E Books

HE TELLS WHAT HOLLYWOOD IS ALLBOUT. HE WRITES GREAT AND TELLS WHAT HIS LIFES ALBOUT.

This book is a great journey of someone's life. Skip E. Lowe is a true show business character--as much a part of the town as the Holllywood Sign and the billboards of Angelyne. His life is filled with pathos and happiness. From cover to cover the book is a pure joy. You'll find yourself wondering who could possibly play Mr. Lowe in the movie that undoubtedly will come from this fabulous life memoir.

Okay, I'll admit it. I bought Skip E. Lowe's memoir with the idea that it would be a horrendous hack-job full of celebrity groveler and rampant name-dropping. Needless to say, I was floored when The Boy with the Betty Grable Legs turned out to be a compelling autobiography written with panache and a good deal of humility.

Lowe's book is difficult to put down. Lowe does well to balance his personal tragedies (Lowe seemed to attract molestation the way flowers attract bees) with his career as an entertainer. While his brief mention of his part in BLACK SHAMPOO is akin to Orson Welles skipping over CITIZEN KANE, Lowe's book manages to stand tall on its own shapely legs. (ISBN: 0964963582)

LOVE THIS BOOK IT TAKES YOU EVERY ALL OVER THE WORLD AND FEEL LIKE I WAS THERE.ITS SO GOOD LOVE IT THANKS FOR THE JOURNEY .. WHAT A LIFE.

I picked up Skip E. Lowe's book on the recommendation of a friend, but had no idea that I was in for such an amazing read. In addition to having some unforgettable stories to tell, he is able to share them with complete emotional honesty, which provides surprisingly human insight into this larger-than-life world in which he has lived. I recommend this as a "must read" to all who are interested in learning about the Golden Days of Hollywood, the truly fascinating character once known as Sammy Labella, and the ups and downs of an unconventional life. By relating his madcap adventures and the lessons he has learned, Skippy does the best job I've ever seen at creating a road map for the road less travelled.

This was the text for my college Shakespeare classes over 20 years ago (different edition of course) I still have it and still use it. A wonderful book for students and those who want not only the complete works but some well written and authoritative information about Shakespeare and the world in which he lived and wrote.

The texts of the plays are well foot-noted and the type is easy on the eyes. Well worth the investment.

If you can't afford the Oxford Edition of Shakespeare's complete works than this is the next best edition you can find.

While reading reviews of this edition elsewhere on the Web, I came across this review by David Allen White, professor of English @ the U.S. Naval Academy and editor (with Charles Boyce) of Shakespeare A to Z:

"Re-writing Shakespeare is nothing new. The Nahum Tate version of King Lear--with the happy ending--held the stage for nearly a century and a half. The great actors of the romantic age, Kean and Booth and Macready, not only spotlighted the heroes in the tragedies but felt free to beef up their roles. Directors began more than 50 years ago to monkey with the historical settings of the play, often with imaginative and instructive results. Scholars, critics, and directors have ridden various hobbyhorses through the plays for years, introducing us to Freudian Hamlets and Marxist King Lears and feminist Tamings of the Shrew.

"Recent Shakespeare production and scholarship, however, add a perverse twist to this long tradition. We no longer care what the Bard actually wrote. Years of deconstructionist theorizing have taught us that words are needy and we, readers or actors or scholars, have the right, indeed the obligation, to give them the gift of meaning--our meaning, the more bizarre the better.

"For the 23 years that I've taught Shakespeare at the United States Naval Academy, I have always used the same text, The Complete Works of Shakespeare, edited by David Bevington of the University of Chicago. Professor Bevington is an old-school scholar with a distinguished career. The book he edited had many advantages: large print, full character names before each speech, specific indications of settings, modernized spellings, solid introductions that connected the plays to the students' experience of love and politics, morality and order, passion and faith, and comprehensive but not overwhelming notes. Every few years a new edition would appear, and I would open it with interest and a little apprehension. But the changes would be minor--thinner paper (approaching the substance of tissue, a malady afflicting many recent books), hints here and there of encroaching academic perversity in the notes--nothing sufficient to make me seek another text. The 4th edition's introduction to The Tempest caused me to swallow hard: We learn there that Prospero's authority "is problematic to us because he seems so patriarchal, colonialist, even sexist and racist in his arrogating to himself the right and responsibility to control others in the name of Western and Christian values." But this is an imperfect world, and I soldiered on.

