms dealer. Deadly mysteries seem to surround Phil Statler's old circus. Most of them seem aimed right as Mongo and Harper.
George Chesbro spins a fine tale of Mongo's exploits, mixing a lot of detective fiction with a dash of science fiction and a dollop of just plain weird. It may be hard to imagine a dwarf as a hard-boiled detective, but Chesbro pulls it off with flair. Mongo not only out-thinks, but also out-fights, most of his opponents. Nor is that the sum total of his skills (just ask Harper). "The Fear in Yesterday's Rings" is great fiction read regardless of what genre you decide it's in. First time Mongo readers are in for a pleasant surprise.
The 10th Mongo book - bringing back Statler Brothers CircusReview Date: 2005-06-06
- Harper Rhys-Whitney, love of Mongo's life, herein
Phil Statler, Mongo's old boss from the circus, once again brings Mongo a case, but this time he *is* the case, turning up as a destitute patient in a hospital where one of Mongo's friends works. All Statler has left in the world are the posters from the circus, having gone bankrupt through refusing to modernize - which would've meant converting to a format suitable for indoor arena performances, sacking many performers who couldn't find other work.
Mongo really *owes* this man, so he begins scouting around among his old circus cronies in Florida to find out what happened to Statler's Circus after the foreclosure and whether he and his friends can buy it back as an investment. In the process, Mongo renews his relationship with Harper Rhys-Whitney, snake charmer turned herpetologist, legendary crusher of strong men's egos, and she joins the investigation. (Much of the story, as opposed to the mystery, has to do with Mongo's near-phobia about romantic relationships; he has issues with becoming dependent on anyone. Fortunately, Harper is used to men with issues, though mainly to do with lying about not being nervous around her snake collection.)
Instead of finding a run-down outfit bought as a tax writeoff and ready for resale, Mongo and Harper find that World Circus is staffed by first-class performers with a cover story that doesn't make sense. Why are they - particularly Luther, who seems a rival for the best animal trainers in the world - apparently content to travel in obscurity with a second-tier circus instead of achieving fame and fortune with Ringling?
But why would anybody bother with a *circus* as a cover for an illegal operation while keeping up the maintenance on a lot of dangerous and expensive animals? Why buy a circus just for the equipment and the animals while replacing all of the human performers?
Couldn't have anything to do with a mysterious string of serial killings along the circus' old route, could it?
Much better handled long-term relationship issues than AN AFFAIR OF SORCERERS, the only other Mongo book up to this point to set him up in a romantic relationship of any kind.
Another great Mongo novelReview Date: 2005-12-26
This book is very fast-paced and well-written, with fascinating and credibly incredible characters. While a few mysteries are "telegraphed" (i.e., can be solved before Mongo does), there is lots of suspense and a heavy dose of the bizarre. I highly recommend the book, and it would make great reading for a long ride on a bus, train, or plane.


