Ford Books

This is a work of art, full of breath taking men, and also a good deal of commentary on a plethora of aspects of gay male life. Reminds me of a coffee table book, can easily be read in a few hours, but has packed within its covers a lot of useful material. It appeals to gay men of all ages, and offers a lot of useful photoghraphical examples of aspects of gay male sexuality. An excellent gift for any gay man!

I was extremely disappointed when I purchased this title. While the book is indeed full of wonderful full-color photographs, the actual information in the book is useful only those who really need an introduction to gay life. Otherwise, the sex portion of this book, especially, has absolutely nothing in it that two teen boys with a tiny spark of imagination couldn't come up with. I would not recommend this book to anyone who has ever had sex before, since you've probably done everything that Ford discusses.

If you wanted to know anything it is in the book and dam it has great pics and websites referances to let you see more

Beautiful images are paired with extensive information about homosexuality. Tasteful pictures on the cover will allow you to read this book in public.

This book is so beautiful and the images so artistically done and enticing it's worth it for that alone. The information is clear and easy about homosexuality as a whole, tho not a kama sutra or for those only interested in sex. The killer is this book is large and the cover and rear with such large and tasteful images between men it can be read many places letting others know you're gay in a very non-invasive way. Cruising I hardly found anyone (at least without ticking off some straight guys) but just reading this LARGE book with LARGE and tasteful homosexual cover in public caught the attention of men from quite some distances and I was approached a great deal when reading it and created quite some cool relationships.

Great book, great read, fantastic photos.

Joseph Conrad's Under Western Eyes should be of interest to those with a particular interest in Russia, especially the period of the late 19th century. Others may find the book boring, given that it is largely devoted to dialogue rather than action and trite in that the main conflict is the inner struggle of a man with his conscience. The title refers to the fact that the story is told by an English professor of literature who comes across a diary written by the book's protagonist. The reason Conrad gives for this manner of telling the story is that, in his view, Western readers cannot comprehend the circumstances of life in imperial Russia and can only view them through the eyes of a fellow Westerner. On pages 106 and 107 he has the professor say, "for this is a Russian story for Western ears (sic), which, as I have already observed, are not attuned to certain tones of cynicism and cruelty, of moral negation, and even of moral distress already silenced at our end of Europe." I find this statement to be incredibly ethnocentric, and as events later proved, entirely wrong. He adds that Western European countries have already had their revolutions and thus are no longer able to fully understand czarist Russia. We can certainly argue with this viewpoint and in my view this literary device does more to get in the way of the story than to help explain it.

In any case, the book begins with the professor saying that he has come across a manuscript written by a Russian student at St. Petersburg University, Kirylo Sidorovitch Razumov. Razumov is impoverished and without family and sees his only chance for success in life as coming from academic success. Accordingly he largely avoids the other students and is intent on his studies. As he is in his room one evening another student, Victor Haldin, comes to see him proclaiming that he has just assassinated a prominent political figure and asks Razumov to help him to escape. Razumov, having no sympathy for Haldin's cause, is reluctant to get involved but finally agrees to go to the lodgings of a sledge driver who has agreed to drive Haldin away to safety. But when he finds the man he is drunk and Razumov cannot arouse him. After beating him in disgust he begins to walk back to his room, pondering what to do next. Fearful that if Haldin stays with him too long he will be implicated as well, Razumov decides to give him up to the authorities. Haldin is then captured and executed.

Razumov is still under suspicion and finally receives a summons to go to the office of Councillor Milukin, who, as it turns out, is the head of the bureau in charge of revolutionary investigations. After what appears to Razamov to be a kind of cat-and-mouse game he is given permission to leave. As he puts his hand on the doorknob Milukin asks him where is going to go.

At this point part one of the book ends and the scene shifts to Geneva in part two. Here we meet the mother and sister of Haldin. They see him as the hope for their future lives and are devastated when they learn of Haldin's death. The mother goes into a state of shock and stays in her room staring out the window, while the daughter, Nathalie, an idealistic, but naïve, young woman, tries to make the best of the situation. Other revolutionaries appear on the scene most notably Peter Ivanovitch, the leader of the group, Madame de S___, whose money is apparently financing their operations and Sophia Antonova, a long time revolutionary.

The Haldin women receive a letter stating that a "friend" of Haldin is coming to Geneva and Nathalie begins to believe that this person will help them. The friend, of course, is Razumov, who has apparently reached an agreement with the government agents to spy on the revolutionaries. Razumov arrives and is accepted as a fellow revolutionary and friend of Haldin. He undergoes a difficult inner struggle trying to maintain this pretense, particularly in the light of the goodness and trust Nathalie shows him. The story then progresses as a struggle by Razumov with his conscience, whether to report on the revolutionaries or to reveal the truth about himself.

The book bears some resemblance to Crime and Punishment with its psychological overtones and dialogues about good and evil, right and wrong. Much of parts two and three are devoted to conversations and it is only in the last part that there is dramatic action. I rate it as three stars because it is not as good as the best of Conrad (Lord Jim), nor is it on a level with the really good fiction of Russian writers. I could rate it at 3 and a half or even 4 as well. It can be interesting reading and thought provoking and does end in dramatic fashion.

