E Books

Marie Browning has the Midas Touch when it comes to crafting. On my most cerebrbally challenged "daze" (I have a huge family, toddlers under three!) I can go to any of her books and choose a project that is both challenging and creative, add my own panache and have soemthing that is uniquely "Alouette." Look at her basic pocket accordion book! She has two different examples (business card and stamps) that give way to more inspiration. She is elegant, she is whimsical. Some of her ideas are very masculine, others are delicate and lady-like. (Crafters often get stumped when coming up with ideas for guys-- she has no shortage of masculine ideas!)

I have not yet started my project, but am confident that this book provides good instruction. The pictures are great, and helpful for sparking new ideas. The instruction is detailed, and there a variety of different techniques displayed. I would have liked a list of sources, instead of just "available fine art stores", but overall this was a good purchase.

I had bought another book in Amazon about scrapbooks and journals and even if it had good pictures of the final projects it lacked photos of the different passages. I have Browning's book now and really you can't go wrong. DIfferent techniques, plenty of explanations, great ideas from the simple "messages" note pad to the more complicated seeds book! I can't wait to try her ideas that I consider as a starting point for my own creativity!

I think this book is an excellent start for beginners. I have never made anything before (book, album, etc.) and once I read through the book one time I was able to make an open spine book in one day. Instructions and photos are great.

Of all the manuals that I have seen on handcrafted books, Marie Browning's is the absolute best! Her instructions are precise and easy to follow. She sets out a basic formula for making a book and goes individually through each material necessary. She illustrates the spectrum of materials that can be used for different parts of the process. A must-have for book artists!

This book and Anne Graham Lotz' book are two of the best I've ever read. Joni has a unique view of Heaven. This is definitely one to get!

Very informative book on authors beliefs and thoughts. Hard book to find locally and our bible study class has had to share books.

This is a wonderful book that provokes us to think and look forward to our future in Eternity, and ponder the amazement of what awaits us there. Joni's sufferings in this life give her a glimpse of what most never see because of being caught up in this life and all its' busyness. God draws near to those who draw near to Him.

After reading Mary K Baxter's book, I was skeptical about purchasing anymore books about the afterlife. But after watching the Heaven/Hell documentary, it inspired me to purchase this book. I must say that this book is biblical! Joni doesnt conjure up any false visions or dreams about heaven. She sticks strickly with the scriptures, and also adds her real life experiences to express her thoughts of the heavenly realm.

I highly recommend this book for parents who have children who are chronically ill or disabled. I believe that people who find themselves in this situation will also be blessed.This book challenges the readers to take God out of a box and encourages them to envision heaven in a new and exciting way.So throw away the wings and harps and picture a place where there will be nomore tears, no more pain and friendships that will be eternal. We ain't seen nothing yet! Praise God!

Title: Holes
Author: Louis Sachar
Publisher: Farrar, Straus and Giroux
Date: 1998
Number of Pages: 233 (hardcover book)
Genre: Adventure
Reading Level: Mid 4th Grade
Recommended Interest Level: All age levels!

The Yelnats family has long since believed their family was cursed. Stanley Yelnats was convicted of a crime he did not commit. Instead of going to jail, Stanley and his parents opted for a juvenile correctional facility named Camp Green Lake. Camp Green Lake is located in a Texas dessert. There is nothing green about Camp Green Lake, and the lake has long been dry. Stanley struggles to make friends at Camp Green Lake and also struggles to understand why he is forced to dig a five-foot wide by five-foot deep hole every day in the dried up lake. He quickly realizes that there is more to hole digging than "building character." Eventually, Stanley finds a true friend in another kid at Camp Green Lake named Zero. Together, Stanley and Zero embark on a wild adventure to escape from Camp Green Lake. Along the way, they discover the importance of friendship, perseverance and destiny.

I purchased this book to determine whether or not all the hype is true. I quickly discovered that it is! Holes is definitely worthy of all the praise and awards it has received. Holes is great for a book report or a book project because it is truly fun to read and contains many lessons that can be analyzed. The connection between the four brilliantly interwoven stories within this book is revealed at the end. The chapters are short and suspenseful, making it difficult to put this book down! It is a quick read and I recommend it for all age groups. This book is perfect for children and parents, students and teachers, and everyone else! If you have not read Holes yet, you need to make it your top priority!!!

This has to be one of the best books I've ever read. It has everything: Mystery, action, adventure, historical fiction, and above all a wonderful plot line that really makes you think. It gets better and better with every chapter, and you'll be sad when it ends.

Try this book and I promise you that you won't be able to put it down!