"Notified that a 5th Edition would appear this fall, I took time to examine it closely. Many of the introductions remain the same; but new editors and commentators have significantly altered others. Despite the myth of progress that reigns in all the disciplines of modern academia, "new" is often far from "improved." Apparently, Professor Bevington has either ignored the changes or allowed the young scholar-colts to have a romp. In some of the new introductory essays, especially under the guise of new brief histories of stage performance, questionable judgment, to put it mildly, has crept in. For example, the introduction to Othello ends with the following observation:

'In another recent development, Emilia has stood out in several productions as the raissoneur and heroic figure in the play, speaking as she does on behalf of maltreated women, urging Desdemona to stand up for her rights. One recent Chicago production went so far as to rewrite the ending: Othello and Iago both survive unpunished for what they have done, while Desdemona and Emilia lie dead as their innocent victims. This deliberate and provocative overstatement might seem extreme to some viewers, but unquestionably did signal the direction of recent performance history of the profoundly disturbing play.'

"It may be time to stop buying tickets to that great play.

"The current obsession in academia is "queer theory," and the homoerotic is everywhere, not just in Shakespeare studies. But this particular perversity fills the introductions to the new Bevington, especially the introductions to the comedies. Compare the following passages, the first from the introduction to As You Like It in the 4th Edition, essentially a carry-over from earlier editions:

'Rosalind's disguise name, Ganymede, taken from Jove's amorous cupbearer, has homoerotic connotations that are easily misinterpreted today. Shakespeare delicately acknowledges the suggestion, to be sure, both in Phoebe's pursuit of a young lady (but really a boy actor) in male attire, and in Orlando's courtship of "Ganymede" as though addressed to Rosalind. Yet this innocent titillation, found also in Shakespeare's source, is not meant to hint at homosexual attraction as we understand it. On the contrary, the point is that Orlando can speak frankly and personally to "Ganymede" as to a perfect friend, one to whom he can relate in platonically spiritual terms without the distracting note of sexual interest.'

"These are eminently sane and sensible remarks. Now from the Introduction to As You Like It in the 5th Edition:

'Rosalind's disguise name, Ganymede, has connotations that suggest ways in which human sexuality can be partly understood as socially constructed. If Rosalind in disguise as Ganymede wins the affection and eventually the love of Orlando, while her father and the others are equally taken in by the disguise, are maleness and femaleness chiefly matters of sartorial convention and superficial appearance? When Phoebe falls in love with Ganymede, is not her infatuation a way of showing that the roles of the sexes can be put on and off? Theatrically, the device of having a young male actor play Rosalind who then disguises him/herself as a young man adds to the witty confusion of sexual identities by introducing homoerotic possibilities. Not only can the roles of the sexes be put on and off, sexual desire itself is unstable...'

"This is ideology masquerading as interpretation.

"To be sure, the range of possible interpretations of Shakespeare's work is wide, for he encompasses all of humanity and tells profound and mysterious truths about human life. Such inexhaustible expansiveness invites discussion and dispute and differences. At the end of the Introduction to Richard II in this volume, for example, there is a brief but superb account of various interpretations of that rich role by leading actors. Professor Charles Forker of Indiana University provides that account; another old-school scholar, he knows more about that play than any other living soul. Too many of the revised introductions, however, are more interested in advancing the latest academic-political orthodoxy than in discovering and illuminating the natural and conventional moral order so abundantly on display in Shakespeare's works. Nothing is more orthodox--still--among contemporary literary critics than the alleged truth that there is no truth, that all interpretations are valid except the author's own.

"Thus Puck in A Midsummer Night's Dream can be presented as "the denizen of a drug culture, with the love potion as the weed he gleefully distributes. The experience of the forest becomes a drug-induced 'high,' for audiences as for the actors. The fairies, sometimes played by adult and hairy males, can exhibit a streak of cruelty." And, indeed, in a recent production at the Shakespeare Theater in Washington, D.C., the fairies were hairy males who carried something like miners' lights. So much for lightness and charm and magic. This same Dream introduction gives the game away in words that are echoed in many of the other essays: "These modern interpretations are arguably neither more nor less 'true' to Shakespeare's text than earlier or more 'traditional' versions. What they do demonstrate is the play's remarkable permeability and openness to differing views."

"The new Bevington retails for $90; in good conscience, I cannot ask students to fork over such a sum of cash for a book that is now rife with nonsense. So next fall I'll assign The Riverside Shakespeare, which fortunately is still in its 2nd edition. I fervently hope it is not soon updated.

"Of course, the Bevington volume has come to reflect the universities it serves, where young students pay small fortunes to be taught that there is no enduring meaning or beauty to be found in the poetry of Shakespeare, no tradition worth preserving, no "truth" other than personal whim and innovative foolery. If the price of the new Bevington is petty theft, the tuitions charged by these institutions have become, at least for the study of the humanities, highway robbery.

