Ford Books

My church used Dance of Life, Henri Nouwen's works compiled by editory Michael Andrew Ford, as basis for an adult program during Lent. Lay people were able to facilitate discussion of different sections of the book easily.

Excellent, as is anything that comes from the writings of Nouwen (who continues to write even though he is dead!!)

This book changed my life. I was so engrossed that I read it in the course of one very intense day - a day filled with insights, with a sense of wonder and beauty and of God's all-sustaining love. It is a book that I will keep returning to for many years.

This is the sort of book that I want to buy a thousand copies of to hand out at street corners. Especially poignant are Nouwen's insights on intimacy, acceptance, and prayer.

The real beauty of Nouwen's teaching is his incredibly accepting and open approach to the self - where we are to celebrate our individuality and to incorporate even our failings and negative emotions into our understanding of ourselves.

Recently we celebrated the 50th anniversary of the Eames Lounge Chair and what better tribute to that milestone than this commemorative book. I have it and I love t. There is also a poster of the cover that you must get too.

Hats off to Herman Milller for keeping the Eames style relevant and as fresh as ever!

A great resource for anyone that has one of these iconic chairs or is interested in its history.

At last a book about THAT chair. Thomas Hine, one of the contributors to this interesting book, writes a chapter about the way the chair kept popping up in all the right media and this probably helped it along to its iconic status. I was aware of the chair many years ago and kept seeing it in interior design photos, adverts, and anywhere that visually needed to project an upmarket ambience. Strangely I never saw anyone sitting in these chairs and I was surprised to find, when I bought one, that the back does not support one's head. A 1956 photo used in a Herman Miller ad shows a stockbroker friend of Charles Eames clearly with his head on the back, he was either a short guy or had moved well forward in the chair.

The book is a celebration of the fiftieth anniversary of the chair by five contributors with over two hundred illustrations. I thought Pat Kirkham's chapter on the chair's development the most interesting. There is a 1946 photo of a chair that is clearly a prototype for the final 1956 version. Another photo, from 1950 shows Billy Wilder sitting in this '46 version. Although Charles Eames designed the chair there was a huge technical input from Don Albinson who worked in the Eames Office.

The book is a handsome production, well thought out editorially and nicely designed and printed though there is a bit of unnecessary design whimsy with the chapter titled 'The Lounge Chair: idea to icon'. It has seventy-seven pages of photos and graphics with no page numbers, the captions are on three following pages where the illustrations are repeated as thumbnails with the relevant text, in fact the seventy-seven pages had enough space for these captions. Also I would have liked to have seen a technical drawing of the chair and ottoman with dimensions.

Despite a rather high list price I thought this book was a super reminder of a brilliant example of product design. The chair's status is surely growing because by 2004 over one hundred thousand had been sold and that most likely includes mine.

***FOR AN LOOK INSIDE click 'customer images' under the cover.

El Diablo was an entertaining ride trough a mysterious spaghetti western style tail. If you like Deadwood (which reminded me of it), High Plains drifter, Mystery and just plain old westerns and shoot `em up films, you will like El Diablo! Sheriff Moses Stone has a lot of cool lines and so does the book itself. Stone is your antihero with a secret past that he wishes to obliterate and not even a mysterious phantom can stop him from living a good life. I highly recommend it. Have a fun read!

This is a great western story with a ECish ironic twist ending. The Sheriff of a small town organizes a posse to hunt down legendary killer El Diablo after some men are murdered. El Diablo is more legend than man and his mysterious clues are leading the sheriff and his posse back to the town where the sheriff originally came from. This is where it really gets good and I don't want to spoil it for anybody so you'll have to read it for yourself to find out what happens but I will say that I have to give writer Brian Azzarello a lot of credit for his excellent terse dialog. The only problem I would mention is the very heavy ink work that at times looks kind of blotchy. The coloring is good with a sparse, dustbowl feel and works well. I reccomend this book to fans of westerns and anybody who is a fan of a good ironic story.

