David Books

This is a very detailed and useful reference for understanding more about the Italian wines and the region. I appreciate the link to the historical aspects and food pairing. Great find if you're looking to learn more about Italy and it's wines.

I liked this book a lot. The format was perfect for my taste. Every region had its own chapter, written in a very addictive and enjoyable way. Authors did not try to talk about all the producers, giving readers the option to dig deeper into any particular region by themselves, which I find enjoyable. I liked a lot guided tastings. Now I know what to look for in similar books for different countries or continent (for example a book recently purchased on South America was a disappointment). I can now understand why other reviewers said even Italians from Italy would love this book. I think this is the 2005 edition (equal to the 2002 edition, just different cover) and some wines in the tasting areas changed names or stopped doing the particular bottle. I am in the middle of discovering the new ones for the regions I am starting with. In case anybody knows about a site where the tastings are updated or would like to exchange corrections please contact me.

Clear and concise, this guide clarifies a complex subject - the history and present state of Italian wines. While it is objective in its recommendations, anecdotes of regional Italian life add the human interest elements that make us care about Italy and its wines.

I had the hard-cover version of this book and insisted so many friends and colleagues read it I managed to lose it and had to buy another copy! Great descriptions, recipes and candid details about Italian wines-- especially wines that one can actually have a chance to purchase without a plane ticket to Italy.

The writers situate fascinating personal and societal anecdotes within the context of Italian history and culture, broadening the story of wine beyond the science of viticulture. The authors obviously have a deep grasp and appreciation of Italian wines, and convey their knowledge eloquently, yet without a hint of pretentiousness. A very enjoyable read.

The author rescues a beautiful golden retriever on advice from his doctor to get a dog. The dog however has the ability to alert the author to impending cardiac episodes and in doing so, gives the author the freedom to work and go about his daily life. This book touches the readers soul and lets us know that maybe there is more to the human-animal bond than we know. The book also dicusses the "Americans with Disabilities Act" as it relates to service dogs. Anybody who has loved a dog will love this book.

I could not put this book down. Mike and Dakota's story as a team was inspiring and transcended this world. Their devotion to each other was amazing. You do not have to be an animal lover to learn from this book. My hope would be that after you read this book you will see how special animals are in our lives.

I Absolutely LOVED this book! MY sister in law bought for my husband --animal lover...Anyway she bought it for him but I read it first because the cover called my attention. I like dogs but was reluctant to get one because I though of all the work there is involved with taking care of animals..besides with a little one, school, and work a dog would be more work for me....But after reading this book, I know I want a dog..The magic between Mike and Dakota is so overwhelming --that it made me think that that is what we need in our lives..Yea it will be work to potty train and take care of ..but then again things in life that are worth anything sometimes require alot of work--..God Bless you Mike and Dakota and thanks!!!!

I enjoyed the book so much. Felt like I was right there with them and every time the author had an attack could visualize how much his Angel/dog helped him through it. They had a bond that is so hard to explain unless you have had an animal and then know what it means, they are not dogs, they are your family and in this case especially he was not only family but his life support and friend. I definitely would recommend this book to anyone, have since bought additional copies to give to my animal lover friends for gifts.

I recently lost my Golden Angel too, and while I was looking for a book to help
Me cope with my pain, I found this book. I am a very busy person and don't
Have much time to read, but this book took me 2 days. It is full of feelings and even humor. No matter what the situation is, our Golden's will manage to put a smile on our face. When you start reading this book, make sure you have a box of Kleenex
Near by. This book goes into my favorite book list, and I purchased a few more as
Christmas presents.

WONDERFULLY INSPIRING BOOK - I just LOVED it - have studied all the examples and will use them to try my own carvings and paintings on Aussie gourds.
THANKS for writing the book.
Melody Haskins (Downunder, in Australia)

I baught and loved the hard cover of this book. When I saw the paperback version with the fish gourd on the cover (a picture of a
different equily beautiful gourd apears on the hard cover version) I thought yahoo, David Mcfarlane wrote a new book,Gourd art 2. Boy was I wrong. Its the same book, a very good book but the same. Rookie mistake, live and learn.

Beyond the Basics Gourd Art is an excellent book, with exquisite photos, and diverse projects presented by several different artists. A must-have for gourd enthusiasts of all levels!

Great Book even for beginners, easy to follow steps allows creative people to quickly hone their gourd crafting skills.

I really liked this book and found it one of the best for gourd artists. There are so many styles, examples, techniques, designs and suggestions.

