David Books
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Sabrina is just finding out that she is a witch!Review Date: 2000-06-09
The best!Review Date: 2001-01-01
It all starts hereReview Date: 2001-10-03
Sabrina, The Teenage WitchReview Date: 2001-11-21
The beginning of the magical tales of Sabrina SpellmanReview Date: 1999-10-26

Simple rules for building a good reputation and foundation of values....Review Date: 2007-05-10
Excellent and Essential AdviceReview Date: 2003-05-15
Reputation building has always been a profitable way to grow a business. `Reputation is not the same thing as a brand' Batstone says. Instead he says, `Reputation is the perceived character a company holds to public eye', which is probably the best definition this reviewer has read. Using the eight principles outlined in the book, managers are guided through examples that have helped or hindered individual companies. IKEA vs Home Depot for example is cited in the Community section of the book - the underlying principle being `A company will think of itself as part of a community as well as a market'. Which one would you rather have open a store in your community, and why? For the record, the residents of Mountain View, CA (a pretty town near to Silicon Valley) said they'd prefer an IKEA, and not because they like modular Swedish furniture.
The eight principles outlined in the book are:
Principle One: The directors and executives of a company will align their personal interests with the fate of stakeholders and act in a responsible way to ensure the vitality of the enterprise.
Principle Two: A company's business operations will be transparent to shareholder, employees and the public and its executives will stand by the integrity of their decisions.
Principle Three: A company will think of itself as part of a community as well as a market.
Principle Four: A company will represent its products honestly to customers and honor their dignity up to and beyond a transaction.
Principle Five: The worker will be treated as a valuable team member, not just a hired hand.
Principle Six: The environment will be treated as a silent stakeholder, a party to which the company is wholly accountable.
Principle Seven: A company will strive for balance, diversity and equality in its relationships with workers, customers and suppliers.
Principle Eight: A company will pursue international trade and production based on respect for the rights of workers and citizens of trade partner nations.
If you are looking for one book to share with others in your organization to start a discussion on integrity and reputation, Saving the Corporate Soul should be it.
Picked low fruit missed the AgribusinessReview Date: 2003-05-28
Batstone does a nice job on the content he handles but fails miserably in addressing the core problems at the heart and soul of corporations today.
The Book for our TimesReview Date: 2003-04-29
My question: will anyone act accordingly after reading this?Review Date: 2004-09-09
You can read many books on "corporate responsability", ethics, and caring for the environment. But, when pressed for profits, in real life, when your job is on the line, would anyone "do the right thing"?.
Don't get me wrong... I praise the author for writing books like this one. And more like it are needed. But the question should be: aren't corporations, often almost-run by stockholders (with CEOs always on the line and on the brink of getting a kick by angry shareholders) and also the executives heavily influenced by wall street gurus, are all of them capable of "corporate responsability" and a long-term strategy?. I'd say no.
I think that companies that "sell out" to the stock market lose their soul, and become tools for a few speculators to "make a quick buck". A stable, responsible company then starts sailing at the mercy of a few stock market gurus and the volatility of the international stock markets. But of course, that is my personal opinion.
The Canadian documentary titled "The Corporation" (can't wait to see it on DVD - for the moment check out www.thecorporation.tv ), argues that Corporations as we know them today, and specially mutinational ones, are flawed by design.
The movie surprisingly got a great review on financial publication The Economist, which praised it:. It begins with a potted history of the company's legal form in America, noting the key 19th-century legal innovation that led to treating companies as persons under law. By bestowing on them the rights and protections that people enjoy, this legal innovation gave the company the freedom to flourish. So if the corporation is a person, ask the film's three Canadian co-creators, what sort of person is it?"
"The answer, elicited over two-and-a-half hours of interviews with right-wing captains of industry, economists, psychologists and philosophers, and left-wing intellectuals, is that the corporation is a psychopath. Like all psychopaths, the firm is singularly self-interested: its purpose is to create wealth for its shareholders. And, like all psychopaths, the firm is irresponsible, because it puts others at risk to satisfy its profit-maximising goal, harming employees and customers, and damaging the environment".