Impoverished Russian student Kirylo Razumov doesn't have a great deal in life to look forward to. From an obscure background--and possibly illegitimate--Razumov's one dream is to write a prize essay for an upcoming examination. Pathetically, he imagines that winning the coveted silver medal granted by the Ministry of Education will lead to an illustrious career. As Razumov daydreams about the contest, a few miles away, fellow student and revolutionary Victor Haldin throws a bomb on a politician. The politician is killed and Haldin seeks refuge with Razumov until he can safely leave St. Petersburg.

Razumov's solitary ways and quiet intensity have led Haldin to the mistaken conclusion that Razumov is a reflective person with similar political leanings. Razumov, however, sees Haldin's arrival as disastrous, and angrily worries that his unwilling involvement will cause him to seen as part of a revolutionary organization with which he has no sympathy. Razumov chooses to betray Haldin to the authorities and imagines that he will somehow then be free of the entire affair.

Once brought to the attention of the sinister Councillor Mikulin, Razumov is caught in a noose of intrigue and espionage. He becomes a tool for the state as he finds himself recruited as a spy and sent to Switzerland--here he is to report back on the activities of Haldin's mother and sister, Nathalie and any revolutionary contacts Haldin may have had. Razumov isn't motivated by idealism, or politics, nonetheless, he finds himself adrift in a nest of anarchists--with no moral guide, no convictions and no desire to be involved.

"Under Western Eyes" is one of the greatest novels of the twentieth century, and it's arguably Conrad's finest. It's to Conrad's credit that he ultimately creates sympathy for Razumov's character. At first, Razumov's desire to save his own hide seems despicable. But once the less-than-stellar motives of the violent anarchists are revealed, then he is seen caught between two opposing forces--a small insect about to be squashed in the political fanaticism of others. Nathalie Haldin acts as the moral centre of the novel as she refuses to become involved and used by the tainted politics of the "feminist" revolutionary Peter Ivanovitch. Ivanovitch and his decrepit, repulsive patron, Madame de S. spout fine speeches about revolution and equality while savagely and hypocritically mistreating their downtrodden servant, Tekla. Razumov is one of the few characters to recognize this servant as a fellow human being.

Once the story moves to Switzerland, the tale unfolds through the eyes of an English gentleman who admires Nathalie Haldin while remaining a perplexed observer of Russian politics. Conrad includes a few pages of commentary at the end of the novel in which he notes that "the ferocity and imbecility of an autocratic rule" creates an equivalent response--the "atrocious answer of a purely Utopian revolutionism encompassing destruction." "Under Western Eyes" is often overlooked on college curriculums in favour of the more accessible "Heart of Darkness." And that's unfortunate, as this is a marvelously complex novel--displacedhuman

An English teacher (the 'Western Eyes') tries to find the truth behind the autobiography of a Russian agent, for 'words are the greatest foes of reality', and 'speech has been given for the purpose of concealing our thought.'
The Russian agent betrayed a friend-terrorist and meets afterwards his sister and mother. His friend combatted autocratic despotism, the destroyer of the spirit of progress and truth, of freedom, law and justice.
This novel is Conrad's version of Dostoevsky's 'Crime and Punishment': 'A moral spectre is infinitely more effective than any visible apparition of death.'

Conrad was a visionary: 'A violent revolution falls into the hands of narrow minded fanatics and tyrannical hypocrites. The scrupulous and the just, the noble, humane and devoted natures, the unselfish and the intelligent may begin a movement but it passes away from them.'
His picture of the world of revolutionary conspirators is excellent: double agents, opportunists, naive idealists, hypocrites, rogues, agitators, fanatics and cynics. 'It did not matter what it was, vanity, despair, love, hate, greed, intelligent pride, a stupid conceit, it was all one to him as long as the man could be made to serve.'

But this book has many flaws: melodramatic overreactions (attack on Ziemianitch, secret love of Razumov), high improbabilities (confession of Razumov, interventions of 'Western Eyes') or the ultimate verdict ('he was the victim of an outrage. He had confessed voluntarily.')

Joseph Conrad was an ambitious writer, but this book has not the same high standard as his masterpieces 'Heart of Darkness' and 'Lord Jim'.
A worth-while read.

Joseph Conrad had famously hard feelings for the Russians, occupiers of his Polish homeland. In "Under Western Eyes" (1911), Conrad employs tough love in depicting the Russian character, hopelessly divided between reckless radicalism and reactionary reasonlessness, between devotion and despair.

Razumov is a college student in St. Petersberg content to labor under the Czarist system, under which he hopes to advance through study. Fate intervenes in the form of a fellow student, Victor Haldin, fresh from blowing up a secret police chief, who thinks Razumov is the man to aid his escape. Razumov is horrified instead, not at the murderous nature of the act but what it could mean to Razumov's future. Will he turn Haldin in, or try and get him out of the city?

The introduction of my Penguin edition notes a popular criticism of "Under Western Eyes" is that its characters "exist only for the sake of the ideas." That's a problem of much of Conrad's fiction, and after the very taut and thrilling first part is over, we are treated to a number of garden-path colloquies in Geneva that slow things down considerably. But the ideas Conrad deals with, about Russia's political and philosophical underpinnings, are often fascinating and certainly to the point, especially considering the novel was written as the real Russia stood ready to implode from the strife depicted here.

Conrad tended to view revolutionaries with cynical remove, especially when they employed violence as a means to an end, yet many of the revolutionaries we meet here are a more sympathetic lot than the nihilistic goons of "The Secret Agent." "You have either to rot or to burn," explains Sophia Antonovna, a genuinely good character who supports the revolution. She's not one to wither quietly while there's injustice to be fought.

