E Books

Volume IV of "In Search of Lost Time" begins in the afternoon of the day of Princess of Guermantes's party, the one that Marcel had looked forward for so long as his definitive entrance into the world of high society. That afternoon, by spying on them, Marcel discovers with his own eyes, for the first time, homosexuality, in the form of an encounter between the depraved Baron de Charlus and the tailor Jupien, Marcel's neighbor in the property of the Guermantes. Later that evening, Marcel attends the party, attended also by a cast of characters like very few in literature: Charlus himself, a Swann close to his death, and others. The Dreyfuss cause keeps winning adepts, among them the very Prince and Princess of Guermantes, as the injustice of the sentence is revealed. In the party, Marcel continues on his way to disappointment about noblesse: they are people just like everyone else, only with grand names and big egos, but not much more.

Days later, with his mother, Marcel returns to Balbec, where, alone in his room he finally feels all the weight and sorrow of his grandmother's death, which had happened a year and a half before or so. It is a profound passage about the perception of death, everyday indifference to it, and the memories left to us by our beloved's passing away. In Balbec, Marcel reencounters with Albertine, in that perverted play of seduction and deceit, of attraction and rejection, which foreshadows a sick relationship. Disturbed by the graphic discovery of homosexuality, Marcel broods a lot about it. Two women who stay at the same hotel, and who openly show their lesbianism, awaken in Marcel a deep suspicion about Albertine's mysterious life, and so begins a torment of permanent jealousy, of anxiety and anguish which reminds the reader of the similar episode, in times gone by, of the beginning of the relationship between Swann and Odette. Meanwhile, Marcel has simultaneous relationships with a couple of maids of the hotel (literally simultaneous).

Marcel rents a car to go around with Albertine through the countryside and the coast, deepening his relationship with the capricious, naughty, annoying and elusive Albertine. In her company, he begins to frequent the little band of the social-climbing Verdurins (where Swann had met Odette years before), in the country estate they have rented from the Marquises of Cambremer. The central part of the book narrates that summer in Balbec and its surroundings, above all the wide mosaic of characters surrounding the Verdurins: insecure but arrogant Doctor Cottard and his simple wife; musician Vinteuil; the rustic and silent sculptor Ski; Professor Saniette, pathetic and constantly humiliated; and Madame Verdurin herself, presumptuous and increasingly successful in society. Over this fresco is shown the repulsive couple of Charlus and musician Morel, son of a former servant of the Prousts. Morel is the worst kind of climber and representative of sexual and moral corruption. In contrast with what happens in the first three volumes, here it seems that it is the nobles who yearn to be accepted in bourgeois society, and not the other way around. It is the bourgeois who attract interesting people: intellectuals, scientists, artists. Charlus makes a fool of himself big time, pretending everybody ignores his homosexuality, when in fact he is the target of cruel jokes and gossip. So continues the great saga of memory, sex, love, longing, and social observation of the XX Century.

Like in no one of the previous volumes, in this one the subject of homosexuality is analyzed in all its complexity. Marcel and Albertine's relationship forebodes hell. Charlus begins to sink. The bourgeois approach triumph. Like in all the previous volumes, what astounds the reader is Proust's immense power of microscopic vision to analyze individuals and dissect societies. It includes a magical reflection on dreams, as well as precious depictions of landscapes, sexual assaults, personalities and emotions.

Sodom and Gomorrah makes it difficult for those who speak of Proust and attempt to reduce his grand work to mere flowery social observation. This is a bold and often disturbing installment of la recherché, as Marcel recalls brutal homosexual sadomasochism among two of the principle characters, and has to deal with great loss and self-loathing.

The narrator also returns us to the superficial world of the Verdurins, where Swann and Odette first made their interactions in Swann in Love.

Marcel falls deeply in love with Albertine, but later discovers that she has been involved in homosexual relationships with two women, mirroring Swann's problems with Odette. There are remarkable passages on the nature of love in here: "But if something brings about a violent change in the position of that soul in relation to us, shows us that it is love with others and not with us, then by beating of our shattered heart we feel that it is not a few feet away from us but within us that the beloved creature was. Within us, in regions more or less superficial" (pg. 720)

Sodom and Gomorrah is a deeply felt and complex development in Proust's extraordinarily full and beautiful search.

I am writing here of the "Penguin Proust" translation by John Sturrock. (Much of what appears on this page is misleading, with the editorial matter referring to an audiobook and many reader reviews to an earlier translation. Even first-sentence quote is not from Sturrock's translation!)

Of the four Penguin Proust volumes I've read so far, this is my favorite--a wonderfully funny study of society (if not of sex). Proust specializes in transformations. We'll be introduced to a character and led to believe that we know everything of importance about him, only to have him turn up in a later volume as entirely different. In this volume, the remote and terrible Baron de Charlus is tranformed a pathetic tubby, besotted by the pianist Morel (himself a bit of a transformation, since he first appeared in the novel as the son of a valet).