It is fabulous for the beginner through the expert. A definite book for your collection.

This is an honest account of a facially disfigured man who has done lots more with his life than most "normal" men. Anyone who has ever been self-conscious about freckles, a big nose, extra weight or any "perceived" deformity, will feel a kinship with his self consciousness. I certainly did, yet I also felt gratitude that I did not have to go through what he went through. I laughed hard, I cried a few times and I came to some peace with myself after reading this personal little gem of a book, written by a gem of a man.

What a wonderful book this is, though I look at it more as a funny and poignant memoir of someone who has seemingly overcome tremendous obstacles to create a wholesome and very meaningful and happy life for himself. Through significant events in his past, David relates, with great humor, how he was able to overcome the society's burden of judging people by how they look and lead a very fulfilling life. There are some aspects of a "self-help" book about the text, but mostly it is the story of David. At the same time, I found myself looking inward quite a bit and reviewing my own choices in life. David does touch on some aspects of faith, especially in his Catholic upbringing, but the book is mostly about finding the true self within and creating strength and thriving. A warm, funny, touching and thoroughly enjoyable read. I recommend it for all.

If David Roche did not exist we would have to invent him. He is one of those people (and I'm beginning to think there may be more of them around than we imagine) who make this tired planet a better place to incarnate. David is a truth teller, hope giver, path finder, holy clown and, as we now discover, a hell of a good writer. I read the book in one sitting weeks ago and have been letting its stories and images percolate in my mind, heart and soul ever since. David is not a new-age pollyanna. He reminds me of Barack Obama -- whose memior I"m now reading -- in the way he has earned the authority of the one who has gone through the dark night of the soul and has come back to tell the tale. His compassion, optimism and salvific humor come from his willingness to work with his wounded parts. He takes the alchemical path, transforming the "base material" his life has given him into spiritual gold. In modeling, especially as a man in this society, this willingness to look unflinchingly into his own soul he performs an act of service. And love.