I repeat: try to read this book, and then watch The Corporation (the documentary), which shows the opinion of real execs, in real life. Both essays will make you think, probably getting in the way of your good night's sleep.

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Inspirational Message Review Date: 2006-07-02
The Ten CommitmentsReview Date: 2006-07-09
Grade 10Review Date: 2006-06-26
a) The speed the book got to me (I live in Brazil!);
b) The excellent price;
c) The excellent content of the book.
Congratulations to Amazon and to David Simon!
The Ten Commitments: Translating...Review Date: 2006-06-26
A Path of Awareness, Responsibility and FreedomReview Date: 2006-06-04
Ten Commitments offers a path to freedom from the control and limitations (whether conscious or subconscious) of an external authority as presented in the text of the biblical Ten Commandments. Dr Simon invites us to explore, contemplate, and then translate each commandment into a personal commitment. Personal commitments then become the vehicles for the exploration and expression of our deepest desires, intentions, and actions as they emerge from the core of our being into the world of our creation.
This book is very clearly written, easy to understand, and smoothly accessible for the personal integration of the subject matter. Its message is inspiring, spacious, and very timely as a gift of healing in this era of spiritual and religious diversity and tension.


Fantastic ! A must read ! Breakthrough thinking !Review Date: 2002-03-29
shareholders. In other words, they should read this book cover to cover right away ! The people who worked on this book, like Mr. Matthew Wissell, who leads the Value Reporting practice in PricewaterhouseCoopers' New York office, should be highly commended for such a fine piece of work !
Fantastic ! A must read ! Breakthrough thinking !Review Date: 2002-03-29
shareholders. In other words, they should read this book cover to cover right away ! The people who worked on this book, like Mr. Matthew Wissell, who leads the Value Reporting practice in PricewaterhouseCoopers' New York office, should be highly commended for such a fine piece of work !
Good "second book" on accounting reformReview Date: 2002-07-31
A Call to ArmsReview Date: 2001-04-07
The problem with this is that it is in violation of the spirit (if not the law) of the yet to be enforced SEC Fair Disclosure Act which states that Sally Q. Public gets to know material information the same time that John Q. Analyst does.
"ValueReporting" does offer a practical solution through XBRL technology. As a member of XBRL.org I strongly agree with the authors that if business reporting, both financial and non-financial, is standardized, Web technologies are in place to distribute this information uniformly to all investors and in a richer format than at present. With the gentle prodding of regulatory agencies like the SEC and FDIC, this will happen sooner rather than later. Let's hope that SEC Chairman Unger reads this book, and fast.
For me as a consultant and a technologist "who can spell XBRL", The ValueReporting Revolution was a call to arms to apply my knowledge to the inequities of financial reporting. Helping clients sell their wares over the Web is nice, but to level the financial playing field for small companies as well as large, for the small investor as well as the institutional, is ennobling. And forcing Wall Street analysts to actually work for a living, would be, well, just icing on the cake.
Pass Go & collect $200 for this short cut to the futureReview Date: 2001-03-14
The book's thesis is that the investors of the future will reward companies for such transparency - in other words, those companies that understand, measure and publish information about leading indicators such as growth of market share as well as lagging indicators such as profit will be better rated than their competitors, other things being equal.
This is pretty controversial stuff. After all, if you're the CEO or CFO of a major global multinational that's just announced on-target quarterly earnings, but your (currently confidential) internal leading edge indicators say that your market share is starting to fall, how exactly are your investors going to react if you decide to be brave enough to tell them all about it?
There is clearly something of a problem here and I refer to it as the Paradox of the World's Bravest Customer. You don't know who that was? I think it was the guy who bought the world's first fax machine. Think about it.
