D Books

This was a most excellent book. I found it hard to put it down. If you are interested in reincarnation and the Ancient Egypt of the Pharaohs then this is for you. Very well written!

Knowing Hanny El Zeini and all of his family since years and having them as dear friends, knowing them as broadminded and intellectual, helpful and adorable people far away from any obscurity but with both feet on the ground, I have to admit after also having read his second book about Omm Sety that there must be quite some more than scholarship usually teaches us. Hanny El Zeini does not tell us any cranky stories here!
Though myself not believing in reincarnation, I must say that Omm Sety showed us that there are more ways for revealing the hidden things than just digging deeply enough somewhere in the sands...
All those who are with me still on the side of logic should nevertheless read this book and ask themselves how we could enable our full capacities leading to results the classic scholarship would not have allowed to postulate - but also how we could find ways that the acceptance of those findings is advanced in our world - having in mind that Omm Setys "knowledge" is hardly to bear in our days' scientific world - and nearly everybody would firstly shout out: "Amentia!". But I feel, it was just deepest love and affection that made possible what Omm Sety showed us.

Through-out my life which has lead to eventually owning an Egyptological academic bookshop I have felt influenced by the lady known as Omm Sety. When I first read about her in a Reader's Digest book "Strange Stories and Amazing Facts" at the age of 12, I was smitten with the idea of past lives. My own interest in Ancient Egypt was already well rounded at that age. This was just another part of the jigsaw for me.

I have gone on to know several people who knew Omm Sety and I have visited her grave in Abydos. The first book I imported for my business in 1988 was Abydos, Holy City of Ancient Egypt. If you can get a copy do so as it was Omm Sety's seminal work.

Having said all of the above I highly recommend this book to readers, I read it over a few days, some of the information in this book you will find in earlier writings such as the Jonothon Cott book mentioned by the other reviewers, but this book rounds out the picture, it also covers Omm Sety's marriage and more information about her son, Sety.

Therefor this book now fills in the gaps in our knowledge of Omm Sety, what an extrodinary women she was, in her own way she influenced Egyptology greatly although many Egyptologist will only talk of that privately, she was also a great humanitarian and did very good works for the village surrounding Abydos temple.

I enjoyed the book very much and I hope that one day Hanny el Zeini will publish Omm Sety's complete diarys and notes to absolutely complete the picture.

Whether you are a academic Egyptologist, a past lifer, a romantic, or just interested in Strange stories I feel you will enjoy this book, and you'll want to buy a couple of copies for it would make a great gift.

Blessings to you Omm Sety your amazing life is an inspiration to all.

As books go, this one was desert for me. I am a beleiver in reincarnation anyway and a lover of Egyptian history. With this book the two naturally go together. The author is not only credible as far as getting his facts right, he is also sincere and, I might add, a friend to this amazing woman the world now knows as Omm Sety. I read the book in one sitting. It is an adventure, a love story and a good case for life beyond this life. I highly recomend it.

I've just finished reading "Omm Sety's Egypt", and wanted to say what a delightful book it is. I recall seeing a documentary a few years back centered around Omm Sety that left me wondering. Hanny & Catherine did a remarkable job of fleshing out that fascinating character in a warm, compassionate manner that also was quite scholarly. As a long-time student of ancient Egypt, I will never look at things the same way again, which can be called "growth", I think.

A glimpse, however seemingly fantastic, into our ancient world is a golden opportunity to learn things the strictly academic world does not offer. It's been my firm belief for decades that the fields of archaeology and Egyptology in particular have had their heads in the sand, so to speak. New discoveries are being made daily; I just wonder how many of them are getting swept under the rug because they don't dovetail with accepted theories.

I think I accept the experiences of Dorothy Eady because of a pet theory of mine. Greek mythology, I think, tells about the deceased being dipped in the "river of forgetfulness". If reincarnation is real, and I think it is, that might describe a "seal" placed on the consciousness at death, which would serve to separate "lives" from one another, to prevent contamination and preserve the purity of each individual "life". Traumatic injuries or near-death experiences might rupture that seal somehow, perhaps even provide a "link" to another place/time, as in Omm Sety's case. We know so very little about the "soul", but every testament like Dorothy's opens up a new window of exploration, and adds a missing piece to the puzzle of life.