Jeff Roche
Communication Arts 610
March 6, 2008
Critical Analysis of The Church of 80% Sincerity
In reading David Roche's The Church of 80% Sincerity, I thought that I would be able to "kill two birds with one stone," simultaneously satisfying my curiosity/interest and sense of obligation as the author's nephew, as well finding an autobiographical text that I could examine with a critical lens. However, while I satisfied one part of the equation, I complicated the other; it's not easy to be critical of family.
But I digress. Roche's book is not truly an autobiography. This work is a testimonio, as it "represents an affirmation of the individual subject, even of individual growth and transformation, but in connection with a group or class situation marked by marginalization," (Couser 88). Still, this description is not entirely accurate, as Roche hardly mentions his connection to and development with a community of performers with disabilities (Roche 6). Yet, to quote Steven Winn off of davidroche.com, "what's most striking, and finally moving, is the way he both draws attention to his disfigurement and makes the audience see beyond it as well," fitting nicely with the first part of the testimonio definition. Thus, The Church of 80% Sincerity is more of a semi-autobiographical, non-linear novel that draws attention to Roche's poignant life stories/events that fit into his overall themes.
One might then ask, what are these overall themes? "It is the story of accepting yourself, despite all of your flaws," (Roche 5). By recounting various life experiences, Roche tells his tale of finding self-identity as a person with a congenital facial disfigurement and the setbacks that occurred at various stages. However, for Roche, humor is a key element in the telling of his story. According to Krefting, the use of humor affords her "the catharsis of laughing at myself and my insecurities, as well as allowing me a modality to criticize/satirize," (Krefting 110). I feel the same can be said of Roche. Humor is one part of Roche's identity, but his is an expansive identity that is inherently tied to his ability to "find my voice...I continue to find it onstage, in the pages of this book," (Roche, 56). In many ways, Roche's path of self-discovery aligns itself perfectly with Gill's description of the four types of integration.
The first type involves one's "assertion of a right to inclusion in society," (Gill 42). Roche has several examples related to such assertions. Whether it was his right to be politically active by voicing his concerns on city buses (Roche 64), or preferences for what he wants in a companion (Roche 101), Roche asserts his right to not be excluded on account of his disability.
The second type of integration relates to "finding a place" within the disability community (Gill 42). Roche's initial avoidance of disability culture can be explained by the factors that made him shameful of his own disability, desiring to be "normal". At home, the issue was not discussed; thus, Roche "never learned to explain myself. Instead I learned the safety of standing to the side," (Roche 34). This, combined with feeling rejected by the god that he was raised to love, led to Roche's (unsuccessful) attempts at passing, avoidance, and later substance abuse (Roche 38). Eventually, by finding "community, the feeling of mutual support and being in it together," (Roche 69), Roche felt empowered to challenge his shame and the oppression of others and stop "pretending to be normal and began to accept myself the way I was," (Roche 6).
Now, in a way this seems good because Roche finds strength in a supportive community. What is disconcerting is the lack of a challenge towards the concept of "normal." According to Lennard Davis, the "the idea of a norm is less a condition of human nature than it is a feature of a certain kind of society," (Davis, 24). Roche never directly questions the very notion of "normal," but rather, he continues to make several "normative" remarks throughout the book, leaving the societal construction of the norm untouched. The closest attempts came by asserting how everyone is unique and that Roche's experiences are "wholly human," (Roche 11). By using the word "normal" in this context, it implies that there is a poorly connoted "other," and there is something fundamentally wrong with a society that requires one to assert their humanity because they are viewed as "other."
"Coming together" is the third type of integration, where one recognizes their sameness and differences (Gill 43). The Church of 80% Sincerity does an excellent job of portraying this stage's classical struggle of self-acceptance. There is no need to repeat the why of the matter, for the same mental/physical barriers that prevented Roche from finding a place within the disability community, also prevented him from accepting himself. Though I criticized this quote in relation to the concept of "normal," it accurately shows the integration of sameness and differences: "My face is unique but my experiences are wholly human," (Roche 11).
"I thought...that my face was an impediment...Amazingly, that fear turned out not only to be unfounded, but also to be the opposite of the truth," (Roche 69). A statement such as this demonstrates that Roche was able to reach the fourth type of integration, "coming out," (Gill 45). Not only does Roche see and accept himself as whole, he takes pride in his appearance while using it for his advantage (performances, keynote speeches, charming himself).
The Church of 80% Sincerity extensively covers Roche's personal development in relation to disability, but he downplays any notion of "overcoming". Rather than stating that he overcame ill-formed patterns of thinking about himself and the world around, Roche discusses several self-transforming "moments of grace." While the lessons to be learned from these moments of grace are well-intended and not overlooked, one cannot help but to be distracted by the fact that self-transformations are "a matter of individual will and determination rather than of social and cultural accommodation," (Couser 80). The fact that Roche discusses matters with more of an introspective focus may cause one to overlook the larger sociocultural factors that helped create the ill-formed patterns of thinking in the first place. For example, a sociocultural model of disability might examine societal conceptions of beauty and the assumptions that are tied to it. However, by examining the "random acts of cruelty" that Roche encounters, such as the man who spit in his face, The Church of 80% Sincerity points out the inherent flaws in all of us (Roche 40). Although this does not directly challenge sociocultural factors, it is a step beyond the phenomenological level.
And yet it is difficult to be overly critical of these "moments of grace," because all of these individual, phenomenological experiences have led Roche to form the backbone of his "Church of 80% Sincerity." Although no physical church actually exists, the "Church of 80% Sincerity" can effectively be classified as a lifestyle choice/ way of thinking about the world. The Church is an abstraction "for recovering perfectionists, You can be 80% sincere 100% of the time, or you can be 100% sincere 80% of the time," (Roche 7). Many tenets of the Church are mentioned throughout the book, but the primary tenet would have to be one that calls for self-acceptance, despite one's flaws. One could argue that "The Church of 80% Sincerity" is a sub-set of disability culture, one could even go so far as to say the Church is disability culture. If one takes a look at Gill's work on the eight core values of disability culture (Gill 2-3), one would quickly see that the Church embraces the majority of these core values throughout the book, with a few additions of its own.
On a final note, Roche is very modest about being seen as an inspiration by others. Yet, it is in this modesty that Roche fails to acknowledge the fact that his high level of intelligence and incredible sense of humor assisted him in his identity development and ability to work though challenges; perhaps Roche is modest because of the fact that he was not always looked at as an inspiration, either by himself or others. Roche's work does a good job of challenging the notions of the theoretical gaze and stare, as well as the diagnostic gaze (Millet 26) by reiterating his own experiences with the Western model of medicine. Roche relates his early medical encounters, "One by one they came forward to examine me...If our eyes ever met, it was only a nanosecond before theirs turned away with easy, practiced avoidance," (Roche 53), "You never talk about feelings...or anything!" (Roche 54). This breakdown of the medical experience into feeling like a subject to be examined and gazed upon was a powerful one; stirring up emotions in the reader, as well as inciting Roche to action, as he later became an expert on the physician-patient relationship.
Ultimately, Roche and the "Church of 80% Sincerity" seem to align themselves with many of the core values of Disability Culture. Although one might choose to criticize Roche for his lack of social resolution, political agenda, or inherent call for change, one must realize that that is not what The Church of 80% Sincerity set out to do. This was a story of "courage, faith, inspiration, and laughter...to understand that you and I are very much alike, with our gifts and our flaws woven together," (Roche 11). The majority of the criticisms presented here were merely a means of expanding upon Roche's already solid foundation of self-love, tolerance, and an appreciation for the uniqueness of the human spirit.