Marcel (the narrator) meanwhile finds himself more deeply involved with Albertine, herself probably a stand-in for a male secretary of Proust's, Alfred Agostinelli. To complicate matters, I see elements of this relationship not only in the Marcel-Albertine affair, but also in the Charlus-Morel romance. It's as if Proust divided his experience into two parts, giving the romantic elements to Marcel and the comic part to Charlus.

The two romances come together at the seaside salon of the awful Madame Verdurin, who is inexorably rising in the world. In one of Proust's hundred-page setpieces, the aristocratic baron has his first clash with the social-climbing Verdurins. I found myself cheering for Charlus, whom I'd earlier learned to dislike, because he is so genuine and she is such a fraud. And I know in my heart (and through my earlier readings of this great novel) that things are not going to turn out well for Charlus. Against all logic, Proust in one of his hundred-page dissections of French society is able to keep me on tenterhooks.

The less said about Albertine, the better. I am not one of those who find her/him a convincing character. So it is with a bit of apprehension that I now turn to volume five of the Proust Penguin, containing the two books of the "Albertine cycle."

But back to Sodom (as it were): this is a wonderful translation of a riveting story. If you stick with "In Search of Lost Time" thus far, you will know that you are in the middle of one of the great experiences of your life.

"Sodom and Gomorrah," the fourth volume of Proust's masterwork "In Search of Lost Time," contains two very long set pieces that strike me as amazing achievements in the entire canon of literature. The first is an evening party at the mansion of the Prince and Princess de Guermantes attended by Proust's young narrator despite his doubt about having been properly invited, and the second is a dinner at the seaside clifftop house of the Verdurins filled with absurd but fascinating conversation. These episodes combined cover hundreds of pages of narration yet never give the impression of being stretched because Proust evokes the natural importance in every detail and human gesture, as though the course of the world depended on every little thing that transpires.

These details unify under the banner of the entire novel into a series of fictionalized memories of Proust's social life as a young man making his way through Parisian aristocratic circles and observing the events which develop his artistic conscience. These memories tend to be romanticized visions of the past, wistful dreams of what he might have really wanted his life to be: "We dream much of paradise, or rather of a number of successive paradises, but each of them is, long before we die, a paradise lost, in which we should feel ourselves lost too."

The title of the volume implies love between men and women, and men and men, and women and women. Here, the young Marcel chronicles the torrid romances of the Baron de Charlus, brother of the Duke de Guermantes, whose salon was the focal arena of the previous volume. Upon his spying--innocently, not judgmentally--on de Charlus and Jupien the tailor in an act of sodomy, he expounds on the societal attitudes confronting male homosexuality and on the ways de Charlus must go about procuring younger men for himself, such as he does with a conceited young violinist named Morel.

Meanwhile, Marcel's love affair with Albertine, the pretty girl whom he met at the seaside resort of Balbec in Volume II, is progressing slowly but not smoothly. He notices that she, as Odette used to do with Charles Swann, is beginning to play games with his propensity for jealousy, flirting first with a girl named Andree and then with Marcel's friend, the soldier Saint-Loup. As the volume wraps up, Marcel resolves to marry her, hoping to draw her away from her Sapphic inclinations.

Proust portrays a wide range of colorful supporting characters, who I have no doubt are based on people he knew in real life. While staying at Balbec, Marcel meets an eccentric family named Cambremer whom the lift-boy at the hotel mistakenly but amusingly calls Camembert and whose acquaintance provides a springboard for the dinner at the Verdurin estate. Here we experience the personalities of the physician Cottard, whose preoccupation with his Verdurin invitations affects his professional ethics; the shy, socially graceless Saniette, who is continuously bullied by Verdurin; and a pedantic bore named Brichot, who talks almost exclusively about the etymology of place names.

The motifs recurring in this volume include the society-enveloping controversy over the Dreyfus affair, the snobbery involved in invitations to certain salons, and Marcel's association with the aging and ill Swann and his wife Odette, who now have some hard-earned esteem in the Faubourg Saint-Germain. In his deeply contemplative approach to narration, Proust functions as an essayist as much as he does a novelist, but his genius is that he merges both forms seamlessly. His sentences, at least as translated into English by Moncrieff and Kilmartin, are consistently worthy of applause and inspire me to write with more sensitivity to my surroundings.