Razumov might disagree. It's not that he believes in the system, just the futility of fighting it. "The exceptional could not prevail against the material contacts which make one day resemble another," he tells himself. "Tomorrow would be like yesterday." But as he is pushed into the world of revolution despite himself, he finds himself doubting more and more the shaky pillars of his prior existence.

It's not clear to me which point-of-view Conrad held; likely he saw the merits of every ideology depicted here, a relativism that made him doubtful of any one solution. Certainly "Under Western Eyes" is about as even-handed a book about revolutionary struggle as you might care to read, compelling, deep, and quotable from first page to last. One wishes that Conrad could have sustained the dramatic force of the Part First in the latter three-fourths of the novel, but what you get is one of Conrad's most important books.

Those thinking novels about Russians are reflexively depressing and opaque are not going to have their minds changed here, but they will enjoy the chance at seeing one of the world's most complicated nations through the prism of one of literature's most discerning, eloquent minds.

You have to be around my age (i.e., older than dirt) to remember Barry Goldwater, a right-wing Republican from Arizona who wrote a book with the above title and spectacularly lost to Lyndon Johnson in the presidential race of '64. I invoke his long-dead phrase because, without the irony, it could be UWE's subtitle. Conrad actively hated leftists and self-proclaimed "revolutionaries," and this disgust shines through all of his best work, from the sniveling proto-unionist Donkin in "...Narcissus" through the bestial "generals" of "Nostromo" and, needless to say, the uber-hypocrite Kurtz. Razumov's moment of conservative illumination, in the snow on the night Haldin destroys his life, can be read as serious, humorous, or anywhere in between--but it is genuine. That fragment he pins to his wall (and which Councilor Mikulin finds so fascinating) sums up with Conradian depth and precision today's popular doctrine of personal responsibility. Peter Ivanovich, one of the slimiest characters on record (not to mention his "Egeria") could easily send major liberals over the wall. Naturally, all readers are free to interpret political novels as they see fit, but Conrad's biographers have documented his rightward tilt. UWE is wonderful proof that genius does not play politics. The novel's other virtues are too numerous to list here. I could read it every year for the rest of my life, and probably will.

This book is Great. A Must Read in my Oppion.

Two Thumbs WAY Up

Ron Hansen's book relies extensively on archival research of newspaper accounts, courtroom accounts, and memoirs, all of which contribute to this intelliegent, exceptionally well-written tale of the death of Jesse James. Focusing on the individuals involved, as opposed to the deeds of the James gang, although these are described as required by the narrative, this book develops an understanding of the personal dynamics at work in the undoing of the great Jesse James. A gripping and ultimately satisfying read, The Assassination of Jesse James is a must-read for anyone with interest in the old west.

....die by the sword. Or gun. Or treachery. That is an over simplistic way of looking at this book, but it gets the message across. There are several ways to determine if a man is a "legend"....one is that at least some people think of him as a fictional character...another is the sighting of him alive after he's dead. Jesse Woodson James was indeed real, and he did indeed die on April 3, 1882, shot from behind by a coward named Bob Ford. He was sighted "alive" as late as 1951, but that's either rubbish, or mistaking son for father. I certainly have an interest in the topic; my wife is a direct descendent of Captain George Todd, company commander of Jesse, and several of the gang, during the Civil War. Our son will be happy to tell you about it.

I suppose that this novel is more a character study than a straight history. Of course, it only claims to be a novel. Starting in 1865, we get a look at the last 17 years of Jesse, then we continue with the last 10 of Bob. We see the life of crime, the damage done, the women who stood by criminals. Jesse James certainly has brains, courage, strength of character, and even a certain nobility. Of course, he put his God-given talents to some very questionable uses. Bob Ford may have had brains, but the rest of Jesse's good points were WAY beyond him. Jesse, Bob, and all the others...Frank, Cole, both Zereldas, Dick...come to life. The author means for us to see them as real people, the mixture of good, bad, and indifferent, common to humanity; he succeeds. Still, he never attempts to fathom just why Jesse went the way he did...maybe, only God knows that.

On the whole, I can recommend this book...the writing is a bit stilted, the detail a bit too verbose...still, it's worth your time. If you REALLY want to know about Jesse, try "Jesse James Last Rebel of the Civil War" by T.J. Stiles. That book IS history, it covers cradle [and before] to grave, and is a lot better written...it even goes into motivation. Of course, there is a whole further area of speculation about Jesse's career...gold, Indians, the Masons, Albert Pike, the next Civil War...that is beyond the scope here. Overall, four stars is about right...

A tapestry of fact and fiction, recounting the last years of James' life and the entirety of Ford's. The prose in this is amazing, dense-packed and grimly poetic, an unsentimental depiction of hard lives and moments of lyrical beauty. The experience of reading the text was so thoroughly absorbing, impossible to skim through, that it almost made me overlook the feeling I had afterwards of not really having much more insight into James and Ford as characters by book's end than I did at the start.

Hansen's James is a force of nature, beyond good or evil or human judgement, a tyrant and a child, cruel and kind. "Rooms seemed hotter when he was in them, rains fell straighter, clocks slowed, sounds were amplified: his enemies would not have been much surprised if he produced horned owls from beer bottles or made candles out of his fingers." A great character, yes, but it's hard to get at the heart of such a cipher. Hansen's Ford is even more obscure - although Ford is the other half to this story and a poignant lost-boy figure, the way he's presented here is almost a cliche, an overlooked child crying for attention in a society which seems to reward infamy. All of this, by the way, is clear from the first few chapters - Hansen doesn't seem to really move beyond these ideas, never reveals more about who *he* thinks these men were.