Louis Sachar, the great author of Holes, was probably so into this book while he was writting it. He had to have been thinking about something or someone when he was writing it and I would like to ask him if it is true. the whole book in a brief message would be, Stanley Yelnatz got in trouble, went to camp, and good things happened after that. It was really inspirational and thats why I gave it a 4. I would have gaven it a five if he added a little more excitement. I think a person who would enjoy a nice non fiction book would read it and they wouldn't be able to stop after 10 pages because you get really into it. In my opinion if you read this book once you will read it again.

Holes, by Louis Sachar, 5/5. It was really good; I loved it. Stanley Yelnats is falsely accused of stealing a pair of sneakers and set to Camp Green Lake, for criminal boys. To build character, the boys get up at 4:30 every morning and dig holes--big holes. If they find anything unusual, they are supposed to report it. But the warden isn't looking for fossils or pretty rocks. Something is going on other than character building, and Stanley wonders what they are looking for. The story is at once whimsical and dark, horrifying and funny, heartrending and heart-warming. There are rattlesnakes (one boy was been bitten and rushed to the hospital. He never comes back.) and many highly poisonous eleven-spotted yellow lizards with red eyes, black teeth and white tongues. We also learn about Stanley's no-good-dirty-rotten-pig-stealing great grandfather and the curse put on his family by the gypsy woman who was missing one pig, his grandfather who found refuge on God's thumb after being robbed by Kissing Kate Barlow, Kissing Kate herself and her handyman, Sam the onion man and how history does and doesn't affect the lives of living people. This many generational multiple story-lines slowly merge in unpredictable but delightful ways. We, the readers, meet a famous basketball player and an inventor and, of course, learn that bad boys are human, just like the rest of us, and sometimes even better than those not so confined. And we encounter inspiring courage fortitude and strength. 2/4/08

I bought this as an accident -- probably drunk online -- not realizing that it's actually a kids book. But what a pleasant error to have made.

A great story that is designed to be appealing to young boys, but is a good story in its own right and well written enough to keep you turning pages as an adult -- particularly if you were a bit of a naughty kid growing up.

The boys in the camp have to dig holes ostensibly to build character, but in reality it is to help the warden find something hidden years ago. All is revealed in flashbacks to relationships that connect the characters and actions all the way through to the very enjoyable ending. Makes me want to start reading kids books exclusively!

It's been four years since I read, studied and applied the concepts in this book. My 'porcupine' did not read the book and I didn't discuss anything I learned with him. I was amazed that the changes I made and the loving respectful actions I learned to take eventually virtually eliminated behaviors in him I was sure would never change. Our relationship changed from being frequently painful to being mostly congenial. I've never seen anything remotely similar to this described anywhere else. This goes beyond helping with dealing with criticism into a handbook for dealing with and eliminating verbally abusive behaviors, as well as defining when and how to leave if that is needed.

I highly recommend this book to anyone dealing with those who are painful to interact with, as well as those who might suspect they are hard to deal with.

I read this book, thinking I had people in my life that would fit the description of porcupines, and that I could pick up a few pointers on how to handle them. Imagine my horror and dismay when I discovered that I'M a porcupine!!! That is, I have a goodly number of the characteristics that the author uses to define porcupine behavior. I was stunned to see that many qualities that I saw in myself as being "helpful" to people are in fact toxic and painful. When I looked at these traits from the point of view of "would I want someone to treat ME that way?" the answer was a definite "No." *sigh* Thus, reading the book became one of the most painful experiences of my life. Now I have to say that I think that I'm one of the nicest porcupines you'll ever meet. Nonetheless, I saw traits in myself that need to be changed. Mr. Lund gives you steps to take if you want to eliminate these behaviors, and it has been my daunting task to work on this ever since. It took me about three years (!!!!! NO, I'm not kidding) to complete the assignment of going through one twenty-four day without saying anything negative at all. Try it before you roll your eyeballs into next week. It's (MUCH) harder than you think. I'm not sure a truly toxic person could take this book. But it does give good strategy suggestions for protecting yourself from such people.

All I can say is good luck.

This book is a must read for anyone who is in a relationship, whether it be parent, child, friend, neighbor, spouse, ------->in other words EVERYONE could benefit greatly from reading this book.

This book is great when dealing with all kinds of personalities. But what I liked most was being able to identify and cope with the different types. And yes even finding that there were tough to love spots in my reflection. Really a good book for relating to parents, children, spouses and self and anyone you have a close working relationship with.

I read this book to help me deal with my very toxic MIL and it has helped me immensely! I highly recommend it for anyone seeking sanity from a highly critical or "toxic" person in your life. John's humor and down-to-earth approach makes this book very easy and enjoyable to read.

This is an excellent book. A must read at least once and perhaps many times over.

