David Books

Etta James has lived a wild life, and she lays it out unvarnished in Rage to Survive. Plenty of detail about what the music scene was like during her formative years, and she pulls no punches when discussing her bad habits and mistakes. Refreshingly straight forward and entertaining. I highly recommend reading this.

I, Tina; Don't Block the Blessings by Patti LaBelle, Bobby Womack, Pryor Convictions (Richard Pryor), Super Freak (Rick James) and The Etta James Story have been some of the most TELLING books that I have EVER had the pleasure of reading.

I personally prefer when an artist joins with their OWN writer and composes their OWN story, instead of waiting for someone else to do it, only to wind up in court desperately trying to refute the ill-refuted claims gathered by 2nd, 3rd and 4th-hand witnesses to something they heard told to their 3rd cousin twice removed.

I agree with Etta, your only TRUE judge in this ball of confusion is God, so why should you apologize to anyone else? Why not put it out there for everyone to finally snicker, whisper and gossip about, and then ultimately get over?

This book is only a grave reminder to everyone who has always looked to "Holly-WEIRD'S" version of a "hero", that perhaps it would be best to look a little closer to home.

Celebrities are only humans, too. Try looking up to the everyday, ordinary people that you see delivering your mail daily, pulling over drunk drivers, extinguishing fires, teaching your children, preaching to your families and saving your loved ones~~instead of people who can never vote (because they're felons), don't own property or their own vehicles, and are barely able to do a better job than YOU at child-rearing!

the book is great to read it came in very good condition not dirty or torn or bent.

With odds stacked against her in every direction - including personal resistance to success - Etta manages to not only survive, but thrive & inspire!
Stories of the early days of motown, touring, & musician swapping is exciting and nearly incestuous (so many huge names in music ran the same circuits, competing for musicians, songs, gigs & label attention).

The title of this book, Rage to Survive, is very well chosen, hinting is at does to the French phrase "rage de vivre," rage to live.

I grew up with Motown, Aretha, and Otis Redding, but never heard of Etta James until I was over 50! The singer I know only thanks to YouTube, but what I heard there was so talented it's almost scary: soul and blues, sure, but also country and jazz. I suspect that her drug addiction in the late 50s and early 60s led the publicity industry to shun her. (It was only starting in 1968 that one could do drugs and not get the silent treatment.) I know that this is an "as told to" book, but how many soul musicians have bothered to write any kind of memoir? This book deserves to become a classic of its kind.

Amy Weinhaus sounds fresh and interesting only because Etta James is so little known. Weinhaus's career may be over, and she probably won't live to see 30. James is 71. If I am right, Weinhaus will never have a child. James performs with her sons. Etta, you are one tough momma...

In his observation of the organizing principle of the Tanakh, whereby Westerman concludes (Elements of an Old Testament Theology, 1982) that the general theme of Torah being the deeds of God, and Nevi'im (The Prophets) being the words of God, he rightly describes Ketuvim (The Writings) under which Psalms fall, as the people's responses, or I should say, God-inspired people responses; covering the entire range of expressions of human emotions; fear, desperation, faith, hope, compassion, love, submission, indignation, repentance, sorrow, joy, and praise; the reality of life in a fallen world. Spurgeon laboriously and masterfully unearths these jewels from the rich treasure chests of David that the readers may enjoy, adore, cherish, worship, and love God in the display of his grace, power and glory through these expressions with solid theology, Christology and soteriology in mind because in some of the Psalms; Psalms 2, 8, 22, 45, 102, and 110, for examples, they undoubtedly speak of vision about the Lord Jesus Christ. If the readers are familiar with the format JC Ryle used in "Expository Thoughts on the Gospel," Spurgeon implements a similar one. He begins with introducing the theme of each Psalms, then continues with verse-by-verse exposition that attempts to bring the readers as close as possible to the affections, the state of mind and the vision of the Psalmist when he wrote that particular verse. In the next section called "Explanatory notes and quaint sayings", he includes commentary for each verse, though may not be exhaustive but definitely extensive, from other theologians; mostly the Reformers and the Puritans. The last part called "Hints to Preachers" consists of outlines to aid ministers for preaching purposes. Here are some samples to show the style of exposition the readers would be benefited from, intended to wet their appetite and to support my recommendation:

"Proud hearts breed proud looks and stiff knees. It is an admirable arrangement that the heart is often written on the countenance...A brazen face and a broken heart never go together... there is much more to be learned from the motions of the muscles of the face than from the words of the lips. Honesty shines in the face, but villainy peeps out at the eyes. See the effect of pride; it kept the man from seeking God. It is hard to pray with a stiff neck and an unbending knee. `God is not in all his thoughts' he thought much but he had no thoughts for God. Amid heaps of chaff there was not a grain of wheat. The only place where God is not is in the thoughts of the wicked. This is a damning accusation; for where the God of heaven is not, the Lord of hell is reigning and raging; and if God be not in our thoughts, our thoughts will bring us to perdition" (on Ps 10:4).