"I know a father who gave his son the equivalent of a year's tuition and told the lad to go to Europe, to travel, to observe, to learn for as long as the money would hold out. The young man came back after two-and-a-half years, mature and educated, and instantly found a good job. The time has come for imaginative, alternative learning. I talked recently with a very intelligent young woman who loves literature; she is completing her sophomore year at Yale, where she had hoped to pursue an English Literature major. She informed me with sorrow that she was abandoning that plan. Her reason was quite simple: she had already sat through too many classes where lunacy prevailed. She mentioned the possibility of looking at traditional Catholic convents. Could this be the first refreshing drop of a wave of the future? It would not be the first time that civilization was preserved in the convents and the monasteries. Nymph, in thy orisons, be all of Academia's sins remembered."

(Allen, David White, "An Unweeded Garden," The Claremont Institute, http://claremont.org/publications/crb/id.959/article_detail.asp [originally published March 22, 2004])

I guess it's safe to say that, based on his review, Professor Allen'd give this edition 1 star...right?

I purchased this book as a birthday present for a graduating high school student who is a big fan of Shakespeare.
This volume has a lot to offer to both students and casual readers. In addition to very readable text of all the plays and sonnets, the fifth edition provides historical and literary context, including drawings and photos, as well as insightful essays on each of the plays. The essays include background, plot summaries and discussion of major themes and would be very useful to anyone seeing a play, especially for the first time. The helpful glossary is extensive, so the reader doesn't have to look up unfamiliar words or feel intimidated by the language. Professor Bevington's fifth edition of the Complete Works is a gem, authoritative and attractive. The birthday girl thinks so, too-- she gives it an A+.

This is truly a great book. Not only does it contain all of Shakespeare's works but it also has an enormous amount of information. There's a little bit on his life and a bit more about the theater during his time. There are also some great drawings in the beginning of the book.

Drummer Hoff (Stories to Go!)
This book was enjoyed by my daughter when she was 5 and now my grandson is enjoying this version of the book, the pictures are smaller than the first copy we had but still terrific and the rhymes are great. Older kids can finish the end of the rhyme after a few times of reading, little ones like my grandson who is 2-1/2 just like the sound of the story and beautiful award winning illustrations.

If your family is like mine and missed this little gem all these years, now is the time to rush out and get a copy. For more than a year, from the day we found this at a garage sale, Drummer Hoff has been a "must read" when visiting Grandma's house. The color, the repetitive rhythm of the text (that even the 19 month old now recites), and the details that continue to add interest--all make this a fun read-aloud, especially when the adult adds motion and volume to the KaBoom ending.

Though the little ones are far too young to be introduced to heavy subjects like war, it has only been natural to add our own "and only the birds and flowers and bugs are left" to the last two pages, and there will be time enough to discuss the larger story begun here.

Overall, just a great read, illustrated with pictures that will help children far more than some of the cartoonish excesses that are passed off as art in far too much juvenile literature.

I purchased a copy of this book for each of my two grandsons. I had read it to all three of my children and they all loved it - the repetition and the rhymes and the pictures. When my daughter told me that she had taken it out from the library to read to her son, I decided to get each one a copy of the book so they could enjoy it all the time.

Very exciting book for young children! My children and grandchildren love this book!

This was another of my favorites as a child and was happy to find it on AMAZON. As a child, my mom would take us to the library. I would be heartbroken if DH was missing. Now, I read it to my son at bedtime and give all the fine gentlemen appropriate brogues. Aye, Corporal Chowder, 'e brought th' powder.

Not to mention we love the stained glass imagery. A Wonderfully artist and a great quick story.

The Ebony Tree has so much truth to it that it makes you feel as if you are a part of it. This novel belongs in all libraries and schools. Excellently written. Like Alex Haley's novel Roots whether fact or fiction, The Ebony Tree encourages you to look at your own background.

The Ebony Tree couldn't seem more real. It's a very wholesome story. You don't see any 'sugar coating' as you read about what the women in this novel went through for the welfare of their children, and to keep their hopes and dreams alive.

The story tugged at my heart because it made me think about my own mother and grandmothers.

It's a novel I will hold onto and enjoy reading again.

The Ebony Tree is a CLASSIC. I loved every drop of it. The author is TRULY and I mean TRULY a master at her craft. This book was wonderfully written, compelling and thought-provoking. I thoroughly enjoyed following on the journey of Jewel's life, the main character. Again, this book is WONDERFUL. Ms. Thompson put so much passion into writing this wonderful book. I cannot wait to read her other books. I'm a fan for life!

The Ebony Tree by Maxine Thompson is a journey back in time into the lives of The Shepherd family. Thompson does a wonderful job of placing you right into their lives as if you were a member of the family.

