George Books

This is a very useful book. It is not meant to be read, but to be used as a reference guide. It is just packed with useful growing information. Information can be looked up easily.

I have taught agriculture and worked in agriculture my entire life. This book encapsulates the growing information for crops very well.

Experienced growers would fare well to have this book on your desk of resource material. New growers will be milestones ahead to familiarize yourself with the information in this book.

This book covers every aspect, from starting from seed, soils, greenhouse and field production. Want to know how long it takes a particular crop to mature to harvest? Its here, along with hundreds of other useful tidbits.

Don't expect everything to be written in paragraphs. You have to be able to read and interpret simple charts and graphs.

If you put into practice even one tenth of the information contain in this book you will grow your garden or crops much better. You fare well to buy this book over many of the others with glossy nice to look at pictures. This is a book of facts with an abundance of information.

I recommend this book to anyone growing vegetables for gardening, hydroponic gardeners, or crop production.

Some years ago I used this book to build a very large farming company. I had no experience and little money but in 5 years I was farming 6000 acres of row crop. This book is fantastic. Eventually I had lots of AG engineers on staff, but this was the book that taught me how to monitor them. I recommend it to anyone, from a gardener to a an agribusinessman. It is wonderful and the current edition is great.

Very comprehensive but somewhat esoteric. This handbook is not for casual reading, but yields results for specific research. The more the book is consulted, one has a better understanding of how the information is presented. The handbook contains a wealth of material.

I give it five stars. This book, which contains a variety of information from a wide number of sources, is not a "how-to" book. Its information is mostly in table form, so the book's main use is as a reference. Some chapters, such as the one on water and irrigation, contain information I've never seen anywhere else, except in technical publications. The chapter contains line illustrations and descriptions that are accessible to the layman. The chapter on vegetable pests also contains (black and white) line illustrations of the insects. Rather than try to list all the information this book contains, I list the table of contents:

Preface

Part 1: Vegetables and the Vegetable Industry
Botanical Names of Vegetables
Names of Vegetables in Nine Languages
Vegetable Production Statistics
Consumption of Vegetables
Nutritional Composition of Vegetables
Selection of Vegetable Varieties

Part 2: Plant Growing and Greenhouse Vegetable Production
Transplant Production
Plant Growing Containers
Seeds and Seeding
Temperature and Time Requirements
Plant Growing Mixes
Soil Sterilization
Fertilizing Transplants
Plant Growing Problems
Hardening Transplants

Crop Production
Cultural Management
Carbon Dioxide Enrichment
Soilless Culture
Nutrient Solutions
Tissue Composition

Part 3: Field Planting
Temperatures for Vegetables
Scheduling Successive Plantings
Time Required for Seedling Emergence
Seed Requirements
Planting Rates for Large Seeds
Spacing of Vegetables
Precision Seeding
Seed Priming
Vegetative Propagation
Polyethylene Mulches
Row Covers
Windbreaks

Part 4: Soils and Fertilizers
Organic Matter
Soil-Improving Crops
Manures
Soil Texture
Soil Reaction
Salinity
Fertilizers
Fertilizer Conversion Factors
Nutrient Deficiencies
Micronutrients
Fertilizer Distributors

Part 5: Water and Irrigation
Water and Irrigation
Rooting of Vegetables
Soil Moisture
Surface Irrigation
Overhead irrigation
Drip or Trickle Irrigation
Water Quality

Part 6: Vegetable Pests and Problems
Air Pollution
Integrated Pest Management
Pesticide-Use Precautions
Equipment and Application
Nematodes
Diseases
Insects
Wildlife Control
Herbicides
Equipment and Application
Weed-Control Practices
Effectiveness and Longevity of Herbicides

Part 8: Harvesting and Storage
Predicting Harvest Dates and Yields
Cooling Vegetables
Storage Conditions
Chilling and Ethylene Injury
Vegetable Quality
U.S. Standards for Vegetables
Storage Sprout Inhibitors
Containers for Vegetables
Vegetable Marketing

Part 9: Seed Production and Storage
Seed Labels
Seed Germination Tests
Seed Purity and Germination Standards
Seed Production
Seed Yields
Seed Storage

Part 10: Appendix
Sources of Vegetable Information
Sources of Vegetable Seeds
Periodicals for Vegetable Growers
U.S. Units of Measurement
Conversion Factors for U.S. Units
Metric Units of Measurement
Conversion Factors for U.S. and Metric Units
Conversions for Rates of Application
Water and Soil Solution Conversion Factors
Heat and Energy Equivalents and Definitions

Index

First published in 1956, this handbook is an indispensable, up-to-date companion both in the field and in the marketplace. Topics include the vegetable industry, greenhouse vegetable production, soils and fertilizers, water, pests, weed control, harvesting, storage, and seed production. Packed with quick-access graphs, tables, charts, and line drawings, the 4th edition offers new information on drip irrigation, seed germination, plant tissue and sap testing, windbreaks, and weed management. It also gives advice on allowable pesticide and herbicide use and on the latest worker protection standards. The appendix contains sources of vegetable information, providers of vegetable seeds, periodicals for vegetable growers, and U.S. units of measurement and the metric conversion factors. A change from the spiral-bound 3rd edition is a sturdy, flexible cover to help hold pages flat.