But, you know, I can forgive a lot when the man writes like this. "No one talked as Jesse moved - it was as if his acts were miracles of invention wondrous to behold. Martha stared at Jesse as she cooked, Ida was moonstruck as she set down another dish, Charley and Wilbur grinned gregariously whenever his eyes floated near." Beautiful.

I saw the movie first and while I applauded the lush cinematography and attention to detail. The performances were great but unfortunately the overall effect was mired down in often excrutiatingly slow storytelling.

It's faithful to the book in that manner. Beautifully written with immense detail, the character study and history is frequently lost in the dense prose. It is a novel worth sinking your teeth into, but it IS a commitment of your time and attention.

I had a nice review written just a couple minutes ago and it seems to have not posted. I cannot retype it all, but I will say that I highly recommend this story! This was one of my first Christian fiction reads and this book prompted me to read more! I am a Christian, but I have been skeptical about the genre. I was not disappointed by Aisha Ford's novel. Great storyline, great character development...it was all here. It's levels above some books I have read.

Life for Sabrina Bradley is not going well. Still reeling from a recent broken engagement, Sabrina makes her way through the pain by working tirelessly at her job. She work as the assistant to Darci Oliver, the host of the talk show Daily Dose. Darci seems oblivious to her demands on Sabrina and her quirks make Sabrina's life increasingly more difficult. Darci especially turns up the heat when she notices the producer (also her ex-boyfriend), Avery is obviously attracted to Sabrina and making efforts to pursue her.


In a fit of desperation, Sabrina fills out her resolution list with the last item being, "Do not fall in love." In search of content for the show, Darci unwittingly gets her hands on Sabrina's list. With the promise of a bonus and a promotion, Darci encourages Sabrina to place herself as one of the participants on the "resolution" show. Soon the attention and pressure to keep the resolutions start to take a tole on Sabrina. In the midst of the chaos, Avery continues to pursue her and that "Do not fall in love" resolution becomes the hardest one of them all to keep!


This was second novel I have read by Aisha Ford and I love how she develops her characters. There were so many times during the read I wanted to give her advice or just pray with her. Through the humourous and often dramatic storyline, readers get a chance to see how impulsive decisions made out of pain and frustration, can truly backfire. Through Sabrina readers will be reminded of a valuable lesson which involves us letting go and letting God heal us. We need stand through out trials and wait patiently for what He has for us on the other side. Not wanting to give the ending away, I love the way things worked out for Sabrina!

Ford offers a good read. The setting and plot appear predictable but offer some juicy turns and twists. The characters are not super original but do bring something to the plate that makes them interesting enough to follow. The storyline is well written and delivers a good read go to the library and check this one out you'll have a relaxing time which is why it was given a Bronze rating..

This was my first time reading anything from the author but best believe it won't be the last. The author hit some very important facts about God, work-place, employement, relationships, etc. The two most important ones to me: be careful who you talk to in your work-place b/c they might not be who they say they are, they might end up being the one to save your job and always put God first when making a decision and you can't go wrong. Please pick this book up and enjoy every page from beginning to end.

This was a fun romantic story with lots of interesting supporting characters. At the heart of the story is Sabrina. She is a sweet, single Christian who is looking for positive changes in her life and her walk with Christ for the fast approaching New Year. One of those things she hopes will change is her frustrating relationship with her boss, talk-show host and diva extraordinaire Darci. Sabrina's convinced that Darci is standing in the way of the promotion that she deserves. In addition to a few other changes like losing weight and staying far away from distracting romantic relationships, Sabrina is sure that making these changes will lead her to the more fulfilling life she wants

The interesting twist of this story enters when Darci mistakenly gets a hold of Sabrina's New Year's resolution list. Having become suspicious that her ex and the show's producer Avery has a burgeoning interest in Sabrina, Darci decides to make a deal with Sabrina that will hold her to her resolutions and keep Sabrina away from Avery in the process. The promise of getting the promotion and financial gain that she desperately wants is just too much for Sabrina to turn away from. So she decides to participate in Darci's scheme - in front of television cameras no less as Darci decides to track the progression of Sabrina's New Year's resolution for a ratings boost on her talk show.

Sabrina's journey is fascinating - even as she starts to kick herself for swearing off romance - especially as Avery is looking better and better.

Ms. Ford's writing blends humor, drama and romance very well. The stories that develop about Darci and others only add to the interest in the main story line surrounding Sabrina, Avery and Darci.

Fast snappy chapters with neat titles. All in all, a good read. Oddly enough, not only did it win an Edgar for Best Original Paperback, it was also a finalist for the Nebula. It's a strange world.

I picked this book up because the author did a blurb on the back cover of Vellum: The Book of All Hours, and I liked that book so much I decided Ford was worth a try.

It is nothing like Vellum, let me start by saying that. It is a coherent, logical, thought-provoking and often-surprising read, a mystery of sorts with anti-heroes worth loving. It made me long to be a part of the group.

I hope more stories of these rascals are being written as we speak.

[***** = breathtaking, **** = excellent, *** = good, ** = flawed, * = bad]

... rip off grieving rich people uncover a bizarre plot involving eugenics. Longer review at ImpatientReader-dot-com.