Jewel Shepherd has many secrets that she has kept from her kids. No one really knows the real Jewel, and at times she wonders if she really knows herself. She loves her children, and surprisingly, her husband, Solly - even though he has tried her patience time and time again. Jewel wonders what brought her to Delray, Michigan, and how will she get out with her children intact. Her youngest, Imani, has decided that it is time they find out how the Shepherd family came to be. Therefore, she tries to capture 53 years of marriage on tape. Unfortunately, being the youngest she does not know how to read between the lines of the web her mother has weaved. Only her older siblings know the truth.

I loved the history, loved the family life - even if it was not so perfect, it was real. This book will make you think about the relationship you have with your own mother, and wonder what secrets may be hidden between the stories she has told you. I recommend this book to all of those who are history buffs at heart. The Ebony Tree by Maxine Thompson won't disappoint you.

Jacki

APOOO BookClub

Maxine E. Thompson's, The Ebony Tree, vividly depicts the coming of age of the Shepherd family in Delrey, Michigan during the oppressive 1950's. The Ebony Tree narrates the sometimes woeful and disconcerting tales of matriarch, Jewel Shepherd. A woman who sacrificed aspirations and individuality to rear a family during the darkest moments in her life.

It is 1993 and Imani Shepherd puts her journalistic training to use by interviewing her elderly parents regarding their lineage. Instead of a family gushing with pride, her mother, Jewel is tight-lipped and filled with indignity. Through hesitancy, Jewel relates the story of abandonment by her mother, Luralee; tutelage from Aunt Beulah that boys are superior to girls; husband Solly's infidelity and drunkenness; and the ill-treatment she bestowed upon eldest daughter, Midge, because she was a girl. A woman in that era did not have the resources nor the wherewithal that Imani has today to be an independent woman in control of her own destiny. Therefore, Imani would never understand Jewel's feelings of degradation or regrets of leaving her family in Richmond, California. These secrets, Jewel would rather keep hidden from her twenty-five year old daughter. Secrets too painful to utter, yet necessary to provide healing and answers for a young woman seeking insight into her family tree.

Protagonist Jewel Shepherd is a thought-provoking character; a woman before her time. Women will identify with her...cry with her...and rejoice with her as Jewel struggles to shed memories of the past and reach for a brighter future. Maxine E. Thompson's The Ebony Tree is a paradigm of the struggles African-American mothers have endured in raising black children.

Reviewed by Nicki Lancaster
APOOO BookClub

The binding on my paperback copy also fell apart half-way through the book. While I found some of the writing less than crisp and the organization sometimes left me confused as to sequences of events, overall it's a wonderfully detailed history of how a great house came to be. I wish I had read it before I visited Fallingwater; it would have greatly increased my enjoyment of the house.

I have now read FALLINGWATER RISING twice, and I think it is one of the most well-written, readable, and engrossing books about any subject. What I like most about it is that even though Fallingwater is an inanimate object, we feel that it is a living thing; this is our emotional response to it. This book makes it clear that people made the building happen. People with all of their strengths, foibles, desires and aspirations. Each of these people come to life on the page, and Toker's delightful spirit of inquiry illuminates the writing and makes it sing.

Every "thing" you could ever want to know about Fallingwater is contained in this book -- and then some. It is an enjoyable, insightful book about an extraordinary house. The writing is convincing, intelligent and clear, covering a wide range of complex and contentious topics without ever seeming either simplistic or academic. For my tastes there was too much detail on some peripheral subjects -- such as Ayn Rand's book The Fountainhead and the PR campaigns relating to Fallingwater. I didn't really need to be given lists of all the doo dads and art objects that were put on various walls and shelves at one time or another, but some of these matters are easily skimmed over. Despite its encyclopedic scope and thorough research and analysis, the book ironically fails to really get at the essence of the creative process that resulted in Fallingwater -- especially the contributions of EJ Kaufmann. How is it that EJ Kaufmann built Fallingwater and the Palm Springs Nuetra house -- two of the most extraordinary houses of the 20th century? In the end the essential mystery of Fallingwater remains.

I must say that as an architect who has been practicing for over 25 years, I have not read any book quite like this before that reaches so deeply into the creation of a master work such as Fallingwater. I have always "appreciated" FLW work but only recently have more fully understood what he has accomplished and created in built architectural works that to me borders on magical and genius at the same time. The glossy pictures alone only begins to reflect him as the gifted craftsman he represented. Living in Chicago I get to enjoy much of his work all the time. I'm still enjoying the book and must say your work here is amazing and a fitting tribute to an increbible individual and architect. Thanks for the experience. Jack Svaicer

I would give this four stars based on its intellectual content. The reason I only gave it two stars is because the trade paperback, which lists for $25.00, fell apart in my hands before I was halfway through the book. The entire first half popped out of the binding. By the time I finished the text of the second half, it too was on its way to popping out. This is unacceptable.