The best thing ever to hit the eyes is the Krazy Kat entourage a la George Herriman. With the most surrealistic spelling and the most endearing characters in a love triangle (Krazy, Ignatz, and Offisa Pupp), one can find relief from the drabness and the pressures of life. (Was that a brick that just went by?)

Regarding the review below: Sunday Krazy Kat strips were not printed in color until 1934, so the strips in this volume (which covers the period from 1927 to 1928) are presented as they were originally published. While there are many pre-1934 strips that were hand-colored by Herriman, they were intended to be personal gifts to fellow cartoonists and not for publication.

Herriman's color work was indeed wonderful, but as the previous correspondent notes, for two thirds of its run the Sunday KRAZY KAT was in fact black and white, so we've been publishing it in that format.

Beginning in mid-2005, after having wrapped up the black and white period with KRAZY + IGNATZ 1933-1934 (which will contain some of the most difficult-to-find and almost-never-reprinted years) we will be releasing the five volumes containing Herriman's color years, starting with KRAZY + IGNATZ 1935-1936 -- in full color.

Conceptually, Krazy Kat was so simple -- a cat, a mouse, and a dog apparently caught in a bizarre sort of eternal love/hate triangle. George Herriman's art and writing not only managed to elevate this seemingly limited idea for a comic strip far beyond most of its early 20th-century peers, but to place it in the category of art: a weirdly funny, endlessly imaginative, and timeless masterpiece.

Fantagraphics have done an excellent job of reproduction and annotation. The larger format allows you to fully enjoy Herriman's minimalist style, while laughing at the strip's fractured English and visual gags. Chris Ware's cover art for both volumes released so far in this series has also been a real treat, although I personally preferred the cover for the first volume.

Krazy Kat can be enjoyed on several levels, but the editors have made certain you can both appreciate the artistic aspects of the strip and have just plain fun reading it. I am also coming to understand Herriman's significant influence on such later masters as Johnny Hart and Charles Schulz.

Get in on the ground floor (or at most the second floor) of what will be one of the most important reprint series ever, and seek out the first volume.

Comics do not get much better than Krazy Kat. These new editions have brought me out of mourning for the Eclipse series (the single volumes of which sometimes go for $100+ on e-bay). Plus, these are great looking books and each one is filled with extra info and photographs in the introduction and some cool tidbit in the back (this one has a picture of a wooden Ignatz doll complete with box from the 1920s).

Krazy Kat can be classified as art, but hopefully it won't be classified TOO MUCH as art, because it can be appreciated on many levels as well as an artistic one. Krazy's worst fate would be to end up as solely a museum piece for aficionados. Krazy doesn't belong in a museum, he/she belongs in books; which is what makes this series so great. I just wish they could print all of them at once.

Krazy Kat works by means of the tension of 3 forces: innocence, evil, and justice. Krazy is the ultimate innocent who, when Offissa Pup pummels Ignatz with his club, merely says "Those two play so well togedda." Ignatz is evil and maybe obsession. His grand purpose in life is to "bean" Krazy with bricks. He sometimes goes to Rube Goldberg extremes to succeed. Offissa Pup is justice which is sometimes just, sometimes political, sometimes personal. In an old daily strip, Offissa Pup grabs Ignatz and says "To the jail, viper!" When Ignatz replies "Why?" Offissa Pup only says "Because it gives me pleasure." Things get more complex because Krazy loves Ignatz and Offissa Pup often insinuates that he loves Krazy. A futile love triangle and battle of good, evil, and justice gets mixed up in a strange salad.

It is simply one of the best comics ever produced.

Krazy and Ignatz are unique in the history of the comics and highlight the Golden Age when "Little Nemo," "Maggie and Jiggs," and "The Yellow Kid" were right up there with this strip, George Harriman's salute to wit, whimsy, and the English language. Did I mention Jewish and Italian dialects from New York City? Anyhow, language and imagination all worked together in a desert landscape with Turner skies above and some of the most marveous comic characters walking the sands below. Who else but Herriman could do a daily comic--for years--about a cat with a bow around its neck, a cat that was either male or female depending on what happened in the life of the reader that day, a cat in love with a mouse whose only aim in life was to bean the cat's head with a brick, then to be arrested by Officer Pup! It's the stuff that dreams are made of but, unfortunately, those dreams have faded away.

What can one say about Geo. Herriman's "Krazy Kat"? The wonderful, colorful world of Coconino County is captured beautifully in this all-color Fantagraphics collection of Sunday pages. Geo. was a true poet and his words and art join together (like Chinese calligraphy/poetry/painting) to create an self-contained universe of wonder, humor and all-too human foibles and desires. Let's see - Krazy (cat) loves Ignatz (mouse); Ignatz despises Krazy; Offissa Pupp (dog) loves Krazy but Krazy is unaware and Offissa Pupp's love is unrequited. It's all so krazily wonderful I really kan't deskribe it!!!

It's probable that anyone considering the purchase of this book is already familiar with Krazy Kat, but just in case...