Works Cited

Couser, Thomas G. "Conflicting Paradigms: The Rhetorics of Disability Memoir." Embodied Rhetorics Disability in Language and Culture. Ed. James C. Wilson and Cynthia Lewiecki-Wilson. Southern Illinois University Press, 2001. 78-91.

Davis, Lennard. Enforcing Normalcy: Disability, Deafness, and the Body. London: Verso, 1995. 1-49

Gill, Carol J. "A Psychological View of Disability Culture." First published in Disability Studies Quarterly, Fall 1995. www.independentliving.org/docs3/gill1995


Gill, Carol J. "Four Types of Integration in Disability Identity Development." Journal of Vocational Rehabilitation 9 (1997): 39-46.
Krefting, Rebecca. "'The Taming of the Sun': Finding the Joke in the Cancer Narrative of a Pedagogue." Disability and the Teaching of Writing A Critical Sourcebook. Ed. Cynthia Lewiecki-Wilson and Brenda Jo Brueggemann. Bedford/ St. Martin's: Boston, 2008. 109-116.

Millet, Ann. "Disarming Venus: Disability and the Re-Vision of Art History." FemTAP (Summer 2006): 21-39.

Roche, David. The Church of 80% Sincerity. New York: Perigee, 2008.

My wife, Wilene, and I saw David Roche perform THE CHURCH OF 80% SINCERITY on stage in 1996. It had rocked us with laughter and moved us to silence. When we finally spoke, I said to her, "He should write a book!" Now that didn't qualify me to be a prophet in his church, but it did make me a proud parishioner, because now that his message is out in print, everyone has access to Reverend Dave's gospel. And, that is a blessing!

David was born facially disfigured and I will say no more about that, because whatever I could possibly write, it would pale before David's words as he chronicles his life in this magnificent little book. I have known David for about fifteen years and what I love about the CHURCH OF 80% SINCERITY is the very thing that I love about him. It is about the place where he lives, the intersection of pathos wisdom and humor. When reading it, one is never a sentence or two away from the integration of these three forces.

Another potent and enchanting aspect of his writing lies in his ability to pilot the reader down the same road he is travelling. As David allows us to examine the grief,anger,love,and joy of his life, we are simultaneously compelled to examine and reexperience our own. Ultimately, what the book reveals is that David's journey has been been an alchemical one. We become very clear that he turns lead into gold, and there in lies the gospel; the good news that we can do the same. -- at least eighty percent of the time! -- I can't recommend it enough!

My 8 month old son loves this book so much! He turns each page and loves to feel each and every bug. I think this is great for someone looking to get their child interested in books!

This was my son's favorite book when he was a baby starting at 4 months old. He is now 9 years old and still remembers the bug books. Now that I have a newborn, I am looking to buy another one...and my older kids can't wait to read it again!

Buy this book for the textures, not the text. Unlike prior Bug books that we own, there are no clever popups and little that is clever about the text. There are a good variety of unusual textures and for my son, that is enough. Note that the sticky bug page was disappointing. After the first reading, my 17-month old had stripped two of the four Peel Me stickers from the sticky bugs, who now have shiny white bellies. These criticisms are purely mine--my son enjoys the book.

My friends passed this book (and other Bugs in a box Books) along to me after her son regretably out grew the context of the books (age 7). I know he didn't really want to give away one of his favorite books but soon submitted to his mother. My daughter and I (she is 1.5 yrs old) read this specific book every night. She loves it! It is the greatest feely book we have and we have quite a few. It is well constructed and has a variety of textures for little hands. I alos like the size of the book. It is easy to sit on the bed with her on my crossed legs and have the book in front of us on the bed. She gets so excited when it is bed time because she knows we will be "reading" the Feely Bug book. Thanks Miranda and Simon for giving up one of your treasures to become one of ours.