Reviewed by Debra Gaynor for ReviewYourBook.com, 3/08
The title of this book says it all, Hurt People Hurt People. People who have been hurt do tend to hurt others, sometimes knowingly and sometimes unknowingly. As I read this book, I kept thinking about people that have been sexually abused and the proven fact that most abusers were abused. "Hurt people commonly use anger to disguise and deflect their guilt and grief." We have all been hurt in some way in our life.
Hurt People Hurt People deals with the emotional and spiritual hurts that scar people. I could relate to many of the statements in chapter three "Hurt by the Unprepared and Unavailable." Sandra D. Wilson writes in a simple easy-to-understand manner; she uses wit and wisdom to impart her message, offering hope and understanding. The healing that hurt people need may not happen overnight; it takes years for the hurts to heal, and only Jesus Christ can heal them.

If you are looking into human behavior and the "why's", this is an excellent book. Gave one to my best friend who is a counselor working with abused and neglected children and with families whose children are in foster care, and she can't order enough copies for her adult cients. Like me, she feels this is one of the best books available for understanding ourselves and others. I read and re-read it, finding myself, my family members, and my friends (but mostly myself) all through this book. Great insights for the lay person.

Sandra Wilson has written a winner here. I read this book in 2004 and have decided to read it again.This book ministers and provides healing at the same time. It helps you to understand yourself and others.

this book is so informative on why hurt people hurt people. I never thought alot about why those people do what they do- with this book you will understand in more depth and clarity what is behind their motives and you will be surprised at the reasons. Sandra Wilson is an awesome author and her books are well worth the read.

Image processing is used to improve the visual appearance and transmission of images to a the human eye. It also concerns the preparation of images with respect to measuring an image's features and structures. Now in a newly updated and significantly expanded fifth edition, "The Image Processing Handbook" by academician John C. Russ (Materials Science and Engineering Department, North Carolina State University, Raleigh, North Carolina) "The Image Processing Handbook" features an informative chapter explaining which visual cues elicit a response from the viewer; descriptions of the latest hardware and software for image acquisition and printing including digital cameras; multichannel images and an analysis of their principle components; the issues of deconvolution, extended dynamic range images, and image enlargement and interpolation, and so much more. Enhanced with more than 2000 illustrations, and with the availability of a companion CD-ROM, "The Image Processing Handbook" is a seminal and essential addition to professional and academic library Computer Science and Electrical Engineering reference collections.

This, the fifth edition of this industry standard reference book on image processing has been significantly expanded. There are some 600 new and revised images. A major feature of the new edition is to describe the new advances that have come about in hardware for image capture and printing. This includes both new versions of traditional equipment and new emerging technologies. The text has been expanded in areas like deconvolution, extended-dynamic-range images and multichannel imaging including principal-components analysis.

In general this book does not cover the background mathematics that enables image processing. Those are left to specialty books on the subject. Instead this book is intended to be used in conjunction with hands-on equipment where the reader is encouraged to experiment with different methods to determine what is needed for the particular job.

While suitable for use as a text, this book is really a handbook for technical users. The book is more oriented to what the various tools availavle to help actually do.

I am a biologist with a little background in math. Using this book and matlab I could quickly implement basic feature recognition tools to analyze microscope images. The book focuses on concepts and explains them in intuitive language rather than in mathematical terms. Overall, it worked perfectly for me, but could be over-simplying for people with technical background.

John Russ' book on image processing was never intended to be a textbook on how to understand and write your own image processing algorithms, as you might believe by looking through the table of contents. It does cover just about everything you would see in such a textbook, but from a user's standpoint of these operations, not as an author of image processing code who needs to understand the algorithms behind these operations. Instead, Russ explains all of the operations, their value in various applications, and provides many illustrations showing before and after pictures of what each operation does. There are no algorithms, pseudocode, or mathematics in this book.

The jewel in the crown of this book is the companion CD. It contains over 200 Photoshop plug-ins for performing the operations mentioned in this book. These plug-ins work on 8-bit grayscale and 24 bit RGB images and are divided into the categories of image adjustment, color manipulation, image math, boolean operations, Fourier processing, morphological operations, neighborhood processing, distance-map operations, thresholding, feature measurement, calibration, stereology, and surface rendering. The bad news is that you have to obtain the CD separately. If you need to understand the detailed mathematics behind such operations, you might consult Digital Image Processing by Gonzalez and Woods, and then come back to this book for the tools to accomplish the operations explained in that book. The updates to this fifth edition include an additional chapter on human vision and how it ties into image processing. Also, the author has updated his sections on image acquisition hardware and software to describe the latest tools available. Finally, the topic of tomographic imaging has been expanded and given its own chapter and the chapter on 3-D image acquisition has been deleted.