The entire strip is based on a love triangle, with a gender-ambiguous cat (Krazy) that is in love with a mouse (Ignatz) who is irritated by the cat and throws bricks at his/her/its noggin. The cat takes the bricks as a sign of love, however. A dog (Offisa Pupp) is in love with Krazy and tries to protect him-her-it from the mouse and the bricks, frequently jailing the mouse.

The strip has a fairly small cast of characters, mostly animal, and the goings on take place in front of ever-shifting landscapes. The effect is surreal: from one panel to the next, two characters could be talking without much change in their positions and posture, yet the background changes completely. The art is probably a love it or hate it proposition. It is scratchy and might resist some readers' esthetic sense. On the other hand, I know many people who automatically exclaim "I love Krazy Kat!" and the art is part and parcel of their appreciation. At any rate, the price of this full-color book is low enough to take a risk. Personally, I love the art: Herriman conveys surprise, movement, force and speed better than most or all of the comics masters, including Caniff, the superhero artists, Uderzo and possibly Hergé, with an apparent ease and simplicity of line.

Complementing the art is a patois (especially Krazy's) that is, at times, sheer poetry. The title of the book is drawn from an utterance within. There are deeper messages, such as the law of the excluded middle, or some gentle jabs at our lack of color blindness or cultural references that can slip by us because they are from an era now 70 years old.

There are two introductions. One of them, "The Kolors of Krazy Kat" on Herriman's complex ethnicity, is particularly apt in this, the book of the strip's first color Sundays. The other is by a fellow named Bill Blackbeard, whose efforts have saved portions of this and other strips from oblivion and in some cases from outright destruction. His work has rescued an important part of our cultural heritage.

In addition to the introductions, there are photographs as well as reproductions of beautiful Herriman water colors featuring his characters and backgrounds. The book was put together very conscientiously - even lovingly.

Krazy Ignatz is the sixth volume of the Krazy Kat reprint series - but it's the first volume to appear in full color, representing the comic strip's color appearance in June 1935 after being a black-and-white Sunday strip. The new color format has been digitally cleaned for sharp appearance - better than the original strips - and harvests a wealth of Krazy Kat and non-Kat materials from Herriman archives from 1935-36. Krazy Ignatz is a 'must' for any KK fan.

Many comic strips rely a lot on variations on a theme. The classic example would be Peanuts. There were dozens of Peanuts strips that involved Charlie Brown trying (and failing) to kick a ball that Lucy was holding. Even though the idea was the same in each, the execution differed from strip to strip. Years earlier, the same could have been said about Krazy Kat; how many different ways can a mouse attempt to hit a cat with a brick? As it turns out, many ways, each interesting in its own way.

For those unfamiliar with Krazy Kat, the three main characters in the strip are Krazy Kat, Ignatz Mouse and Officer Pupp. Krazy loves Ignatz, who in turn, dislikes Krazy. In fact, Ignatz is constantly beaning Krazy in the head with a brick, an act that Krazy interprets as one of affection. Meanwhile, Officer Pupp loves Krazy and hates Ignatz, constantly arresting the mouse for assault. (While Ignatz and Pupp are definitely male - Ignatz is even married with children - Krazy's gender is much more indeterminate, occasionally referred to as male, sometimes female, but usually left completely uncertain. Personally, I think of Krazy as male, but mainly so I am consistent in what pronoun to use.) Of course, just as not every Peanuts strip involved kicking a football, not every Krazy Kat strip involves Ignatz's efforts to obtain a brick and throwing it at Krazy, but usually the idea is at least lurking in the background.

What makes Krazy Kat special? It's hard to describe exactly. It is certainly different from any comic strip around nowadays: it has much less of an emphasis on punchline humor and instead relies on pure absurdity (or should I say "kraziness"). Even in its time, Krazy Kat was mainly successful due to the patronage of William Hearst, as well as the praise of such well-known figures as e.e. cummings and Walt Disney.

This particular volume covers the Sunday strips of the latter part of 1935 and all of 1936, the first period in which Krazy Kat was in color. Despite some obvious errors by the original publishers seventy years ago - such as times when Ignatz is blue or green - Krazy Kat works as well in color as in black-and-white. There are supplemental materials as well, most notably an essay on Krazy Kat's creator, George Herriman, the controversies regarding his racial background and how it was reflected in his work. Although interesting, you can skip this stuff if you want and go straight to the comics: Krazy Kat is kompletely kaptivating!

Considering George Bird Grinnell's impact on conservation, fair treatment of the American Indian, and the national park movement - and those are but three of his many accomplishments - the lack of a full biography of his life seems downright peculiar. Since I first ran into his name more than a decade ago when I moved into an apartment building named Grinnell and wondered who or what "Grinnell" was, I have often pondered why I didn't learn about George Bird Grinnell in school. Surely, his life is as interesting and his contribution to America is as significant as that of Buffalo Bill (whose path he crossed). Consider, this man founded the first Audubon Society, explored Glacier National Park, and would have accompanied Custer at his last stand, except his professor needed his services for the summer at Yale!

