Elliott Books
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Sensational writing and illustrationsReview Date: 2004-04-17

The triumph of micro-historyReview Date: 2003-06-25
The principal strenths of this work are two:
1) Where most scholars of the Vietnam War have focused their efforts mainly on American sources, Elliott draws the majority of his evidence from Vietnamese who fought for the Viet Minh or the NLF. In particular, he uses 415 in-depth interviews of prisoners and defectors conducted as part of a major RAND project during the war (Elliott himself worked on this project). He also relies on about 100 Vietnamese-language post-war histories. Together with a judicious selection of English-language works and some US government data, the Vietnamese sources provide an evidentiary base that overlaps very little with existing studies in English.
2) Although he does not ignore the larger strategic currents of the war, Elliott focuses like a laser beam on the local revolutionary processes of a single Vietnamese province. Although he carefully synthesizes his evidence into an overall narrative, Elliott allows the full complexity of events to shine through at every turn, often in the first-person recollections of the revolutionaries themselves.
My reservations about the book mainly concern the theoretical context in which it is situated. Elliott's intended audience appears to be a narrow group of Southeast Asia and Vietnam War specialists. He shows little concern with the far more interesting and recent generalist literature about civil war processes by e.g., Elizabeth Wood, Stathis Kalyvas, or Roger Petersen. Debates about, e.g., whether or not the Vietnam War "could have been won" are extremely stale, and a scholar of Elliott's magnitude shouldn't be wasting his time on them.
This is not a book for the casual reader, and it is not a book for someone whose main concern is about what Americans did in the Vietnam War. However, for anyone who takes a serious scholarly interest 20th century Vietnamese history or the systematic study of political violence and civil war, Elliott's book is indispensable.

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Vintage Bob & RayReview Date: 2008-04-28
J Paul Muxworthy

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Delightful!Review Date: 2007-01-29
If you're looking for poetry that is NOT part of the mainstream, then pick up a copy of Wall Nuts.

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EXCELLENT GAMEReview Date: 2007-01-09
partly difficult.
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Review of Water's WayReview Date: 2000-08-12

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I knew WendyReview Date: 2007-01-12

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Ms. Elliot triumphantReview Date: 2007-03-05

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GREAT READ FOR TEENS!Review Date: 2003-05-21

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If The Atlantic Canadian Tides Whispered...Review Date: 2000-12-31
The story surrounds the Clemence family living in the fictional village of Whylah Falls, Nova Scotia, on the not quite fictional Sixhiboux River (see the actual Nova Scotian River The Sissiboo). The return of the wayward poet X to Whylah Falls triggers events the move the family and the village folk from poetic lust (Selah), romance (Pablo and Amarantha) and tragedy (the Death of Othello). A tragedy, I might add, of Sophoclean and Shakespearean proportions but without Sophoclean or Shakespearean pretentions-- which are lost within the sincere context of the character's simple and sweet rural maritime lives.
I especially enjoy "The River Pilgrim: A Letter" which is Clarke's ode to his own influences-- Ezra Pound and his bluesy rendering of Li Po's "The River-Merchant's Wife". And Clarke is able to create literary snap shots of the surrounding landscape, religious spirituals and love in pieces like "Each Moment in Magnificent", "solitude", "A Perspective of Saul", "Revelations" and "To Pablo".
Clarke tells the story through inspired poetry and prose which is bluesy, bold, and as intoxicating and compelling as the dark rum drank by he Othello. His writing speaks with a tongue that can only be understood with the heart and history of a maritimer. But for those non-Atlantic Canadians, this book puts Clarke's own past into words. He puts the frozen history of African-Canadian experience in Nova Scotia in motion for everyone to experience and know, if only for a short while.
His characters, speak not for themselves, but for the ages-- times lost in the rural life for Atlantic Canadians.
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