"This prayer evinces a humble sense of personal ignorance, great teachableness of spirit, and cheerful obedience of heart... A path is here desired which shall be open, honest, straightforward, in opposition to the way of the cunning which is intricate, tortuous, dangerous. Good men seldom succeed in fine speculations and doubtful courses; plain simplicity is the best spirit for an heir of heaven: let us leave shifty tricks and political expediences to the citizens of the world, the New Jerusalem owns plain men for its citizens" (on Ps 27:11).

"The unusual strength which overleaps the bound of threescore and ten only lands the aged man in a region where life is a weariness and a woe. The strength of old age, its very prime and pride, are but labor and sorrow; what must its weakness be? What panting for breath! What toiling to move! What a failing of the senses! What a crushing sense of weakness!... Such as is old age. Yet mellowed by hallowed experience, and solaced by immortal hopes, the latter days of aged Christians are not so much to be pitied as envied. The sun is setting and the heat of the day is over, but sweet is the calm and cool of the eventide; and the fair day melts away, not into a dark and dreary night, but into a glorious, unclouded eternal day. The mortal fades to make room for the immortal; the old man falls asleep to wake up in the region of perennial youth" (on Ps 90:10).

"It is impossible that any ill should happen to the man who is beloved of the Lord; the most crushing calamities can only shorten his journey and hasten him to his reward. Ill to him is no ill, but only good in a mysterious form. Losses enrich him, sickness is his medicine, reproach is his honor, death is his gain. No evil in the strict sense of the word can happen to him, for everything is overruled for good" (on Ps 91:10).

"A survey of the solar system has a tendency has a tendency to moderate the pride of man and to promote humility. Pride is one of the distinguishing characteristics of puny man and has been one of the chief causes of all the contentions, wars, devastations, systems of slavery, and ambitious projects which have desolated and demoralized our sinful world. Yet there is no disposition more incongruous to the character and circumstance of man. Perhaps there are no rational beings throughout the universe among whom pride would appear more unseemly or incompatible than in man, considering the situation in which he is placed. He is exposed to numerous degradations and calamities, to the rage of storms and tempests, the devastations of earthquakes and volcanoes, the fury of whirlwinds, and the tempestuous billows of the ocean, to the ravages of the sword, famine, pestilence, and numerous diseases; and at length he must sink into the grave and his body must become the companion of worms! The most dignified and haughty of the sons of men are liable to these and similar degradations as well as the meanest of the human family. Yet, in such circumstances, man, that puny worm of the dust, whose knowledge is so limited, and whose follies as so numerous and glaring, has the effrontery to strut in all the haughtiness of pride, and to glory in his shame.

When other arguments and motives produce little effect on certain minds, no considerations seem likely to have a more powerful tendency to counteract this deplorable propensity in human beings, than those which are borrowed from the objects connected with astronomy. They show us what an insignificant being, what a mere atom, indeed, man appears amidst the immensity of creation!

Though he is an object of the paternal care and mercy of the Most High, yet he is but as a grain of sand to the whole earth, when compared to the countless myriads of beings [in the universe]" (on Ps 8:3-4, quoting Dr. Dick).

"Communion with God in secret is a heaven upon earth. What food can compare with the hidden manna? Some persons have excellent banquet in their closets. That bread which the saints eat in secret, how pleasant is it! Ah! What stranger can imagine the joy, the melody, which even the secret tears of the saints cause! Believers find rich mines of silver and gold in solitary places; they fetch up precious jewels out of secret holes, out of the bottom of the ocean, where are no inhabitants... Saints have often sweet joy and refreshment in secret; they have meat to eat, which the world knows not of... They that know what it is to enjoy God in secret, would not leave it or lose it, to be kings or commanders over the whole world" (on Ps 63:6, quoting George Swinnock).

Can't go wrong with Spurgeon. I bought these volumes for a deeper study of the Psalms, and so far they have been amazing. There's more for each psalm that I can really get in to, but that which I do has been all that I could hope for: reinforcing lower view of self next to high view of God; the only kind of perspective that brings any real sense of hope and encouragement.

Spurgeon is still the best. This 3 volume set is essential for a deep and meaningful study of the Psalms. Great for teaching and preaching research. I'm happy to have purchased it and I recommend it highly.