For nearly every amount of critical acclaim that Brian Azzarello garners (100 Bullets, Loveless, Startling Stories: Banner), there always seems to be just as much criticism (Superman: For Tomorrow, Batman: Broken City, much of his run on Hellblazer). Then again, every now and then Azzarello reminds us just how he made a name for himself in the first place, and El Diablo does just that. Bounty hunter turned sheriff Moses Stone is enjoying his life for what it is. His town is peaceful, he has a loving wife, and life is good. All of that changes one night when the demonic fugitive known as El Diablo pays a violent visit to town, with Moses in his sights. What follows is Moses and his posse tracking El Diablo to a town called Halo, which holds a special place in Moses' past, as well as some nasty secrets. What makes El Diablo so good is that Azzarello doesn't pull any punches in the storytelling or dialogue. El Diablo is nearly every bit as violent and vulgar as the old west was, and the twists and turns that Azzarello weaves manage to entertain the reader. The artwork from Azzarello's occasional Loveless partner Danijel Zezelj may be an acquired taste for some, but it is a more than fitting look for the time, setting, and content of the story. All in all, El Diablo is an entertaining and nasty western comic that proves once again that Brian Azzarello is one of the best gritty writers in the business today.

"Listening," "Learning to See" and "Finding a Voice," Eudora Welty entitled the three chapters of her autobiography "One Writer's Beginnings," the concluding entry in this collection, one of the two Library of America compilations dedicated to her work. And while these may be steps that most writers will undergo at some point, Welty's compact autobiography is notable both because it allows a rare glimpse into the celebrated writer's otherwise fiercely protected private life and it illustrates the roots from which sprang such extraordinary protagonists as "The Ponder Heart"'s Edna Earle and Daniel Ponder, Miss Eckhart and the Morgana families in "The Golden Apples" and, of course, the anti-heroes of her Pulitzer Prize winning novel "The Optimist's Daughter," Judge McKelva, his second wife Fay and (most importantly) his daughter Laurel.

A native and - with minimal exceptions - lifelong resident of Jackson, Mississippi, Welty received her first introduction to storytelling as a listener; and early on, learned to sharpen her ears not only to a story's contents but also to its narrator and its protagonists' individual nature: "[T]here [never was] a line read that I didn't hear," and "any room ... at any time of day, was there to read in, or to be read to," she notes in "One Writer's Beginnings," adding that the discovery that all those stories had been written by someone, not come into existence of their own, not only surprised but also severely disappointed her. Equally importantly, family visits to relatives brought out the born observer in her; each trip providing its own lessons and revelations, each a story onto itself - the seed from which later grew the literary creations collected in this compilation and its companion volume. At the same time, her father's interest in technology introduced her to photography as a means of capturing visual impressions, one moment at a time; and when traveling around Mississippi as an agent for a state agency (her first job) she learned to use that camera as "a hand-held auxiliary of wanting-to-know" and discovered that "to be able to capture transience, by being ready to click the shutter at the crucial moment, was [then] the greatest need I had" ("One Writer's Beginnings:" Not surprisingly, her photography was published in several collections which have found much acclaim of their own.)

Thus, from early childhood on, Eudora Welty not only had a keen sense of the world around her but also, of words as such: of their existence as much as the interrelation between their sound, physical appearance and the things they stand for. Encouraged by her mother, a teacher, and over her father's worries (he considered fiction writing an occupation of dubitable financial promise and, worse, inferior to fact because it was "not true") Welty embarked on a writer's path which would lead her to award-winning heights and to a reputation as one of the South's finest writers, with as abounding as obvious comparisons to fellow Mississippian William Faulkner in particular; a literary debt she acknowledged when she wrote that "his work, though it can't increase in itself, increases us" and "[w]hat is written in the South from now on is going to be taken into account by Faulkner's work" ("Must the Novelist Crusade?", 1965). The Library of America dedicated two volumes to her work; one containing her novels, the other - this one - her short stories, essays (some, like her autobiography, based on a series of lectures) and her autobiography.

An approach that Welty developed early on was to consider the publication of her stories in periodicals merely a step towards each story's final shape, and she generally revised her stories before including them in collections. This compilation brings together all her short stories in the versions intended to be final by Welty herself: the 1941 edition of "A Curtain of Green and Other Stories" (her first short story collection), the 1943 edition of "The Wide Net and Other Stories" and the 1949 edition of "The Golden Apples" - each collection suffered substantial editorial revisions in subsequent publications. Included are also two stand-alone short stories ("Where is This Voice Coming From?" and "The Demonstrators"), the first one inspired by the 1963 murder of Mississippi NAACP leader Medgar Evers and revised by Welty over the telephone after having been accepted by "The New Yorker," to avoid a potentially prejudicial effect of its original ending on the then-impending trial.