The fourth volume of "In search of lost time" (Sodom and Gomorrah) begins with the sickness of Marcel's grandmother's sickness, which will lead her to the grave. During the dissease she will be treated by doctor Huxley, whose behavior surrounding the woman's unavoidable death awakens Marcel's digressions. Once she dies, the story resumes his contact with the high spheres of society. Marcel travels once again to Balbec, where he finds Albertine again. Their relationship grows as they assist to Mme. Verdurin's gatherings. Her "wednesdays", as she calls them, now that she attends in Balbec to her group of friends. Marcel's mind games surrounding Albertine are comparable to those utilized by Charlus to manipulate his young lover, the son of an old servant of his (Marcel's) grandfather... who plays the violin. Marcel is involved in this relationship as an comunicating vessel between Charlus and his "Adonis". It is rather curious how telephones, automobiles and trains are more and more involved in the telling of the events. The encounters in the stations, the dangers of traveling in an automobile, the unpersonalized feel to talking to someone through a telephone, etc... All these entail not only technological changes, but social ones as well: how people relate to one another begins to be considered outside the reduced space of fixed spheres... now, they move all over the space, they can even be broken into pieces... their voices, their bodies, the possibility of an effective transport that also allows privacy and secrecy (such as Marcel and Albertine's travels in the car, and all the implied events surrounding this machine -involving Charlus and his young "friend").
Marcel's doubts about Albertine's likes, are more overwhelming everyday... and he finally decides to marry Albertine, to take her to Paris with him.
In this volume, Marcel Proust submerges deeper in the waters of human affections and desires. If in the second volume he began to experience love for the first time, in this one, he is experiencing love outside the protection of young idelism and romanticism... instead, he realizes the conection between love, desire, snobism and pain: the truth of love is far from being an eternal, selfless and happy feeling: it is the constant haunting of a question, the everlasting wonder about evil within and without.
It is most memorable when Marcel assists to a party and describes the unfixed nature of gender differentiation: how much can a woman look like a man, how much can a woman desire another woman... and how much like a woman can one man desire another man.

The final installment of Proust's grand `a la recherche du temps perdu' is a masterful and eloquent meditation on art, on the loss of love, and on the complex and enigmatic quality of experiencing relationships over the course of a lifetime. This is the period, the final breath of literary genius from the great Marcel Proust, who devoted his life to this great novel.

In `Time Regained,' the reader is permitted an extraordinary prolegomena on the writer's craft, a self-reflexive exposition of the literary form that prefigures post-modernity and the works of Brecht, Breton, Beckett, and all the rest of them. Proust creates a work that is more exacting, more precise and perspicacious than any work of aesthetic philosophy in the western tradition. He discloses that the art of writing is, in its essence, an act or translation.The artistic content is already contained within the mind and soul of the artist and the act of writing is an act of transporting the content to form.

This is a novel about time, and it requires time to read. In this way, Proust the reader develops a relationship with the work within the register of a temporal horizon, which mirrors the register of temporality internal to the characters and unfolding of the fictional universe that Proust has created. It is a joy to read.

Also included in this volume is Kilmartin's guide to Proust, a summation of all the central characters, events, and allusions in a la recherché for readers who (inevitably) get lost in Proust's complex literary web.

"Time Regained" is a dark ending to the "In Search of Lost Time" cycle, as Proust, sickly like his fictional narrator, unknowingly nears the end of his own life but senses its imminence. France, like the most of the rest of the world, is now a very different place. The Dreyfus affair is receding into the past under the shadow of the new war that has descended upon Europe, with Germany having ravaged Belgium and threatening to destroy London and Paris.

Many of the people with whom Marcel has associated throughout his life and whom we came to know so intimately through the pages of his chronicle are now dead, whether by disease, accident, old age, or the war. Those among the living include the Baron de Charlus, who sympathizes with the Germans and frequents a hotel that serves as a male brothel; Bloch, who has de-Judaicized his name and has assumed an English chic; and Odette and her daughter Gilberte, the latter now herself a mother, who have not so gracefully weathered the effects of aging.

Marcel himself is now an adult of at least middle age, and, as far as he is concerned, still no closer to achieving his goal of becoming a writer as he was in his youth. He has, however, started writing articles and comes to realize, as he reflects on the course of his life, that the intricate web of contacts he has made can serve as grist for his literary mill, should he decide in his waning days to take up a pen and make some contribution to letters. And, of course, over the past four thousand pages that is exactly what his author has done. Marcel muses on Time (capitalization intended), memory, and dreams as necessary elements in the creation of art, a product of so much personal pain and suffering that death can seem like a welcome reprieve.

Judging the novel as a whole now that I've finished all six volumes, I affirm that there is nothing like it, or even close to it, in literature; like "Moby Dick" or "Don Quixote" it resides in its own impenetrable legendary world of oneness. In my review of "Swann's Way," I compared Proust to Henry James, but I see now that I was way off the mark. James writes like he's throwing his weight around, imperiously demanding intellectual respect and forcing his reader into submission with his intentionally inscrutable compositions; Proust's prose, conversely, calmly and warmly invites the reader into Marcel's society and caresses him with the most delicate sensations and deepest emotions. Proust is closer to Henry Adams than he is to Henry James, but even this attempted juxtaposition is buffered by a wide margin.