While Spurgeon's magnum opus is neither technical nor devotional it can meet either of those needs. It is inconceivable that anyone would have an interest in the Psalms and not have these volumes on the shelves.

This is a great commentary series on the Psalms and has the same feel as Spurgeon's sermons. Great resource for any teacher and pastor to prepare in study for the Psalms. Very detailed, which I can't say the same for other commentaries done during this same time period.

The price once again shows how many people have lost interest in both commentaries and our past church saints.

If you are going to be going through the Psalms in your own study or teaching you should definitely have this at your disposal.

Having purchased The Three Musketeers and The Man in The Iron Mask I realised that there were three intermediate novels pulling the story together.Twenty Years After, The Vicomte De Bragelonne and Louise de La Valliere bring the complete story of the musketeers into focus. To gain the most from these stories they need to be read as virtually one book in five large chapters.

After writing The Three Musketeers and Twenty Years after, Dumas wrote a third installment to the trilogy. It is probably the most controvercial book in the trilogy, as can be revealed by reading many of the reviews. For starters, it's LONG: over 200 chapters. As a result, the English-speaking world has split it into three books: The Vicomte de Bragelonne, Louise de la Valiere and The Man in the Iron Mask (the most famous volume). The length is certainly a problem, in fact is it THE major flaw in the conclusion of the trilogy. Dumas is never terse or concise, but in this three-part book, he produces an monolith. This was largely due to him overcomitting himself and having to write this much for financial reasons. However, while this is a major setback, the three books still have elements of great, almost sublime Dumas left in them, which can be extracted if approached in the right way.

The final installment of the trilogy represents the dear old Athos, d'Artagnan, Porthos and Aramis maturing and growing old. The trilogy thus moves from more active and straightforward swashbuckling to a more complex and sombre picture. Like the previous book Twenty Years After, it is not completely clear as to who's in the right and who isn't, only this time it is more so. Like the previous book, age has placed the former Musketeers in a somewhat divided situation, this time involving many a clandestine dealing of state and international level. Finally, in this three-part saga, we are introduced to a huge number of characters while our Four at times take a back seat for several hundred pages. This has been criticised as well, but has a point.

In terms of this specific volume (The Vicomte de Bragelonne), it is the most historical one, as initially d'Artagnan and Athos are brought out of retirement, united in their royalist causes. After completing an adventure reminiscent of their former, more "action-packed" years, the intrigue of the newly-ascended Louis XIV begins. It is here that we can see Dumas as painting a brilliantly detailed picture of what he sees as France moving towards a more centralised, efficient yet pedestrian autocracy from Richeleu to Mazarin to Louis XIV. For the first time, d'Artagnan finds himself serving (and appreciated by) the king, however, the novel asks the question of whether this is at all a good thing. In the power-struggles of the court, we see the irony that the "detractors" of progress are often more honourable than its supporters.

If you only expect more action involving the Four, then don't bother reading this at all. However, if you persevere, you will get to see sublime glimpses of what a long way the Musketeers of old have come (for better or worse), what they think about the entire society they live in and what Dumas thinks. As well as some of the old-fashioned-style adventure. I think that the fact that this is obscured by an overly-drawn-out style, while annoying, does not detract from this being an honourable conclusion to the trilogy.

This book is part one of a three part series, the next two being the Louise de la Valliere, and the final being the more well known Man in the Iron Mask. I understand this was originally one HUGE book, but is now more commonly broken up into these three books.

This book starts about ten years from where Twenty Years After (Oxford World's Classics) ended. Although the book is titled the Vicomte de Bragelonne (who is the son of Athos), we don't see much of him except for the first and last parts of the book. The rest is filled with the adventures of D'Artagnan and Athos while they separately scheme (unbeknownst to the other) to aid Charles II of England to claim his throne. LOL, D'Artagnan's scheme in regards to General Monk. Aramis and Porthos are up to something mysterious and make only the briefest of appearances. The rest of the novel is filled with the mysteries and intrigues of the French court, and ends with the marriage of Henrietta (Charles II's sister) to Louis XIV's younger brother, Phillip.

If you loved the musketeers, history and intrique it is well worth your time to spend on these books.

If you are reading this review, you have probably already read the Three Musketeers and Twenty Years After. You are wondering if it is worth it to continue with the series. If you decide to go on, you have three more 600+ page novels ahead of you. That is a lot of time and energy.

If you are foremost into the swashbuckling aspect of the Musketeer stories, I would not go forward. The Musketeers are now in their late 50's. They are still vital characters but they are no longer young men looking for any excuse to duel with the Cardinal's Guard. From this point on, there is a lot less sword play and campaigning. The focus of the story moves to the intrigues of Louis XIV court.