So undoubtedly there'll be some short-term pain for the pioneers, but once the markets start to see that a core group of innovative firms has the courage to disclose this kind of information (whether good or bad) then it's obvious that this disclosure will reduce the risks involved in these investments. And as John Maynard Keynes pointed out in 1910:
"What would be a risky investment for an ignorant speculator may be exceptionally safe for the well-informed expert. The amount of risk to any investor practically depends, in fact, upon the degree of his ignorance respecting the circumstances and prospects of the investment he is considering." *
The book is all about the revolutionary implications that follow through from this 90-year old observation. Whether you agree with the thesis or not, it will change the way you think about corporate information, business management and investor relations. I recommend it highly to CEOs, CFOs, IR heads, financial analysts and auditors, business school students and indeed to anyone embarking on a career in these areas.
Robert Bittlestone: Managing Director, Metapraxis - London & New York
* JM Keynes: Hopes Betrayed 1883-1920 by Robert Skidelsky (Vol 1); Ch. 9 Economic Orthodoxies. Skidelsky is quoting in turn from the "Collected Writings of JMK": xv 46-47....

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Excellent work!Review Date: 2008-06-17
War of WordsReview Date: 2008-05-05
Reveals the Root ProblemReview Date: 2008-03-09
This is one the most helpful books I have ever read and I highly recommend it.
This is a book that applies to everyone.Review Date: 2008-01-21
Excellent Guide to Communication within RelationshipsReview Date: 2008-02-19

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"She doesn't need a Beatle. Who needs a Beatle?"Review Date: 2005-08-31
All We Are Saying does not lack in humor and seriousness. This was the man, not the Sixties icon who sang against a "Revolution," who still had dreams and aspirations to accomplish at the time the interview was conducted. For fans of Lennon as well as the Beatles, this was Lennon stripped down and open for questions, and he merely tells it like it is or was. He expresses the breakup of the Beatles, and emphasizes that they were great, but they were in the past. He talks about the ups and downs of his individual experience from being a heroin addict to a househusband. He was living in the here and now, and the music that he was making at the time reflected that mantra. Though the references he made about the music scene now appear dated, Lennon was ahead of his game and kept up with bands, such as the Clash, Pretenders, and the B-52's. He even raves how the B-52's rip-off Yoko's style of music.
Sheff writes the interview in clear and picturesque narrative. For every new chapter, he introduces the reader to where the interview is going. However, the concluding portions of the book appear too rushed. Sheff appears to have wanted to discuss or at least learn about every tidbit about each Beatles song, which almost portrayed a to-do list, and at times it appears as if he did not want to run out of tape. From the transcript of the interview, Lennon appears too tired to talk about each and every Beatle song as he answers with yes and no answers. For the most part, Lennon wanted to speak about his new album at the time, "Double Fantasy", and new projects he was planning.
All We Are Saying is an important document of the life of John Lennon. For Beatle and Lennon fans, the book is quite ironic and sad due to the circumstance, but that should not stop any one from learning more about one of the most legendary artists of the twentieth century.
If you are a real fan you will love this!Review Date: 2006-08-13
Get the book if you are a Beatles or John Lennon fan... ;-)
I COULDN'T PUT THIS BOOK DOWN!! 10 STARS!!!Review Date: 2005-12-30
Listen to this Book!Review Date: 2005-11-15
John is shown, warts and all in real, living color. He is not glamorized nor vilified; he is presented as the man that he was. John Lennon was many things to many people; Sixties icon; musician extraordinaire; artist; spouse; father; author; actor; joker; interviewee; "militant pacifist," an oxymoronic term. John was a very complex man and this Rubik's cube of a book puts the pieces together in such a way that readers can readily assemble their image of John Lennon.
John makes no bones abut the Beatles being part of his past; he appears to want to move further down the Long & Winding Road without further Hard Day's Nights in re his Beatle history. It was also interesting to learn what groups and artists John liked and how he felt they influenced him.