Want your children to learn at an early age? "Feely Bugs" by David A. Carter, could be helpful to you.
Through this book, children will be able to identify different textures. I would recommend "Feely Bugs" to a younger audience, like 6-12 months.
If you're looking for a storybook that your child will be able to have fun with, "Feely Bugs" may be what you are looking for.
(...) this book appeals to my senses. It is a book that I would enjoy reading to small children.
I would rate this book 5 out of 5 stars.

A.A. literature and independent research make clear the relevance of this little book to the A.A., 12-Step, Recovery picture. See Dr. Bob's Library, 3rd ed.[[ASIN:1885803257 ; DR. BOB and the Good Oldtimers ; The Books Early AAs Read for Spiritual Growth [[ASIN:1885803265 ]; The Akron Genesis of Alcoholics Anonymous[[ASIN:1885803176 ; and Turning Point: A History of Early A.A.'s Spiritual Roots and Successes.[[ASIN:1885803079. A.A.'s co-founder Dr. Bob said hundreds of time that 1 Corinthians 13 was an absolutely essential part of the early A.A. program. He thought so much of this Drummond study that he circulated The Greatest Thing in the World widely among the A.A. pioneers. It was part of his library. It was part of his expression of the meaning of love. For that's what the Corinthians chapter and the Drummond book are about.

I heard Larry Burkett highly praise this book years ago so I got one. I agree, this is an awesome book. read just a few pages and it will change your heart to love others more, no matter how grouchy you are at the time. I prefer the older editions of this book, they fit in my purse better

My brother sent me a copy. He liked it so much he brought fifty copies to share with friends. I in turn have purchased copies to give away. It is the Sermon on the Mount, The Gospel of John, and First John all in one by way of expounding upon Paul's great love expose. Gary Trawick.

This book by Henry Drummond is a much-neglected meditation on I Corinthians 13. With kindness and gentle encouragement, Drummond walks the reader through the characteristics of love we all fail so miserably to exhibit in our own lives. Well-written and short, this book should be on the shelf of anyone who is trying to live Scripture.

Hadn't read Henry Drummond's book in years, but I recently picked it up again and re-read it and found it had lost none of its power for me. This book can be read in twenty minutes, but it's a twenty minutes that can change your perception of life and love.

Drummond, who was an inspiring liberal-thinking Christian of the 1800's, divides Paul's chapter on love in First Corinthians into three parts: "love contrasted," "love analyzed," and "love defended." He shows us what love isn't, shows us what it is, and defends it as the "greatest thing in the world." He helps us understand that it is not a burden to love - it's the easiest thing in the world!

This book is one of the most inspiring pieces of Christian literature I've ever read.

I bought this book based upon the previous rave reviews. I guess I wasn't ready
to entirely believe what I read in them, but they are true. Usually, when
I buy a "travel book," I think of Fodor's or something from AAA. But this
is a work of fine literature. It has the stamp of a warrior poet, not just
a travel maven. Mr. Stanley delivers crafted lectures in this book, and I
feel he is sitting right next to me as I read it. Now, I know he wants me to
actually go to these islands myself, but he does such a masterful job of
discussing the experience and preparing the traveler intellectually and
emotionally for the trip that sometimes as I read it I feel as if I really
don't have to get on the plane,that I've been there! Of course, I do plan to
go, but with this book I feel as if I am extremely well-equipped to
make the journey. The discussions of historical geology, culture, and
the extremely thorough descriptions of the islands and their people make
this book a genuinely living thing. Sometimes books are titled "The thus-and-
such "COMPANION."" This book should be called "Your South Pacific Traveling
Companion." It is a living thing.

South Seas Photography always uses the Moon South Pacific handbook for all the extreme travel and not so extreme adventures.
Our Surf and photography schedule demands the best and we always find Moons South Pacific Handbook the perfect book in which to explore various locations in Polynesia. It even has Surf locations listed as well! Honest and comprehensive. As the largest beach lifestyle imaging company in the Pacific, David Stanley's book is the perfect guide for all aspects of South Pacific travel. We never travel without it.