Until now, the most complete exploration of Grinnell's life - excluding the unpublished, autobiographical "Memories" which resides in original at Yale and in copy or microfilm in several other libraries - was John F. Reiger's "The Passing of the Great West." Reiger allowed Grinnell to speak for himself, filling out the picture with supplementary writings by and about him. Gerald Diettert's "Grinnell's Glacier: George Bird Grinnell and Glacier National Park" focuses on one period in Grinnell's life and William T. Hagan's "Theodore Roosevelt and Six Friends of the Indian" (Grinell was one of the six "friends"), focuses on one facet of it. Grinnell's own writings reveal much about him. He was a prolific writer with a keen eye for detail, but his writings with an autobiographical slant are either difficult to obtain, like "Memories," or scattered in various places, such as magazine articles about his home in Audubon Park or the semi-autobiographical series of "Jack" adventure books, which he presumably wrote for his nieces and nephews to acquaint them with the "olden days."

While Michael Punke's "Last Stand: George Bird Grinell, the Battle to Save the Buffalo, and the Birth of the New West" is not a complete biography of Grinnell, it is a thorough examination of Grinnell's development from a wealthy and somewhat aimless young man to a mature thinker who grasped the concept of animal extinction and found in himself both the perseverance and tools to combat it.

As Punke succinctly states, "If there were two moral poles in the world of George Bird Grinnell, Cornelius Vanderbilt stood at one of them" and Lucy Audubon, the widow of naturalist and painter, John James Audubon, stood at the other. Punke develops this theme confidently and convincingly throughout his book. Lucy Audubon, who was Grinnell's first teacher and near neighbor in what was then known as Audubon Park, taught him the value of self-denial, which is at the heart of conservation: deny today and preserve so that future generations may enjoy. True, Grinnell probably learned similar lessons from his father, whose reputation remained untarnished and unchallenged (except in the "Brooklyn Eagle") despite two bankruptcies and extended, close business dealings with Cornelius Vanderbilt, the granddaddy of robber barons, but in his later writings, Grinnell gives ample credit to "Grandma" Audubon for her early moral lessons.

Punke is admirable in his ability to keep the various threads of his story moving along simultaneously. Grinnell's maturation, the United States government's subjugation of the American Indian, the near extinction of the buffalo, and the establishment of Yellowstone Park all develop simultaneously, no strand slighted in favor of another. Punke's writing is clear and energetic and his knowledge of the subject matter is extensive.

Occasionally, he misstates a fact; for example, substituting the firm of George B. Grinnell & Co for George Bird Grinnell & Co (George Blake Grinnell did his son a disservice when he named him George Bird - one George B Grinnell too many) and, occasionally he misses an interesting point. September 18, 1873, the day George Bird Grinnell & Co crashed, essentially freeing Grinnell from business and allowing him to return to Yale and embark upon the course that led him west, was the same day that Lucy Audubon, Grinnell's mentor, departed New York City for the last time, returning to Louisville, Kentucky, where she died several months later.

Those bits are tangential, however. This is a splendid book, a welcome addition to the literature about the founding father of American conservation and a very interesting read.
Matthew Spady [...].

This is a fascinating look at an overlooked and underappreciated historical figure: George Bird Grinnell, who led the effort to save the buffalo (and later, Glacier National Park). A man far ahead of his time, Grinnell was trying to save the buffalo when most Americans didn't care that they were disappearing, or were eager to kill them off, either as a way to get rid of the Indians, or as a way to make money. Punke takes you on a thrilling journey, describing exactly how the buffalo were killed off and why, with side ventures into the creation of Yellowstone National Park (and the battles to preserve it that follow), the big baron culture of the 19th centure, the emergence and importance of the magazine industry at the time, and the lives of John James Audubon, Custer, Theodore Roosevelt, Buffalo Bill and many others. The big will leave you with a tinge of sadness -- we will never again see the wilderness west of the early 19th century -- tempered with hope, that one person can, indeed, make a difference.

Michael Punke has written a very timely account of George Bird Grinnell, the assault on the American buffalo and efforts to keep it from extinction, the creation of Yellowstone National Park, and Grinnell's efforts as a conservationist. Grinnell was able to see into the future to save the buffalo from extinction, and the importance of preserving our environment for future generations. The book deals with poachers who killed buffalo for a living, commercial hunters of birds and fish, and how people felt the supply was inexhaustable. Yellowstone National Park was created in 1872, but many members of Congress voted for it simply because they felt the area was without economic value and setting it aside didn't matter. Grinnell's mentors were Lucy Audubon and Professor Othniel Marsh. Marsh accepted Grinnell as one of a few young men to accompany him out west to search for dinosaur bones. Later Grinnell accompanied George Armstrong Custer's 1874 expedition into the Black Hills of South Dakota on a scientific expedition in which Custer searched for gold. Custer later invited Grinnell to accompany his ill fated 7th cavalry into Montana in 1876, but Grinnell had commitments at the Peabody Museum. Grinnell made the most of his life and devoted it to conserving America's beauty for future generations. It's ironic that his beloved Glacier National Park in Montana is now threatened by global warming. We owe it to him to preserve for future generations what he preserved for us. My copy of this book will go to the local high school in hopes that young people will be aware of the importance of preserving our environment.