This is an excellent book on image processing from a systems engineering and user standpoint. You will be disappointed if you expect to learn the algorithms behind the techniques demonstrated in this book.

As others have stated, this book comes as close as you'll ever get to a single-source reference on image processing. But if I were ever going to shoot anything down in it, I'd say that a little more mathematical background on some topics (and maybe pseudocoded examples) would help. For example, in the satellite geometric correction section, only a very high level view is given yet this is a challenging topic that could use more depth. Geometric transformations in general could use more depth, e.g. camera calibrations or image warping/morphing/mapping to other projections for example. Another example would be the need for a little more depth on how to make slow algorithms fast ...like convolution multiplications for example. Sure, you could write out the multiplies and spot commonalities, then re-use results that appear in more than one subsequent equation and what not, but some exploration of matrix math and how to make it efficient would be nice. But again ...I'm picking at small things here, and if John's book covered everything that I'd like it to, then it would become 2 books, not one ...hey! Now THERE's an idea! A 2+ book set by John Russ that covers a broader range of topics and does so in greater depth! That's something that I'd pay for (and much better to read than Ballard & Brown)

Harold Bloom writes that what makes some authors great to the point where their work approaches the canonical is "strangeness, a mode of originality that either cannot be assimilated, or that so assimilates us that we cease to see it as strange." This meditation on ruins will surely withstand the test of time as well or better than some of the memorials of history that it describes. It has piqued my interest in something that I'd never given much thought to. I have been within walking distance of a couple of places the author writes about, and passed on the opportunity to visit them. Histories comprise more than half of my leisure reading, but somehow I couldn't muster the curiosity to explore a historical ruin in the same way I would with museums & historic landmarks (that are still in one piece). This wonderfully written book has changed that for me. Highly recommended, a book that you will likely want to re-read every few years, and take with you on visits to Rome, Sicily, Wales and more.

To read In Ruins cover to cover is a continuous delight, but you could dip in anywhere and find yourself enthralled in an instant. Michael Woodward has a well-stored memory but wears his erudition lightly. He is now the director of the Holburne Museum of Arts in Bath, but his book surely reflects the five years he worked in Sir Hans Soane's museum in London. That incredible collection, housed in Soane's own home and left, by his direction when he bequeathed it to the nation, exactly as it was at his death, is a wondrous assemblage of antiquities. It appears chaotically haphazard but indeed was not, and the contents of this book have something of the same quality. Vignettes, quotations, anecdotes, reminiscences of journeys among ruins, romantic elegies, musings deeply felt, pour helter-skelter from Woodward's lively mind. The book has its structures; it has its themes. They are not starkly revealed but the underpinnings are there.
Woodward's opening chapter launches us, appropriately, in Rome. The Romans believed their city of 800,000 people was eternal and why not? Rome had walls ten miles long studded with 376 towers, crossed by nineteen aqueducts feeding more than 1,200 drinking fountains and close to a thousand public baths and the whole decorated with 3,785 statues - and all this dwarfed by colossal public buildings. How could such magnificence perish? The extraordinarily elaborate water supply provides the clue. The barbarians broke the aqueducts and soon the population was a poverty-stricken remnant, perhaps 30,000, huddled beside the Tiber. "From the fall of classical Rome until the eighteenth century" Woodward reminds us, "the only houses in the Forum were the cottages of lime-burners and the hovels of beggars and thieves." What were left were magnificent ruins and those ruins have inspired poets, artists, philosophers and theologians down the centuries. They even inspired the Fuhrer who after his first state visit to Rome decreed that all Nazi monuments should be built of marble, brick and stone - no concrete. The ruins of the 1,000-year Reich must be suitably grandiose - that is, like Roman ruins! And how grandiose the Roman ruins were! In the Middle Ages men thought the ruins of the baths of Caracalla were the work of giants. The chapter is chiefly devoted, however, to the Colosseum, and a whole series of characteristic reflections and vignettes, stories and quotations from literary visitors of different centuries. He also laments - not for the last time - the work of those who have destroyed an extraordinarily inspiring ruin in their efforts to preserve a monument. "Poets and painters like ruins, and dictators like monuments." The Colosseum was once a giant's garden haunted by owls and nightingales. Now it is sterile. It is a recurring theme. Ruins are important in their own right, not just because of what they once were, and should not be relentlessly cleaned up and re-pointed to make them permanently monumental. The trees, shrubs, creepers and flowers, are all part of the inspiration of ruins: "bare ruined choirs in which the sweet birds sing."
Through successive chapters we follow Woodward's schoolboy steps to Verulam (Roman St Albans) and share his disappointment that the walls were insignificantly low: Roman ruins but nowhere near so grand as the ruins of Rome. The older Christopher, however, sees them as an exemplar that reminds us of the mortality not just of Man but of his works. Francis Bacon, ennobled by his king, took "Verulam" as his title to remind himself that all pomp and state is but passing vanity. Woodward follows the footsteps of the tormented ploughman poet, John Clare, to a ruined arch and scattered stones, all that survives of a town destroyed in the Wars of the Roses. There he was inspired to write "Elegy on the ruins of Pickworth". Bitter at the inequalities of wealth he saw around him Clare was consoled by the "exemplary frailty" of men's possessions.
At first I marvelled at Woodward's courage in boldly inviting comparison with Rose Macaulay's justly famed The Pleasure of Ruins. He had nothing to fear. It stands the comparison very well. Late in the book he devotes a long admiring passage to Macaulay's extraordinary life. She was, he tells us, an early and potent inspiration and it shows.

