Edward Books

the book was interesting but she kind of wrote it twice within one book, short and easy. read in one day.

I purchased this book over the Internet. I had followed the careers of Smarty Jones and Barbaro as a devoted fan--Barbaro's death really effected me after so many months of hoping and praying.I thought that this book would give me more information on the lives of the owners, the races of the horses and their appeal to the nation. I would have to say that it was much more than that--it is a CLASSIC. I learned SO much about thoroughbred racing, its traditions, its audience, its attempt to help horses and their legacies. What a powerful and wonderful read!!!! Kudos to the author!!

This is one of the BEST books EVER written about these 3 outstanding, magnificent Thoroughbreds! Their greatness that touched millions, was gone all too soon, tragically for these 3 youngsters...the author captures every aspect and the research done to compile such a GREAT masterpiece, is like no other! Reading this book, makes you feel like you are a part of it and you just can't put it down! As a Thoroughbred owner/rescuer and avid follower of racing greatness, I learned some things that I did not know or fully understand...the book made me see it more clearly. I only wish the author, who could not have then known, that another untimely death in TB Racing, was about to make history...if that story could have also been incorporated into this book. The "Eight Belles" tradgedy...another story of SUPERB GREATNESS needing to be told; another book for Linda to write? THANK YOU LINDA HANNA*****

Ms. Hanna has written an interesting, informative, and heart warming book about three of America's most captivating horses. Her approach to their individual stories clearly demonstrates her love of and knowledge about horses. She tells her stories so you feel you are there with Barbaro, Ruffian, and Smarty Jones as they experience their triumphs and their defeats, two at the cost of their lives. You find yourself smiling as she describes their winning efforts and close to tears when they no longer can do what they loved the most; run like the wind.

I purchased this book in great anticipation of savoring the stories of three wonderful horses whose careers I have followed from youth(with Ruffian) to adulthood with Smarty Jones and Barbaro. The book more than surpassed my expectations. The writer is a natural who draws you into the times and the people...each story brought tears to my eyes but in a good way for the wonderful magic and sport that we witnessed in these horses. The book is for everyone-from 9 to 99-horse-lover or eager fan. I thought I would like the book but it ranks up there with one of the best that I have ever read. I will be anxiously waiting for Hanna's next choice-I sincerely hope that one's in the making. A great gift, too.

Ramon Alonzo is a young man who has been sent to live with, and learn from, a famous wizard. He is only interested in how to turn base metals into gold. His sister is engaged to be married, and the family hopes that a small chest full of gold will suffice as a dowry.

While studying with the wizard, Ramon meets an elderly charwoman who has no shadow. The wizard took it many years ago, and refuses to give it back, keeping it in a locked box. She is basically trapped at the castle; she was chased out of the nearby village years before as some sort of demon, because of her lack of shadow. In a moment of chivalry, Ramon vows to retrieve her shadow. The charwoman urges Ramon to never, ever give up his shadow.

As part of his teaching fee, the wizard demands Ramon's shadow, but replaces it with a fake shadow that looks, and acts, like the real thing. Ramon figures that he has gotten a great deal; the ability to create gold for nothing. That is, until the day that Ramon is also chased out of the local village as some sort of monster. The problem with his fake shadow is that it does not shrink or grow depending on the time of day; it is the same size, all the time.

Ramon receives a letter from home, and is told to forget the gold; make a love potion, instead. He creates one on his own, and during a visit home, it is given to a visiting Duke. The potion nearly kills the Duke, and causes great embarrassment to the family. He is bedridden for several days, during which time Ramon's sister is the only one who can get near him. In the meantime, back at the castle, with much patience and diligence, Ramon finds the combination to the box of shadows. He releases several shadows, including his own, and that of a young woman. He brings it to the charwoman, not knowing if it is the right one; it is. Ramon figures that the shadow of the young woman will turn into an elderly crone. To his delight, the transformation goes the other way, and the charwoman turns into a young woman. After they escape from the wizard, the next problem concerns Ramon's family. Since she is not of noble blood, will they accept her as Ramon's bride?

From the first few paragraphs, the reader will know that they are in the hands of a master. Dunsany is generally considered the most influential author in the entire fantasy field. Stories like this will justify such a claim. It is very well done from beginning to end, and will get the reader looking at their shadow in a whole new way.

Edward John Moreton Drax Plunkett, better and more succinctly known by his title, Lord Dunsany (pronounced "done-SANEY"), is perhaps the most important British fantasy author to appear before Tolkien. Lord Dunsany's work has little connection to Tolkien's except that both create feelings of wonder in readers that whisk them away to fantastic worlds. Dunsany's work has a less realistic, more ethereal quality than Tolkien's, and draws strongly on the traditional fairy-tale, while at that same time energizing the simplicity of the fairy-tale with his sense of drama (Dunsany was also a playwright) and with his magnificent, fluid, beautiful writing. His 1927 novel, "The Charwoman's Shadow," is one of his greatest works, second only to "The King of Elfland's Daughter."