The book is quite good, telling us more than I at least ever thought to ask about America's most famous private house of the twentieth century. There is a good chapter on Wright, especially the fallow years leading up to this commission; there is also a very interesting chapter on Edgar Kaufmann who commissioned the house; and an interesting chapter on his son who later claimed a much larger role in its creation than Toker thinks correct. The travails of building the house and the work necessary to correct its serious defects years later are all covered. Also covered is the publicity mechanism that made the house famous. I would recommend this to anybody, not just to Wright's fans. And, if you have not been there, make plans to visit Fallingwater; the trip is worth it.

Mann...this was my very first manga. Without this i would never have been into anime or manga. Actually Animerica Extra was my first actual manga preview of Fushigi Yugi. All thanks to my uncle Goku. Really that is his name. Meaning 5th son. But weird part is my grandparents only had 3 boys in the family out of 7. So maybe he was the fifth child born? But Fushigi Yugi is a wonderful book to start if you are just starting to like manga. It is perfect. It has fantasy creatures, humans with either super powers or just super human abilities, revengeful people, and a forbidden romance that could and should never be, but is. But all in all this is a perfect book by Yu Watase. Her best work ever besides Alice 19th and the forever gorgeous book ZETTAI KARESHI!....that is all...

Wow. If you don't have this manga, then there's something wrong with you! Whether or not you're a fan of the Tv series, Fushigi Yugi is a must have for the anime fan. Yu Watase knows how exactly to blend comedy with drama, so you can have emotional trama and kick [butt]fighting, turning into a laugh-a-minute when one of the charactes does something stupid. I particularily like the "Fushigi Auki, The Malicious Play" parodies done by the author every so often, taking a section of one of the chapters and turning it into a farce. GET THIS MANGA it is well worth your dollars.

Yu Watase, Fushigi Yugi: Disciple (Viz, 2000)

The third book in the Fushigi Yugi series dips a bit at first, but quickly roars back to become ever better than before. Miaka and the celestial warriors are basically wandering about waiting to find the next celestial warrior, and they find him in Chichiri, the mystical "cat-guy" whose powers complement the others quite nicely. All of this is well and good, and covers roughly the first half of the book (though we do get more background on Tamahome as well), which is readable, but nothing special. The second half, on the other hand, is all that and a bag of oysters, as Miaka and the crew find out there's a rival priestess and reveal her identity.

Lots of fun. *** ½

Some good news to fans- a new celeestial warrior appears, Chichiri. He trained under the watchful eye of Tai-Yi Jun { I can just imagine spending three years with her... that face
-_-}. And because of that, he learned some cool moves like how to freeze people {no da! ^-^}.

And a turning-point character shows up- Yui, Miaka's best friend. She has a thing for the celestial warrior Tamahome.

In the previous book, Yui goes missing, so Miaka goes back through the Universe of the Four Gods so Miaka could find Yui. She goes to the kingdom Qu- Dong, where she believes Yui might be, followed closely by Tamahome. The good news is Miaka finds Yui. At first Yui wants yo go back to Hong Nan with Miaka and Tamahome, but a conversation they have makes her want to reconsider.

Wanna read the bad news? I'm not telling you anymore than this.

Highly Recommended.

This is volume three in Fushigi Yuugi, a wonderful series. Miaka and Tamahome are a great couple with a wonderful love story. Their love story is very touching in this voloume. Tamahome tells Miaka his feelings and they become boyfriend and girlfriend. As they become a couple, their love is so sweet and touching. When Miaka leaves, Tamahome finds her and hugs her and tells her his feelings. When she leaves to head to a new nation, Tamahome finds her and asks her why she left. Tamahome kisses her and Miaka and Tamahome's love is very touching and romantic. Yui watches this and sees Miaka and Tamahome kissing. When she confronts Miaka about it, Miaka finds a new side to someone she knew. When Miaka discovers the truth of what happened to her, she makes a decision. Tamahome sees her and notices that Miaka is acting differently. He asks her about it- but she isn't sure how to tell him what she must do. Tamahome kisses her and finds out the truth from her. Tamahome tells Miaka that he will always protect her and they hug. This volume has lots of romantic moments between Miaka and Tamahome and they become a couple in this volume. This is a great volume.

Herman and Gioia have done an excellent job of outlining successful strategies based on their own experience as well as the experience of successful organizations. Their simple, but complete, list of critical components for becoming (or remaining) an employer of choice provide a valuable guide. I particularly like the inclusion of examples and quotes from organizations that use these approaches and techniques. This is a complete "how to" guide. A must read...and, a must use book.

Herman & Gioia's EOC is a virtual quick-trip to understanding how the EOCs have achieved their elite status. Easy reading, practical advice supported by diverse cases from leading companies. The summaries of best practices alone are worth reading. Readers wanting more detail can refer to the chapter notes citing specific bibliographic sources.