Michael Punke is fast becoming one of the most reliable authors for accessible, fascinating books about the west. He's a vivid writer who really knows how to construct a story. I highly recommend it.

Michael Punke threads his love of the wilds of the West throughout his informative, thought-provoking and insightful story of the buffalo and their interrleationship with the Native American population. He effectively evolved and linked this period to the issues with which we are dealing today. The author's research served to illustrate and elaborate on the context of the time. I gained a great appreciation from the story for the challenges and significant accomplishments of George Bird Grinnell. The book should is a must read for all Americans to infuse a much needed political consciousness of what we have done and are doing to our western wildnerness and the native people and animals who inhabit it.

Dr. Judith L. Lyon

I agree that this is the best book on Malcolm X and the evolution of his thought and action in the last year of his life. Breitman does well to faithfully draw out, including the contradictions Malcolm was working through, the pathways Malcolm was pursuing... his aims, his objectives, his goals... Breitman gives good context, clearly debunks myths and obfuscations and tackles common attacks that were levied against Malcolm in the year before and after his murder. Should be read hand in hand with Malcolm X Speaks... pretty much essential if you care at all about anything really.

I, like the author, believe that the Autobiography of Malcolm X left out crucial elements to understanding Malcolm's life and sentiments because it did not cover his life to the last day. This book actually looks at Malcolm's life in three separate stages: his life up until and including being a Nation of Islam spokesperson, his transition period while he was breaking with the Nation of Islam and shortly thereafter, and the path he was setting for himself as he was killed.

This book aims to prove that Malcolm was setting an anti-imperialist path, and internationalist path, an anti-capitalist path, a truly revolutionary and truly dangerous (for the ruling classes) path.

I think the book proves it, and I respect Malcolm all the more for it.

This book also contains criticisms of Malcolm by various people, notably some liberals, and so it's good to get an idea of where people stood, who was really afraid of Malcolm and what he was really starting to represent.

This is a great book for the period of time in Malcolm's life that might be the least covered. Not to long of a read, but full of information not readily available when looking for Malcolm.

It dispels the idea of Malcolm just being a racist anti Semite, how he was portrayed by the media during and after his life, but installs the belief that he was a revolutionary fighting for the human rights of all, and nothing could more truthful.

I was surprised when I read this book. It gives Malcolm X's speech announcing his political program for fighting for Black control of the black community and Justice. I didnt know what that was before I read it. I read the talk Malcolm gave introducing the program and he talks about how he was supposed to bring Che Guevara up to the meeting, but Che couldn't make it. Heavy Stuff. Breitman is pretty good at defending Malcolm X against critics and showing what the man stood for without imposing his own views on him. We need to see how Malcolm X was in action to get a better idea how we can advance the struggle.

This excellent little book traces the evolution of the thought and action of Malcolm X in the last eleven months of his life.Malcolm rejected the anti-Semitism and anti-woman policies of the Nation of Islam, and its refusal to involve itself in the civil rights movement. He continued to more and more place the Black struggle in this country in the world context : in the context of the struggle of the workers and farmers in Asia , Africa, and Latin America against imperialism, Yanki imperialism in the first place. He continued to expose the role of the Democratic Party to fool the masses of working people into thinking that we have a friend among our oppressors and exploiters. More and more, he spoke out against capitialism as the cause of racism and described himself unabashedly as pro-socialist.He spoke of the Chinese, Vietnamese, and Cuban revolutions as examples of what we working people must do HERE for the future of all humanity. The author is no academic ' observer'; he covered Malcolm's evolution for The Militant newspaper, the only place Malcolm's speeches were published in full and undistorted after he left the Nation of Islam. This book is an excellent companion volume to read alongside Malcolm's actual speeches, also published by Pathfinder Press.

This is a really good book for my grandchild who loves the Appaloosa. Arrived in excellent condition and will be appreciated.
I also purchased a second Appaloosa book by Llynn Stone which was obviously a library book and I don't feel that I can pass this one on to my granddaughter as it's content is too weak.

Cheryl's book has managed to eloquently portray the beauty of the appaloosa, with colorful and captivating photos of the breed! The stories are heartwarming and lovely. This is a fantastic book for appaloosa and horse lovers everywhere.

Cheryl has put together an outstanding composite of wonderful photography, interesting facts and a glimpse into the history and relationships of some of those whose lives are entwined with one of the greatest breeds of horses to grace this planet.

The photography is captivating and the fact she gives ample credit to those artist whose works grace her creation is refreshing.

A book for every coffee table.

If you love Appaloosa's or just love horses in general you will love this book. Beautifully done with lovely photos and inspirational stories. I would HIGHLY recommend this book. Cheryl really captured the spirit of the Appaloosa.

Book just arrived, and WOW! An absolute must for every horse lover's coffee table! And requirement for Appaloosa lovers for sure! A work of art laced with photos!

I also recommend the "Optimizaton by vector space" by David Luenberger. It is also a very good book on linear operator with optimization applications.