I am continuing with the series because I like the characters. I want to find out what happens to the four friends. In this novel, D'Artagnan and Athos are the principal characters. Aramis and Porthos do not show up for the first few hundred pages. Dumas has kept me entertained for the first two thousand pages of this saga and I am counting on him to keep me entertained for the next 1500 pages.

Before I begin reviewing this book I'd like to comment on it's place in the total D'Artagnan Romances. The D'Artagnan romances are a trilogy started with the Three Musketeers, followed by Twenty Years After. The last of these stories is broken up into three volumes which are The Vicomte De Bragelonne (part 1), Louise de la Valliere (part 2), The Man in the Iron Mask (part 3). If you are like me and reading library copies you may even find The Vicomte De Bragelonne broken up into four volumes either all titled The Vicomte De Bragelonne, or titled the same as the three volumes with Ten Years Later added as the first volume of the story. With that being said, on to the review...

This story take place around ten years after the events of Twenty Years After. We find Luis XIV now king, but hardly so sense Mazarin holds all the power. D'Artagnan is still a Musketeer, but is losing faith as what he had earned in the previous book has been taken away from him. Seeing that his friends have prospered out side of the Kings service, while he has made no progress, and being dissapointed with the useless king who allows himself to be overshadowed by Mazarin, he leaves the king's service with a bold plan to make his fortune. This leads to a reunion with an old friend, and one of the best of a series of adventures that takes place in this, the last of the Musketeer series.

This volume brings back the great four musketeers, all of whom have gone their seperate ways. This volume is dominated by the charaters of D'Artagnan and Athos. A fine begining to a wonderful but long story.

Review continued with Louise de la Valliere...

I got this book on the personal recommendation of the author and what can I say that hasn't already been said by other reviewers! David Levy has written an exemplary guide to the world of animation. Not only does he offer his own experiences, he also draws on veterans from all over the industry for their advice. The result is a very refined and concise guide to not only the industry, but also animating in general. Every sentence has been written with a purpose, so the book is best enjoyed over several days or weeks.

There is no need for me to analyse this book further. If you have even a slight interest in animation either as a career or out of curiosity, go and buy a copy for yourself, you will not be disappointed.

I buy this book without having a clear idea of what to expect from it.
After reading the first chapter I realize that this book was one of my best choices and help me a lot in my business life even when at that time I'm was not an animator.

If you had the doubt about if get into this art-industry field fits on you. This book let you know if becoming an animation artist is your choice for life.

Easy and fun to read, David share generously his experience and knowledge about industry, networking, career path and all those animation wise advices.

You'll love this book, Is for me a kind of Animation Artist gospel in the animation Bible.

A fantastic book that gives you concrete areas on which to take action. Both practical and inspirational, this book will help you combat creative inertia. Just buy it...it's way more helpful than a few lattes or a movie ticket plus popcorn...

This is a definite keeper. The insights and insider tips, the personal stories and motivational powers of this little book are not to be underestimated. I'm about halfway through and just finished the chapter on "independent animation projects". It's like being reborn, knowing that others have gone through the dark tunnel and sweated their way through personal projects using every spare second they have.

I would recommend this book to anyone needing a motivational boost or info on how to succeed in the animation industry. It's insightful and personal, the latter point being where most of its educational value perspires; especially when giving interview tips, how to play it safe in the workplace, not burning bridges, personalities, choosing which battles to fight and which to lose..

I haven't read anything about samurai jack yet... which im kind of hoping is in the book. still... half of the book to go, so who knows.

thumbs up

This is a wonderful book for the starting artist as it will show some incite on the life of an full/freelance employed artist. I state artist as the term animator seems to narrow the field of what and who this book really points at. Read the book make your own option.

Great book for any players. Yes, it's an older edition, but in my opinion, better than the newer editions they have now.

This book harkens back to the "good old days" when playing the paper and pencil D&D used to be new and fun. There have been several reincarnations of this manual and I've thumbed through them but they just don't hold a candle to the original, despite the fancier artwork and rule changes. I remember spending hours combing tables as I built a new dungeon. I am not at all happy with the direction TSR took after Mr. Gygax was booted out (or left, can't remember which) and one big loss was the original manuals. They are now up to version 3 something of the rules but I do not even know what they are because I just play computer games now. All I know about the new rules is that multi-class characters are easier to work with. It was an exciting time, a different era. I still have this manual and will always treasure it. If you can find one, pick it up just to see how things used to be done. Highly recommended.