This is the story of three con men working the rich but gullible in the depression years of 1930s Long Island: it is told through the eyes of seventeen year old Diego who, along with his mentor Schell and sidekick/bodyguard Anthony, provides séances to contact their recently departed loved and not so loved ones. During a routine scam in some millionaire's mansion Schell actually does see the `ghost' of a girl gone recently missing and puts their 'normal' work schedule on hold while he and his two accomplices set out to solve the mystery of the girl's whereabouts.

Ford has conjured up a wonderful confection with echoes of Faulkner's The Reivers; evoking the time if not the place. It's a funny, sad, lyrical but above all beautifully written coming of age tale that also manages along the way a quick detour into the heart of darkness! No mean feat! This book could quite easily be read in one sitting - if you ever decide to give yourself a real treat - buy it, take the phone of the hook and lock yourself away!

Girl in the Glass drew me in from the first paragraph and kept me engrossed till the end. Few novels of late can boast of doing the same with me. Jeffrey Ford not only creates/recreates a time period and a very distinctive subculture, he tells one heck of a story utilizing this setting.

Every character in this book comes to life. Antony in particular is a character that will live for a long time in my memory. I sometimes find myself in situations where I would not mind having an Antony handy.

The butterfly motif here would shame even Nabakov.

All in all, I find myself not wanting to say too much to ruin this book for you. I will say this--you should read Girl in the Glass. You will not be disappointed.

I give this book a full recommendation.

It's a great book with TONS of Information and in Wonderful condition which I received in a very timely manner and MY HUSBAND LOVED IT!

This is a review of the condition of the book - not the content of the book.

I purchased this because I enjoy biographies of iconic American figures - and at 7.99 this book is hard to pass up so I figured I would add it to m y collection.

This book came wrapped in celephane as a new book would - with a tight binding and inexpensive material for binder cover. The pages at the end of the book did not line up as the same width along the edge where you open the book. It looks like a 100 year old library book where pages could be falling out.

The paper quality for a hardcover book is also below what one would expect. Most of my paperbacks have a better quality more durable paper than this book does.

I guess I'll chalk this up to " You get what you pay for " but If I paid full price for this book - I'd definitely send it back for anohter copy.

I'll try and update the content review of this book later after I read the book. But I'm currently reading another title.

How interesting. Henry Ford was the Bill Gates of his day and changed America forever. But he was kind of a nutcase!

This book gets bogged down occassionally by too much information on his social positions. And he sometimes repeats himself. But all-in-all it was a good read and an eye-opener about one of the men who made the American Century. I would recommend it.

Here was this supreme industrial genius, Henry Ford, with a dark side which was hard to understand. Do read the two professional reviews above. They cover some very good ground about this book between them. Beware that, like many overly-highbrow reviewers, both are guilty of the "but" syndrome: they will tell you that Henry Ford was the premier genius of the 20th century, BUT his personality wrecked a lot of things. That implied "but," as any negotiator or linguist will tell you, says that the reviewer didn't mean any of the good stuff before the "but." That's unfair. Reading this quite lengthy book cannot help but let the reader conclude that Ford muscled this country into the modern age we all have now.

The author often brings in Ford's own version of what a modern society ought to be. This is interesting, but not key to U.S. history. It is surprising that this very detailed book does not seem to distinguish the differing importance between: Ford's gifts to manufacturing technology and philosophy - decisive; and his wishes about how people should act in a society - irrelevant. The book makes this point indirectly many times, although the author seems not to catch on himself.

The only really troublesome aspect of "People's Tycoon" is the wandering too freely through time in telling the Ford story. Like many histories in print, the author follows a thread of thought through years, then comes back to other threads of thought (think back to some of our confusing 6th grade history books). If this drives you crazy, then pick another biography of Ford. This may not cause a problem for many readers, but it is understandable that it could be for some, and this is a cautionary note. For example, as Henry Ford lost his intellect slowly through the decades, one might want to know if these losses were happening at the same time as, say, when he was shamefully ranting about races and cultures, or about his misunderstandings with son Edsel Ford. Still, this large work is well researched, and very well worth the time.

While the facts are presented in a more or less historical fashion (Watts jumps from one year to the next and then back again with dizzying speed) the author continually and exhaustively repeats himself. He resorts to quoting newspapers of the day (make that ALL of the newspapers of the day) to reinforce his already over-stated and rambling views. In fact, one wonders how much of this book was actually written by the author. Three out of four paragraphs on every page are nothing more than quotes from newspaper articles. The title of the book should be something along the line of, "Henry Ford -- According to the Newspapers -- With a Smattering of Left Wing Collegiate Opinion Thrown-In for Good Measure."
A long-winded, anti-corporate, pro-Marxist-Unionist perspective by a college professor obviously hoping for PBS to turn this voluminous sleeping pill into an equally borish mini-series.

Anyone who has read "My Life and Work" will understand exactly what is wrong with our country today. There are three ways to create wealth--grow it, mine it, or make it--and activities like flipping houses or trading carbon credits do not qualify.

Ford developed what is now known as the Toyota production system, and readers will see a very explicit description of just in time manufacturing (and its benefits) in "My Life and Work."

Ford also summarized effective labor relations in one sentence: "It ought to be the employer's ambition, as leader, to pay better wages than any similar line of business, and it ought to be the workman's ambition to make this possible."

In reading the book I keep thinking what Henry was saying in 1922 could be said today. War profiteering, patriotism, interest rates, bureaucracy, education are all topics that sound so familiar in today's news. Henry had it right then in lots of ways and I think a lot of what he put forth it could be used in today's society.