This book will be read and re-read until it's dog-eared, I'm sure.

What a journey! A thrill ride to other worlds- your world? Our guide, Susan, fillets her true-self for all to feast as she allows us to experience her emotion, vulnerability, and STRENGTH. This book opened my mind, engaged my imagination, and gave me hope... What a gem!

This book is like a guide through one's own personal reality into the subconscious and beyond into hidden worlds, like dreams, and many other altered states. Fascinating concepts on time and no time, reincarnation, karma, life choices, and even death and spirits. This book is above and beyond because it frees one to open their minds to encompass the scope of life beyond what we understand without adhering to any particular belief system. It is kind of like the more you open, the richer your life becomes. The whole book gives you an 'ah hah!' kind of feeling, a sense of constantly being enlightened. A good book to read over and over.

I am reading this book for the third time. It is SO packed with incredible insights and usable thought processes I was folding most every page so I could go back for reference. It was very well received at our womens' health fair in clinic. Kalior is my new favorite author, I have read all 4 of her books. Some fantasy, all life enriching.

This book is a most soulfully interwoven journey the dives deeply into the adventure of self-exploration. It reflects all of life's internal issues on multiple levels and is cram packed with plenty of real substance. A very courageous book to steps out of the norm and yet is delivered in the most delightful way. It's brilliant!


This writer Susan truly has an amazing gift!

Linda Post

This is an extremely amazing book. It takes you on a very deep journey of love and life. Very inspirational. Susan did a wonderful job on this. Thank you.

The main feature of this book is its 150 photographs taken by photographer Evelyn Cameron in eastern Montana during the years of its earliest settlement, first by ranchers in the late 19th century and then by streams of homesteaders in the early decades of the 20th century. In the latter regard, it is an excellent companion to Jonathan Raban's "Bad Land." Most amazing is the vast range of photographs, including family portraits, group shots of cowboys, threshers, and sheep shearers, ranch buildings, open prairie, wild life, store fronts, wild horses, herds of sheep and cattle, badlands, social gatherings, and farm equipment.

We get glimpses into the lives of the wealthy and the dirt poor. None of the photographs were shot in a studio, and taken together they represent a broad sweep of frontier life across a handful of decades. The text provides a detailed life of the photographer herself, a remarkably spirited and self-sufficient English woman who has left us this marvelous and revealing record of a time long passed.

This work is a treasure. Evelyn Cameron and her husband, born into English society, established a ranch in eastern Montana early in the development of that part of the west. A need for additional income and a love of photography lead Evelyn to produce a large number of high quality photographs. Those photographs represent a historical archive of enormous value. The photos show the people of the time, how they made a living, and the tools that they used. My personal favorite is a photo Evelyn took of herself in her kitchen; she sent it to relatives in England to show them her life on the Montana frontier. It was a life of hardship, but also of achievement. The quality of Cameron's work is the equal of other great western photographers of the era, such as Jackson or Huffman, and it records a side of life not represented by anyone else. There is a balance in this book between text and reproduced photographs. It is a biography of Evelyn Cameron, including excerpts from her journals, as well as an exhibition of her photographs. A museum and gallery in Terry, Montana, is a repository of Evelyn Cameron's work and the total number of photographs is several times what this book is able to present. One hopes that other volumes of Cameron's photos will be published in the near future.

I live in the area of the photographer's subjects, and totally enjoyed the book and its' subject. The photographs, along with Evelyn Cameron's diary accounts of daily happenings, gave a captivating decription of what many of our homesteading ancestors endured. This is very enjoyable reading for anyone.

Evelyn Cameron left her English home to become a rancher in Montana in the late 1800s: she used her photography skills to help support her family, and captured Montana life in the process. Photographing Montana gathers photos which portray early Montana life and deserves a spot in any Montana history collection as well as in art libraries seeking examples of regional photographic talent. Excerpts from her diaries and letters include plenty of autobiographical insights.