This is a fantastic book, if purely because it shows the roaming imagination of Gary Gygax. Future editions of the game have cut down on the unplayable aspects of the first edition (with elegant variations in bonuses tables for different ability scores, impossibly low level limits for various non-human characters, terrible encumbrance tables, etc) but the first edition contains a darker side which feeds the imagination and was supported by a fantastic group of modules. Worth getting whether you play 1st, 2nd, 3rd, 3.5 or 4th edition as it contains plenty of detail on roleplaying and random things of interest. Almost like an unedited journey through Gygax's head.

The wonderfully unique writing style of Gary Gygax shines through on just about every page of this book.

This work is an essential companion to the 1st Edition AD&D Players Handbook. It gives you combat charts, rules for followers, average sale values for magic items (something left out of the 2nd Edition Dungeon Masters Guide), general advice on how to run a game, several pages of artifact descriptions (fascinating descriptions that give amazing depth to the objects), random monster encounters for different environments and dungeon levels, random dungeon generation tables and even several pages of monsters from the monster manual in abbreviated form. This book is packed with great information from cover to cover.

Maybe what I like most about this book is its almost total lack of political correctness. From the nudity in the artwork (the topless mermaid on page 180) to the descriptions of various disgusting diseases and forms of insanity, it gives you a raw, gritty version of the game full of style and flavor. Unfortunately, this is something the Dungeons & Dragons game will never likely see again.

The only thing I dislike about the book is the combat system. Although playable, especially with a few house rules thrown in to smooth things over, its hard to get an understanding of exactly how combat is supposed to work just from reading the text.

If you can find a used copy of this book, I recommend you pick it up. It's definitely worth a read.

This is a great players' resource for refererencing some of the forgotten races and images that were updated and/or revised from 1st edition into the 2nd edition.

It is an historical find in terms of role-playing games, since these books are now in extremely limited numbers and are quite collectible. I purchased this book together with the Dungeon Masters Guide (AD&D 1st Ed. revised) and they are a part of my role-playing game collection.

With a few pages with pen marks and a slightly damaged hardback cover, I now have a decent addition to my RPG collection.

TALLAHASSEE, Fla. (AP) - Joseph "Crazy Joe" Spaziano, who avoided Florida's electric chair six years ago when his condemnation for murder was thrown out, was denied parole Wednesday, on a sentence of life plus five years for raping a 16-year-old Orlando girl and slashing her eyes in 1974.

The state Parole Commission voted against changing Spaziano's April 2060 parole date on the rape conviction after a 40-minute hearing Wednesday when family members and attorneys on both sides testified in the case of the one-time member of the Outlaws motorcycle gang.

Spaziano, now 58, will be eligible to seek another parole hearing in 2009.

Bill Cotterell has been a journalist with UPI and more recently for a good number of years at the Tallahassee Democrat covering primarily state government news in Florida. His email address is bcotterell@tallahassee.com for verification of this account and a more accurate recounting.

He has recounted to me several times about the time in one case that Ms. Holdman said something to the effect that the murdered youth would just have to miss her high school prom --- said in a scarcastic and offensive tone -- meaning minimizing the impact that the murder had upon the murdered youth herself.

Michael Mello's "Dead Wrong" quote from page 195 (hardcover version): "There were some days (and nights) when CCR was the best public defender office in the world." I agree -- "some" being the operative word here.

For more insight, Michael Moline, formerly of UPI in Tallahassee, wrote a long article for a California newspaper (the name I don't have with me at this time) about Scharlette Holdman shortly after she arrived in California from Florida by means of South Carolina.

A professor in the Sociology department of the University of Delaware recommended Von Drehle to me for an example of a writing style I could use. I'm glad to have made the purchase both because of writing style and content.

Both David Von Drehle and Michael Mello's books are excellent and very well describe what life is like for those on death row and those representing death sentenced persons, particularly at the old CCR [Office of Capital Collateral Representative]. However there is more:

After Mark Olive voluntarily resigned from CCR about March 1988, Billy H. Nolas became the next Chief Litigator. It is extremely odd that neither Mello nor Von Drehle even mention Nolas nor the next Chief Litigator Martin or Marty J. McClain. For important reasons they should have.

Billy H. Nolas is an excellent litigator like Olive. Nolas was the Chief Litigator for the last two years of the Gov. Martinez "regime", which was the most difficult time in CCR history [during my employment there] with Martinez signing death warrants as if he was at a Republican Party event signing autographs.

Nolas resigned at the end of 1990, after Martinez had been defeated by former U.S. Senator Lawton Chiles and former U.S. House of Representatives member Buddy MacKay.

Nolas was completely drained from the years he endured and litigated while at CCR, due to the huge case load and the internecine warfare within the agency. McClain and his faction within CCR did their best to cause Nolas to leave -- eventually they were successful -- and THAT is when clients' cases began to suffer.