At graduate school, I was required to take only 9 credit units in advanced Mathematics. Most of my credits were on Numerical Analysis, Mathematical Optimization and Linear Algebra. However, as I started covering advanced courses in dynamical systems, robust control and nonlinear systems, I found that I really needed strong foundations in Functional Analysis. I audited one course in Functional Analysis where we used the classic Rudin text. However, the pace of that class was too fast for me and I virtually learnt nothing. So I graduated with a handicap that I was unable to handle most rigorous problems. Knowing my handicap, I bought several books on this subject; I did not want to spend too much money, so each book did not cost more than $50 on Amazon marketplace. At first it was very disappointing because each book that I bought was written in the traditional format of Definition-Theorem-Proof without explaining the basic concepts. The last book to buy was this one which I read chapter by chapter from page one to the last page for about four months every evening. I believe this will be my last book on functional analysis, because it has provided what I have been looking for.

The book is well organized, and it provides detailed discussion on each topic followed with numerous and easy to understand examples that are directly related to physical systems. The reader can visualize the concepts by relating to physical systems, which is what engineering students want. After four months of evening reading, it is amazing that now I can tackle all analysis problems that used to intimidate me. This book is a must for all graduate students whose major covers dynamical systems, controls, nonlinear systems or signal processing.

This is one of my favourite introductory books on functional analysis because it includes all the fundamental concepts needed to get a thorough understanding of the most important topics in this theory. It stresses which properties come from which structure (set-theoretic, topological, or algebraic), and gives a complete exposition of the main results on bounded and unbounded operators, meanwhile discussing some interesting examples of application. Its appendices on integration, probability and stochastic processes are also valuable. The text is suitable for undergraduate analysis and functional analysis courses. Scientists and engineers will find it very useful also because of its non-pedantic style.

Please check my other reviews in my member page (just click on my name above).

This is a great book for the applied mathematician, scientist, or engineer who wants an applicable and not overly formal introduction to functional analysis. Many examples illustrating the use of the techniques are given throughout. The text is quite readable, with a unique organization introducing algebraic, topological, and combined algebraic-topological structures and their associated theory. The book presents functional analysis without explicitly relying on the Lebesgue integral, although a well-written appendix covers Lebesgue integration and some related concepts from real variable theory. I would have appreciated more discussion of differential equations, but overall this is a very well-written book and a worthy purchase.

An eminently readable functional analysis book including an appendix on measure theory and probability spaces. The text covers the material without explicit development of the Lebesgue integral. The notation and typesetting are very clean and the section on spectral analysis is unusually good. The proofs are very clean and complete with numerous illustrative engineering examples and diagrams. I recommend this book for graduate level engineering students.

This is a great book by a naturalist who loves animals and kids. It is a really interesting book that all ages will love and learn from.

THis is a great book! I used it in a thematic unit on the arctic tundra. I love how the author refers to what's going on in other parts of the world during the change of seasons. You can certainly tell that Ms. George loves the environment, and has spent a great deal of time outdoors!

In short, this is a wonderful book. Jean Craighead George, author of over eighty books for children, excellently combines her knowledge and love of wolves with her love of words. Written like a mix between the JULIE OF THE WOLVES books and DEAR REBECCA, WINTER IS HERE, this elegant story will find its way into the heart of anyone who adores and respects these magnificent animals, or anyone who admires nature. The illustrations are also spectacular and heartfelt. You can see more of my reviews at other Jean Craighead George titles.

Jean Craighead George has always been a favorite author of mine, and coincidentally enough, I have always been fond of wolves, so imagine my surprise when I, the dainty little girl of the 90s received "Look to the North" from my Aunt. Immediately I fell into the outstanding illustrations, and the unique way to follow the lives in my favorite animal.
Several years later, and with a sense of higher literacy later, I am found sitting in my high school English class pulling out one of my favorite possessions from my dusty children stories-bookcase and regained my sense of wonder again for the first time since my innocent age of nine. It's a wonder that the edges wave not been torn as much as my other treasures, and looked upon it as some sort of holy artifact saved in my holy sanctuary now adorned by hundreds of photographs, oil paintings, and sketches of wolves I can know honestly blame the inspiration on this very story. Sometimes you have to wonder how something as insignificant as a children's story can effect your life.
"A Look to the North" is about, you could say, the story of a wolf pack introducing the pups from birth to adulthood. If your son or daughter takes interest in any animal, buy him or her this book. Neither of you will regret it.

"I love wolf pups" begins the introduction (written by the author) to LOOK TO THE NORTH. George's readers could easily have figured that after at least a page of this educational picture book.

Telling the story of Boulder, Scree, and Talus, three fictional wolf pups, it truly is a wolf pup diary, as there is a new page for every critical stage in wolfpuphood. You can learn something new about early months of wolf pups on every page, while the style and storyline of the book are brilliantly masked as fiction (for the porpose of the book appealing to young ones.)

The full-color pictures only add to the fun of this book, and the detials in them are breathtaking! The pictures alone are enough to tell the story to the very youngest readers, but the words give something the pictures cannot, as do almost all books that I have seen.