Ferry Tales - an offering to the worldReview Date: 2008-07-15
DEPARTMENT OF ENGLISH
SUFFOLK COUNTY COMMUNITY COLLEGE
CHARLENE KNADLE RECEIVED HER BACHELOR'S DEGREE FROM HARDING COLLEGE, MASTER'S FROM STONY BROOK UNIVERSITY, AND DOCTORATE FROM ST. JOHN'S UNIVERSITY. SHE IS A POET (DANDELION SLEEVES: POEMS OF NATURE AND ORDINARY LIFE; LOCAL COLOR: THINGS, PLACES, PERSONS, EXPERIENCES) AND NOVELIST (PAPER LOVERS) WHOSE WORK HAS BEEN NOMINATED FOR A PUSHCART PRIZE. SHE EXAMINED THE WORKS OF PAT CONROY FOR THE 11-VOLUME LIBRARY REFERENCE WORK,POPULAR CONTEMPORARY WRITERS.
George Giannaris describes his book, Ferry Tales, as being "primarily for my children," yet I have seldom read an autobiographical work that seems more of an offering to the world. (Most recently, I found that quality of voice in the late Nuala O'Faolain's Are You Somebody? The Accidental Memoir of a Dublin Woman and have since read upwards of a dozen such books.)
Giannaris doesn't disguise autobiography as fiction, the way Khaled Hosseini, in most of The Kite Runner, seems to. The book is straightforwardly about himself, yet there is a "storybook" feel to the narrative as he relates incident after incident. In the process, the unique characteristics of colorful characters become exposed. His experiences are varied, intertwined with the lives of others, and lived for long durations in different locations--Brooklyn, Queens, both forks of Long Island's east end, and across the ocean in Greece, among others. He has felt included and loved, chastised and shunned; he has seen himself as the "outsider" and as the center of action; he has felt enormous pride and keen embarrassment at members of his family. In short, he invokes a sense of the universal, stimulating in readers memories of our own related but very different lives.
The book is peppered with humor--both smiles and guffaws, all of it organic, none forced. An occasional phrase seems both perfect and admirably witty, some bordering on the literary. And there are passages that suddenly and unexpectedly draw tears.
George Giannaris writes of his own life, yet he often mysteriously seems more observer than actor, even as he lets the reader in on his inner responses and outer reactions. Most of the time we notice his generosity of spirit towards others, even as he lays bare the truths of his humanly angry or mean-spirited feelings.
Educated as an electronic engineer with an emphasis on computers, Giannaris nevertheless has stayed with the family business, that of running a Greek restaurant, The Hellenic, located in proximity to the ferry that runs between the eastern end of Long Island's north fork and Connecticut. Relating to so many familiar and new customers on their way to or from the ferry forms the basis of many of the scenarios of the book, hence the title. Yet the heart of the matter is closer, with fellow workers, family, friends, the pressures of sixteen-hour, non-stop days, and with recreational experiences (boating, spear fishing, diving, day trips to exotic places). George Giannaris seems to be one "on whom nothing is lost,"* who is able to recognize the significance in the every-day even as he lives it. The wisdom he weaves into the telling of each true tale of himself teaches and rewards us, even as, entertained, we read with our feelings close to the surface.
*Henry James
Are You a Cidiot or Countrytard?Review Date: 2008-05-22
Laugh Out LoudReview Date: 2008-05-08
Extremely EntertainingReview Date: 2008-05-08

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A must read for those interested in military historyReview Date: 2001-09-12
The Best BookReview Date: 2001-11-09
I love ya Grandaddy. We'll Get That Coffee Soon.
PATROTISM IN THE MOST DYNAMIC WAYReview Date: 2001-10-30
Truly the life and times of a soldier!Review Date: 2001-10-29

The best book about fireworks ever.Review Date: 1998-09-20
Plimpton Changes His Spots AgainReview Date: 2002-07-04
In his earlier books, Plimpton has written of his participation in a variety of sports from football "The Paper Lion" to baseball in "Out of my League" to professional golf in "The Bogey Man." He changes literary spots by publishing such diverse works as "Writers at Work" and "American Journey; the Times of Robert Kennedy."
In FIREWORKS he breaks new ground. He is the "unofficial official" Fireworks Commissioner of New York City and he takes his job VERY seriously.
He begins with a bang. His personal memories of childhood and adulthood firecracker expeditions, covering both successes and traumas. In the second section he relates the history of explosives and follows this with accounts of "fireworks families" in the United States.
The books bursts with glorious illustrations. I can't pick a favorite picture! This isn't a cheap book, but it's worth every penny.
I read this book because I enjoy Plimpton's vicarious lives. Fireworks didn't interest me a bit. They do know.
Book talks about the history of fireworks.Review Date: 1996-11-03
Plimpton Changes His Spots AgainReview Date: 2002-07-04
In his earlier books, Plimpton has written of his participation in a variety of sports from football "The Paper Lion" to baseball in "Out of my League" to professional golf in "The Bogey Man." He changes literary spots by publishing such diverse works as "Writers at Work" and "American Journey; the Times of Robert Kennedy."
In FIREWORKS he breaks new ground. He is the "unofficial official" Fireworks Commissioner of New York City and he takes his job VERY seriously.
He begins with a bang. His personal memories of childhood and adulthood firecracker expeditions, covering both successes and traumas. In the second section he relates the history of explosives and follows this with accounts of "fireworks families" in the United States.
The book bursts with glorious illustrations. I can't pick a favorite picture! It's an expensive book, but it's worth every penny.
I read this book because I enjoy Plimpton's vicarious lives. Fireworks didn't interest me a bit. They do now.

Funny, entertaining and very un-politically correct fictionReview Date: 1999-01-26
Flashman Forever!Review Date: 2001-10-23
Fantastic period history and fabulous charactors!Review Date: 1999-01-23
This is funny and entertaining historical fiction!Review Date: 1997-10-20
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