Proust's style is so ornate that it is the most difficult of any writer's to describe, yet paradoxically there is nothing affected about it; he is quite possibly the most unpretentious writer in literature. He never tries to impress the reader with his erudition, even though he evidently has much, or make himself out to be something he's not; one gets the sense that what he writes is exactly what and how he thinks, as incredible as that seems. He uses humor without trying to be a comedian, sorrow without trying to be a tragedian. He is employing language simply to illustrate life and the world, and I think language has no higher calling than that.

A brilliant closing volume to the novel. It brings back the lyricism of the first two volumes. I thought in the volumes in between some of that earlier lyricism was sacrificed to the bitchiness of Proust's tone toward the aristocracy he was doubtless jealous of, and his askew view of love that stemmed from his obvious anxieties about having been homosexual. But the early lyrcism and charm of the first two volumes is largely revived in this final volume. And anyone interested in writing, as anyone who makes it to this final volume doubtless is, Proust's passages on the art of writing make rewarding reading.
The obvious flaws are that some characters who'd earlier "died" show up alive in this volume. Couples who had numerous children in earlier volumes show up in this volume having only one child; Marcel (the narrator) recognizes people and then subsequently, in the same scene, doesn't recognize them. I have NOOO idea why some editor didn't knock out these discrepancies and tighten the text. It really seems silly to me to be SOOO faithful to Proust's final manuscript as to include glaring errors. Proust was rewriting when he died. If he'd lived he would have corrected these errors and I think his intention should have been honored. But I'm still giving it five stars, since overall the experience of reading this last volume is of reading something truly brilliant.

Perhaps the most exciting publishing event of the century so far is the new translation of "In Search of Lost Time," as it is now (and more accurately) called. Finding the last two volumes is a bit of a chore, but search for ISBN 0141180366 or "Prendergast Proust" or "Ian Patterson" on Amazon. I haven't read it, but I am impressed enough by the first two volumes in this new translations that I have ordered the final two from England, where they are available in hardcover. Viking has not yet published them in the U.S. (and may not, in my lifetime) but Amazon sells the paperbacks of the British Penguin edition. They are somewhat misleadingly titled "In Search of Lost Time," which is the series title. This volume is actually titled "Finding Time Again," and the translator is Ian Patterson. (Each book has its own translator, for a total of seven. Vol. 5 contains two books and features two translators.)

I give this Modern Library edition only four stars because I am convinced that the new translation is superior. Indeed, it's not entirely clear to me who the translator is, in this case; evidently not Fred Blossom, who did the original English translation when Scott-Montcrief died before finishing the work.

The melancholy atmosphere that pervaded the close of The Fugitive is carried over into this final part of Proust's huge work. Whereas, in the preceding part, Marcel laments the loss of Albertine and his changed relationship with his long time friend, Saint Loup, the author's concerns are now much greater. France is in the midst of World War I, Paris experiencing night time air raids; and the distinction between the Guermantes' Way and Swann's Way has become even more blurred as both Gilberte, the daughter of a courtesan, and Mme. Verdurin, the insufferable salon hostess, have become members of the mystic Guermantes family. Furthermore, Saint Loup is killed in action and Marcel's hometown is occupied by the Germans. But in spite of the gravity of the events surrounding him, Marcel becomes even more self-absorbed. He still holds onto his drean of becoming a writer, but this desire begins to wane as he becomes convinced that he has neither the temperament, the knowledge nor the fortitude to follow a literary career. Then the pivotal event of the whole novel takes place: he is invited to a matinee at the new home of the Prince de Guermantes.

While waiting in an anteroom for admission to the Guermantes' reception, the author is beset by a series of sensory experiences that bring back several happy memories from his past. These recollections, both powerful and joyous, convince him that he has the ability to undertake a literary career, to be able to communicate those ecstatic moments from the past to readers of the present day. His melancholy lifted, he enters the reception to discover that his recent epiphany is only bolstered by what he finds. All around him are the decaying remnants of a fast fading aristocracy. Many of the characters that have been introduced to the reader throughout the course of the novel are met again, but now in the final years of their lives: the proud Charlus, now an obsequious old man; the Duc de Guermantes, described as a "magnificent ruin"; Gilberte, now confused with her aging mother; even Marcel becomes aware that he, too, is quickly getting old. But now seeing things with an artist's eye, Marcel becomes aware that each of these characters, as well as all those people remembered from his life, are "like giants plunged into the years, [touching] the distant epochs through which they have lived, between which so many days have come to range themeselves - in Time." Marcel's goal is clear. He will spend the rest of his life carefully bringing these giants back to life. In other words, he is ready to embark on the huge task of writing the book that the reader has just finished reading.