Edward Plunkett was born in 1878, became the 18th Lord Dunsany upon the death of his father in 1899, and made an unsuccessful attempt to run for parliament in 1904. With his failure in politics, he began writing his stories of the fantastic, beginning with the collection (currently in-print) "The Gods of Pegana." He enjoyed great literary success and acclaim until his death in 1957, but sadly, at the end of the century, his literature seemed in danger of vanishing from the minds of all but ardent fantasy historians and those who could afford the out-of-print volumes containing his work. But Dunsany has suddenly roared back into print; if you're a lover of fantasy, you cannot miss "The Charwoman's Shadow." It ranks as one of finest novels of the fantastic.

The story takes place in a fantasy vision of medieval Spain: "Picture an evening sombre and sweet over Spain, the glittering sheen of leaves fading to somberer colours...Picture the Golden Age past its wonderful zenith, and westering now towards its setting." Young Ramon Alonzo goes to learn the One True Art -- the art of magic -- from a master magician who lives in an old house in the woods. The Master requires a fee, however: Don Alonzo's shadow. The boy surrenders it, believing it is of no use to him. But even as he advances himself in the magic arts, he soon learns there are serious consequences to losing your shadow. An old charwoman who works for the Master seeks Don Alonzo's aid, for she too lost her shadow many years ago to the Master, and she desires it back. The two enter an alliance, one that Don Alonzo starts to regret when he discovers the youthful beauty of the old charwoman's shadow.

There are no action set-pieces in "The Charwoman's Shadow," no epic battles, no swarms of monsters and demons, but every sequence in the book is full of unforgettable images and beauty. The scene of re-attaching the shadow makes the book a masterpiece on its own; it reduced me to tears the first time I read it. Lord Dunsany will remind you of no other writer, and you'll thrill to discover his unique take on fantasy, feeling if you were sharing a secret private encounter.

Dunsany's word magic pulses stronger than any of the actual magic that appears in the book. In fact, the book is really about the power of language itself; we spend time with Don Alonzo pouring over words and learning their secrets. As Peter S. Beagle (author of "The Last Unicorn") says in his brief but powerful introduction, Dunsany had "an understanding that the right name for a character can imply an entire culture, a history, a music, a world; that a single word chosen properly can persuade a reader that he shares a folklore he can't possibly know...To open this book is, like Don Ramon Alonzo, to begin learning the true nature of enchantment from a master."

I can't give a better recommendation than that, so I will only second him: open this book and fall deep into the fantasy of language.

Before Tolkien told his children bedtime stories about hobbits and dwarves, there was Lord Dunsany. One of the early fantasy writers, Dunsany only wrote a few full-length novels -- one of which was the haunting, beautifully-written "Charwoman's Shadow." (And if anyone thinks that J.K. Rowling made up the immortality elixir and "philosopher/sorcerer's stone," they better read this!)

Ramon Alonzo is a young Spanish nobleman sent to find a dowry for his sister Mirandola. He goes to a powerful magician to learn alchemy -- how to turn dross into gold. The magician agrees, at a price: Ramon Alonzo's shadow. At first he's inclined to give up his shadow, but an elderly charwoman warns him not to. She gave up her shadow, and now is shunned by everyone except the magician because if her contact with dark magic.

Eventually Ramon Alonzo agrees to give up his shadow in exchange for a replacement, which turns out to be a dud. His attempts at magic for his sister's sake begin to go horribly wrong, and he finds his very soul in peril as he struggles to fulfil his promise to the charwoman, and get back both of their shadows.

Most of Dunsany's fantasy stories are set in fictional lands full of magic and wizards and gods. This one is slightly different, as it is set in a sort of semi-fictional part of Spain, and magic is something which seeps naturally to great evil. But the entire world it's set in has the same sort of fantastical edge that his books usually do. Kids with a good attention span can read this, though some may be bored by the gradual pace and flowery language. And the language is very flowery. Dunsany writes in his standard dreamy prose, with a lot of very strange imagery (like the charwoman scrubbing a bloodstained floor stone, or Ramon Alonzo's fake shadow getting up and racing away).

Ramon Alonzo is a nice leading character -- he's a good guy who gets enmeshed in bad things for good reasons. His spiritual struggle and chivalrous rescue of the charwoman Anemone and her shadow are central to the plot. Anemone herself remains a mystery for most of the book, although one development is rather obvious early on. The magician is a cold, unsympathetic character who "scorns salvation" and shows no pity to someone he's wronged. Father Joseph serves as the counterbalance for the magician, a kindly priest who helps Ramon Alonzo out.

A beautiful story about love, magic, and kindness, this is a must-read for fans of classic fantasy. See why Dunsany is still one of the best.

Before Tolkien told his children bedtime stories about hobbits and dwarves, there was Lord Dunsany. One of the early fantasy writers, Dunsany only wrote a few full-length novels -- one of which was the haunting, beautifully-written "Charwoman's Shadow," a story that slips into the grey place between good and evil.

Ramon Alonzo is a young Spanish nobleman sent to find a dowry for his sister Mirandola. He goes to a powerful magician to learn alchemy -- how to turn dross into gold. The magician agrees, at a price: Ramon Alonzo's shadow. At first he's inclined to give up his shadow, but an elderly charwoman warns him not to. She gave up her shadow, and now is shunned by everyone except the magician because if her contact with dark magic.

Eventually Ramon Alonzo agrees to give up his shadow in exchange for a replacement, which turns out to be a dud. His attempts at magic for his sister's sake begin to go horribly wrong, and he finds his very soul in peril as he struggles to fulfil his promise to the charwoman, and get back both of their shadows.