A keen observer, Welty was also a writer endowed with a sharp sense of humor and satire, and with the gift to brilliantly use location, localisms, accents, patterns of speech and customs to make a point. Not a single word is wasted: "Marrying must have been some of his showing off - like man never married at all till *he* flung in," we're told about King MacLain in the opening story of "The Golden Apples," "Shower of Gold." And you don't have to learn anything more about the man, do you? Equally as instructive on Welty's writing are the eight essays included in this collection, all taken from the 1978 compilation "The Eye of the Story" and dealing with particular aspects of her own fiction as much as, more generally, with "Place in Fiction" (1954) and the fiction writer's role ("Writing and Analyzing a Story," originally published in 1955 under the title "How I Write" and substantially revised for its inclusion in "The Eye of the Story" and "Must the Novelist Crusade?").

"There is no explanation outside fiction for what its writer is learning to do," Eudora Welty maintained in "Writing and Analyzing a Story;" explaining that each story references only the writer's vision at the moment of the creation of that story, and the creative process itself: nothing that can be "mapped and plotted" but a product taking shape in the process of creation itself, giving each story a unique identity of its own. And while her fiction, alas, can no longer grow any more than Faulkner's, she has left us enough of those unique creations to cherish for a long time to come.

At the time of her death, Eudora Welty was widely regarded as America's single greatest living author. Although she produced several critically acclaimed novels, including the Pulitzer Prize-winning THE OPTIMIST'S DAUGHTER, Welty achieved her greatest fame through mastery of that most difficult of all literary forms, the short story.

Welty's skill with short stories is amazing, for she possessed a talent that combined a remarkable ear for the spoken word, meticulous observation of physical world, and the truly mysterious ability to slip almost effortlessly into the very marrow of the characters she depicts. Her comic stories are perhaps best known to the public in general, but she is equally at home with provocative and unsettling material, and although her tales are most often firmly rooted in America's deep south they have a sense of humanity that transcends the limitations of purely regional literature.

In addition to stories previously collected under the titles A CURTAIN OF GREEN, THE WIDE NET, THE GOLDEN APPLES, and THE BRIDE OF THE INNISFALLEN, this Library of America publication also includes the independently published stories "Where Is the Voice Coming From?" and "The Demonstrators," nine selected essays, and Welty's memoir ONE WRITER'S BEGINNINGS. A chronology of Welty's life up to 1996, textual notes, and general notes (including Katherine Anne Porter's introduction for A CURTAIN OF GREEN) are also included. This book (and its Library of America) companion, EUDORA WELTY: COMPLETE NOVELS) are essentials for any one who admires Welty's work and wishes to possess it in handy, collected form; those who have had limited exposure to Welty's work, however, might be better served by smaller collections.

Each new volume from The Library of America, the non-profit publisher that has become the de facto literary hall of fame, is a cause for celebration. Its goal of preserving in an enduring format the best fiction and non-fiction is a significant bulwark against the encroaching tides of cultural relativism that attempts to render any value judgments meaningless, as well as a consumer society that insists that if it ain't new, it ain't good.

In the case of Eudora Welty, we're given two volumes: a collection of five novels ("The Robber Bridegroom," "Delta Wedding," "The Ponder Heart," "Losing Battles" and the Pulitzer-winning "The Optimist's Daughter"), and another of her essays, her memoir "One Writer's Beginnings" and her short stories. From her first published short stories, "Lily Daw and the Three Ladies" in 1937, to her last novel in 1972, Welty captures with her highly readable style and sharp eye and ear the varieties and eccentricities of Southern life.

But while the South claims Welty as one of its own, she may not necessarily return the favor. Teh cause is both geographic and a matter of choice. Although she was born in Jackson, Miss., in 1909 and lived there all her life, her father was from Ohio and her mother from West Virginia, a state created by the Civil War that went for the Union. This isn't Margaret Mitchell we're talking about here.

Then, in her essay "Place in Fiction," she stresses that while it is important for a writer to capture the feeling of an area, it is not the paramount goal in fiction:

"It is through place that we put out roots ... but where those roots reach toward ... is the deep and running vein, eternal and consistent and everywhere purely itself, that feeds and is fed by the human understanding."