This part of the novel was published five years after the author's death and suffers from a lack of editing. There are many ellipses, contradictions, and time and place juxtapostion mistakes, errors that Proust would surely have tidied up if he had lived to see his work published in full. But these are paltry criticisms wthen compared to the brilliance of the total work. Unfortunately, Proust is little read these days, and many of those who attempt to read the novel are motivated by the challenge of a literary marathon more than from an awareness of the intrinsic value of the work (as I was). But regardless of the motivation, the effort (and it is an effort) is totally rewarding as the reader sees in Proust's world reflections of his own. It took me a part of seven years to read the complete novel, a period of time in which Proust's search for lost time and my own reminiscences often became linked together as the author's characters shared my own thoughts regarding things past, the specious present, and the eventual fate that awaits us all.

Kilmartin's A Guide to Proust, which is included in this volume is well worth the price of the book by itself. The guide consists of four distinct inexes to Proust's novel: characters, historical persons, places and themes. The scholarship that went into compliling these indexes is outstanding and makes it possible for the reader to spend several years (if he so wishes) in working his way through the novel without losing track of the hundreds of characters and personages included therein. One reviewer remarked, "buy this volume first"; I would only modify this advice by suggesting that the prospective reader get this volume when he purchases Swann's Way.

George Perkovich has produced a seminal work on India's nuclear weapons program. He analyzes the political, economic, security issues that have contributed to India's decision-making regarding the bomb. George has correctly identified India as being caught in a dilemma for a long time over nuclear weapons testing. India also provides the only example of a nuclear weapons program that was openly debated in a democratic society. This debate (which ranked often very low on the priorities of successive prime ministers who correctly placed socio-economic development as a higher priority) has led to India shifting its position over time -- one from being the first proponent of the Comprehensive Test Ban Treaty to opposing it due to is discriminatory nature today. It describes how India's opposition to nuclear weapons in the '50s which was perceived as being moralizing in the West, has now changed to embrace weapons since the nuclear Non Proliferation Treaty permanently endorsed the nuclear weapons status of the five declared nuclear powers without any comprehensive, binding time-table for destroying all nuclear weapons -- a position that India objects to as being discriminatory.

A must-read for anyone interested in nuclear weapons proliferation and arms control negotiations today.

Less to do with the bomb per se, but a scholarly history of the Indian nuclear program. This is a work that will be quoted again and again.

This is easily one of the best books I have read about my own country. Very informative.

Note to editorial Reviewers: India entered the nuclear club in May 1974 and not in May 1998 as suggested by some of your reviews.

Some highlights of the book.

* The term nuclear "haves" and "have-nots" was coined by Homi Bhabha initially and used by others and till date has been central to putting forth our country's opposition to NPT and CTBT.

* University of Chicago's late Prof. Chandrasekhar's refusal to head the Atomic Energy Commission (AEC) after the death of patriot Dr. Homi Bhabha.

* One of my disappointment is the author's avoidance in the discussion of the cause of the death of Dr. Homi Bhabha, even though such an incident is beyond the scope of this book. Since Bhabha provided the impetus and leadership during the nuclear program's infancy, I expected the author to throw some light on this issue.

* Vikram Sarabhai's hatred for Nuclear tests is news, especially since he was heading the Atomic Energy commision. As a spaceman it is surprising that he headed the organization in the first place.

* Indira Gandhi's refusal to allow more nuclear tests after 1974 stemmed from her abhorence for anything nuclear after her post-Pokhran I experiences. This is contrary to the popular belief - international pressure.

* Most sections of the book has an objective view of the Indian nuclear scenario except the last few chapters where the author seems to bend towards India signing the CTBT and the NPT. Or atleast implying that India's moral stand on nuclear issue was defeated after the May 98 tests.

* BJP (and its predecessor Jana Sangh) has been the only political party to openly campaign for Nuclear power.

It is time that India and Pakistan get the respect they deserve as nuclear powers. Why is it that France, Germany, Israel, the U.S., Russia, and South Africa (now supposedly non-nuclear) have been able to garner the respect that China, India and Pakistan are alluded by? Is it becuase they are not white Europeans? Nontheless, a well researched book.

As an Indian immensely proud of his country's accomplishments and having had to enter multiple debates with other non-Indians in May 1998, I gained a great amount from the book. It is immaculately researched and it seems that Perkovich has left no stone unturned. It goes into such depth and understanding of the Indian polity's psyche as previously unseen from a non-Indian author. Perkovich is not merely narrating a set of events which led to the testing but defending a theory that goes against current understandings of international relations and nuclear non-profileration by setting India as an example. I enjoyed every chapter of the book and hope that current policy makers in the field learn from it. A must read for every Indian interested it their country's policies and others making policy for the rest of the world.

This book is great resource for a student leader, either for quotes, or to actually inspire you as the title suggests. Student leaders can use this book...I thought it was so great that I bought Inspiration for Greeks too. Also, I have spoken with one of the Authors...They know what they are doing. GREAT BOOK!!!