Most of Dunsany's fantasy stories are set in fictional lands full of magic and wizards and gods. This one is slightly different, as it is set in a sort of semi-fictional part of Spain, and magic is something which leads to evil. But the plot in this book has the same sort of otherworldly edge that his more fantastical works do. (Although if any Harry Potter fans think that Rowling created the "philosopher's stone," they'll be sadly disappointed)

It has a straightforward plot, which is made more elaborate by his flowery prose. Dunsany was one of those writers who dwelled on the more beautiful details of his stories, and as a result, "Charwoman's Shadow" has the feeling of a dream. Especially in scenes where really strange things happen, like the charwoman scrubbing a bloodstained floor stone, or Ramon Alonzo's fake shadow getting up and racing away.

Ramon Alonzo is a good hero -- he's a nice guy who gets enmeshed in bad things for good reasons. The charwoman Anemone herself remains a mystery for most of the book, although one development is rather obvious early on. And the other two characters show the good vs. evil struggle: Father Joseph, a kindly priest, and the cold, cruel magician who "scorns salvation" and shows no pity to someone he's wronged.

"The Charwoman's Shadow" is not only an early fantasy novel, but also an exquisite little story of love, magic and kindness. Definitely worth checking out.

Those approaching Dunsany because of his reputation as a proto-fantasy writer (in the sense we now use "fantasy" to decribe a genre) are bound to be disappointed. Happily, he hails from an age before such labels solidified into something restrictive, and his intoxicating prose can be regarded as "fantastic" in its looser sense. He was also a good deal more versatile than the description "fantasy-writer" would suggest, at one point with five plays being staged concurrently on Broadway.

The reviewer who cites Dunsany's dreamy style hits closer to the mark. Dunsany is not about plot. He is all about atmosphere, and the joy of language. Here, as elsewhere, there is a heavy perfume in the air, and an admitted stream-of-consciousness at work. If details seem to appear out of nowhere, it is probably because they do. It is part of what makes Dunsany so fascinating. The reader is aware of a fecund imagination spontaneously drawing connections with every sentence. This is unfettered inspiration at work, and it is refreshing in a day when conformity (and bland prose) rules to encounter a writer so obviously delighting in his own personal muse. Yes, certain cells recur, mantra-like, simulating the rhythm of the ancient epics. It is the structure of instinct. Remember, Dunsany was an unrepentent anachronist, setting down all of his flowery, wonderful inspirations with a quill. He was also an Irishman, and as such, of an apparent genetic predisposition to unspool beautifully-crafted tales.

Comparisons to Tolkien are useless, and do a grave disservice to Dunsany's art. In Tolkien you find myth; in Dunsany, fable. His writings are not writings for children, as some have suggested (although I suspect children unspoiled by too much Gameboy would enjoy them), but rather fairy stories penned for adults. One needs have lived long enough to have experienced regret, and nostalgia, of the retreat of the fantastic from the more prosaic world of "maturity," to fully appreciate the special bittersweet qualities that inform most of Dunsany's fiction.

I haven't checked if it is still in print, but those who enjoy this work should definitely try and locate a copy of "Don Rodriguez: Chronicles of Shadow Valley," as it has much in common. In fact, I find it slightly perverse for Del Rey not to have published it first, as a knowledge of "Rodriguez" enriches one's understanding of the novel under consideration. You will learn more about the bowmen, and experience further enchantment (and romance) in Dunsany's imaginative Spain.

What's more, it may be the finer book.

Before reading this handsome, well-made volume of six crime novels, I tended to consider 'noir' a movement, one of both style and period. I now know that noir is also and more generally an atmosphere and pertains to a wide variety of literary styles, characters, plots, motivations -- but all informed by a dark and often depressing overall mood. Ultimately, these six novels are character studies and although they are offhandedly described as 'pulp novels', their qualities of description, dialogue, and even basic construction techniques such as gradual disclosure and story arc far exceed most recent crime novels I've read. And although classic noir undoubtedly exposed the dark recesses in the minds and hearts of its contemporary audiences, these stories today confirm that there is very little that can shock us; the beauty and longevity of these novels is in their exposition and description of characters and surroundings and the significance of a single, seemingly insignificant event building to an inexorable, devastating climax.

Rather than recount each novel's plot and characters, I will only add that again, each of the representatives of the noir genre present in this edition illustrate a wide variety of settings and styles, places and characters. From what most of us probably consider classic noir represented by Cain's classic "The Postman Always Rings Twice" with its classic highway settings and passion, to the suave, biting, and sardonic wit of Fearing's "The Big Clock" reflecting the unusual structure of multiple first-person narration around a single, main protagonist in an urban, corporate setting, to the Oklahoman grit of a group study in gang crime via serial bankrobbers in Anderson's "Thieves Like Us", to the more explicitly horrifying, psychologically penetrating and depraved "Nightmare Alley" of Gresham, this edition is like a menu of various aspects and directions noir can and did take.