Everything you wanted to know about ruins but hadn't thought to ask. The role ruins play in the imaginative life of European culture: a reflection on mortality and the transience of civilizations, among other interpretations. Modeled after "The Haunts of the Black Masseur" it is often fascinating, consistently well-written but on occasion seemed to go on too long. The last chapter was the most moving as the personal histories seemed the most tragic and affecting. An intriguing cultural history, as told by an obsessed historian as a labor of love.

Its' difficult to describe this book, or even what its about...but I couldn't put it down for two days (The time it took to read it). I suppose the best way to describe reading it is that is was like sitting down at a nice pub by the fire and listening to a very, very interesting person speak.

Woodward has that all too rare combination of being extraordinarily intelligent, thinking and feeling, and able to express it.

Have you ever looked at a ruin, and found your imagination running away? Have ever wondered why ruins seem to evoke more thought from people -from poets like Shelly (covered in the book) and artists of the Romantic period?

Short of going there and contemplating yourself, this book is the next best thing, in fact, i would recommend if before anyone goest to see

IN RUINS by Christopher Woodward is one of the most genteel, warmly evocative, yet scholarly extended essays about beauty that has appeared in a while. Only a true artist could 1) come up with the idea of meditating on ruins of past civilizations and 2) recreate historical places not only through his own perceptive eyes but also through the eyes and writings and drawings and paintings of artists for the past two hundred years. Woodward finds beauty in the "neglected" ruins, the old sites where nature has nudged the surfaces with wild flowers, mosses, crawling vines, and ground swells, preferring this respect for times past to the wild flurry of the preservationists who seek to 'restore' these treasures to their 'original glory' but often invite tourism with its adjunctive sales, stands, and souvenirs. He has visited the ruins of Rome, of Sicily, Cuba, England, etc and is distraught when he finds these various havens for poets sequestered with guardrails and other implements of distraction. "..the artist is inevitably at odds with the archeologist. In the latter discipline the scattered fragments of stone are parts of a jigsaw, or clues to a puzzle to which there is only one answer, as in a science laboratory; to the artist, by contrast, any answer which is imaginative is correct." "What [poet] Shelley's experience shows is that the vegetation which grows on ruins appeals to the depths of our consciousness, for it represents the hand of Time, and the contest between the individual and the universe." Of the 'Picturesque Movement' in England, Woodward writes referring to the latter day artist John Piper "I know perfectly well I would rather paint a ruined abbey half-covered with ivy and standing in long grass than I would paint it after if has been taken over by the Office of Works, when they've taken of all the ivy and mown all the grass." Woodward talks about even the transporting of ruins from, say, Libya to England (as per King George IV in 1827 importing the Roman ruins of Leptis Magna to his Gardens at Virginia Water). "A ruin is a dialogue between an incomplete reality and the imagination of the spectator." And finally in his thoughts on war monuments and memorials he writes "Is it ever possible to preserve the 'strange beauty' of war, to capture the moment of 'dust in the air suspended'?"

Each of these eloquently written thoughts and musings is unlike anything else you will find in books on art history, architectural history, or even philosophy. Christopher Woodward has graced our libraries with a little volume that holds dear the intangible, the corporeal transience, the lasting loveliness of man's time on this planet as protected by nature. This is truly a beautiful book that begs for moments of your indulgence, away from the madding crowd.

Unlike many books about the Holocaust this one is truly different in its ending. Suffuring a fate like the Jewish in WWII is not imaginable and this books takes you to a girl and the trials she faced trying to survive and stay connected with her family. This books is an inspiring story of a young girl who tries to survive the terrible fate of her people while trying to stay with her family and the repercussions of this horrible time will never be healed. Although Inge does not get to finish the book herself, her nephew does a great job finishing where she left off. If you like emotional stories that suck you in and you don't want to put the book down, you will love this book!