Aloha - Karl Meinhardt
www.SouthSeasPhotography.com

Moon Handbooks South Pacific is the ultimate overview for traveling on any of the island groups of the South Pacific. This 1091 paged book is full of detailed travel information but is still practical sized to tuck in a daypack for easy reference. Furthermore, this book has plenty of fairly detailed maps, complete with accurate distance scales, for easy travel planning or reference while you travel.

There are eighteen chapters in Moon Handbooks South Pacific: Introduction; Exploring the Islands; French Polynesia; Pitcairn Islands; Easter Islands; Cook Islands; Niue; Kingdom of Tonga; American Samoa; Samoa; Tokelau; Wallis and Futuna, Tuvalu; Fiji Islands; New Caledonia; Vanuatu; Solomon Islands, and Resources. The introduction chapter contains an overview on the South Pacific area. This detailed information includes geology, climate, flora, fauna, history, economy, and the government of these islands. The next chapter, Exploring the Islands, contains general information on sports and recreation; entertainment; public holidays and festivals; arts and crafts; accommodations; and food as well as contacts for information and services; health; getting there; and getting around while in the south pacific. This chapter also includes a what to take section. The Resources chapter contains further information on suggested readings and internet resources.

The rest of the chapters in Moon Handbooks South Pacific focus on particular geographical regions, islands, or groups of islands within the South Pacific island groups. The first paragraph or page of each regional section describes a little about the region. After this overview, individual sights, recreation areas, special events, accommodations, food services, information services, and transportation services are depicted in detail. Depending on the size and general amount of facilities in a given region, there may be only one or two entries per category or over a dozen. Each entry contains the location, contacts, costs, and a short paragraph description of the facility or event featured. Several black and white maps and photographs accompany each section, clearly marked with the various facilities described in that particular section.

Moon Handbooks South Pacific is a helpful guide for anyone planning on traveling to any of the islands of the South Pacific island groups. Very complete key information is provided for easy reference while planning or while travel. However, this book may also be just as interesting for the armchair traveler as this book contains ample information about the natural environment, history, and culture on these beautiful islands.

A great value to anyone planning a trip to the South Pacific! Detailed, informative, educational...what more could anyone want.

As one of the editors of Travelers' Tales 30 Days in the South Pacific, I found David Stanley's Moon Handbook, South Pacific to be an indispensible guide during a recent trip through the South Pacific

Sean O'Reilly
Editor-at-Large
Travelers' Tales

I bought three books to teach myself how to produce DVDs. The Erica Sadun book is for advanced users and was not helpful to me. The Bob LeVitus "Little iDVD Book" is probably one of the most poorly organized and edited books I've ever come across on any subject.

Pogue's "Missing Manual", on the other hand, is comprehensive, clear and well-organized. I've produced about half a dozen DVDs since reading (and re-reading) Pogue's book and it clearly made a huge difference in what I was able to construct using iDVD.

In my opinion, this is the only book you need to read to learn how to produce movies using iDVD.

Beyond teaching readers to work with iDVD, Pogue also offers loads of helpful suggestions about editing in general. This book is outstanding.

I love this book! I was ready to give up trying to use iMovie because of a small glitch that was incurring. After browsing thru the book the very first time I opened it, I came across the trouble I was having with iMovie. Mr. Pogue directed me to the correct settings and I am now having a great time editing my DV movies.

I would highly recommend this book to anyone attempting to use iMovie. There is so much more to this program than Apple addresses in the help file. Mr. Pogue's writing is concise but not out of reach for the average Mac user.

I have many books by Mr. Pogue and I would recommend any of them if you are stumped and need a well explained how-to-manuel.

Can it get any simpler !! ha ha ha ha ha
I found this book to be extremely informative and easy to understand (especially since i am yet to purchace a mac and digital video cammera ).. I will have no hesitation now to go out and purchase a Mac and a Digital cammera .. and feel confident making my first feature film or "Home Movie " LOL

It's OK. It has about the same amount of material as the "iMovie 2 for Macintosh Visual Quickstart Guide" - The missing manual is fatter because it contains additional stories and things that a reader might find amusing, but that are not particular relevant to the topic. The section on movie making basics is very good. For an expanded view see "The Five C's of Cinematography". I thought I would find more information in this book since it is fatter than in the VQG, but it ended up that they are about even in content.

First I have to give props to David Pogue and his Missing Manual series. As a bookseller and computer geek I've long favored the Dummies books as the best entry-level source for third-party information on software. However, O'Reilly made a smart move when they turned their attention on that market and grabbed Dummies standby Pogue to headline the new series. The Missing Manuals (and their mutant-dogcow mascot) are a credit to O'Reilly and a must-have... assuming, that is, that they cover the program you need. The series is still too small, but I'm sure it won't stay that way.