This book, by Time-Life books editor Donna Lucey, has some very interesting photographs of Montana, taken about halfway between the Lewis and Clark expedition of two hundred years ago and today. Yes, the early 1900s were right in the middle of Evelyn Cameron's career.

Cameron, nee Flower, was one tough and talented lady. She moved to Montana with her husband Ewen, going there initially in 1889, on a hunting trip for their honeymoon. I found the stories and pictures of life in Montana fascinating. Much of the book deals with the growth of Terry, a town in the eastern part of the state, on the Yellowstone river.

At the time, the Kodak camera was the instrument of choice for most American photographers, however Cameron did much of her work with a 5x7 Graflex. There are dozens of her photos in this book.

Although Cameron died in 1928, Lucey was lucky enough to obtain many of Cameron's photos from one of Cameron's friends, Janet Williams, who was 95 years old by the time Lucey met her in August of 1979.

In 2002, PBS began shooting a documentary about Cameron, and it was released last year. It includes over 200 of Cameron's photos (over 100 of which are not in this book), and it won four regional Emmy awards. It was the first high-definition documentary for Montana PBS.

I recommend this book.

As a Players Guided in General this is a good product. I also like it cause it gives me some thing to let my players read seanse most the Planescape Products our really only worte for the DM.

Besides being a very beautiful book (marvelous drawings in full color by DiTerlizzi), it is the perfect complement for the Campaign Setting. I would say the 3 basic things you need to run a planescape campaign are the setting, a monstrous compendium (preferably the first one) and the planewalker's handbook. Among other useful information, it explains the "dark" of portals, gates, vortices, conduits, pools,etc. on a chapter that deals exclusively with planetraveling. Maybe they should have called it The Complete Book of Planescape.

[English]
The Planewalker's handbook is an invaluable resource for those enthusiasts who want to play or mastering PlaneScape. It describe and unveils so many details and aspects about characters creation not previously mentioned in the basic box.. besides show new concepts, races, environments, intrigues, opportunities, adventures hooks and magic. This book together with Factol's Manifesto and the basic box ARE the ELEMENTAL tools to understand, perceive and feel in the right way the multiverse.

[Spanish]
The Planewalker's handbook es un complemento indispensable para quienes quieran arbitrar o jugar PlaneScape, menciona y esclarece muchos detalles respecto de la creación de personajes que antes no habian sido mencionados (en la caja básica) e introduce nuevos conceptos, articulos, magia y razas. Este libro junto con The Factol Manifesto y el Set box (la caja básica) constituyen las herramientas elementales para empezar a entender correctamente el multiverso.

I am a budding DM for AD&D, and really needed some help with getting the Planescape campaign started. I bought this book, and it helped me incredibly. All the spells I thought the players should have, and new items, and options! If you ever intend to play Planescape, get this book. Sooner or later, you are going to need it!

It's the book with the usefullness of the Player's Handbook. It's informative, beautiful and for the Player and DM. It's got charts, new spells, kits, a guide to the races, planes and factions. Tips for DMs and Players and some new magic items. Plus, all-book (almost) illustrations from DiTerlizzi. A highly reccomended book.

Fourteen-year-old Matt (Matilda) is a Goth, but that partially a pose to keep the world away. She uses her look, and her humor - a knife-like sarcasm - to avoid connection and taking action. But she finds at her new home, the parents, in particular the father Sam, are devout Quakers and activists engaged in the anti-Iraq war movement. As she moves closer to Sam, those same beliefs lead to her harassment at school by a big mouth bully and a pro-war civic teacher. As the title suggests, after years of an almost dormant emotional life, Matt begins "quaking" and moving toward action. The ending -- which echoes that of Crutcher's Whale Talk --is tragic, and thus befitting of a book about the Iraq war. Like my own novel Nailed Quaking also explores kids who decide not to fit in and thus turn high school into a trip through the badlands.