But what pedigree does not provide, her environment probably did, for her work contains those elements poularly associated with Southern fiction. "Delta Wedding" celebrates the Southern family through the sprawling Fairchild clan and its passel of sons, daughters, cousins, aunts, great-aunts, nieces and nephews, all involved in each others' lives to a degree rarely seen today.

Many of her stories revolve around characters marginalized by society, struggling to exist and reach out to others: the simple Lily Daw who tries to evade the determination of the town's ladies to either marry her off or send her to the asylum; the generous, slightly retarded Daniel Ponder who would give away everything he has at the drop of a hat; the demented Clytie in "A Curtain of Green," who rushes about looking in people's faces until, seeing her reflection in a barrel of rainwater, dives in and drowns.

Eudora Welty was a sharp, perceptive writer, and her enshrinement by the Library of America is most welcome.

I found, having prediabetes myself, the book to be very informative. After being diagnosed with prediabetes I was told to no longer eat sugar. No information was given to me about diabetes and how to avoid getting it. This book explained all of that to me. When you have prediabetes you have the opportunity to reverse it if you acquire the right information and follow it. Had I not found this book I would probably have diabetes today. This book teaches you how to choose the proper treatments, how to check your sugar levels and when, what tests are needed to aid you in your journey, what complications can arise due to low and high sugar levels and how to notice them and treat them, what food to eat, how much exercise you need, and just about everything in between. Whether your looking for information to aid you in helping your diabetes or to prevent you from becoming a diabetic this book is for you!

This book doesn't fatty liver disease,diabetes can cause fatty liver disease.

The Everything Diabetes Book is the latest in an educational series which provides a well researched thumbnail sketch of the basic definition(s) of diabetes diagnosis, treatment, control, and special issues. The emphasis is on the individual's responsibility and capability to take control and make every effort to lead a healthy life with the complication of diabetes. The Everything Diabetes Book is an excellent resource for the newly diagnosed diabetic, or the person close to him or her. Helpful information and advice is presented in nonjudgemental yet no-nonsense fashion. In all 22 chapters are offered, covering definitions of three major types of diabetes, diagnosis and tests, self monitoring of blood glucose, insulin and oral medications, diet, exercise, weight loss, emergencies, complications, the diabetic foot, kids and diabetes, special issues for women and men, emotions relationships, and living with diabetes, daily life with diabetes, and the search for a cure. Helpful charts and meaningful statistics are embedded in the text frequently. Additional appendices offer additional resources, glucose conversion charts, and preventative care guidelines. I particularly found the preventative guidelines to be helpful, as they offer a schedule for routine lab tests such as blood pressure and pulse, cholesterol (lipid panel), HbAlc, microalbumin, and comprehensive eye exams and foot exams. It can be confusing for the diabetic to know how often these things should be monitored by a Dr. in a routine care plan.

If there were ever a disease requiring a comprehensive team approach, diabetes is it. The Everything Diabetes Book presents a series of suggestions of ways in which different approaches and different professionals can be helpful. Again, the self help aspect is important, but the importance of professional medical supervision and monitoring is also emphasized. In general, The Everything Diabetes Book tends to be more like a basic bible of diabetes rather than a trendy survey of the latest alternative therapies, though some of that information is referred to.

There are many practical self help tips and facts and resources included for diabetics. All together, the Everything Diabetes Book is an excellent resource for the diabetic and family or friend(s). It can be a very frightening experience to receive the news that someone you love or you yourself are a diabetic. This book presents both the good and the "bad" news in easily digestible information bytes and in so doing, encourages the diabetic to take back a healthy control of their life.

Recommended for adults or (literate) teens with issues or interests in diabetes. The Everything Diabetes Book is a very thorough practical resource for the lay person.

If you have ever wondered what really goes on at the White House, this is the book to buy. David Kennerly had more access to the inner workings of the White House than any other photographer, before or since. These photos certainly prove it. For any student of history, or photography, this is one book to have on your shelf. As a working photojournalist for 35 years, I have had the pleasure of working beside Kennerly and can say that besides being a great photographer, he is one of the gentlemen of the business, an old-school hero to many an up and coming photographer. Don't miss out on this book.

David Hume-Kennerly is one of the most gifted photojournalists of our generation. He was chosen by Gerald Ford to be the "eyes of the nation on the presidency" after the insanity of paranoia that was Nixon's Whitehouse. This resulted in David becoming a "member" of the Ford family and thus having total access to the reality of The Pardon, The End of The War, and everything else that happened in those short Ford years. (As a fellow Shooter, his was the only job that I was INSANELY jealous of because he was the permanent `fly on the wall'!)