"Inspiration for Student Leaders" as with all of the books in the series, continues on giving the variety that I look for and enjoy and never stops sparking me with inspiration. The "personal stories" - the quotes - the struggles shown...and - "the short and sweet" style, help to make this book fun and a breeze to read. When you pick it up, you want to read from cover to cover without putting it down. What I mean by "short and sweet style" is that the stories and messages in this book are - in length - short...but their impact is profound. Some of us know how it is to be in college - to be bombarded by text books and novels - to have to write papers and read over notes. By the end of all that, who wants to read for enjoyment? Just like the other books in the series, "Inspiration for Student Leaders" gives us stories about real people, "famous people" as well as people we've never heard of. They common thread to them all is that they have faced similar situations as our student leaders are seeing today. These stories show how they've dealt with them - and what they've learned along the way - all in a "little package". I also like the creativity that is shown. For example, I'll use LESSONS FROM THE PLAYGROUND. I've never looked at monkey bars or hopscotch in such a light as to what leaders learn, do, and endure. WOW! It just amazes me how practical these books are. They don't use big, "million dollar words" - but put concepts and issues in terms and examples that students will enjoy reading...and can understand. Not only that, but with each story I, myself, as a Student Services Professional was inspired to go above and beyond what I'm doing with my career!

This book is phenomenal! A collection of stories, poems, quotes, and real experiences for student leaders. The book has many applications to leadership studies and personal motivation and inspiration.

As one of the co-authors, I'm extremely proud of the finished product. In addition to getting a great resourse for your library, every purchase of this book gives a $1 donation to the National Association for Campus Activities (NACA) Educational Foundation - NACA provides scholarships for college students across the US.

While there are certainly MANY books on leadership and developing student leaders there are few that offer stories of inspiration and hope that allow the reader to draw his/her own conclusions. This book presents examples of all types of leadership and leaders from the celebrated to the unknown. Each story highlights the every day opportunities to achieve and learn. There is potential for trainers to use the stories as reflection for group exercises or to motivate campus organizations. There are stories to reflect on each students personal responsibility within an organization and the many rewards of participation in campus life. It's a great book for the new leader and a reminder to the seasoned veteran of the importance of each action and choice we make-and how profoundly we can positively change the campus community and each other.

Inspiration for Student Leaders is a concise, intelligent read, ideal for both students and professional staff who work with student leaders. Stories, poems, quick quotes and other works combine to make this publication live up to its goal of inspiring student leaders. Student Activities professional should give this book to incoming student leaders to help them broaden their perspectives on leadership. Established student leaders whose energy may be waning, can draw encouragement from the passages written by other students. This book should be on the resource shelf in every Student Union in America.

This impeccably reasearched and skillfully written analysis of the baby products industry is a "must read" for all--not only just parents and child care providers. As a collegiate professor, Department of Business and Management, University of Maryland University College, Europe, I've used it in classes to illustrate the principles of product liability, to raise business ethics issues, and to examine the machinery of federal regulation. Resulting discussions have lasted for hours, and rank among the most interesting that I've facilitated. Kudos to the author!

An intelligent and thorough analysis of an industry that has much to answer for in terms of business ethics. I highly recommend this book for parents, grandparents, and educators on all levels, particularly those teaching the intricacies of products liablility law and consumer {misinformation}. Felcher is an excellent writer and builds both compelling and heartbreaking arguments for legislative change. Don't miss this one.

American families trust that the products our babies use, from strollers to cribs to swings, will keep them safe. Unfortunately, we found out the truth in the most terrible way. Our beloved son Danny was the fifth baby to die in the Playskool Travel-Lite Portable Crib. When we discovered that it had been recalled five years earlier, our friend Marla Felcher embarked on a groundbreaking investigation of the juvenile product industry that led to this book.

Read "It's No Accident" and ask yourself, why aren't American manufacturers required to safety test most baby products before marketing them? How can they be allowed to set their own voluntary safety standards? Why don't most parents hear about the tens of millions of unsafe children's products recalled every year? What is the CPSC and why can't it effectively protect our children from disabling injuries and death?

"It's No Accident", which Marla dedicated to Danny's memory, shows that his death was a symptom of a fundamentally-flawed system. Read this book and warn your friends. Nothing will bring Danny back to life, but "It's No Accident" will prevent other, needless tragedies. It is the cornerstone of the next big consumer movement.

Linda Ginzel and Boaz Keysar Chicago, IL

Grandparents buy a large percentage of infant products. This book clearly outlines the products that could prove dangerous. I recommend this book as a must for all prospective grandparents before they take that trip to buy what they believe to be safe for their granchildren.

Do you think the government is protecting your children from unsafe products? If you believe this is so, THEN THINK AGAIN. Felcher does an admirable job pointing out the numerous flaws in the juvenile products industry and showing how your own young children could be at serious risk. For example, did you know that those popular bath seat rings actually contribute to bathtub drownings and that many, many popular juvenile products are recalled because they are dangerous without your knowing? You will be outraged after reading this book once you discover how little is being done to protect young children from dangerous products at the expense of corporate profit. This book is a must read for all parents of young children and would make a terrific baby shower gift.