Note that older readers will also enjoy JULIE OF THE WOLVES and it's two sequels, JULIE and then JULIE'S WOLF PACK, by Jean Craighead George, the author of LOOK TO THE NORTH: A WOLF PUP DIARY.

And now I have no more to say, so, as ends the introduction....

Why do I love them so? They are wonderful. Look to the north and you will love them, too.

Byron claimed to be outside of metaphysical thinking, which Chesterton said is hypocritical; Byron could not exist without the philosophical generational zeitgeist of Kant, Swedenborg, Lamark and Rousseau and the energy they created towards looking at first causes/orgins; time induced thinking which created the sociological inspired individual responsibility of man towards society and his self-induced muckiness of Malthusian conjectures and the societal induced causes of injustice of Mill towards the individual, and the conjectural futurism of Marx and Hegel, which inspired Darwin, the big bang theory, Hegel's historical religiosity, religious anthropology (then Joseph Campbell), Hitler's paganism, Zionism, other indigenous rights movements, anthropology in general, and psychology. Man's profound and deep rooted sense of his being in the field of time. Byron's "Cain" seems somewhat inspired by the discovery of fossils and dinosaur evidence by Baron Cuvier. Byron's energetic placement of himself in the tide of history, destiny, and time was a mark of his times and his interpretation may have influenced Wagner and definitely influenced Neitzsche. He was a product of his age and energy. The same energy America was born under, at least in this geist's earliest stage. Byron was a product of the metaphysics of his day and the generation previous, consciously of Rousseau and unconsciously of the others. Byron rode this wild beast of freedom and liberty of his time and verbally puked over the common sense and good decorum of British good nature and decency. He was a poetic rebel. Poetry would never quite recover and have the good name (according to Wilfrid Sheed in his forward "Leave it to Psmith") in the English-speaking world but young poetic followers of Byron would be trampled on by teachers, fellow students, and professors ever after. Even today poets are seen as a sort of pest in the eyes of common English-speakers. Byron was extremely popular on the European continent where poetry still has a good name. No other poet has been more talked about since Byron and Byron's criticism of other poets of his day plus his questioning of the honor of Britain surely played a part in that. Byron's energy and ideas left England shocked and she never quite recovered.

Goethe said no poet of Byron's stature would come again and he was a formative poet, one where the reader is transformed, and that makes him great; but Goethe also pointed at a child, an immature, aspect of Byron as well.

Byron lived a full life, he was a rebel, and a genius. Loving life and living were what he was about and his poetry places himself his actions in some encompassing history of destiny and fate. He had a passion for liberty and humanism yet he maintained an aura of sorrow. His descriptions of himself might well reflect his own on Rousseau (p.127-), except he stood on the opposite side the history of revolution and Napoleon; perhaps he was that of a more matured Rousseau but still immature none-the-less. He often took a stoic sad appreciation of storms, rough waves, avalanches. G K Chesterton pointed to Byron having sad words but his prosody is that of and optimist, he exudes optimism faces his storms with inspiring optimism. Byron was complex and possibly the most influential poet of all time.


His success and the challenges it posed to the social mores and what was considered respectable thinking were difficult for Byron's native land to swallow. According to Wilfred Sheed, in his introduction to "Leave it To Psmith" by Wodehouse, focused academics and Head Masters and such to derisively quell any Byron-like poet upstarts and left the English-speaking world with something shallow, or at the best more subtle. But as France went on to produce Rimbauds and Flauberts the English-speaking world produced entertainment that mocks their sort, and their artsy kind; English entertainment like Gilbert and Sullivan and Wodehouse -- Byron mocked England in his own day the English choose an art that mocked him. Byron did not glorify the great battles of his nation in his day, like Waterloo, but merely equated England as a sort of cog in history; slowing things down but really not affecting anything for the better. Plus he gave more credit to Russia for Napoleon's defeat then the British might want to have admitted.

Just to let anyone know, if you are looking for romantic poetry I would say at least half of this is not romantic. Just because Byron was a poet of the Romantic Period does not mean it's about love. He was very clever and had outstanding lyrical ballads (some of which, yes, are about women and love) but also broody - Don Juan and Childe Harold are primarily social commentary on world politics. Overall I enjoyed his work for its wit in comparison with Wordsworth's poetry.

All passion, intensity and fire, Byron cuts a swathe through the Regency era's lights, literature and ladies. He does so in a style that is the most beautiful and high prose you will ever read; magnificent curving arcs of words that could have come straight from the proud mouth of an archangel (or Lucifer himself). Of course, he occasionally descends into petty back-stabbing, misogyny and generally seems to be a bit of a spoilt child with too much time on his hands, but you can forgive him that just for Childe Harold's Pilgrimage alone.

This book claims to contain most of Lord Byron's major works and it certainly is a full volume, weighing in at over 1000 pages in paperback format. The larger works include the above-mentioned Pilgrimage and Don Juan. These take up at least 700 pages themselves. The remaining space is occupied by Manfred - a rather Nietzschean work about a magician; the Giaour - a tale of unrepentant love and loss; Mazeppa - a story of a man whose fortunes fall and rise dramatically; Beppo - a Venetian affaire de cour; Cain - an intense retelling of the biblical tale with Manichean overtones, and assorted shorter poems. There are also fifty pages of assorted correspondence with various individuals. The book comes equipped with a very short introduction (for a book of 1000 pages), a chronology of Byron's life, an index and end notes. There is very little in the way of explanation of why pieces are included and the end notes are mostly helpful but often explain the obvious while leaving the obscure, obscure. If you like books that contain no analysis, this is for you, but if you want things explained you will do better with something else.