The chapters on Culture and Enlightened Leadership contain insights into what leaders personally and specifically can do to create the kind of organizational environment that is attractive to employees. Those chapters would be useful to those leaders who sincerely want to "walk the talk." The chapters on Growth and Opportunity and Compensation & Benefits provide poignant "how-to" tips for addressing some of the key advancement, development and pay-related reasons that younger employees are defecting to other competitors. The chapters on Care of People and Meaningful Work would be useful to HR officers wanting to improve employee relations and job design to help reduce the skyrocketing cost of undesirable turnover.

In sum, Herman & Gioia's book is a cornucopia of pithy, actionable suggestions based on relevant EOC case examples. Any leader "worth his/her salt" should reap a significant ROI by effectively implementing even a few of those ideas to help attract and retain talented people.

How to Become an Employer of Choice was published in a year when the biggest problem most companies had was hiring and retaining talented people. Reading the book today it strikes me as a shame that companies are not as eager to pursue the excellent advice given in this book on building strong devotion to your company in the workforce. The problem may seem very far from your mind right now, but being an employer of choice has a tremendous value even when the labor market is easy.

The book starts with a good explanation of why you would want your company to be an employer of choice. One of the nice things in this book is that each chapter is peppered with sidebar anecdotes about real world examples of the concepts being discussed. Most of these anecdotes come from Herman and Gioia's personal research and consulting work, and they are quite helpful.

In the next chapter, there is a survey of the attributes of a company that is an employer of choice. This is probably the least prescriptive of the chapters, but it does offer useful ideas. The succeeding three chapters, on culture, enlightened leadership and care of people give very specific advice about things you can do to work on your company from the inside. There is a wealth of practical material here, and I find much of it as useful for smaller companies as for large ones.

The chapter on growth and opportunity gives excellent advice on nurturing your best people through education. I like the fact that the chapter gives an appropriate balance of suggestions about using both internal and outside educational resources.

The chapter on meaningful work emphasizes the usefulness of measurement and the use of culture to help employees get a sense of satisfaction from their jobs - no matter how small.

In the chapter "Compensation and Benefits" Herman and Gioia offer a wealth of ideas that go beyond the obvious "pay for performance". In particular, the ideas about making the benefits package fit well into your employees' lives are well founded. The whole chapter is a really good survey of ideas for rounding out your benefits package that I have found useful both for my own company and for my strategy clients.

The chapter on "Making a Difference" focuses on community involvement. This creates a strong sense of pride in the companies that do it, and the chapter has a number of excellent ideas for companies of any size or budget.

The last chapter, "Getting Started", unfortunately offers the least practical advice. This is a shame because I think for most of us, the challenge of applying the great ideas in this book will be daunting. Fortunately, there is a great appendix with some techniques for measuring your performance as an employer of choice, so we are left with what I would consider the most important tool for getting started.

Overall, this is a super book with good concepts, supporting anecdotes, and a treasure trove of useable, practical advice on becoming an employer of choice. Even if you are having an easy time with hiring right now, you will be much better off for applying the great stuff in this book!

(Robert Bradford is CEO of the Center for Simplified Strategic Planning and co-author of Simplified Strategic Planning: A No-Nonsense Guide for Busy People Who Want Results Fast)

Despite the "employers' market" created after thousands of layoffs since the tragedy of September 11, companies must work harder than ever to become an "employer of choice." Herman and Gioia have developed what is sure to become a standard for how to get and keep your most valuable employees.

With case studies from a variety of organizations that include actual accounts of what works--and what doesn't, Herman and Gioia have managed to walk the fine line between research and reality. In simple, everyday language, this practical, hands-on how-to guide explains the process of developing an "employee-centered culture" that allows employees and their businesses to thrive.

"How To Become an Employer of Choice" is a must-have for any business seeking an edge in today's ever-competitive marketplace.

Dianna Booher
Author of communicate with Confidence, E-Writing, and Get a Life

How to become an employer of choice is a well organized compendium of timely suggestions for things organizations can do to attract, retain and motivate high quality employees in this volatile labor market. The authors use clear, straightforward langage to identify the business rationale for creating and maintaining a work environment that invites and rewards the best and the brightest, and encourages them to stay, even in the face of other offers. The suggestions the authors make don't require a major overhaul or reorganization of your company. Instead they present common sense alternatives to the traditional business model that are relatively easy to implement. Good ideas here for all kinds of companies and other organizations.

I came across this book a few years after it was written so knew there was a chance the advice might be outdated. This was a risk I was willing to take because I've been so impressed with Kristie T's websites (voted one of the best by Dr. Phil!) and her support of work-at-home moms. What a great purchase!

This book is a comprehensive, step-by-step guide to making money from home while keeping your eye on the real prize . . . your family and quality of life. This book is easy to read, entertaining, supportive and soooo informative. It includes a massive resource section for those who work from home.