As other reviewers have stated, there is not a weak novel here. I found "The Big Clock" the most singular in structure, setting, and style and in certain aspects, it defies categorization as 'noir' except perhaps only in mood. In fact, it is the novel that for me most broadened the definition of the genre. I found "They Shoot Horses, Don't They?" the most depressing because it appears to be the least fanciful, most truthful and thus the most devastating of the set. In this sense, "...Horses..." comes closest to rivalling truly great literature not so much for its details, but for its overall impact. In my opinion, Woolrich's "I Married a Dead Man" is the least successful because its exploration of mistaken identity (first mistaken, then deliberate) is somewhat banal and after finishing it, I wished Woolrich might have explored the contrast of genteel facade and grasping desperation a bit more explicitly. It is in many ways the most subtle and emotional of the set as well as the most modern (it is chronologically the last), but suffers a bit from the repetitive description of Helen/Patrice and the strain of her external and internal duality.

Several reviewers have found Anderson's "Thieves Like Us" the weakest of the set, but I disagree. The description of a gang is necessarily different and unlike the other novels, Anderson manages to accomplish what the other authors are unable to do (save perhaps McCoy): Describe the criminal as a legitimate, objective individual who deserves our sympathy and even our allegiance. Bowie, the central character, is described as taking a far more relaxed view of his own criminal activity and isn't portrayed in dark, tortured terms. In this light, Bowie has either the weakest conscience or the strongest depending upon how you choose to read him and in either sense, he and together with his cohorts provide and excellent example of the Anti-Hero.

"Nightmare Alley" is the longest and the most absorbing of the set. It is also the most violently and sexually explicit, has the largest cast of important and varied characters, and best succeeds in addressing the big questions concerning truth, faith, relationships, society, etc. Who are the real freaks -- carnival oddities and tricksters, or respectable society members seeking spirituality? Those with mere physical abnormalities or those who deliberately develop intentional differences? What is deception, particularly self-deception? "All the world's a carnival" might be a nihilistic worldview, but Gresham's portrait of an intelligent young carnival magician's development from a sensitive, impressionable boy into a full-blown 'spiritualist medium' whose only desire to trick the vulnerable out of their money (and who ultimately is tricked by one who lacks his ultimate weakness -- his conscience) is devastating. Although I predicted the ending, this truly nightmarish journey down Stanton Carlisle's alley is the point of the book. The true ending is, in fact, never reached and is a brilliant literary stroke.

I highly recommend this set of novels.

This collection of novels from the 30s and 40s was terrific fun and an outstanding introduction to the genre. You can debate whether they're all noir (at least what I expected noir to be); but nonetheless they each convey a distinct impression and view of the time. Without getting into lengthy reviews, I enjoyed Woolrich's "I Married a Dead Man" the most--from his eloquent style to the actual story-line. You know you're reading a master story-teller. Second was Gresham's "Nightmare Alley;" although sometimes I thought he could have expanded on some aspects of the story and shortened other passages (i.e., a little bit of editing would help). But each novel was distinct and enjoyable. Highly recommended.

First of all, the Library Of America collection provides the reader with some of the most beautiful hardcover editions available today. That said, the selections chosesn for this edition are all first class; for someone just getting into hard-boiled fiction, this is the ideal place to start. If you're like me and have been reading this genre for many years, this is a perfect volume to add to one's collection.

This is an impressive collection of early and now scarce Noir novels. "The Big Clock" and "Nightmare Alley" are particularly hard to find outside of this volume.

Cain's "The Postman Always Rings Twice" was probably the first crime novel I ever really got into, and it's a stunning departure from Agatha Christie-style mysteries. So much happens in this short book (as turns of plot, but also development of character) that it compares favorably to the first half Camus' "The Stranger." The drifter plumbs the depths of his desperation in a brutal attachment to another man's wife: it's not greed or lust that drives him, but a base need for someone to whom he can anchor himself. A raw and amazing experience, unmatched by anything else of Cain's.

McCoy's "They Shoot Horses, Don't They?" is impressively vivid. I had no idea these dance-hall marathons took place before reading this story. This circus of exploitation of young and apparently desperate people certainly makes for excellent Noir. One of these benefits of reading these novels is the unearthing of buried episodes in America's past.

"Thieves Like Us" has been reviewed here as the weaker end of the collection, and I have to agree. It's still a very capable story of outlaws; and the stoicism of the young people caught up in the criminal's lives is admirably depicted here. I recommend reading Andersen's novel before the others (it's still definitive Noir), so one can more easily avoid expectations built up by the Cain and McCoy.

"The Big Clock" is interesting in the depiction of power relationships between employer and employee, and the shifting first-person style of telling the story works here. I never heard of Fearing before reading this novel, but he evidently had a deep understanding of the motivations of very different kinds of people. This novel has the most suspense of the collection, and is a great and sophisticated read.

The most surprising and bizzare novel is "Nightmare Alley," a strange and memorable journey of an aspiring carnival charlatan. It defines Sleaze. The longest and most complex novel, it feels like a long-lost classic that's been hidden away because of its disturbing content. Some may think of it as too long, but the twisting journey through sweaty farming towns, railroad stations and addled big-city martiarchs required time to establish some crediblity: by the end, I was convinced that such a grotesque collection of stunts actually belonged in the story of this country. "Nightmare Alley" alone is worth the price of the book. Fans of Tarot might be a little offended, but this is especially recommended for understanding fans of Ray Bradbury.

Finally, "I Married a Dead Man" by Woolrich is a suspense novel set up by a tragic accident. The protagonist, literally and figuratively hungry, siezes the opportunity to substitute herself into a more fortunate woman's life. Excellently done, and more grounded in comparison to "Nightmare Alley."