Now, to the book itself. If you need to do something with iMovie, it's in there. That pretty much covers what I need to say in this review, but it doesn't cover everything the book has to offer. Remember back in the 80s when the Mac made desktop publishing a reality, only to unleash a torrent of wretchedly amateurish graphic design? Well, Pogue spends much of the first couple of chapters attempting to prevent that from happening. This book starts off with a very basic primer on video production and how to use your equipment -- assumed to be a typical consumer-grade MiniDV camcorder, but it covers other options as well, particularly video bridges and the like.

The meat of the book discusses iMovie 2's capabilities, including discussions of its weaknesses and how to work around them. Effects, titles, and transitions are discussed in detail, including some useful information on crossfades (never fade straight to black -- instead, you want a black stillframe). Conversion to other formats is also an issue, and a significant part of the book discusses postproduction using QuickTime Pro. Directions are given for converting your work for DVD or VCD as well.

The issue I have with the book is largely its focus on iMovie in MacOS Classic, and the bugs that are present in that version that might not be in the OS X version. Screenshots all come from 9.x, with the only Aqua material being the interface of iMovie itself. I don't mark down for this since the program operates more or less the same, but an inexperienced user may have trouble. (I might note as well that the book works just as well for iMovie 3, which has a superficially different interface but handles more or less identically.)

So, yeah. If you're doing video production on iMovie, this is the book to get, hands down.

Published in 1959, Level 7 is presented as the diary of a military man who is permanently stationed thousands of feet underground in a self-sufficient bunker. His job is to sit in a roon awaiting the command to push a button to fire nuclear weapons at an enemy country. When the command arrives and the button is pushed, he is forced to deal with the consequences of a nuclear holocaust that wipes out life on earth as he knows it, and is left with nothing to do but await the fallout that must inevitably reach the bunker and slowly kill the few humans remaining on a dying planet.

Level 7 is bleak and terrifying, but it's just far-fetched and cold-war enough that it doesn't depress you too much. Read it and reflect on the self-destructive nature mankind can show, and the priority revenge and victory can take at the expense of quality of life.

What makes sci-fi and fantasy fun is the ideas. What makes great sci fi are those works that are still meaningful after decades of technical and social change.

Level 7 is one of those books. I read it for the first time 30+ years ago, and it's still scary. Nuclear winter may be less on our minds these days, but this tale will stick with you.

I have the the original hard back edition, but it's available in paperback now.

I have read this book during my schooldays, some 15 years ago, and it remained in my mind ever since. Im really happy that I finally found it at amazon and that i can wonder again into its fascinating and inspirational pages. Definitately the best story I ever read about the end of the world. And the ending.... ah the ending... i was with tears in my eyes...

Powerful. If only because its related in such a simple matter-of-fact way up until the buttons are pushed. And then the mounting sense of ?? as you realise level by level that all humanity will die when level 7 dies.

Maybe I read too much into it, but the 7th level in Dante's inferno is populated by the violent, the assasins (Push Button Technicians who will release the bombs?) . The 7th level is also overwhelmed by a powerful stench (X127 thought he could smell the dried waste that took up space beside the dried 'food'.) Dante's 7th level had woods of stunted gnarled trees (the emotionally stunted inhabitants of level 7 unable to make real emotional connections to others? Willing suicides of the 7th level are perhaps equivalent to level 7's willingness to be dead to the outside world?)

Level 5's politicians and important men that fall into civil disorder (killing those believed responsible for the End) before their own end is reminiscent of Dante's level of wrath where they tear at each other with their teeth.

Except, no levels 8 & 9 in Roshwald's Hell.

Afterthought:
Once the people had gotten down to level 7, the level was permanently cut off from the rest of the levels and the surface. My question? How were they going to get back up to the surface after the 500 years and food ran out? And was ther no way to override this mechanism after the damaged reactor was discovered? Move up to level 6 or 5 (presuming it *was* just the water that was contaminated) and remain there until the reactor was fixed?

Though the impact would not have been nearly as tragic...

Level 7 represents the journal of Officer X-127, a member of an elite Armed Forces unit. X-127 has been ordered to the bottom-most layer (level 7) of a highly secure facility, where he is ordered to set off a massive nuclear attack. The facility is a city unto itself, four thousand feet underground and fully prepared to withstand a direct attack and the resulting radiation for many decades.