As a mom of three who has run home businesses and coached others in this area, Kristie's book has a "walk the talk" feel. What mom can't relate to her touching and humorous stories of the realities of raising little ones (the trials and joys)! Yet, the book has substance, including many action lists, web and written resources and helpful templates.

In my opinion, the appeal of this book goes way beyond work-at-home moms. Any home office professional who wants to make their work environment more efficient, their time more productive, and their business more profitable needs to read this book. It is an excellent guide for any home business owner. Buy this book for your business reference library today!
Mollie Marti, PhD
Author: Selling: Powerful New Strategies for Sales Success

Hi! My name is Nicole. I am the illustrater! I took lots of time on them. I love my book because my mom and me did good! I hope you like my book! my mom hopes so too! have a good day every body!

Kriste's passion for helping work-at-home moms is evident in all that she does and this book is no exception.

She walks her talk in supporting work-at-home moms- she was kind enough to grant me an interview to put in my e-book "A Mother's Dream: Finding Fulfillment in Your Home Business".

Any mother interested in balancing working from home with motherhood should get this book.

I have read and ALSO promote this book for Kristie and I have to tell you that if you are really thinking about working from home and running an online business, you NEED to read this book. The information she has in this book can make or break anyone who wants to run a business from home. I would like to thank Kristie as well for giving me the opportunity to promote this book and for the book itself, I love it! There are many work at home books on the market today, but this book stands alone, read all the reviews, they can't all be wrong! Thanks Kristie for a wonderful work at home book.

I am not sure how this book got such great reviews. It really misleaded and dissapointed me. It is for a woman with significant resources to start with, who doesn't need all the dry tips listed, but not for stay-at-home Mom. And it is a business oriented, not life oriented. It is not 'A Mom's guide to working from home', but a business women's guide to get more organized and hire multiple services for the business developement. There is nothing absolutely about Mom's life and for Mom's life. It is a big text however and probably can be useful for someone, but mostly dry and a reference-like, big doesn't mean good. Gives an advise how to choose an office chair, a domain name, purchase a web-site design, organize a radio appearance, etc., and some tips that you know from a common sense. It is a self-promotional book leading to the author's web site to promote her coaching business. I returned it. May be it can work for someone else...

Second Slice, The Art of Olivia is two books in one...sort of...about ¾ of the book is displays Olivia's paintings in portrait format. Flip it over, and the rest of the book is in landscape format...a flip book for adults! Olivia's second slice is every bit as filling and delectable as the first offering featuring 124 pages with 140 paintings in full color. Each of the two sections provides a detailed index with the name of the piece, size of the original painting, materials used, the name of the model, as well as Olivia's own commentary on her works. These comments are often as entertaining to read, as the paintings are to view.

The models used in this edition include Pamela Anderson, Rhonda Shear, Bettie Page, Julie Strain, and Sandra Taylor. The paintings of the saucy Julie Strain are some of my favorites in the book. With her long, kinky black hair, ample curves, and playfully wicked smile, Strain made a wonderful pin-up queen for the 1990's, when most of these pieces were completed.

Olivia experiments with many forms of style and color, which make for some of her most striking and exotic work to date. This is well displayed in "Zebra Lady III" as the nude, striped model (Rhonda Rydell) blends into and almost disappears into the striped backdrop. While not necessarily known for darker, gothic works, Olivia clearly shows she can compete with the best in that genre with works such as the female vampire on display in "Things that Go Bump in the Night" and the winged, horned "Banshee" which serves as one of the book' covers.

Flipping to the landscape side, the buxom blonde bombshell Shear is captivating in the painting entitled "Pomeranians" as she finds herself lying on the ground, covered in a wrap made out of those furry, little dogs.

Second Slice is another gorgeous collection of Olivia's works, all from the 80's and 90's. It is filled with gorgeous women and bold, sassy, and exotic colors and settings. Olivia continues to prove why she is at the top of her game.

Reviewed by Tim Janson

Olivia was one of my favorite artist, and in my collection of Illustrations books she can't be absent. This new collection of paintings shows her skills to mold all kind of techniques.
A must have release.

Olivia is the Vargas of our time. As Vargas took the reigns from Petty, Olivia has done the same, and Just like Vargas went beyond Petty in terms of realism, and delicate beauty, Olivia De Berardinis has taken cheesecake to a whole new level. Every pose, expression, and little bit of body language is put to use. Every Shot is beyond what a glamor photographer would dream of. Utter Perfection on so many levels. There is definitely some of her art that pays tribute to Petty, and Vargas among other legends of pinup in many of her pieces in most of her books. This one is a collection that spans many realms, and genres as would only be appropriate in our day. (Frank Frazetta influence spans the universe) There are no pieces that are over the top goriffic, or Horrific works like Clevenger, but there is some definite influence from Fantasy art in a portion of this book. The cover of this book was also a cover on Heavy Metal Magazine of which Olivia did many covers for in the past. This book is like an homage to the beauty of the feminine and female form, as is all of her work. Mouthwatering is the only description I can give it. If your looking for extreme fantasy, or horrific, gorrific works go for Clevenger. But if you want to see the beauty of the female form that can only be described as: like looking into the eyes of an angel". Olivia's books will do you no wrong. This one is no exception.