Overall, there's no legitimately weak entry in this collection. The variety of content in these novels is enormous, and acquiring this book will allow the reader to experience the different flavors of American Noir. Most modern crime/suspense movies will seem ridiculous by comparison.

Noir emerged in the early 20th-Century from Pulp paperbacks published for mass consumption. Highlighting in gritty and sensationalistic detail the sordid undercurrents of Western society, Noir became an artistic force that became the medium for the representation of the down and out segment of the populace. Whether set in the impersonal grime of urban reality or at the deceptive simplicity of rural picturesqueness, Noir in Film and Literature revealed the odyssey and travails of lost souls whose misguided characters bore too much of the weight of their selves and their pasts to break from the shackles of their present.

"Crime Novels: American Noir of the 1930's and 40's" is the American equivalent in prose of the influential and enduring genre. The grim and unforgiving tales of the dejected cast of mid 20th-Century American life are openly depicted ("The Postman Always Rings Twice"; "They Shoot Horses, Don't They?"; "Thieves Like Us"; "Nightmare Alley"); vicissitudes of fate ("The Big Clock"; "I Married a Dead Man"). Whether set in scenic California, the vast and open Midwest, or a high-rise office in Manhattan, these novels uniformly render a panorama of blighted dreams, twisted turns of fate, and the sad recurrence of misfortune in desperate individuals doomed to tragedy.

None too substantial in content but highly readable, this edition is the first of a handsome 2-Volume anthology on American Noir fiction published by the venerable Library of America. Edited by Robert Polito (Poet, writer, anthologist on Noir Lit. and author of a biography on Jim Thompson), these stories enduring relevance are seen in various forms of contemporary society: from the writings of James Ellroy, Brett Easton Ellis, Lawrence Block, and Robert Bloch; in films like "Scarface", "Pulp Fiction", "Fight Club"; and in everyday life.

I had this on my list of books to read for years now and I finally had the opportunity to read and finish this book. It is such a great read! This book reiterated my importance as a daughter of God and no matter how bad I have been hurt in the past, my future can and will be brighter! Thank You TD Jakes for writing this book!

This book helped me to realized that eventhough I didn't have a earthly father in the household that my Father in Heaven will teach me and validate me as a father should have done for me. It help me to realize that I shouldn't be upset about my earthly father not being there and that God has provided all I need here on earth.

As always T.D. Jakes delivers a powerful and blessed message. In "Daddy Loves His Girls", he speaks to the mind, heart, soul and spirit of women from all walks of life. If you are a woman or father of a daughter...THIS BOOK IS A MUST READ! As you read each page, you will grow a little more. By the end of this book you have a perscription for WHOLENESS in life.

T.D. Jakes also provides examples from his own family life, which gives the reader an up close and personal feeling. Some readers need those applicable real life situations in order to interpret the message to the fullest. For those who could do without the life's application...he has also provided Bible Scripture Quotations. I highly recommend this spiritual food...it will be a blessing.

A Very Gifted and much needed Book for many of us women today.

In it you will read about how much Our Heavenly Father Loves His Girls and gives you great insight in how to demonstrate that same precious Love to your children.

This book has away of singing to the most deepest injured parts of your heart and just seems to melt away all those pains through the power of Love Our Heavenly Daddy Has for His Girls

Powerful anointing in healing for the Body, Soul and Spirit :)

I am in the process of developing a deep, personal, spiritual relationship with God and have read many books on the subject of God's purpose of the woman and I have been praising God since for giving me guidance and direction through people like Brother T.D. Jakes.

I have found solace, love and comfort in this book that is real and true. Love that will not disappoint and that type of love can only come from the Father. However you serve the Being greater than yourself, you will be able to relate to what Brother Jakes shares in this book!

Dr. Hubbell Webster is a brilliant psychiatrist. Perhaps it is his genius that leads him to be act so very bizarrely. His wife Catherine says that his "methods to be those of a man whose existence is dependent solely upon the evolving absurdity of the very situations he incites". I think this is probably the aptest description of the man.

Dancing in the Void is full of great characters that give the reader insight into a whole different world. Some of these individuals have a deep sadness about them that manifests into very dark, scary personalities. Some of the characters are deeply frightening. Others simply make you shake your head, not only because of their absolute absurdity but also the fact that they remind you of someone you've actually met before.

Dr. Hubbell Webster is probably my favorite character. He is clever with a wry sense of humor that he always takes to the extreme so that the rest of us see the irony of the situation. I found him and his inappropriate behavior completely entertaining and yet somewhat disturbing all at the same time. I love the ending- extremely fitting.

I received this book as a gift and I cannot say how glad that I am that I did. I truly enjoy Robert Edward Levin's writing style and cannot wait to read more of his work. I cannot say how many times I found myself reading this and actually laughing out loud.. only moments later to be taken to feeling other emotions as the story continued. You really do feel like you're in the story as you turn each and every page. I would recommend this book to everyone and I plan to do just that.

Each time I pick up a book I have hopes of the author being able to suck me in and that I'll have feelings, both negative and positive for the characters. If the book is what I hope then I will lose track of time and think about the characters long after I put it down. Robert Edward Levin has been able to do just that with Dancing in the Void. He sucked me in and blew me away. When I finished the book I sat looking at it and said (aloud!) "OHMYGAWD!"