I won't go into a synopsis since the readers before me have very detailed ones.
I checked this one out from the local library. I could not put it down. I was able to finish in 2 days. I found myself following her on her journey. The book is very well written and really involves the reader in what life may have been like for her. I am purchasing this one to keep on my shelf. Definitely worth reading and rereading.

Most books on the Holocaust reflect the horrible trials of those murdered or sent to Concentration Camps. This is a story of a young girl sent by her family to Belgium from Germany before the war. She is tossed into the whirlwind of war and her separation from her family is greatly traumatic for her. She faces her difficult teen years as a refugee in Southern France. The North of France is occupied by the Nazis, who ultimately control the French Government, both north and south. Each year she grows closer to her 18th birthday, she is painfully aware of the French laws will allow her to be turned over to the Nazis and deported. She is not alone in her travail. This story tells of the genuine goodness of those who helped shelter her and get her and many of her friends to Switzerland. There is love, loss and decency. A really different prospective. Should be read by all.

Much has been written about the millions who were murdered during the Nazis' Holocaust bestiality yet we know less about the effect on thousands of child survivors who suffered separation from family, deprivation and often multiple escapes during World War II. In "Inge" author Gumpert vividly portrays the anxieties and trauma of an innocent young girl under the duress of separation, escape and living on the margin. Inge discovers herself and turns from introvert to courageous escape artist, outwitting adult persecutioners. We also learn about selfless and heroic rescuers. It is fascinating to discover her interactions with peers and even the advent of teenage love during her turbulent youth.

The book vividly presents the gripping dangers and escapades of Inge's teenage years. Even more important, the author reveals Inge's lifelong and unsuccessful struggle to cope with the memories. One feels the author has perhaps finally provided the peace and redemption which escaped Inge during her lifetime.

As a fellow teenage refugee with Inge in 1940-41 (her first love was my best friend Walter), I knew the facts, but I am deeply moved by the compelling story told by this book.

This book takes you into the life of Inge Joseph who lived threw the Holocaust, but ultimitly could not get past it.

Inge Joseph was born in Darmstadt, Germany in 1925. She had an older sister and loving parents. When she was young Hitler took power and her life changed. In 1936 her father got arrested and shortly afterwards her sister then 16 went to live in America eventually living in Chicago.

Inge and her mother remained in Darmstadt with the help of her father's wealthy cousin. During this time however Inge left Darmstadt and went to live with her cousin in Belgium. After only living with him a short time he and his wife sent her to live in a hostil run by Mr. and Mrs. Frank (no relation to Anne.) After living there a while, the Nazis invaded Belgium and the Franks sent the girls to France with a group of boys from another hostil in the town they lived in.

The 100 kids went to France and stayed in a barn for a while, until the Swiss Red Cross got involved helping them with food, and finding them a castle to live in.

Life was not easy in the barn or castle, but Inge and some of her friends found love. During the time in the castle the oldest of the children were arrested and sent to a concentration camp, but managed to go back to Chateau le Haille (the castle). Several months later the person in charge decided that the oldest ones needed to escape.

After a failed escape leading to the deaths of Inge's friend and boyfriend Inge made it to Switzerland and finally to the United States to reunite with her father and sister.

Inge tried to get over her experiences, married a Austrian Jew and adopted a daughter named Julie, and also became a nurse. Unfortunitly she was not able to and became addicted to medication that caused her to die in 1983.

A very interesting story, one can't forget

INTO THE MIRROR BLACK IS OVER THE TOP, I GIVE FRANK'S BOOK FIVE STARS AND NOT JUST STARS THEY ARE FIVE STARS THAT SHINE SO BRIGHT, I AM LEFT FEELING VERY IMAGINATIVE AS IF I AM IN MYSTIC, INTO THE MIRROR BLACK PUTS THE CAPITOL C IN CLASSIC HORROR CHARMING YOU WITH TURN OF THE CENTURY DELIGHTS, TO ALL YOU BOOK LOVERS OUT THERE GET GOOSEBUMPS WITH FRANK E BITTINGER NOVELS, I AM GETTING GOOSEBUMPS JUST THINKING OF NOVEL TWO "ANGELS OF THE SEVENTH DAWN" WHICH I WILL START READING TOMORROW, UNTIL THEN NIGHTY NIGHTY SLEEP TIGHT DON'T LET THE BED BUGS BITE!

Into the Mirror Black was one of the best gothic novels I have ever read. I cared about the main character immediately. I loved the home his relative leaves for him. I really loved the idea of a graveyard on the premises. That is my idea of a dream home!
The alliteration to Rosemary's Baby was FANTASTIC!!! I half expected the old lady to offer Storm a blue drink and say, "Go on, it's good for you."
haha. This is a must read!