Martin J. McClain is an excellent litigator, however his strategic decisions in various cases are questionable. When Mello writes on page 245 of the hardcover version of "Dead Wrong" regarding CCR, "Look beneath the surface of CCR's 'success rates', however, and you'll find an artifice typical of hack public defender officers. CCR has in the past farmed out the hardest cases to outside lawyers (by finding that it has a 'conflict of interest')". The period of time that Mello is referring to is when Martin J. McClain was the Chief Litigator and Michael Minerva was the executive director of CCR.

As the premier example of McClain alleging a "conflict of interest" [and I can only assume with the consent of the director of CCR at the time, Michael Minerva] is the client Jerry Layne Rogers, Sr. -- a wrongfully convicted and innocent man -- Mr. Rogers's case in 1992 consisted of at least 80 boxes of documents, from court files, prosecutor and law enforcement files, trial and evidentiary hearing transcripts, etc. Mr. Rogers's case was the largest and most complicated that CCR has ever represented.

The second largest and most complicated was that of Mr. Gerald Stano, whose lead attorney during most of the development of his case was Mark Olive.

McClain simply didn't want to have such a complicated case as a CCR case, so McClain, in my considered insider opinion as Mr. Roger's only investigator from 1989 until my involuntary departure in 1992, alleged in a misrepresentation to the Florida Supreme Court (FSC) that he had a "conflict of interest" with Mr. Rogers -- while Mr. Rogers's case was pending at the FSC.

As a result, Mr. Rogers had no counsel for an extended period of time until the Washington, D.C. law firm Covington and Burling became his pro bono counsel in 1995. The result was an unanimous FSC 26 page opinion ordering a new trial due primarily to prosecutorial misconduct, in particular Brady v. Maryland violations.

To read the opinion, go to the Florida Supreme Court website, to recent opinions, to the year 2001, scroll down to February 15, 2001.

During the summer of 2002, Mr. Rogers was re-convicted, however the jury recommended and Mr. Rogers received a life sentence. Thus for a second time Mr. Rogers has been wrongfully convicted.

Another wrongfully convicted Florida death row inmate, who is now a free man, Juan Melendez, testified about his neighbor on death row, Mr. Rogers. Mr. Rogers taught him how to speak, read and write in English as well as assisting him in coping skills while on death row.

In 2004, the Florida 5th District Court of Appeal denied relief. The FSC declined to accept jurisdiction and thus denied the petition for review.

Mr. Rogers' case is pending Federal review.

Though the author never specifically articulates his beliefs about the death penalty anywhere within this volume, I had the distinct impression that he was actually, in principle, a proponent of the punishment, but had become increasingly frustrated with its practice as he investigated every capital case in Florida during the first few years of the death penalty's reimposition. It is this perspective, along with the excellent writing and the telling details he unearths about each case (details concerning the commission of the crime, the investigation, trial, appeals, execution, and aftermath) that separate this volume from most of the other anti-death penalty materials. Above all else, it is an excellent read.

This is an awesome book. The verbs are conjugated in all tenses. The verbs are in alphabetical order and defined at the top of each page. It includes examples of how to use the verb at the bottom of the page. Each verb tense is explained (in an easy to understandable way)at the beginning of the book. It also includes a mini verb quiz.
I am going to minor in spanish and am excited to use this book. It's just helpful to have all the tenses organized in one book instead of trying to search for them. I highly recommend this book and hope this review was helpful.

What I like about this produce is that the verbs are in alphabetical order. What's missing to make it a good purchase is that there is no color distinction or size variation between the main verb and its conjugations. Also, the print could be larger considering the size of the book. I would have been happy to pay a bit more to have it be more user friendly.

river runner girl

I love this book, over 500 verbs fully conjugated. The help in my learning Spanish has been invaluable.

This book was recommended to me by my Spanish Teacher and it is a really good resource to use while learning Spanish or just to use for reference. I recommend the 555 Fully Conjugated Verbs to all interested in Spanish.

in addition to the advantages that others have pointed out, such as the examples provided, there is another plus which I don't think anyone else has mentioned. The book gives examples not only of the verb in use, but also of nouns and vocab that are related to the verb in question. So for example, for the word 'Anadir' (which means 'to add'), the book gives sample sentences containing the phrase 'por anadidura' (in addition:') and the noun 'anadido' (addition). These supporting phrases and vocab are every bit as important as learning to conjugate the root verb itself, and I have yet to find a verb book that does this in its sample sentences.

My 13yr old son was like "what is this" when he found this book I had purchased for him. Hours later he was still absorbed. He said it was a great read and very interesting.