Genre: Fiction

Title: Dancing in the Void

AUTHOR: Robert Edward Levin

Madness or genius? Sanity or Insanity?
A very fine line separates the two. When does the doctor become the patient?

Dancing in the Void reads like a collection of short stories merging together in a fascinating, entertaining plot leading to a haunting conclusion.

Character profiles are the stars of this novel. The author brings the eccentric Dr. Hubbell Webster, the pragmatic Sardi Thompson, the addicted Elijah Crow and the alcoholic, obsessive policeman Detective Ryder, to life. Their pasts have made them who they are but how will their lives intertwine in a bizarre set of circumstances? Readers become enthralled. Apposite realism, action and reaction explode on the pages.

Author Robert Levin lives in Michigan with his wife. His first book, a collection of short stories, The Lizard and the Fly was published in 1998. His short stories, essays and poetic works have been published nationwide and abroad. The style of Dancing in the Void reflects his short story background. He is a music lover.

Mr. Levin has a unique understanding of the human psyche and his erudite writing style reflects his literary prowess. A great read with vivid, heart wrenching descriptions and a conclusion that will stay with you long after the last page is read.

Highly recommended by reviewer: Shirley Roe, Allbooks Reviews.




Title: Dancing in the Void
Author: Robert Edward Levin
Publisher: Tate Hill Books Pub
ISBN: 1-929148-64-x
Pages: 306
Price: $14.95

I am so impressed with this authors method of relating his characters to his readers. I fell right in the web and was caught there until I finished the book. There is never a dull moment with this story. I think that Hubbell Webster is an intriguing character that I could see brought to life on the big screen.

this is a good story and worth reading but be warned, its the first book in a broken series and ends in the middle of the story. it reaches a good breakpoint for the first part of a series but there is no book 2. not a very prolific writer but a good one, ive read all her books i can find and enjoyed them all. Taming the Forest King, Horsewoman In Godsland , and Bright and Shining Tiger.

ISBN 0-517-01031-3 I love ISBN's, It's a pity so many old books are in the system under different ASINs.

I will admit, I was expecting to be let down by this book, as there were so many good reviews, and then I knew that there could be no sequel as the author had died, but I decided to read it anyhow. While I enjoyed the first fifty pages, I found it dragging a little bit in the middle, as it turned into a bit of a "chick" book, where the female lead was becoming all jealous and hissy-fit-ish. However, I will not spoil it, but rest assured the last fifty or so pages are some of the best story telling i have ever read. The ending was a mindblower, like Enders Game, or Wizards First Rule... Wow!

Anyhow, this is a great little story about a roaming healer and her bodyguard and the adventures they get into as Eldrie runs from something in her past. If you see a copy in the used book store, it is well worth reading, but be prepared to suffer when you can never find out what the second book would have revealed.

Relic113

This is such a great book and I was so sad to find out the author had died. I wonder if her family has even an outline of what she planned to write in the sequels. I just want to know what happens to Eldrie!

This is a wonderful story. Runaway princesses, search for magic, battle, death, love, heatbreak. The only bad thing about it was the death of the author 6 months after the release. So, unfortunatly, no second in the series.

Alfred Hitchcock has nothing on Art Donovan when the legendary Baltimore Colt defensive lineman writes in Fatso about his experiences with the birds hovering over Kezar Stadium in San Francisco. Give me Hitchcock's flock any time!

The autobiography is a must read for any football fan who wants to laugh while learning a few things about the pro game before the "modern era."

I bought the book when it was originally published about 20 years ago based on the numerous interviews on TV and radio where Donovan held court with local and national media members. I give Dononvan all the credit in the world for working hard to promote the book and his stories were absolutely hilarious.

Donovan seemingly has a great quip for every situation and his recollections on his 1952 season with the Dallas Texans is especially outstanding. Talk about a club on the run - from creditors, that is - Donovan played on the team in 1951 when it was the New York Yanks and moved with the franchise to its new home in the Cotton Bowl.

The Texans were sold back to the league midway through that season, played the bulk of its schedule on the road and ended the year at "home" in the Rubber Bowl in Akron, OH. The franchise folded after the season and the remnants of the club became the new Baltimore Colts. Donovan was a rookie with the "old" Colts franchise that folded after one NFL season.

What may be lost on some readers - due to the comic story-telling - is how good Donovan was in the trenches. Selected to five consecutive Pro Bowls, Donovan was elected to the Pro Football Hall of Fame in 1968. He was a cornerstone player on the Colts, who fielded some of the finest teams in NFL history.

The book may be difficult to locate in second-hand bookstores, so I suggest browsing the available copies through Amazon sellers.

And if nothing else, you will get a different view of certain things that drop from the sky.

Art Donovan played in a very unique age, when, as he put it, "Pro Football was played by Coal Miners and West Texas psychos" to the time when "guys in suits" became the norm. The stories he tells are not only hilarous, but very telling about the brutality of football in the early 50's.

A great read about for the insight on other greats from that time from Bobby Layne, Unitas, Van Brocklin, Y.A. Tittle, etc.

If you can find the book buy it!