Hats off to Sheff for introducing readers to each person in the interview. If there is one literary pitfall to avoid, it is never, repeat, never spring characters or real people onto readers without introducing them. That weakens a work and Sheff is quite adept at dodging this trap.
John appeared to be moving at a quicker pace in this interview; whereas Sheff wanted to discuss the Beatles more in depth, John gave one word answers to Beatle related questions and seemed eager to discuss his 1980 album, "Double Fantasy" as well as works he was planning after that.
This is a bittersweet book for Beatle and Lennon fans because of John's untimely death in late 1980. Even so, the book remains an excellent source of information about the man who founded the World's Number One Band, the Beatles and the man who made the world listen.
Listen to John Lennon.
The Walrus and the CarpenterReview Date: 2007-01-09
My favorite Lennon quote comes not from this book, but from the Beatle's set during the Royal Variety Performance for the British Royal Family in 1963: "Will the people in the cheaper seats clap your hands? And the rest of you, if you'll just rattle your jewelry." I love that, though I've been told you need to be raised in the British class-consciousness to fully appreciate the insolence of that.
I grabbed this book just out of curiosity, as a Beatles fan and a Lennon fan in particular. I read in a review that Lennon goes through the whole catalog of Beatles songs and comments on them. I thought that would be interesting to read. Yoko Ono was the least of my concerns, but they were and are a package deal. I bought into the popular cultural conception of Yoko as the villainess who broke up the Beatles. So the first thing that struck me, reading these interviews, is what an intelligent, sympathetic, and likeable figure she is, when heard in her own words, in the comforts of her home base. And the two of them together actually seem like a nice, well-matched couple, decent people who- against the odds- had found contentment amid the surreal circumstances of their lives. No doubt that they are eccentric in some ways, and some of their philosophizing has that post-Hippie, flaky, dated feel, as you might expect. They are artists after all. But at the same time, they surprised me at times at how level-headed they came off. Despite the near deification of the Beatles, it is John who continuously reminds us that they were just a rock and roll band that was in the right place at the right time and wrote some good songs. And they are able to honestly talk about the strain on their relationship caused by their celebrity. With all the typical defiant talk about letting people think whatever they are going to think, Yoko admits to the heartache of bad press: "It's a very strange thing that society can do that much to a relationship, but it does because we're social animals. We're social beings. A relationship is not isolated from society." "Society can break an individual. That is what happened." John, too, often displays the vulnerability buried within the armor of the iconoclast: "We're both sensitive people and we were both hurt by a lot of it." Enough time has passed for them to analyze the hostility garnered by Yoko, as a woman, when she began managing John's business affairs. John talks about the attitude towards Yoko at these meetings where she was the only woman, "They're all male, you know, just big and fat, vodka lunch, shouting males, like trained dogs, trained to attack all the time." Yoko is wonderful, chiming in with "I was emasculated." Then launching into her formulation of male aggressiveness, "you must have the womb-envy thing," she speculates. Men are aggressive to mask their intimidation and jealousy. After all, she notes, "we give life."
The most valuable part of this book, in which John systematically goes through almost every Beatles and solo Lennon song, is a concession John granted after blowing Playboy's scoop by giving an interview to Newsweek magazine. We get John's feelings about each of the songs as well as the memories triggered by them, what was going on in that period of his life and how they were written. Though John continues with the superficial model of `John songs' and `Paul songs,' we see that the truth is more complicated, they wrote the best of the Beatles "one-on-one, eyeball to eyeball... both playing into each other's noses." We see why they were great together (and why George and Ringo are two very lucky men to have been along for the ride) and why neither of them, as solo musicians, could produce songs that measure up well to the Beatles. There are several examples of the two of them contributing little touches to each others songs, the little shadings that profoundly deepen the work. Without Paul, John was mostly a writer of catchy tunes, superficial fluff with great hooks. Some of Paul's solo works come close to the best of the Beatles, but for the most part, he was missing the nuances- the melodies and tenderness- of Paul's sound. A song like "Michele" is a perfect example. Paul wrote a pretty little love ballad. John heard it shortly after hearing Nina Simone sing the blues, and he suggested the bluesy "I love you, I love you, I love you," bridge. Paul writes "It's getting better all the time," and John adds "it couldn't get much worse." Paul writes "We can work it out" and John adds "Life is very short..." Or conversely, John writes about "A Day in the Life," about a man violently killing himself, and Paul adds the sweetest little lick to ever float into a song from nowhere: "I'd love to turn you on." And so on. I particularly recommend this section as a morning commute read, riding the train with Ipod in hand, keeping the songs in your ears as you read John's analysis of them.