Chosen for their ability to follow orders and to withstand the confines of the facility, X-127 and his fellow officers must now come to grips with the fact that they may, in fact, never leave. The surface of the Earth has been transformed into a radiological wasteland, but those in the facility -- some of whom represent a "continuity of government" operation -- will be safe.

Or so it seems. Reports of radiation poisoning begin to filter in from the higher levels of the facility. With a gripping, impending sense of doom, Roshwald takes us into a journey into the true meaning of mutually assured destruction.

I first read this book upwards of 30 years ago. It has never left me. Was it because I was young? Impressionable? I don't know, but the book certainly left an indelible footprint in my mind that few, if any, other work can match. Whatever Roshwald constructed in Level 7 was utterly unique and memorable beyond description.

The book is great--a long-time favorite of mine. Funny and touching at the same time.

The only drawback to my book: it was the English translation; not the American one.

John

I fell in love with both the priest Don Camillo and his faithful adversary, Peppone the Communist mayor, when I was only ten, and since then have read all of the books, several times. After my experiences of being in the USAF in Taiwan in the 1970s, and now a permanent resident in mainland China's Fujian Province, I can appreciate the kinds of clashes that can occur between Communists and Christians--serious, but at times quite humorous also. I appreciate the zany humor but most of all the down to earth warm portrayels of both Don Camillo and Peppone. The author shows good and bad sides of both, and Don Camillo's conversations with Christ, who speaks to him from the crucifix above the altar, are priceless. After a few stories, one realizes that neither Don Camillo nor Peppone are the good guy or the bad guy, but simple ordinary people--and though enemies, they each sometimes go out of their way to help the other (though secretly, to save face). The cast of supporting characters, like skinny Smilzo, is also a delight.
The line drawings of the angel Don Camillo and the devil Peppone are, of course, priceless. Simple and to the point, they are the icing on the Don Camillo cake, and probably the reason why I draw cartoons on everything from greeting cards to my books on China--Amoy Magic, Fujian Adventure, Mystic Quanzhou, deng deng (which is Chinese for "etcetera"). I highly recommend not only Little World but all of the Don Camillo books in print.

This little book is filled with quick-reading short chapters which each impart a bit of wisdom and a moral or biblical lesson, and always with humor.

The story format is short tales in the ongoing feud between village priest Don Camillo and communist mayor Peppone. One of them often ends up bruised (literally or figuratively). At first blush it would seem like a good vs evil scenario, but really they are very much alike, and secretly sympathize with (even love)one another. Each struggles through life's choices from the perspective of his own situation.

One of the best parts, for me, is that each battle-du-jour includes Camillo's "consultation" with and reception of "advice" from the Christ image at the church altar. Rich stuff. Of course the image is not really speaking, and this technique is the author's metaphor for the working of the Holy Spirit in Camillo (or "his conscience", depending on your own theological perspective).

The theme runs throughout the book. Each chapter in pretty much a stand-alone story, although a few chapters are coupled, dealing with an ongoing incident. An entertaining little read that is a superior choice to those "thought-for-the-day" motivational/religious pamphlets. I read mine a chapter at a time when going to bed for the night. It gave me a truth to ponder as I dropped off . . . zzzzzzzz. Or maybe install a copy in your bathroom book rack. This book is very Italian and very Catholic . . . but you needn't be either to enjoy it (I'm not).

I was at a summer fair recently and browsing on the book stall when I found a very old copy of the Little World of Don Camillo dating from 1953. I had no idea what it was at the time as I'd never heard of it but i was intrigued by the blurb. this book is HILARIOUS! I kept laughing out loud and getting very strange looks! but it was worth it! I am now determined to find the rest of the books and read them although I am aware that they may cost me slightly more that my 25p find at the Fete! It's a brilliant book that transports you into another world with ease and lets you meet characters that you can believe in and love. A very well spent 25 pence!

Having first entered Don Camillo's little world at 10, I have returned innumerable times over the decades, and frequently given directions to friends, too. This little work is a masterpiece. There is more wisdom, faith, hope, and love, to be found in its pages than in many far more "serious" works of fiction. All of that is accomplished in a deceptively simple gem of literary style. Like any great work of fiction, it captivates the heart as well as the mind. It is impossible to spend time in this little world and not come away with a smile on one's face and hope in one's heart. The Little World of Don Camillo is ideal reading for anyone, of any age or condition, anywhere.