If you are mad at the war in Iraq you will like this book. If you wonder how it feels to be a foster kid tossed from house to house, you will love this book. If you've had a really crazy fanatical teacher like the main character Matt does, you will totally relate. Really great read.

Beckie Weinheimer, author CONVERTING KATE, Viking Books 2007.

Kathryn Erskine's QUAKING tells of Matt, who dresses in Gothic black and defies everyone until she moves in with a peaceful Quaker family in Pennsylvania. Their lifestyle and philosophy will challenge her battles and her outlook on past and present problems in this moving story of love and change.

When I saw "Quaking" reviewed on the TeensReadToo web site, I mentioned it to my best friend who is a Quaker. She said she'd read it and found it very moving, and encouraged me to read it too. I'm certainly glad I did.

What she failed to tell me is that it's a kid's book--and I love to read kid's books. Actually, Amazon has it listed in the 9-12 age range, but since the protagonist is fourteen, it should be listed as Young Adult (YA). Personally, I think it's one of those books that's a cross-over, written to appeal to adults as well as kids ... like so many YA books are.

Kathryn Erskine's debut novel tells the story of Matt (and DON'T call her Matilda!) who is an abused fourteen-year-old shunted from one foster home to another. Matt dresses Goth and memorizes the floor, hiding from the trauma of her past, spurning all offers of kindness and care. What a culture shock for her to end up in the home of Quakers Sam and Jessica Fox!

The story builds in intensity as Matt begins to care about her foster parents and becomes involved with the Quaker peace testimony. Feelings about the war in the Middle East run high in her school and her town, with the school bully ("the Rat") and a teacher ("Mr. Warhead") leading the charge against local pacifists.

Matt tries to hide her fear of the Rat and his gang, but as the town begins to erupt with violent attacks against houses of worship, she knows it's only a matter of time until the Quaker Meeting House and her foster father are victims. Eventually, in an explosive ending, Matt finds her voice and the strength to face her fear and stand up for her own convictions.

The author challenges herself by telling the story in Matt's own voice and does a masterful job of bringing the strong, loving girl out of her protective shell. She uses icons of a happy childhood to expose cracks in Matt's armor. The mesmerizing rhythm of Dr. Seuss's "Green Eggs and Ham" find the first chink: <<"And then I remember how dangerous it is to go to that place. The place you think is safe. Because it is not.">>

Jessica's homemade soup dissolves the last of Matt's defenses: <<"I love this soup. I want to hide in this soup, among its carrots and potatoes and celery and chicken and warm breath ... I want to fall asleep in this soup, wrapping myself in its wide noodles and using a soft lima bean for a pillow.">>

That last passage is like magic to me; a marvelous image that may be my favorite in the entire book!

I particularly enjoyed this book because I learned more about my friend's church. "Quaking" reveals a lot about Quakers and their testimonies, but first and foremost, it's a brilliant YA novel about a young girl who opens her heart to unconditional love. I recommend this beautifully written story for the whole family.

Reviewed by: Betty Dravis, 2008

How can you not love a book that starts like this:

"Families come in all varieties but with no warranties. I have lived with first cousins twice removed, second cousins once removed, and now a third cousin who is removing herself. I call her Loopy. Because of her large earrings. And because she is insane.

Loopy drives like a ten-year-old car thief on a sugar high."

From the very beginning, Matt (not Mattie, and certainly not Matilda) has a chip on her shoulder. She's angry and cynical, and she has good reason to be. Loopy is about to dump her off at "the next hostile takeover."

"I finally found a second cousin of mine, but you need to make it work, Matt. This is the end of the line for you."

The end of the line is the home of Sam and Jessica Fox and their disabled foster son, the Blob. These aren't Matt's kind of people. For one thing, they're Quakers. They believe so strongly in peace that they don't even have the good sense to run and hide when bullies challenge them. They just stand there. That's what Sam calls it--taking a stand. As far as Matt can tell, it's just being plain stupid. Everyone knows you're supposed to run from bullies, and that's just that she intends to do if the Rat decides to make her the next Victim of bullying at her new school.