"A manufacturer is not through with his customer when a sale is
completed. He has then only started".

"Even as late as 1910 and 1911 the owner of an automobile was
regarded as essentially a rich man whose money ought to be taken away
from him. We met that situation squarely and at the very beginning. We
would not have our distribution blocked by stupid, greedy men."

You will read dozens of frases like this, reminding us that great ideias can become lost in time, that stupid people can if fact take control of our companies, media and what not, and we can slowly drift into oblivion.

An eye opener.

I read about this book while doing some research into Lean management. Taiichi Ohno, "father" of the Toyota Production System noted that he learned many lean principles from Henry Ford. After finishing this book, I would recommend that EVERY CEO in this country be REQUIRED to read it. It is a wonderfully clear description of management and leadership principles that all companies should embrace. Mr. Ford is clear on the purpose of a company - to build products and provide services that meet the needs of its customers. If we do this, as he notes, the money will follow. We get it backwards so often these days - we think the purpose of a company is to make money or increase its share price.

As opposed to most business books where one idea is promoted and beaten to death, Mr. Ford's book is full of good ideas on all aspects of managing a business. It's a delightfully refreshing read!

This is a book every business executive should read at least twice.
The wisdom of one the greatest entrepreneurs and practical thinkers of our time is lasting.
Exellent book. Fords thinking is focused and joyful reading

All of us have a watched at least one movie at the theater and walked away wondering, "What was the point?" Weak characters, a meandering storyline and empty scenery never capture our interest. This often leads to an ending so predictable that you often walk out, angry that you wasted ten dollars. These are the fatal flaws that define a bad movie. Unfortunately, they are the same flaws that define a bad book.

Crystal Bay follows Gage, an English teacher who is tired of grading papers and wants to write his break out novel. To do this he plans a trip to his childhood lake house to spend some time alone and let the creativity flow. There he is confronted by a gorgeous woman who aggressively seeks to steal his youth through numerous sexual encounters. Meanwhile Gage's wife, Beth, is frantically calling because she misses him. Gage is caught between two women, and under the grip of duel jealousy, he starts to write like he never did before. So does he continue the affair in order to finish his book? Or will Beth find out the truth?

Within the plot is the potential for limitless drama but to my dismay it is never fully explored. If anything took center stage in this book, it would be the affair. Having been in a similar situation, I know what it feels like to draw inspiration from a tempting but damaged woman. Gage displays this conflict well by exhibiting the appropriate emotions for a man in that position. Other than that, Gage is a classic stereotype. He's an English teacher who never lived a real life but assumed that he had the ability to craft a great novel without so much as breaking a nail. Apparently, the author had the same idea because Crystal Bay takes no chances. It doesn't teach or explore any ideas at all. It doesn't compel or reflect. It doesn't chill or romance. After a sleepy and laborious read I was left wondering, "What was the point?"

In the modern marketplace, as thousands of new titles hit the shelves, every author must ask themselves a simple question: "What do I have to offer that is unique?" Brandon Ford was unable to answer that question and because of that, his book is likely to accumulate more dust than sales.

Brandon Ford has pieced together a pretty good tale of evil, lust, and undying love. His married couple Gage and Beth were well thought out and planned. They love each other completely, and it definitely shows throughout the story. Even when Gage goes away for the summer seeking inspiration for his novel, Beth supports him even though it kills her to be away from him. Gage finds inspiration fairly quickly in Amanda when they have a run in at a local dive bar. She's beautiful, outgoing, and wicked as hell. She takes Gage on a ride that leaves him bursting with inspiration for his book, but also leaves him forgetting everything about his real life back home.

Amanda needs Gage in order to get what she wants, and she is willing to do whatever it takes to achieve her immortality.

This story had a nice flow and went from scene to scene smoothly, and the points of view were believable. I was only left wishing that I knew more about Amanda, and where she got her witch craft. I understood her motives for wanting immortality, don't we all, but I felt I needed more background on her in particular. This is the only area I felt was lacking.

Crystal Lake is full of suspense, and I look forward to seeing what Brandon Ford will create next.

I read in Brandon's Blog (on MySpace) where his goal is to have a bestseller by the time he is 35 years old. (he is 26 now) Based upon this book, I think that Brandon's goal is definitely attainable!! I have no doubt that, in the future, Brandon's name will be right along side of those already Masters of the Genre.

This book was absolutely Fantastic!! (Well worth the $13.95 Price Tag!)
This is one of those books where you will want to set aside a day with no interruptions. Brandon has created characters that you instantly like (one has to wonder how much of Brandon's story is in the character of Gage) and he then sets a rapid-fire pace where the suspense does not let up. As you get further and further along in the book, you are gripping the book tighter and tighter and turning the pages faster and faster, until you arrive at the superb ending, which leaves you wanting more!!
(I certainly cannot wait to read Brandon's next novel and I really hope that one day he will again decide to visit Crystal Bay. . .)
I also hope one day to see this book made into a movie! :-)

CRYSTAL Bay is a solid first novel, one with which an author can build his or her career on. The influence of horror writers like Jack Ketchum and Richard Laymon, to name a few, can clearly been seen in this tale mixed with melodrama, suspense, and just plain razor-sharp terror. You're sure to get a kick out of Brandon Ford's craftily structured plot of a man seeking his long-time dream, and of a woman whose only wish is to devour that dream, at any cost. We watch Amanda mirror an animal on the hunt, like a lion preying on a gazelle on The National Geographic Channel...growing ever closer to her prey until she finally pounces...