As a native Western Marylander I was both skeptical and curious about how well Bittinger would work the area into the book. I must say he did a wonderful job. His character descriptions and humor will leave you wanting more. I look forward to reading more of his work.

Into The Mirror Black

This story roped me right in, from the first page of the prologue. The description of the time-frame of 1900, transported me there immediately. I could close my eyes and see the dwelling in which the Ritual was taking place and then gracelessly interupted.
Soon I was traveling back to present day in the first chapter. I saw things in each character I could identify with. The main character in the story is (other than the Mirror) Storm. Poor man seems almost lonely, except for his co-workers and his assistant, Nannette. The exchanges between Storm and Nannette, made me laugh out loud! I believed that Storm's existance was work, and commute, home and sleep. No socializing, he didn't seem to have time. I could feel his depression seeping thru the pages. The shock of finding out about Lila's passing, and then learning of all she left him, pushes Storm to delve into his family's history and secrets in a small Western MD town, where he meets some people that become very important in his life. Vanessa Archer is one of these such people, the kind of person we all would like to have as a friend. The more he learned, the more questions arose. Who are these ghosts, what do they want?
I had to make myself put the book down, so I could function in my daily life, or to sleep. The closer to finishing the book I got, the harder it was to put down.
I am so very ready for the next book, and June 2007 can't get here fast enough!

"Into the Mirror Black" will draw you in with a blend of witty characters and macabre intrigue. The smooth flow of events was compelling to read, but I was even more impressed at how the supernatural aspects of the story were kept within a fully realistic setting. Frank lets the daily lives of his characters interact with his plot in such a way that his exposition isn't as obvious as other writers.

I quickly felt familiar with the characters, and I enjoyed how the clues and mysteries of the plot were peculiar enough to leave me wondering. By the end, I only thought that I'd had it figured out...

Nevertheless, as the first book that I've been able to finish reading in over five years vs. novels written by Dean Koontz and Clive Barker; I'd reccommend "Into the Mirror Black" to reading enthusiasts, but to those of us who aren't as avid as we might have once been.

I'm looking forward to the next piece by this author!

it is surprising to find that so few people have anything to say about this book; Hardy was a giant among mathematicians and at last this book is translated in french...Although it is an old book, the younger author saw that it was updated through 5 editions in the 20th century; this book cannot truly become obsolete because it is about number theory from an elementary viewpoint; so no complex analysis, no modular forms and no proof of Fermat's last theorem either but a wealth of results that could keep you busy quite for a while. Moreover, most of the proofs are still up to date and usable in secondary school or college; most of the proofs about arithmetical functions given in this work have found a new life and home in more recent books such as Natanson's: Elementary methods in number theory (another fine book by the way in which Hardy and Littlewood tauberian theorem is proven via Karamata's method to ensure a density theorem on partitions). The main parts of the book I went through are those on arithmetical functions and series of prime and especially mertens's theorem but there is a lot to learn from it on such subjects as gaussian integers (chapter 12), diophantine equations (chapter 13), Rogers-Ramanujan identities, Jacobi and Euler theorems in the chapter about partitions (numbered 19...), Kronecker's theorem on irrational numbers and on a smaller scale e and pi's irrationality (easy) and transcendence (not so easy) in chapter 11 and of course congruences including a famous theorem on Bernoulli numbers of Von Staudt which gives the fractional part of those enigmatic numbers as a sum of picked inverse of prime numbers . Let say it again: a wonderful book.

It was always claimed that of all the mathematicians who ever lived, Hardy was one of the greatest writers. This book certainly confirms that view. From the very beginning, one thinks, "Wow, this guy REALLY knows what he's talking about." Hardy was, in fact, one of the greatest number theorists of the twentieth century. Hardy gives actual intuitive motivation for almost all of the theorems in the book (intuition is often overlooked by mathematical authors who use the confusing traditional "theorem-proof" approach), and his proofs are elegant and easy to follow. Once, I spoke to the chair of the math department at a major University (Wash U. in St. Louis) and he told me that he reads Hardy and Wright at least once a year to refresh himself on the basics. I would recommend this book to anyone who is learning about number theory for the first time, and wishes to pursue the subject through self-study.

This is an unusual number theory book in that it covers topics of interest to the authors which are not often found in the "standard" introductory treatment. My only mild complaints are: no subject index and some ambiguous and unusual notation here and there.

I agree that this book should be in the library of anyone serious about the topic, however, if you are beginning your study of number theory from scratch there are other books that may provide a better start. I would recommend Joe Roberts "Elementary Number Theory: A Problem Oriented Approach" and/or "An Introduction to the Theory of Numbers" by Niven, Zuckerman, and Montgomery.