Simply stated, this is one of the most enjoyable books ever written. Art Donovan is an incredibly funny man who just happened to be the finest defensive tackle ever to play the game, and his hilarious anecdotes will amuse any reader, whether or not that reader is a sports fan. Besides its wonderful humor, Art Donovan's story is one of hard work, dedication, and talent in the competitive world of pro football. This book is sure to please any reader, so find a copy, and enjoy it.

Art, you are a true son of the Bronx! Although you were in the generation before me, I could relate to MANY of the places you describe, and I felt like I was there in the empty lots, playing baseball and football. Ah memories!!

I also identified with you when Notre Dame didn't take a shine to you because you were from the Bronx -- been there, had that done to me too (not at ND, but in the good old South) -- it's ND's LOSS.

This book brought me back to those days when sis, Mom and I used to watch football games on our little Black and White TV -- those days when the Offense was the Defense too, when safety equipment was nothing to write home about -- when people DID play with broken limbs -- bless you for your falling-down-act Art......

Art is also hysterically funny and doesn't couch his language -- more than one person sitting next to me on the Subway quickly learned to avert their snooping eyes while I was reading this book.

Reading his book reminds me just why I loved the game back then and detest it now. This is a down-to-earth, humble and geniune person who just happened to play football back in the 50's. Not these self-absorbed, spoiled and boorish jackholes of today. If you want to take a trip back in time and understand why many of us are "old school", you'll want to read this. Artie rules!!

The Hunting of the Snark is a whacky piece of poetical silliness by Lewis Caroll. Complete nonsense, no-one knows what a Snark is, or why Snark hunters hunt it, or why anyone would want to become a Snark hunter to start with. Anyway, the poem is definitely amusing at times with some of the humour he slips in.

The Hunting of the Snark seems to be a very, very short imitation of The Canterbury Tales. The first chapter (titled a fit) introduces all of the occupations of all the different people going on a journey. However, instead of going on a general pilgrimage and telling tales along the way, their trip is very specific to hunting.

The Baker actually attempts to tell a story, but the Bellman (who leads the group) says there's no time for storytelling. They have to catch the Snark before nightfall.

Along with the Bellman and Baker, a Banker, a Bonnet-maker, a Butcher, a Boots, a Billiard-maker, a Barrister, a Broker, and a Beaver tag along to hunt for the Snark. The Beaver is afraid of getting cut by the Butcher, so he puts on a dagger-proof coat and talks to the Banker about buying an insurance policy.

The Beaver is involved in a hilarious scene with the Butcher later, when the two attempt to compute sums. But perhaps the funniest scene of the entire book is in the Barrister's dream when the Snark declares sentence on a pig, only to find out the pig has been dead long before the trial even began.

I'd highly recommend this short poem for Carroll fans, even though it's not big enough to contain but a small portion of what's to be found in the Alice books.

I have read a great deal of nonsense in the past, but this was by far the best nonsense that I have ever read. There is no point, no meaning, no sense, and no boringness. It is a delightful poem (which is well written and very fun to read aloud) about a crew on a ship hunting a snark. The crew includes a captain who only rings a bell, a beaver, a cook who only cooks beavers (the beaver and the cook did not get along well), a man afraid that the snark would turn into a boojum and make him disappear, etc. As you can tell, this makes for an insanely silly poem. The subtitle is rather fitting, as my sides were definitely hurting from laughter when I was done. Well done Mr. Carroll.

Overall grade: A+

Nonsense poems can easily miss the mark
Yet, this masterpiece has that spark.

"How do you kill a _____?", you ask
To find the answer was the hunters' task.

"What was their fate?", you wonder
Did they ever catch their elusive plunder?

A paragon of haunting Carollian lore
Be in no doubt that you'll finish wanting more.

This poem is just great!

First, this one of the most delightful pieces of writing that ever appeared in (more or less) English. It succeeds as a sustained exercise in illogic. I am sure that only a mathematical logician like Dodgson could possibly have pulled it off - only someone with such deep understanding of reason could master unreason so completely.

Second, Martin Gardner's commentary adds depth and background to the reading. Gardner explains terms that are now obsolete, but also adds his own analysis and a rich history of the Snark phenomenon. It should be no surprise that Gardner is still best known as the long-time editor of Scientific American's column on Mathematical Games, a mathematician himself.

I can't add much to the scholarship or praise that already surrounds this incredible poem. I would like to point out, however, that most non-native English speakers are unfamiliar with this poem. Many of them have only ever seen the serious side of the English language, and have never seen English at play. I consider this short work to be the ideal introduction to the very best of English-language nonsense.

//wiredweird

This is a beautiful story and the illustrations are superb! I've given this as a gift... always a big hit!

From the book - I'm coming, Mama, I'll see you soon. I know just how... I'll follow the moon (how sweet is that?)

This is one of the best children's books I have ever read! My [...] son, who loves turtles, is inpired to read with this book. Stephanie Lisa brilliantly incorporates the adventure of a baby sea turle hatchng from his egg to his trip into the sea, all the while following the moon to find his mother. The illustrations are beautiful. A must read!

A neighbor sent me the link to this author's website and I immediately became entranced with her style, it is unique, captivating and totally engaging - my kids (5, 6 and 8) LOVE it! I sent the web site link to all my friends - everyone adores her books, they are fun, inspirational and this mom wants to put the word out for others: With the oversaturated, overabundant children's picture book market, why not choose books with sweet, thoughtful and positive messages?! It helps us moms do our jobs better! From one mom to another - thanks Stephanie Lisa Tara!