It's a treat of novel, and you owe it to yourself to give it a try.

Gage is an English teacher who has wanted to write a novel as far back as he can remember. He agrees with his wife Beth that as soon as classes are over, he will go away to his parents' summer home in Crystal Bay to pen his masterpiece. Beth reluctantly agrees, not wanting to stand in the way of her husband's dreams. On the way there, Gage stops for a bite to eat and meets a dazzling woman by the name of Amanda. A few words are exchanged, and he is on his way. Imagine his surprise when he finds out the next morning that Amanda's got a house right next to his. One thing leads to another and before he realizes what's happened, he's in bed with her. What has he done? He could be throwing away his marriage. Suddenly, the writing comes easier and words flow on the page. Then he sleeps with Amanda again as if he were spellbound by her. What is wrong with him? In the meantime, the words keep pouring out of him, but he is ridden with guilt. Amanda has her sights on him, but there is more to her than meets the eye. Will Gage be able to resist her charm and save his marriage--and finish his novel? Amanda's got plans for him and she won't--can't--take no for an answer.

Crystal Bay is Brandon Ford's debut novel and what an introduction it is! It is a far better book than the average first novel. He shows a lot of maturity and avoids many of the trappings of a first novel. There are echoes of Richard Laymon in his writing, but Brandon's voice is very much his own. His dialogue is sharp, the tension constant throughout, and the few characters we encounter are very credible. These are folks you know and you've met many times in the course of your life. Buddy the annoying neighbor who's got a crush on Beth and doesn't let a trivial detail like the fact that she's married bother him. Tina, Beth's best friend and business partner, who's still single and a party animal yet would do anything for her friend. Gage and Beth are extremely well developed and you feel and worry for them.

I kept turning the pages and telling myself "one more chapter" until my eyes were too tired to go on. The story unfolds at a very good pace, moving back and forth between Gage at the summer house and Beth back in the city. The more you see what Amanda is about, the more you want Gage to get the hell out of there. Only he can't--even when everything around him is threatening to fall apart. This mysterious muse isn't that easy to leave.

Crystal Bay is a strong debut, one which I highly recommend. If you're a fan of Laymon's twisted stories or if you've ever been tempted to get away for a few months to write a bestselling novel, then you should definitely pick up this book. It is the perfect summer read.

Alan Draven,
Author of Bitternest

This manual helps not only the new recruit, but the veteren firefighter to enhance their basic training or to review techniques on tasks & operations.

This is a must have for anyone who aspires to being a firefighter. Vivid descriptions, Helpful tips, How-to Skill Sheets, and Clear illustrations help the student master otherwise difficult material. I'm currently going through firefighting class and would not be able to live without this book.

i've taught the fire academy using the textbook. it is a very good book for beginning firefighters as well as those who been firefighters for a while.

jim davis

I recently joined a volunteer fire department and this book
truly helped me through the six months probationary period.

The book is excellent in its layout. Is easy to follow and is a very imformative piece of necessary literature for any firefighter taking firefighter 1. Is very informative on NFPA regulations and guidelines. I was impressed with the detail that was given in the book, our instructor was impressed with this book as well.

This is really a wonderful scientific biography. Wheeler has an engaging, easy-going style that doesn't sacrifice detail and scholarly accuracy for readibility. It's almost like having a fireside chat with the great physicist about the entire history of 20th century physics. Wheeler's career spanned almost the entire 20th century and he worked in many areas, from atomic and radiation physics to nuclear physics, quantum theory, black holes and gravitation. He even made a brief foray into sociology when he attended a conference and spoke on "National Survival and Human Development," in which he emphasized the importance of a country developing the full capabilities of all citizens.

In addition to learning about his own distinguished career, you meet just about every other important physicist and/or mathematician or had anything to do with physics (such as Carson Mark, who I didn't know about before, who Wheeler spoke highly of), and his account is full of interesting personal details about famous and non-famous physicists alike. Wheeler met or knew other great scientists like Einstein, Niels Bohr, Richard Feynman, Hans Bethe, Oppenheimer, Stanislaw Ulam, John von Neumann, Enrico Fermi, Ernest Lawrence, Isidore Rabi, Leo Szilard, Carl Bohm, and many others too numerous to mention.

In addition to the above famous names, I also learned something about many other names, both famous and not so famous, that I didn't know much about before, and Wheeler often briefly mentions what each scientist's contribution was about, especially when it influenced his own thinking.

Wheeler provides some important insights about himself. For example, he commented on how much of his own productivity was due to the deadlines and time pressure he was under most of his career. Many of us have the impression that brilliant minds like Wheeler (much of it fostered by the public's stereotype of Einstein) create their amazing intellectual achievements in a world divorced from reality and the mundane aspects of everyday life, but Wheeler says that it was often all the deadlines he had to meet that was responsible for much of his best work. He was always having to meet deadlines for papers, class lectures, various reports, talks he was invited to give, and so on throughout the course of his career, and he said he was often spurred to work harder because of them, and often did his best work under the pressure of having to prepare a lecture or talk at the last minute.

Overall, this is a very enjoyable, readable, and interesting biography about one of the great scientists of our time.

By the way, just a personal note here. I'm not a physicist myself (actually, I'm a neurobiologist by training), but I'm the grand-nephew of physicist Ernest Lawrence, who won the 1939 Nobel prize for his invention of the first atom smasher or cyclotron, and who Wheeler met briefly when he was considering a move from Princeton to U.C. Berkeley.