Historical fiction either works really well, or it doesn't work at all. Those YA historical fiction novels that deftly capture the distinct essence of a time period and place so different from our own that you can hear the unique cadences in speech patterns and visualize details not even mentioned in the text, those novels are to be treasured and savored more than once because they offer not only a well-told tale, by delicious tastes of bygone eras. Recent novels like AL CAPONE DOES MY SHIRTS and OCTAVIAN NOTHING accomplish these goals heroically; you feel as if you are living in the times and that is part of the emotional journey that we love. YA historical fiction that fails is highly awkward, illogical, anachronistic, and MADDENING. We argue with ourselves about why the author couldn't get it right! The guilty (or at least the current crop) shall remain nameless...

Which leads us to Janet Taylor Lisle's latest. BLACK DUCK is (to maintain the metaphor) an odd bird; it captures that time of the late 1920s nicely, but focuses on perhaps the most unusual of young adult subjects: rumrunning. Told primarily in flashback, BLACK DUCK follows Ruben Hart, a fourteen-year-old from Rhode Island who finds himself (as does most of the rest of the town) involved either directly or peripherally with breaking the law (it is Prohibition, after all). This era is brought to life expertly by Lisle's correct decision to have the story told through a first-person point-of-view. That choice allows her to capture the language, mannerisms and trends of the time quite accurately. Building slowly, she offers plenty of historic detail without the weight of seeming to force the historical information on us (like QUAKE!: DISASTER IN SAN FRANCISCO, 1906 does).

I was also taken with Lisle's characterizations, particularly those of the several characters who made unexpected, yet by-all-means organic choices -- always a joy for an English teacher to read -- that took the plot into unexpected, yet organic places.

Though the historical nature of the book is, as far as I can tell, relatively accurate, it is an incredibly bold move on Lisle's part to make practically all of the characters law-breakers (yes, even many of the kids)! On top of that, the reader and a majority of the characters don't want [SPOILER NOTICE] the legal authority -- in this case, the Coast Guard -- to capture the rumrunners aboard the Black Duck. WOW! And it works... beautifully. To take a questionable subject for young adults and approach it in a highly questionable way, and succeed (!!!) deserves real kudos from YA fans.

As an English teacher, this is a great piece for discussion and analysis -- in part for the above-mentioned reasons, but also for the dramatic structure in which the flashbacks are interrupted by the present and newspaper stories of dates in-between.

So, in the categorization of YA historical fiction that soars and those that sink, this rumrunning ship, heavy with cargo, is definitely buoyant.

Black Duck is a great piece of historical fiction. It tells the story of the rumrunners off the coast of Rhode Island. Because of the mystery running through it, this book will keep you reading for more to find a surprise at the end. There is a couple of "bad" words in the book, however, I recommend it for 6th through 12th graders, boys and girls.

I bought "Black Duck" based on the book's description and also based on all the great reviews it has received thus far. I loved the book the entire way through. "Black Duck" is geared for kids ages 9-12 according to the description with the main characters being teenage boys.

I enjoyed how the author intermixes the past with the present in "Black Duck" by making some chapters in the present day and other chapters in the past. Janet Taylor Lisle is able to bring to life what rum-running during the prohibition may have been like on the New England coast in 1929 by using a cast of fictional characters and how prohibition may have effected a community. The story is told through the eyes of Ruben Hart, who was a teenager during 1929.

Currently Ruben Hart is an elderly man. He is approached by a young boy named, David Peterson, whom wants to be a journalist when he grows up. Young David has his sights on writing a story about the the rum-running days and this is where he crosses paths with Ruben Hart. David is set on interviewing Mr. Hart about the rum-running days as he has heard that Mr. Hart knows something about those days. The interview happens over the summer vacation and David learns/hears quite a story from Mr. Hart & quite a tale it is. The two become friends by the end of the novel.

"Black Duck" is a good story with well developed characters!! The story is intriguing and keeps you wanting to know more about what will happen next!!

A year ago three of my sixth graders wanted to read Black Duck, a new book in our school library, for Literature Circles. That was my first experience with the book. I started reading on my way home to Illinois and couldn't stop. Likewise, my sixth graders had a lot of praise for the mystery set in the Prohibition Era. If you parents or teachers are looking for a book that will motivate even the most unwilling reader, this is it. One of the boys confided that although he is a jock, he had to confess he couldn't stop reading it. At first some of the girls were resistant, but soon they, too, had to admit they were hooked. Telling the story in an interview is a unique format. This book also lends itself to a variety of research topics the students enjoyed: Prohibition, the Great Depression, the Roaring 20s, Women's Suffrage, politics, gangs, gansters, Rhode Island, the East Coast, and of course bootlegging and smuggling. What a great way to learn some history! I highly recommend it.