Of course, one can't read these interviews without being constantly reminded that John was assassinated just months afterwards. It gave me chills to read some of John's philosophizing in that light, "Mahatma Gandhi and Martin Luther King are great examples of fantastic nonviolents who died violently. I can never work that out. We're pacifists, but I'm not sure what it means when you're such a pacifist that you get shot."
And the heartbreak is palpable when reading of the pride John took in stepping out of the action and becoming a full time father to Sean. "Here we are: I'm going to be forty, Sean's going to be five. Isn't it great! We survived!"

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Breaking new groundReview Date: 2005-10-16
They agree that there were earlier versions of ball-and-stick games, which they discuss, and that the version of the game that has come down to us as modern baseball was standardized by the Knickerbocker club.
That may make it look like they have similar theses, but they really do not. Peterson's thesis is right there in his title: someone invented baseball and he knows who it was. Earlier versions were fundamentally different from the Knickerbocker game, and the Knickerbocker game was the product one man's flash of genius. Earlier games are discussed, but they don't really matter, since the Knickerbocker game is taken as being so different. The discussions of earlier games mostly are there to discredit the Doubleday story, which typically has predecessor games being even more primitive than in the Cartwright story
Block's goal is also named in his title: he is seeking baseball's roots. The Knickerbocker game is part of a story that began centuries earlier. Earlier versions aren't a distraction, they are the story. Only by knowing what came before can we see what the Knickerbockers did and didn't do: what parts of their game were selections from an existing menu of options and what parts were true innovations. It turns out to be far more interesting than any myth of a heroic lone genius.
Why should we believe Block rather than Peterson? Peterson's is a book with no footnotes, but with detailed descriptions of events down to quoted conversations. Even if the events were found in histories that actually cited sources, we would know that this is fiction. Peterson probably considered it putting a human face on the story. I consider it making stuff up. He does that a lot. The chapters on early ball-and-stick games are a mish-mash of solid data, poorly understood facts, and utter fiction. So it is that he can, on adjacent pages, give two contradictory accounts of the origin of cricket. He has a story to tell and he isn't going to let facts get in the way. Block's book started out as an annotated bibliography of early baseball sources and Block is meticulous about documentation. When he is forced to interpret beyond the actual evidence he tells us this. You come away knowing exactly what is really known and what is educated guesswork. It is honest history.
I rarely give five stars in my reviews, but I have no qualms about doing so here. The book is quite simply the important book on the subject published in my lifetime. It may be surpassed some day, but that day isn't likely to be soon. For the foreseeable future this is the one book to own if you have any interest in the origins of baseball.
WOWSER! All This and Occultists, too!Review Date: 2006-04-05
Althought I'd like to have seen some of the compelling documents that were at Block's library presentation included in this volume, as a reference book on the incredible linkages to the game of baseball, Block's work is fascinating and as he said, still ongoing.
I'm a SABR member, too, as well as the Executive director of The Old Timers' Baseball Association of Chicago. sorry, I've never heard of the 1972 book that the sole negative reviewer mentioned, but this award-winning hunt for the origins of baseball takes odd turns throughout history, and while it may not be worth a hill of beans to fans in the Cubs bleachers today, for researchers, this is a great mystery that will, no doubt, be ripped off endlessly by hack writers for decades to come.
Kudos to ya, Dave; if this is your first big dig, I'm stoked to see what you unearth next!