This book was needed quick for a college class - thanks for making it easily accessible without having to leave the house to search for it.

This was a very interesting story, I enjoyed this book better than Their Eyes Were Watching God, and that says alot. The story of John Buddy is a turnpager and you will not be disappointed. The best I've read in a long time.

I loved this story. The story is so true to life for many women who are with men, who don't seem to be able to get it together, unless there is a woman making it happen.

The husband is a great orator, but isn't the kind of man he should be. His wife is his long suffering mate. I just love Zora's use of black dialet. It is so beautiful.

When I read the following excerpt, it felt like something hit me in the head. I was moved beyond words. It goes something like this: "Ah done been in sorrows kitchen, and ah done licked out all the pots; ah done died in grief and been buried in de bitter waters. Ah done rose from the dead lak Lazarus. Nothing can touch mah soul no mo!"

I highly recomment it.

I got an excellent book from this person. thank you so much. great doing business with you.

I always thought of Toni Morrison as the leader, the queen, and the matriarch of black women's fiction, but the more I read of Zora Neale Hurston, the more I feel that everyone else must have taken their cues from her!

Her writing is enchanting and thought provoking, her use of "black" language is absolutely delightful. The story and the characters are interesting in and of themselves. What makes this work really shine is the language, and the heritage and history that it preserves. She takes care to write the way that people speak, resulting a unorthodox spelling and usage that at first I had to say out loud in order to properly understand. (My grandmother didn't have to do that, though, and for that reason alone, she loved Zora Hurston.) Ms. Hurston also uses words, idioms and phrases that are unique to black america, and that my generation would likely have lost -- the news of the "Black Dispatch," "Old Hannah" rising, "hittin' a straight lick with a crooked stick." Some of the sayings I remember my Grandmother using, and some I remember using as a child. I found all of them interesting and beautiful, and I am grateful to Ms. Hurston for finding them valuable enough to put down.

Leader Effectiveness Training (L.E.T.)--The Foundation for Participative Management and Employee Involvement
Leadership is the "in" topic with top business schools like Harvard and Stanford. It is basically what students get judged upon. In the masses of books on this subject however, no other book goes to the deep roots of the relational approach generating unimposed leadership (the essence of leadership is that it speaks by itself, when it has to be imposed it is called authority).
This book offers a model for developping the skills generating instntly accepted leadership.
It is a must read not only for every student aiming at an MBA but also for every active business man (already gifted or not).
The beauty is that it is pleasant to read. It is not a boring student type of analysis. It is just lively, practical, based on solid common sense, but far reaching.
An added quality is that the style grasps the reader emotionally, and most people read it from cover to cover (a rare feat with business books).

This was the first training and book that I ever participated in on leadership. And, that was 21 years ago! It is still timely and effective. I was impressed in re-reading the book how much of the practices that I had incorporated and made my own. This training and book made a remarkable impact in my life.

If you want the basics on leadership in one bundle - then you want this book. Read it. Use it. Re-read it. Become a more effective and influential leader.

Good, but since I have already read the Parent Effectiveness Training it was a little redundant, and slow moving.

easy to read, we are using it for our class, communication and conflict resolution skills in our team.

I bought this book to use as a reference for a paper that I was writing on the subject of leadership for a communication class. The class had to do with small group communication. As I read Dr. Gordon's approach to leadership, I found that his participative management style was really what I was looking for and a great fit for how leadership can work effectively in a small group. Although the style of his book is definitely written as a "training" book for effective leadership, it has many thought provoking and practical insights that you can apply in many other areas of your life. We all find ourselves in groups throughout our lives in various and diverse situations and circumstances. This book offers some down to earth, common sense advice that you can take and apply when you find yourself as the "leader of the pack" so to speak.

I particularly enjoyed the section on " Doing it yourself - or with the groups help". I think that many people mistakenly believe that you have to use your power and manipulate people to be a good leader and to get a job done. Dr. Gordon shows the advantages of being a facilitator and drawing upon the strengths and resources of all members of the team.

The principles described in this book will not go out of style, because it deals with people communicating with people. Times may change, but leading people will still be the common factor that spans the ages. It can be a great tool for a new leader or for one who wants to brush up on their leadership skills. As a student, I know I'll be referring to it in future classes. This will definitely be one of those books that I'll keep on my bookshelf for future reference.

I have given approximately 50 of these books as gifts during the last 25 years. Everyone has expressed gratitude and reported that it had become one of their favorite books also. I am so excited that they are available again after not being able to purchase them for many years!