For any female who has ever been embarassed by the pictures of the other publications that are not so tasteful in showing a nude female this is a book to check out. I myself grew up with a feeling of nakedness is not beautiful and felt that way until I was about 18. When one day someone showed Olivia pictures to me and opened my mind allowing me to see the real beauty of the female form. It is beyond words and as a young woman it allowed me to feel better about myself. As a reminder to myself of the beauty she brings out in a woman I have small tattoo of Heatseeker just below my waist.

Who better to draw women than a woman? Olivia De Barardinis is the undisputed queen of cheesecake art, that wonderful if ill-defined blend of sensuality, sexuality, humor, and glamor.

Although her style covers a wide range, each illustration depicts a lone model. Based on Olivia's notes at the end of the book, it sounds as if each woman's presence is just too big to share a page with any other. Each time Olivia paints, she captures something unique to the model, so two models might confuse the directness of the image. Other visual elements appear in her work often enough to form a recognizable ensemble: happily erotic poses, improbably high heels, and lingerie ranging from antique to futuristic fanatasy. Various of the paintings here show other influences, including Bettie Page, Klimt, Marilyn Monroe, Erte, and generations of other sensualists.

Olivia uses the last few pages to add notes describing the paintings. The text identifies each one by title (if any), year, medium, and usually the name of the model. In many cases, Olivia says a bit more about the woman depicted, the inspiration for the image, or something else to help the reader enjoy the picture - as if help were needed. Then, the last two pages let her talk about the creative process in each of her media, including watercolor, gouache, acrylic, and her trademark oil. I recommend this to anyone fascinated by Olivia's voluptuous, vivacious vamps and vixens.

-- wiredweird

This was an interesting introduction to the subject and gave me some sense of what vedic astrology is about. Like most of these books, it doesn't give you a guide to star gazing, which I think would add to the experience. It also made it obvious to me that the subject is far too involved for one quick book reading. I don't have the time or inclination to learn it in depth, but I would consider getting a software program that did most of the dirty work for me.

I've found this book most useful when I read it with a notebook handy and make outlines of important information. One of the things I very much like about this book is its emphasis on the cultural contexts of jyotish.

There are many books for Beginners in Vedic Astrology which are written more like a cook-book, and where essentially you just take a look at the placement of the planet on your chart and then read what it's supposed to mean. This is not that kind of a book. This book assumes that you are seriously interested in grasping Vedic Astrology and it guides you step-by-step toward developing a solid level of understanding and competence.

The book contains countless correspondencies of planetary influences (grahas), constellations (rashis) and houses (bhavas). These correspondencies go way beyond just interpreting the natal chart, and enable the skilled jyotishi to get insight into the individual, question or particular situation sometimes even without looking at the chart. Understanding of these numerous correspondencies can enable jyotishi to assist the individual in successfully dealing with challenging situation.

Even though this book is "an introduction" to Vedic astrology, it may not be the best choice as the very first book on astrology. For absolute beginners, perhaps a book like Beneath a Vedic Sky may be a better choice to start with.

I wish this was the first book I had read on Astrology. The authors start with a broad overview, touch on the various schools of astrology, and cover the specifics. Highly recommended if you are a beginner, or Just trying to understand Astology for your own personal purouse.You can use this to refer back to again and agin since it has a lot of factual information. There are many insights not found eslewhere in introductory books. After having dabbled quite a bit in Jyotish, I had never come across the beautiful explanation of the Grahas as the "Seizers". There are detailed chapters on Panchanga, nakshatras,Yogas.

For the Really Really Beginner -- I also suggest getting a copy of 'Vedic Astrology Simply Put' - By William Levacy (Available on Amazon).

I am familiar with Robert Svobodas Aghora Books, so, I am able to understand why his insigts are so profound.

As a practitioner and teacher of Vedic astrology, I have a huge collection of Vedic astrology books. If I were to take only one to a desert island, this would be it. For both beginners and advanced astrologers, this book is a treasure trove of both information and guidance on how to approach a Vedic chart. I strongly disagree with the person who thought that this book departed, in any meaningful way, from classical Vedic astrology. This book, in my estimation, is truer to classical Vedic astrology by far than any other book written by an English-speaking author. Bravo!