Buy it if you love vampires and love it when an author comes up with a new twist on them. LOVED IT!!!!Bloodtrail

This is the first vampire novel I have read, and have to say that I would read another written by David Lewisl. His style of writing is extremely descriptive allowing the reader to immediately become involved in the story. I must say that I would not expect to see such an intense demonstration of love in a vampire novel...but it is demonstrated in this one! It is an extremely captivating read!

I found Bloodtrail a fascinating twist on the vampire story. In it, vampirism is caused by a virus that usually kills, only some of its victims rise from the dead and then go on to thrive on human blood. The condition gives them amazing abilities, but the need for human blood is an addiction.

One of those who 'survives' the virus is Joseph Casey, in prison after killing four people while trying to locate his 14-year-old daughter whom he hasn't seen in 150 years. When the opportunity presents itself, he agrees to be tested by medical researchers who are interested in his healing abilities. In exchange, they'll help him locate his daughter.

The book starts with a flash of raw language and shocking violence. It keeps you guessing as to what's going to happen. It's very evocative of midwestern places, people and landscapes. The dialogue keeps it moving at a snappy pace and makes it almost impossible to put down.

My one caveat is that this is not a book for the prudish or for children. The language is often vulgar, and there are lots of sexual situations, as well as fairly gruesome violence. That said, it's a great read and I highly recommend it.

I don't like vampire stories, but a friend pushed until I read this one. I'm glad I got pushed. David Lewis is an accomplished storyteller; that's for sure. But, he leaves nothing to chance. Love, violence, honor, deceit, courage, fear, and hope mixed with scientific evidence, believable characters, and twists and turns in the plot keep the reader on a suspenseful journey not only into the world of atypical vampires but also into the realm of human nature. I want a sequel!

WOW! Vampires may not be just fantasy. This book is classified as "fiction" but more accurately could be called possible "future reality". Not only is this book a GREAT story, but it also contains cutting edge science. I recognized traces of Dr. Candace Pert & Dr. Paul Pearson just to name a couple. This book takes place mainly in the present and shows how vampires could come to be. Bloodtrail grabs you from page one and moves you at light-speed, non-stop all the way to the last page. I didn't want it to end... and it does allude to a sequel.

This is a useful, complete and wonderful book, which person interested in language should have. It's topics are simply great!!

Olga Ocaña

Everything that you could ever have wanted to know about the way language works is in here (along with many other things that you probably had never even thought of). From the minds ability to comprehend certain sights and sounds as forms of communication and how it deciphers them to writing styles, changes and progression in languages and grammatical structures and nuances in voice level and tone used to alter understanding of a particular syllable, this book's got it all. I have to confess to being overawed when I first opened the book and then marvelling at the detail contained therein. Be warned though, this book is not for beginners in any field of study. Those with a strong interest in linguistics though should definitely invest in this treasure. There's so much in here it's staggering.

This book is a linguaphile and language lover's delight, to read or just to browse like a coffee table book. It covers just about every major topic in the study of language you can think of, from traditional classical and comparative philology and linguistics to modern developmental and neurological studies of language.

The book is comprised of 11 major sections and 65 smaller sections, with 8 appendices devoted to various topics, and there is an extensive glossary of linguistic terms as well as a table giving essential information about almost 1000 of the world's languages. Although a scholarly book, it's well written and Crystal never gets overly pedantic or dry. This is no doubt one of the most comprehensive and detailed compendia of information for the general reader about the subject of language ever written.

After reading this, you'll be more than ready to tackle a formal or more technical introductory text in linguistics, if you want to continue your studies. If you do, I highly recommend David Lyons's classic, Introduction to Theoretical Linguistics, now out of print but worth getting if you can find a used copy. If you can't find that there are several other recent texts that are quite good. But if you decide to stick with this book, you'll still have learned a lot. Whichever way you decide, good luck and happy reading.

David Crystal's Encylcopedia of Language is an excellent and readable book for lay-people like myself. I often come to it for information on a particular language-related question, or else I'll just open it up at random and see where I land.

There are plenty of diagrams and coloured pictures throughout, as well and quite a few interesting stories placed in vignettes.

As other reveiwers have pointed out, a huge range of topics are included here. I'm yet to find an aspect of language that hasn't been covered in some way.

Indeed ,David Crystal is a great and famous linguist of this century .His books about language are very important for students and common readers .His book "What is linguistics "is a good book for students ,but this book is important and informative for all people with scholars .There are several useful mapes and tables which guide a reader to understand the different family of languages.

I am siraiki speaking person .It was natural for me to read about my language,but Crystal is not aware about Siraiki language .He wrote its very old name Lahnda .I hope he will correct it in next edition