Sal Salyers

Touches your heatbeat,freshens your outlook on Life. This book is a friend by your side 24/7

I love the stories behind the inspirational poems in this book! For example, learning the story of William Ernest Henley author of the poem "Invictus" makes the poem so much more poignant. The author includes poems addressing courage, happiness, faith, confidence, fear, self-discipline, family, peace of mind and the future. This is a keeper and a wonderful gift.

This book has helped me during dark days and helped my mother face the challenges of Parkinson's.

I give this as a gift to anyone I think will be helped by spiritual positive messages found here.

on the bedside tables of every person. When I first read it, I was feeling pretty down but found my spirits lifting with every turn of a page. Especially helpful are the chapters about Harold Russell who lost the use of his hands, but gained in strength and fortitude and Mary Pickford who writes so well about the possibilities of beginning again after failure and setback. I could go on giving example after example of the wonderful inspiration that awaits anyone who reads this book. It's the type of book you can read just a few pages from and get just what you need. You can't go wrong buying this book.

This book provides all the technical knowledge that is need for busy executives to seriously ponder about how to integrate moble solutions into their company's operations. What is amazing is the simple language that is used.

My favourite chapter is the Art of Mobility (Chap. 10).

Buy this book and it will give you immediate ROI!

Authors and consultants Ravi Kalakota and Marcia Robinson emphasize that the mobility revolution is in its early stages and provide insights on its anticipated stages of development. This insightful and authoritative book is well written and well organized. We from getAbstract recommend it to executives, managers and information-technology specialists, though general readers with a jones for high tech also will be blown away.

This book presents an excellent executive overview of the mobile applications landscape. The strength of the book is the unique perspective of extending "E-business" investments to the "M-business" -- mobile/multichannel -- environment. It presents the business side of mobile - CRM, SCM, Mobile Office and Mobile portals - without getting mired in the alphabet soup of 3G, GPRS, UMTS etc.

I am a newbiew to the whole mobile world. I was intimidated by all the technical jargon that was being thrown around. This book helped cut through the fog and provide a business perspective of "why businesses should care?" and "what apps make sense". I highly recommend this book.

The landscape of mobile enterprise applications is covered extremely well in this book. Unlike other books that talk primarily about consumer applications, the authors focus on leveraging existing investments in E-business and extending them into the mobile arena. Highly recommend this book if your company is beginning to think about Mobile Applications and next generation IT investments.

Melisande first appeared as a short story "Melisande Or, Long and Short Division" in her collection: Nine Unlikely Tales for Children. London: T. Fisher Unwin, 1901. It is a humorous and thoughtful satirical adaptation of classic fairy tale themes.

Borrowing themes from Rapunzel, Sleeping Beauty, Alice in Wonderland, Gulliver's Travels and other classic fairy tales, Nesbit's story takes a mathematical approach to one of her often-used themes of magic wishes taken literally and going tragically wrong. In Melisande's case she is cursed at birth with baldness by a wicked fairy but her real problems begin when her mother uses another fairy's powers to wish she has "hair a yard long, and that it would grow an inch everyday, and grow twice as fast every time it was cut."

This 1990 ALA Notable Book is beautifully illustrated in full color by Patrick Lynch.

...Nesbit writes beautifully and is clever and unpredictable enough that without going over the kids' heads, the reading adult can enjoy it too. The illustrations are excellent; I just wish the hardcover version was available!

A century-old thoughtful twist on the fairy tale genre by a classic Children's writer (would love to see reviews of some of her other works). Melisande is a princess subject to the usual misfortune: a wicked fairy not invited to the christening casts an evil spell on her--"The Princess shall be bald." Not to worry the King has a wish he was given by his fairy godmother locked in his safe, the Princess may use it however she wishes when she comes of age. At that point, the Queen says,

"Dearest, for my sake, wish what I tell you to." "Why, of course I will," said Melisande. The Queen whispered in her ear, and Melisande nodded. Then she said, "I wish I had golden hair a yard long, and that it would grow an inch every day, and grow twice as fast every time it was cut..."
"Stop!" cried the King..."You've done about enough." For he had a mathematical mind and could do the sums about the grains of wheat on the chessboard...

You can imagine what happens next. According to the formula, they promise the Princess's hand in marriage to the Prince who can solve this problem. One unfortunate attempt leaves her growing into a giant a la Alice in Wonderland. The final solution is very clever and I won't spoil it for you. There is a great deal of humor throughout and it is illustrated very well, though I'm not an uberfan of Lynch's caricatures.

I remember this book from middle school. I told people the story, and everyone thought I made it up! I'm glad to see that it's in print, and not just a figment of my imagination. If you love fairy tales, you'll like this book. A little strange, but worth the read.

From one irritated, uninvited guest comes the gift of baldness. From one poorly worded wish comes out of control hair. Add one prince determined to find the solution. Mix in Melisande's need to rescue her island home. How does it turn out? It adds up to an enchanting tale that delights both young and old. I've used the book in elementary classes as well as college classes--both were mesmerized.