Roberts offers a wide spectrum of problems, with detailed solutions, written along the lines of Polya & Szego's "Problems and Theorems in Analysis I & II". Nivens book is a solid traditional introduction.

It is fun to read Hardy and Wright though, it exhibits a style that is sadly missing today.

I have to say in closing that it would be good to ignore some of the previous reviews, specifically ones making reference to "idiots". They're unproductive, miss the point of reviewing, and exhibit a level of ignorance which Mark Twain identified years ago: "It is better to keep your mouth shut and appear stupid than to open it and remove all doubt."

This classic deserves its reputation but be warned that it is not an introduction for mathematical neophytes. The authors take detours (which sometimes are looks ahead) from the main path of development that the sophisticate will enjoy but the novice may not be able to recognize as detours. Examples are the geometry of numbers (introduced in chapter 3), the Farey dissection of the continuum, and trigonometric sums.

The authors also present deeper material than is usually considered an introduction. Their presentations are excellent but require sophistication for the following topics among others: quadratic fields, generating functions of arithmetical functions, Selberg's proof of the Prime Number Theorem, and Kronecker's theorem.

This is a book to buy and keep provided you have the necessary mathematical sophistication.

Final note: this book nicely complements Apostol's Introduction to Analytic Number Theory.

First of all, let me say this about the one star review. Do not let yourself be infuenced by lesser mathematicians. Idiots in my opinion. To give this book one star, you must posses some special kind of mediocracy. Keep your stupidity to yourself Lucas.

No one writes like this anymore. Mathematicians like Hardy have passed. The subject has ballooned, and now you have to specialize within Number Theory. There are fewer and fewer that can posses knowledge of the entire subject of Number Theory. Remember what Harold M. Edwards said. You have to read the classics, and beware of secondary sources. Authors give their own spin on ideas. And who is to say they have a greater or lesser understanding of the subject. Furthermore, who can determine how well can they express themselves. How many mathematicians our days bother to study grammar and literature? The best example is Gauss' Disquisitiones Arithmeticae. Would you rather read a book written by Gauss himself, the man that established the subject? Or by some one who learned what some one learned what some one learned over a period of 200 years? Also know what Axler, author of Linear Algebra Done Right, said about reading mathematics books. For a mathematics book, if you spend less than half an hour per page you are going too fast. The last thing i will say is again attributed to Edwards. In his book on Advanced Calculus he encourages the reader to jump chapters. A book does not have to, and sometimes it should not, be read in order. It may take some practice to see how you need to jump around, but you will find that you can maximize your reading by doing so.

There are several point in which this book excels. First, in the writing style. Second, in how many ideas it introduces. Or how good an understanding the reader obtains of Number Theory. It is invaluable to have the big picture. Third, the author has in mind the future material the reader will encounter. He knows you will go beyond this book, and prepares you for what is to come. You do not enter higher courses blind.

The writting style is representative of that of Wiles and Loiville. It will show you how your mathematical writting should be. It takes a lot of practice to learn mathematical formalism and how to write proofs. This is the book to learn from. The author is not afraid to connect the ideas you are learning to other advanced ideas and to mathematical history, unlike present day authors. If you plan to be a mathematician, you must know its history. The writting is in a mathematical sense superfluos. It does not assume you are a genius, but strikes balance between what you should know and what you should be told.

The book is successful in providing you with the big picture, and how ideas you are learning reflect one ideas you will learn or have already learned. Having a big picture of the subject, which he describes in the second chapter, lets you know what you are learning now and puts the entire material in context. Gives you great perspective of the subject. Because a great deal of branches of number theory are discussed, you are not only better equiped to choose which branch might interest you, but it eases the transition to more advanced courses, such as Analytical Number Theory.

The author from the start discusses unanswered questions in Number Theory. I know alot of professors which think that the student should not be exposed to questions that surpass his mathematical knowledge. They are the weak mathematicians. Mathematics is about exploring and breaking limits. You should know what is beyond your reach, and the reach of every one else. The questions that still stand might be answered by some one that was intrigued by the challenge of answering them when they are helpless to do so. Fermat's Last Thorem is such an example. The guy learned it at the age of 10.

The last thing i will say about the book is this. Number theory has one scope. Namely, prime numbers. This book make it clear that the purpose of number theory is to determine the properties of numbers. It discusses the limitations of mathematics in attaining answers to Riemann Hypothesis, Fundamental theorem, trancedental and irrational and algebraic numbers, and so on. The book is, in my opinion, an expansion of the section on unanswered questions. And in doing so many more questions are asked and analyzed. There are prime numbers, and nothing else.