Kathryn Erskine never underestimates her readers as she allows this story to push the limits and tackle issues that most sweep under the rug when company is coming. I love Matt's sarcastic commentary on the state of the world as she faces the challenge of her own life. There is no doubt that this character is strong and capable--much like the writer who created her.

This is a book I'll keep on my shelf and come back to again and again.

Reviewed by: Julie M. Prince

I came across Dr. Bostons website at a crucial moment in my life. It was like all the things I'd ever intuited about the nature of divinity and more. It really woke me up spiritually. Unfortunately, I was in my senior year of high school and dealin with copious amounts of stress from school, teenage parenthood, substance abuse, ect. So, I woke up and was completely exposed to all of that. Long story short I ended up in a behavioral health facility(mental hospital) for about a week.

What I'm getting at is, this is heavy stuff. There are some things that are pure speculation, and it has a christian bias to a fault, but overall it has a supremely truer view of divinity than you'll find in traditional christian dogma. What this means is, if you accept it and use it, there's a good chance you'll experience a connection with the divine that you may or may not be prepared for.

I'd like to reiterate that I've not read the actual book but spent extensive time studying Dr. Bostons website which is and extension of it. So, maybe I'm mistaken in my review. Maybe it was just a thing that happened to me. But I felt it pertinent to share this experience, that it might help one who arrives at the same place I did to negotiate it with a little more finesse.

the massager of science and religion is and exelent book thad have many diferent points of view.Iam very happy with this book thank you.

The website is so vast, that it was almost inconceivable to imagine that a book relatively small as this one, would do justice to the premise that all religions as well as science have to be seen together to uncover the truth.
But the Drs. Boston have managed to produce just that! The Reluctant Messenger is a book that satisfies the reader of a skeptical Chester's adventures with religion and science with the Master, which are on the website, and introduces a new juxtaposition: that of Lydia who is a believer of one religion alone. Coming together in a debate spirals each into a search for peace; in two differing directions: one in remote areas of India, and the other within the remote areas of conventional religion. The seeming innocuousness of the physical setting hides the breathtaking journeys each of them takes to the far reaches of human belief, faith and knowledge.
Those who have made a study of religion and/or of science, will not be disappointed: this book is a masterly progression of elegantly presented word diagrams that explain just how the different religions as well as science do fit together into a magnificent picture. There is a masterly change of pace from the sublime to the mundane: descriptions of a meditation of different dimensions and the clearing up of a breakfast table.
The tolerant among us are used to thinking that each religion leads to God- but that all religions together do that; and that science is not just a re-discovery of old facts but a re-presentation of them: that is indeed a unique perspective.
But what of the stories of Lydia and Chester? Do they come together once again? As the book progresses, so do they; and as we are caught up in their lives, it appears that we will need a sequel to find that out!

The collaborative effort of Stephen and Evelyn Boston, The Reluctant Messenger Of Science And Religion is an original and enthralling novel about two people caught amidst revelations that threaten both their personal lives and the world itself. Paradoxes between conflicting world religions, the seeming contradictions between science and faith, inspiration and desperation, all meld into a tautly written saga that makes for rapt, involving reading from beginning to end.

"The Reluctant Messenger of Science and Religion" is a study in how science and the world religions are not in conflict with each other and need each other to form a complete picture. To make it less of a laborious read it is presented in the format of a novel. It starts with two members of debate societies debating over whether science is correct about the creation of the earth or religion is correct. From there we follow both the losing and winning debater through a series of life changing and illuminating events that effectively illustrate the authors' beliefs. It is very well written for a book of this sort and teaches the viewpoint that there are other interpretations of various Bible passages that are not in conflict with science. In fact there are several areas where the teachings are actually a return to the older beliefs. The book also freely examines other religious views from Islam to Hinduism, Buddhism to Sufi and brings them into the discussion.

Strong conservatives from almost any religious teaching will probably have a problem with this book as it attempts to bring harmony between the various beliefs and show that they are all parts of a more complete whole. Since most conservatives by definition believe that their view is right and any other is blasphemy I would expect them to have at least some difficulties. On the other hand, those with an open spirit will probably find it one of their favorite books.