The Mom's Choice Awards® honors excellence in family-friendly media, products and services. An esteemed panel of judges includes education, media and other experts as well as parents, children, librarians, performing artists, producers, medical and business professionals, authors, scientists and others. A sampling of the panel members includes: Dr. Twila C. Liggett, Ten-time Emmy-winner, professor and founder of Reading Rainbow; Julie Aigner-Clark, Creator of Baby Einstein and The Safe Side Project; Jodee Blanco, New York Times Best-Selling Author; LeAnn Thieman, Motivational speaker and coauthor of seven Chicken Soup For The Soul books; Florrie Binford-Kichler, Founder of Patria Press, Inc.- an award-winning independent publisher and Member of The Children's Book Council; Tara Paterson, Certified Parent Coach, and founder of The Just For Mom Foundation(tm) and the Mom's Choice Awards®. Parents and educators look for the Mom's Choice Awards® seal in selecting quality materials and products for children and families. This book has been honored by this distinguished award.

I stumbled across this book quite by accident, and I found it to be a treasure. The verse is lovely and calm, as are the illustrations. It also depicts fairly accurately a remarkable natural phenomenon. As a new mom who longed for a child for many years and eventually adopted internationally, I found the symbolism achingly beautiful. I have since given the book to several friends who have also waited for their children to find them. This book is far too beautiful to be limited to the adoption genre, however. It is very meaningful on a number of different levels!

Miss Elizabeth Mapp lives in the English village of Tilling and there she attempts to be part of the cream of Tilling's society. With a steady diet of gossip, Miss Mapp and her circle of fellow residents flavor their lives with eyes on the goal of status. Benson's sharply observed and satirical tale is part of the Mapp & Lucia series, which pokes fun at English society of the times. Like an early ancestor of "Dynasty" or anything else produced by Aaron Spelling, the Mapp and Lucia stories are big fun for any Anglophile or fan of camp literature.

Miss Mapp rules the tiny English village of Tilling- that is she rules those who matter. It is a tiny circle of people who have enough class to rate her attention - but she manipulates and lauds over them with machiavellian schemes, and intelligent surmises - and she is intelligent.

Benson has written a village with a range of gorgeous characters - from Diva who is Miss Mapp's great rival, to Irene the local artist who keeps embarrassing Miss Mapp with her prosaic pronouncements. Then there is the local Vicar who talks in a combination of Shakespearian English and Burnsian dialect. There is also Mrs Poppit who is an up and coming social climber (hardly worthy of Miss Mapp's notice) and the novel begins with Miss Mapps machinations to the Poppitt Bridge party.

Village life you see seems to run around Bridge parties. In this petty world of card games there is a great deal of opportunity to expose one another's weaknesses and Miss Mapp, in order to be the center of village life in Tilling finds no object too petty to exploit. This is a novel of small things made into huge issues because of the smallness of the village. There is Miss Mapps constant running battle to dress better than Diva, the competition over Mr Wyse's attentions (with his supposed comtessa sister), and the ever pressing desire to be the First To Know all the gossip in town.

The physical descriptions both through the characters minds and from Benson's pen are wonderful for instance Diva is always depicted as whirling around the place - her legs circling. Mrs Poppit is ever present in a huge and weighty sable coat.

This is a wonderful book, and beautifully written. Benson seems to me to be very influenced by Austen - there is the small and claustrophobic atmosphere of village life - the characters (Miss Mapp seems so like Mrs Norris of Austen's 'Mansfield Park') to me - and then there are the odd Austen Names (in this case the Coles feature strongly as a family that is not quite up to snuff - just as the Coles are in 'Emma'). If nothing else Benson writes of English village life in the 1920's with the same Ironic pen as Austen did of village life in the early nineteenth century.

Highly recommended if you want a couple of days of laughter.

This book from the hilarious pen of Benson, is odd in a certain way. After all, Miss Mapp is the queen of Tilling in the book, and undisputed depot who rules with an iron tongue! Where is our dear Lucia, Mapp's sworn enemy, and the pretender to the throne? Well, she is back in her original home of Riseholme, with her dear husband Peppino. Those who know the Mapp and Lucia Saga from the wonderful television series, might find it strange to have Mapp ruling the roost without interference, however it makes for a delightful read (with one oblique allusion to Lucia), and shows that Miss Mapp is a strong enough character to carry her own book. The most significant event (though hardly significant at all really) is the rumored duel between Puffin and Flint over the affections of Miss Mapp. What really occured on that misty morning? Read this brilliant piece of humor to find out. I love it!

Well, after meeting Queen Lucia, I quite enjoyed learning all about Tilling and its dear Miss Mapp. You will wonder who she visited in Riseholm, and you will die from the anticipation of the two ladies meeting up in subsequent books (you won't be disappointed!). The characters are fantastic, the situations are comic, and I absolutely loved this book! I am officially hooked on the entire series! I hope you will try it and love it just as much as I.

Not only will the Reader of today recognize Miss Mapp amongst her acquaintances, dear Reader is only too likely to see *herself* in caricature. (I, for one, am Diva Plaistow; no getting round it.) A delight from the first paragraph, "Miss Mapp" is even more enjoyable if you've read the first two in the Lucia chronicles. Librarina@netscape.net