Very interesting new materialReview Date: 2006-03-08
For the first, there has already been so much evidence that Doubleday had nothing in particular to do with baseball, so it would seem there was little more that could be said, except that, in fact, the author finds out some interesting evidence that he believes to be the main reason that A. G. Spalding might have favored Doubleday's claim-- that Spalding and Doubleday were both adherents of the same religious cult!
Regarding the Cartwright claim, the author has much less to say. He accepts that the Knickerbocker Rules were an important step in the development of baseball, but in addition he states that there is evidence that Cartwright's role in developing those rules was less significant than has been believed. And he shows that organized baseball games occured before the adoption of the Knickerbocker Rules.
It is in debunking the third "myth," I think, where the author strains to do something undeserved. So the name "rounders" does not seem to have been used prior to the nineteenth century. But the author admits that "rounders" was simply a name that has come to be assigned to an earlier English game, and that baseball developed from that game. The difference between that and the "myth" he is trying to debunk is minimal. If you really think it makes a difference between saying "baseball developed from rounders" and "baseball evolved from a number of games, but the most important was the game now known in England as 'rounders,'" you can accept this book's argument. I don't see it that way; to me "developed from rounders" and "developed from the game now known as rounders" are not significantly different.
But the book is interesting. It should be in your possession if you're interested in baseball, and especially in its history.
An in-depth study of baseball and its historical rootsReview Date: 2006-04-06
Pushing Back the PerametersReview Date: 2006-01-22
Great job, David Block!
Jim "Batman" Battenfield of California


A window on another worldReview Date: 2007-11-12
a visual odysseyReview Date: 2006-03-24
Awesome pictoral of BhutanReview Date: 2006-01-30
Overwhelmingly BreathtakingReview Date: 2005-01-20
This is a great deal. but....Review Date: 2007-03-24

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Birds of Kenya and Northern TanzaniaReview Date: 2007-10-01
Enhance Your Safari ExperienceReview Date: 2007-08-29
Great bookReview Date: 2007-01-11
Ofir
AMAZING BOOKReview Date: 2006-03-13
Excellent though a bit on the heavy side !Review Date: 2004-07-23
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Mind-bending and delightfulReview Date: 2007-10-27
I find that I can follow the connection between the stories better with each reading. It is one of my 10 favorite children's books of all time.
Great fun to puzzle throughReview Date: 2007-07-25
If you think you think you only think you thinkReview Date: 2007-07-20
I'd read it again and againReview Date: 2006-07-20
My opinion: The most creative of the CaldecottsReview Date: 2008-03-23
Macaulay posts this warning right on the title page: "This book appears to contain a number of stories that do not necessarily occur at the same time. Then again, it may contain only one story. In any event, careful inspection of both words and pictures is recommended."
I'll say this at the beginning: As a children's librarian, I would never read or show this to a class. There is no way to explain this complicated, interconnected book of four stories that run into and out of each other.
Here is how they look. There are four stories on the two adjoining pages with two stories per page. Each story has predominant colors of blue, green, brown, and black and white. Colors and patterns spill and slip from one story to the next, but the thrust of the story is done in black and white. It must be noted that Macaulay is NOT saying that everything is black and white. Oh no! If anything he is saying that everything is NOT black and white, but he uses black and white, both words and pictures, to say it.
What I just wrote in that last sentence gives a sense of the story. It is brilliantly creative! I had a special story time with some gifted students last year, second graders. They had so much fun with this book. I had to get them started on "reading" the pictures (this is a picture book with narrative on each story block), but once they caught on, they rip-roared with the story!!
Remember the admonition to stay in the lines and not think outside the box. David Macaulay failed that class because he both colors outside the lines--literally--and his characters get outside their cartoon boxes and into each other's boxes. The story is one big paean to imagination, creativity, whimsy, flight of fancy, freedom to explore, and freedom to see the Big Picture.
Wow, this is one great book. Every child should own it! I certainly do!
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