Having said this, I would be failing my obligation to my readers if I did not point out that there are several editing problems of a nature that I would not expect in a finished product. While I did not make a note of them as I went along there are maybe ten to fifteen in the book - far more than the two to three maximum that I expect. As an example, page 235 has the sentence "Chester spoke to know one in particular". Although annoying, they don't interrupt the flow of the book too much and the authors make their point very clearly. It is only because of these errors that this is a recommended read and not a highly recommended read.

In my Czechoslovak childhood nightmares the horror began with rats emerging from walls and ceilings. I blame one of my school friends for the horror he caused me because he kept a domesticated rat as a pet. He seemed to have an almost messianic obsession with rats ;-)

In many ways D. P. Roseberry has written Animal Farm in the 21st Century. It is a fascinating story. Rats can do more than chew up the carpet or gnawed away a valuable furniture. Inside this book are many things which were unthought-of ... A great horror of horrors read.

Rodenticider is the book that announces Roseberry as a stunning new presence in suspense thrillers. Yes, there's a bit of 1950s B-movie hommage in this one, but that doesn't begin to do it justice. Roseberry has researched her rats as painstakingly as Crichton did dinosaurs in Jurassic Park. The result is a reading experience that not only rivets the reader, but gives them a much a sharper perspective of the subject at hand. These rats are just plain terrifying, too. Think of the shark in Jaws, or the velociraptors in the Jurassic Park series. These are viscous creatures, and part of the brilliance behind this work is that Roseberry gives us a "good guy" rat with the toungue-in-cheek name Snuggums. The idea of simultaneously hating the rats and yet rooting for one seems odd, but Roseberry makes it work and then some. This is one author I intend to follow from now on!

Rodenticider is a grisly account of a strange and menacing world just beyond the consciousness of us "Outer Earth dwellers." This clever tale is full of non-stop action, contrasting the good versus depraved nature of living creatures, both humans and whiskered beasts. The author uses absolute genius to maintain a connection between the reader and the book's unusual characters, allowing us to experience their intense terror, stubborn pride and underlying compassion. I found myself urging them on; not convinced there could be an acceptable outcome to their plight. Sorry to have it end, Rodenticider is a must read. It left me anxiously anticipating the sequel.

From page one, I was drawn into the story, so absorbed that I couldn't put it down until I finished it. I can relate to Bethany and her fear of rats and how she must have felt in the job she did. My imagination soared at the thought of an inner earth like the writer created. A must read for all sci-fi fans...or someone like me who just enjoys a wonderfully crafted story.

How can a story that gives me the creeps be considered good? Read Dinah's book & you'll get the drift. Excellent writing & interesting premise. Just amazing.

THIS BOOK IS ABOUT LEGENDARY FILM MAKER ROGER CORMAN. HE IS KNOWN FOR MAKING FILMS AS QUICK AND CHEAP AS HE COULD. MANY OF THESE ARE CULT FAVORITES SUCH AS LITTLE SHOP, GIANT LEECHES AND MANY MORE. I HAVE SPENT MANY A FRIDAY NIGHT AND SATURDAY AFTERNOON WATCHING THESE "CLASSICS". ROGER CORMAN IS KNOWN FOR MAKING CHEAP BUT INTERESTING AND SOMETIMES HILARIOUS B MOVIES. THE BOOK GOES BEHIND THE SCENES AS THE AUTHOR INTERVIEWS MANY FORMER EMPLOYEES WHO HAVE WORKED FOR CORMAN AND HAVE INTERJECTED THEIR VIEWS AND OPINIONS ON CORMAN. ROGER IS ALSO KNOWN FOR GIVING MANY STARS THEIR START. CORMAN IS ALSO A COMPLEX GUY WHO CAN BE VERY GENEROUS AND CAN ALSO BE AS CHEAP AS THEY COME. SOMETIMES MOOD BUT ALWAYS LOOKING TO MAKE ANOTHER MOVIE. I REALLY ENJOYED THIS BOOK AND I RECOMMEND IT FOR ALL FANS OF KING OF THE B'S AND WHO APPRECIATE BRILLIANCE ON A BUDGET.