This book shares with us those times and shows us how lucky this country was to have had this strong and honest man at the top when we needed those qualities the most.

I truly hope that DHK is awarded another Pulitzer for this work.

Marshall Darling on The Cape

Aside from the stunning photography which I'll get to, this important book gave me new insights into a mostly overlooked Presidency. Kennerly documented the Ford Presidency and shows us the actual moments that some of the most significant decisions in American history were made- the Nixon pardon and leaving Vietnam to name two- thus revealing Ford as a true leader and rare politician willing to act on his beliefs regardless of consequences. (I say this as a lifelong Democrat!) As you go through the book, the range of images and perfect moments add up to a master class of great photojournalism, timeless, classic and relevant. The access he gained to intimate family moments, such as Betty Ford recovering from breast surgery, is astounding and says much about Kennerly's sensitivity and the trust he gained. It feels very emotional, intimate and world's away from our current super-posed, photo-op political culture. What is truly amazing is how easy he makes the photography look. Almost every image here is archetypal, profoundly primal, and about the subjects, not the photographer. The beauty of his work is the Zen of it; the essence of the story and person is revealed in the most graceful way. "Extraordinary Circumstances" fills an important gap in American history from a rare talent given a ringside seat, an incredible achievement.

The era of "Reconstruction" in the aftermath of the Civil War remains one of the most controversial periods of American history, furiously argued over to this day, and "A Fools Errand" is one of the most valuable windows into it that we moderns, and especially the general reader, have access to, giving us an account of those times "straight from the horse's mouth".

Tourgeé was right in the middle of the events he describes, as one of the bitterly (and often unfairly) derided "carpetbaggers" in North Carolina, where he held various public offices, principally as a judge. A Union soldier, he settled there in 1865 with all kinds of high hopes for the rebuilding of the defeated South. Fourteen years later he returned North, utterly defeated and disillusioned.

All his and his fellows' work had been thwarted by a ruthless and efficient terrorist campaign, enjoying the near-total support of the local (white) community, and which the authorities in Washington were quite unable, and, as things dragged on, increasingly unwilling, to combat in any effective way.

In some ways this book has an oddly "modern" sound, perhaps reflecting the fact that much of the story remains so relevant today. Tourgeé's observations on his hero's (and by implication his own) resolution to enlist in 1861 display a dry cynicism worthy of the 21st Century, while this hero's letter to a northern Senator complains of the mishandling of the reconstruction programme in terms which anticipate later criticisms of another "reconstruction" following the fall of Baghdad.

It is interesting to note Tourgeé's complaints about the persistent tendency, even in the North, to romanticise the southern cause. He grumbles that before long, at this rate, men will be ashamed to admit that they ever fought for the Union. And this was written in 1879, over 60 years before "Gone With The Wind" and even 35 years before "Birth of a Nation". Clearly the will to sympathise with the fallen foe (once they were safely defeated) began far earlier than most people realise.

Yet he himself can show, if not sympathy, then at least understanding of the feelings of those who so brutally destroyed his work. One of the best things about the book is its ability, much rarer now in an age which takes colour-blind democracy for granted, to get inside the heads of those who rejected it - who saw themselves (and were seen by many others) as serving an honourable cause, though by the most dishonourable methods.

Tourgeé gives a vivid illustration of the levels of resistance which even a totally defeated society can bring to bear against the efforts of well meaning outsiders, even when the latter are backed by seemingly overwhelming force. At one point (Ch XXI) with an eerie topicality, he equates the depth of Southern commitment to white supremacy with "the zeal of Islam", and when (Ch XLV) he speaks of north and south as "convenient names for two distinct, hostile and irreconcilable ideas.- two civilisations" he again anticipates the language of the "war on terror". One recalls those lines of Kipling's

"And the end of the fight is a tombstone white
with the name of the late deceased
And the epitaph drear 'A fool lies here,
who tried to hustle the east'".

Substitute "south" for "east" and that pretty well sums it up. But perhaps there is another (middle) eastern example in our own day for those with eyes to see it.