Personally, I preferred the intensity and vision of Childe Harold, Cain and the Giaour to the more sarcastic and occasionally contrived style of Don Juan. Byron is at his best describing beauty - be it nature, art or woman. And much, if not all, of what he writes about is related to the fairer sex. You should write what you know about, they say, and Byron certainly knew women - in both the intellectual and biblical sense. His love affairs raged across all of Europe and brought him condemnation from his peers - particularly his dalliance with his half-sister. His books are full of the worship of the beauty of women and he objectifies them in a way that is entirely politically incorrect in our day and age and likely was then as well. If you can get past the fact that he seems like a teenage boy in rut most of the time, his descriptive powers, characterization, wit, sheer beauty and nobility of expression are sure to please.

Byron was the god of his age. He was worshipped throughout Europe .Today that glory has largely faded and his place in the pantheon of literary greats is somewhat diminished. With Byron there too is the question of the sensational personal life and the heroic role he adopted for himself as revolutionary liberator in Greece's war of independence. As for the poetry I doubt that too many read ' Childe Harold ' with the kind of hunger and enthusiasm it was read in Byron's time. But Byron is an incredible lyricist and there is great poetry in his canon. ' He is a figure of great passion and power, the arch- romantic hero including the demonish mysterious side. For me the total works of Byron are not to be chewed and digested but to be skimmed and tasted. There is much beauty in them.
'She walks in beauty like the night / of cloudless climes and starry skies/ And all that's best of dark and bright / Meet in her aspect and her eyes: / Thu mellowed to that tender light/ Which heaven to gaudy day denies.

Lord Byron was perhaps the most dazzling and influential figure of the Romantic movement. He was certainly the most colorful, controversial, and celebrated poet of his time. His poetic style is controlled, yet the sentiments expressed are passionate. He can be sad and despairing in one stanza, then ecstatically happy in the next, and it is these impulsive mood swings which made him no less contradictory in his beliefs and actions. He wrote some wonderful lyrical poems, but my favorite are his long poems, like "Don Juan." He is and was a captivating personality and a brilliant poet.

David Rehak
author of "Poems From My Bleeding Heart"

I've always been a fan of Scott's, I believe he was the best actor the U.S. ever produced. However,even as a kid I can recall having heard that this was a very intense man. This book explains why. He was a heavy drinker most of his adult life. When drunk he could turn on the woman he was with. Those stories are supported by other bio's I've read about Ava Gardner & Collen Dewhurst (twice married to Scott). But the book also gives insight into the man & why he may have had this problem. He was by all accounts a kind person when sober. But the Hyde side took a serious toll on his private life. (& sometimes his professional life as Truesdell- Riehl's book points out). It is a very well written book for a first time author also , very good read. Especially if you happen to be a George C Scott fan.

On camera George C. Scott was the man that every woman wanted & every man wanted to be. Off camera he was a man who wrestled with bitterness & insecurity. He harbored anger ever since his childhood & when he became an adult he took it out on everyone close to him. He dealt with his insecurities by trying to control & manipulate the people closest to him. The people who loved him tolerated his behavior & still wanted to be with him costing them their own peace of mind & in Karen's case, a promising career in theatre. Even after his brilliant success in theatre & movies he remained insecure & bitter. It makes your heart ache for Scott & those whom he hurt.

This is a compelling & sad story. Karen Truesdell Riehl does not hold back but tells the whole story; warts & all.

Love and Madness is not only a titillating story of a celebrity's secret love life, it is a penetrating look into the heart of a woman who had to live with the scandal of an out-of-wedlock birth during the 1950's, when women caught in those circumstances were considered sluts. Truesdell Riehl's courageous and well-written story will remind you of how far we've come since those days, when living in a home for unwed mothers and following your heart when your head knows better were matters to be swept under the carpet and shared only in whispers and knowing smiles.

Truesdell-Riehl's story of her 30-year clandestine love affair with George C. Scott is a gripping tale, beautifully told. The author met and fell in love with Scott when she was in her freshman year at Stephens College and he was a theatre instructor. After acting with him in summer stock following her graduation, Truesdell-Riehl gave up a promising acting career to go to New York with Scott, working as a dental assistant, while he pounded the pavement in search of acting jobs. Her story, written with both wit and wisdom, provides insight into the tormented life of this international film star and the woman he called the love of his life. It's a page turner I couldn't put down!

Everybody knows the star of Patton was a brilliant actor but not exactly a warm and fuzzy human being. Ms. Truesdell Riehl's account of her relationship with Scott is a compelling story of his destructive influence on innocent lives. There is no self-pity here, though. The author's narrative is laced with warmth, wit, and the wisdom that comes only from hard experience.