This book is a kind of autobiography concentrating in the scientific career of J.A. Wheeler. Wheeler has devoted his scientific life to Quantum Theory,General Relativity (he has a very famous co-authored monograph, Gravitation) and has tried to bridge the gap between these two key physics theories, specially studying black holes, term that he coined.

He also devised the delayed choice experiment that is a refinement of the double slit experiment and shows how quirky is Quantum Mechanics, i.e. Nature, at its fundamental level. In his last years he has also reflected on the big "philosophical" questions:How come existence? How come the quantum? He has ventured that information is the fundamental ingredient of everything: It from bit (or rather It from qubit).

The book starts with the very interesting history of the Manhattan project, although perhaps it is the last chapter that I most enjoyed. Wheeler is a great teacher and he can explain difficult matters in a very clear way. This last chapter deals with time. He sets a sci-fi scenario (fiction only from a technical point of view) in which people travel at near light speed. Of course, when they come back to Earth, parents are younger than children that stayed at home and all the clocks have different hours. Can you image what would the chaos be in a society like ours where universal time is so important in our daily lives? For Wheeler, time is an emergent property, such as temperature or entropy.

Another thing he explains well is the reality of virtual particles. Without them we could not reconcile the predicted and the observed value of the electron's magnetic moment. The book is only outdated in his belief in the Big Crunch.

Wheeler was a student of Bohr and has had a lot of famous students, most notably Dick Feynman.

This highly readable book is a history of XXth century physics full of anecdotes, such as the French not liking the name meson which would be pronounced like "maison" (house)in French.

The physics is fine but this is an autobiography. What kind of a man is Wheeler? I got the impression he spent as much time avoiding offending anybody important as he did on physics. He sounds like an amiable sycophant.

Having noticed over the years that Prof. John Archibald Wheeler's name turns up in an amazing variety of physics-related articles and anecdotes, I was particularly primed to read his autobiography. The book doesn't follow a simple from-birth chronology, but rather begins with Wheeler teaching at Princeton and volunteering to meet the ship carrying his mentor, Niels Bohr, at a New York City dock in January of 1939. From that pivotal moment at the brink of World War II, Wheeler fills out his story by reaching back to childhood and forward to his long career in teaching, research, and national service. We learn of his brother Joe, whose body lay in a foxhole on an Italian hillside until it was reduced to bones. Wheeler reminds us that if the Manhattan Project had geared up one year earlier, the lives of his brother and many others might have been spared.

Wheeler's remarkable character pervades the book and helps make it unique and interesting. In a profession legendary for strong intellects and egos, he has achieved and maintained a pomposity coefficient of zero. His judgments of other people are unfailingly generous, but also astute enough to be interesting and revealing. He provides candid firsthand impressions of legendary figures such as Bohr, Einstein, Oppenheimer, Teller, Ulam, Heisenberg, Fermi, Szilard and Feynman . We also learn about many less well-known colleagues, friends and students whom he finds memorable for various reasons. In contrast to the eminent-scientist stereotype, Wheeler has always enjoyed teaching undergraduates and is genuinely interested in the problems and aspirations of the young people entrusted to his care.

Like the brilliant George Gamow, Wheeler has a talent for explaining difficult concepts and illustrating them with whimsically inventive diagrams. The book's autobiographical threads are interwoven with a rich tapestry of subtle but plainly-spoken physical insights on dozens of topics, some arcane enough to leave even the author slightly bemused. I believe anyone interested in physics will find a personal revelation or two among Wheeler's lucid, informal scientific explanations. There are touches of Gamowesque humor too, such as his theory that the fates somehow conspired to entangle him with a string of Hungarian emigres.

The title concepts of the book -- Geons, Black Holes and Quantum Foam -- were all named by Wheeler himself. He began his career at the minute scale of particle physics, moved on to the grand sweep of relativistic cosmology, and finally circled back to the hyperminuteness of quantum foam. Of course there is nothing really disjointed about such a journey, since connections among the nested scales of nature constitute one of the grand unifying themes of physics.

Physicists often compare themselves to blind men feeling an elephant -- each guessing at the nature of the beast by describing the small part that they can touch. If true, then no man has come closer to feeling the Whole Elephant than John Archibald Wheeler. Wheeler's energetic career touched virtually every significant modern physicist -- Bohr, Fermi, Einstein, Teller, Oppenheimer, Feynman and many others -- a dazzling list that includes the most luminous minds of the last century. Wheeler may have missed winning a Nobel prize only because he was willing to sacrifice the best slice of his career to secretly help develop the fission and later fusion bombs for America. After leaving what he calls the "everything is particles" phase of his career, Wheeler entered "everything is fields" -- inventing the term "black hole" and describing the properties of these amazing objects long before anybody else ever took them seriously. Some ideas such as "geons" -- self sustained loops of light held together by their own gravitational attraction -- may still await discovery. Finally, in "everything is information" he explores ways in which information theory may be the most underlying unifying principle of reality. Part biography, part history and part speculation, this rambling story portrays a uniquely American explorer on a voyage through the amazing landscape of 20th century physics. The book is packed with photographs and profiles of the world's smartest men, fascinating anecdotes and meticulous historical details -- and shows that even at the age of 87, John Wheeler can still get excited talking about the unsolved mysteries that pervade our universe.

--Auralgo