This book is Tourgeé's "retrospect" on that part of his life. Sadder but infinitely wiser, he calls himself a "Fool" for his youthful aspirations, yet one somehow feels that that he retains a sympathy for that young idealist, and deep down still thinks the young Tourgeé (alias "Comfort Servosse") a better man than his world-weary older self. I am reminded of the survivor from World War One, who dedicated his memoirs "With deep emotion, to the man I used to be".

Though Tourgee wastes no time in presenting his views on the matter - they are in the title, after all - the rhymes and reasons of Northern Pro-Recon; Northern Anti-Recon; and Southerners are all presented in a lovely non-biased light, giving the reader all of the firepower needed to agree or disagree with Tourgee. All of this is presented in a genuinely engaging storybook fashion. Recommended as an introduction to Reconstruction or as a supplement to prior learning.

I was particularly impressed by Tourgee's use of dialogue. By constantly hearing both sides of each design and every brainchild, the reader is allowed to come to his or her own conclusions. Whether A Fool's Errand would be considered a historical account or a novel is ambiguous, but then maybe such a combination of fact and fiction is what allows literature to survive the passage of time as this work has. I was enamored as well by the way Tourgee, sitting as judge to all, openly and maliciously attacked both the plaintiff and the defendant for their contribution to the melee we know as "reconstruction". This is the only truly nonbiased approach, and it was marvelously implemented here. I feel too many works are skewed to facilitate the author's motives, especially those written about this era. Like a refreshing breeze from far away, this work brings clarity and insight to a misinterpreted time in our nation's past.

This one is an excelent book, makes itself clear on every repair and mainteinance task. It worths from cover to back cover.

the book is great, I bought the book,and left it on the table, when i got back, my wife had the car in pieces, and starting to put it back together, she fixed it, and I didnt have to get greasy,

...It's VERY worthwhile buying seeing that it tells you EVERYTHING about your car, and how to repair them inc. sensors, brakes, lights, replacing transmission gears, head gaskets ect...

It's the only book you need. I have one for my Sunbird, Topaz GS, Topaz L and my 2001 Malibu LS

This book provides a comprehensive look at Henry Ford's life that is both entertaining and educational. It covers basically everything, his personal affairs, all the little side ventures he took part in in addition to his car company, even relationships with other notable people of his time, namely Thomas Edison, Dodge brothers, etc. It is overall an interesting read and at times I find it quite humorous. Highly recommended.

For those who want the dish on one of the most dominant yet dysfunctional American family businesses, Robert Lacey's profile of the Ford Motor Company is a must. It's plot is pure Movie-Of-The-Week - a country boy inspired to build a cheap car for the masses, accrues wealth and fame, then has to deal with the giant he created. His lone son, the second generation gives his life for the company, a casualty of the tug of war between a patriarch and his ego. Just as the company is about to crash in corruption and incompetence, the grandson, Henry II enters and saves the day, building the infrastructure of a modern corporation. But, eventually Henry's hat changes from white to shades of grey - the pitfalls of arrogance from never ending riches and successes. It's 650 pages of American history and soap opera, and it was so interesting it could have been longer. A great book for those who appreciate American motoring history. - Leila Dunbar, Mobilia.com

"Ford: The Men and the Machine" is the most definitive and complete book about the life and happenings of automotive's greatest man, Henry Ford. His accomplishments as cited cannot compare to any other single figure in automobile history (or even business itself).

The book is nothing short of epic: over 800 pages and 36 chapters, plus appendices. It starts off with the author's assessment of Ford's total contribution to life, starting at Dearborn Michigan in 1831. The details are all-inclusive and mind boggling, right down to Henry's Sister's comments about his early days repairing watches. The book moves slowly and steadily through Part One, "The Rise of Henry Ford" to Parts Two and Three, "Glory Days" and "Grass-Roots Hero." Here the reader is given the unbiased account of even the thoughts of young Henry, and how he became so fascinated with what was then the latest thing: the gasoline engine, which he saw in 1877 from a trip to Machinery Hall in Philadelphia. We are given the full story behind Ford's rise to power over other prominent automotive men of his time, such as the Duryea and the Dodge Bros., and particularly Henry Selden. I found it exciting to read about how Ford didn't give in to a greedy, money-hungry individual like Selden who had no real engineering talent, but wanted only to rake in the royalties from his so-called gasoline engine that he patented in 1895 (it didn't even work as illustrated in his diagram, and Selden didn't even have a working model in an automobile until 1904--it went five yards and died!). Ford held out through more than 10 years of court battles over the legal implications of the Selden patent, and won. After that, there was no doubt that Ford had firmly established himself as a "man for the people." The victory over the Selden patent allowed ALL automobile manufacturers to keep their prices affordable.

Part Four, "Henry and Edsel" describes the business relationship with his firstborn son, and their occasional public disputes over company policies and overall business strategies. Henry bitterly opposed automoible financing, for example, but Edsel was all for it. Edsel was right, too, it was the only way to sell cars to lower-income buyers. Of course, the whole story behind the biggest flop in automotive history, the Edsel car itself, is revealed. What happened? How much money was lost? What were the shortcomings of the Edsel that ultimately was its demise? "...The Men and the Machine" will tell you, without room for doubts.

In fact, as part of the research I'm doing for an automotive book of my own, I noticed at least three other authors in my bibliography that referenced this same book, perhaps Lacey's greatest achievement.

Parts 5 and 6, "Henry II" and "Henry and Lee" gradually move more away from the business side of the Ford Machine--but not altogether away--and gradually reveal personal aspects of later Ford generations and their family relationships. Discussed are the development and marketing plans of the Mustang and Pinto which, ironically, were diametrically opposed to each other as complete success and utter failure.

This book is worth double the money. Sometimes I am amazed at the length Lacey went to get his sources, over 50 pages of specific and varied references. I feel fortunate to have a copy that is in good shape. Every time I open the pages, I learn something new. Each page informs, educates and increases depth of thinking, in that sometimes what appears to be a single invention is only a hub to other spokes of development. "...the men and the Machine" actually helps me to think better overall. I can then apply the underlying techniques to all situations in life; consider that one thing leads to another, and if this happens, then it will affect that and that, and so on. If you have even the slightest interest in automotive development, automobile history, American Culture or the person of Henry Ford himself, do not be without this book. Buy it today. My highest recommendation for all readers over 14 (reading level).

This book has helped me tremendously! After ending a 3 year relationship, I was at odds with how to move on. This book gave me some great tips as well as teaching me the importance of forgiving, so that I can benefit. The best thing the book explains is why forgiveness doesn't equal forget. I highly recommend this book to anyone who is dealing with a breakup or relationship issues.

I have used this book as a tool for teaching, counseling, and life coaching, and I can attest to the wisdom that Dr Tibbits brings to our understanding of forgiveness. A special quality of this book is that it is spiritual without being sectarian. I am also especially grateful for Dr Tibbits' expanding our understanding of what forgiveness is: a process of the reframing the past. I highly recommend this book.

There's a lot to like about this book. It's a quick read with a strong message you can't miss. By learning about the 3 levels of forgiveness and the steps to achieving them you'll be able to get rid of your grievance story (which the author claims everyone has) that is holding you back most in life. There are even some health benefits like lowering blood pressure and stress levels.

The thing I liked about it was the author didn't just say, "Hey, you need to forgive people" - True, I learned that as a kid. But he gives the specific steps he used to teach the group that went through his clinical study how to forgive.

The author gives 10 Principles of Forgiveness. Here are the first five:

1. Accept that life is not fair and that others may play by a different set of rules than you do.

2. Stop blaming others for your circumstances.

3. Understand that you cannot change the person who hurt you; you can only change yourself.

4. Acknowledge the anger and hurt that some unpleasant or even harmful even is causing you.

5. Reframe your story of hurt--your "grievance story"--by placing the hurtful events in a broader context than your current point of view.

There are five more principles, but you get the idea.

The new clinical research the author did for the book seems to have paid off. The steps he suggests can be a painful (you have to review things that make you angry), but the results are powerful. Overall, it's probably one of the most useful books on forgiveness around. Other good reads on the topic are Lewis Smedes book called "Forgive & Forget" and Redford Williams book called "Anger Kills". But the clinical study behind this book makes it stand out.

Finally, if you're thinking of buying this book you might like to know that the author gives some exercises / activities at the end of each chapter. Some are better than others. I liked the Anger Test from chapter 3 and the Grievance Story Toxicity assessment from chapter 5. The author even gives an amusing parable about forgiveness at the beginning of the book called "Drop the Rock".

One more thing, there's a discussion guide in the back of the book. For each chapter there are 8-10 questions that could be used to get people talking about the things covered in the chapter. Probably a useful tool if you run a support group or some other kind of small group.