Wow! Talk about switching personalities! This amazing biographer can emit the style of the person she is writing about to really give you a flavor of the personality. And of course, she spent time working for him, so you are privy to more of a view. Written somewhat bruskly like Roger's personality, you really gain insight into his life and what made him the person he is. Contrast this book with Beverly's biography of Ron Howard and you see some of the exceptional talent of this lady. A great read!

(...)

Gray's biography--fun as it is-- is more than a story about a man who is arguably one of Hollywood's most idiosyncratic moguls. It is a chronicle that parallels that of The Great Depression, World War II, the growth of the film industry and Los Angeles itself. We meet again celebrities we haven't thought about in years like the adorable dimpled Jon Davison, the memorable Vincent Price and even run across pop culture icons like Frank Gorshin.

Occasionally this book is burdened with glitz-town detail that only a dedicated film buff might adore but these moments are rare. Like a super hero, Corman--now 75 and still going--is resilient because he is multi-faceted. The same can be said for screenwriter cum UCLA instructor and journalist Beverly Gray. The two seem admirably paired in that way. Gray uses her many experiences and talents to tell the story of a man of many parts.
(...)

This fascinating "biography" is really a savvy "how to" book that belongs on the shelf of every screenwriter, aspiring producer, director, and development executive -- and everyone else who loves films and craves to know the secrets of Hollywood's most colorful mogul.

I found it fun to read as a realistic "behind the scenes" glimpse of what it takes to be a profitable mogul, such as the way Corman hired young cheap "promising" talent instead of going for experience. Directors fresh out of film school reading this book, for example, can get a good feel for the mindset and financial situation of producers they interview with. Screenwriters will learn how Corman and team (Gray had been his development executive) managed to write and produce so many successful films quickly.

Few books reveal the inner machinations of a successful producer so intimately. Gray, a screenwriting teacher at UCLA, has done a spectacular job of showcasing the life story of an intruiging man through more than eighty interviews and via her own experience.

I have to agree with the other five-star reviews. "Roger Corman: Blood-Sucking Vampires, Flesh-Eating Cockroaches, and Driller Killers" is the best book on the subject, the subject being the most unique American studio head in film history.

Beverly Gray really paints a nuanced picture of Corman and never panders to the fans, the haters, or her old boss Corman himself. Though it's impossible to pull back the curtains entirely and see into a man's soul, Gray seems to have at least pulled back one side, giving us as much a glimpse as is possible without telepathy.

Storywise, Corman is, as always, fascinating, and Gray's perfectly detailed retelling of his story is the best yet written.

For many years the world behind the Iron Curtain was a mystery. There were Sovietologists of all different kinds. One famous Daniel Bell essay gave I believe eight or so different basic ways of interpreting the Soviet Union. Hedrick Smith is a reporter and what he did in this outstanding work was to look into the ordinary life of Soviet society as far as he could. He explained then close to thirty years ago many of the anomalies of the system. And when I read the book then I felt I really was getting inside information into a hidden and highly significant world.

I cannot claim to be a student of Russian history, but I have always foudn the ironies and disconnects of Russian life interesting. I just read this book in 2004, and now understand today's headlines from Russia, and their nostalgia for the order of the brutal regimes that preceded the fall of the Soviet Union. This is, as someone else said, a classic, a must read, a requirement for anyone who needs to understand Russia. Don't worry about it being date; part of Russian culture is that they cling hopelessly to the old while being swept cruelly away by the new. The attitudes and longings portrayed in this book appear to still be the same.

I have been a student of the Soviet Union for many years, but did not come across this book until very recently, and I must say that I feel this one book does more to provide a picture of Soviet life than perhaps all the other study I had done previously.

While it is true that there is an "American bias" to this book, it isn't overpowering, and it leaves room for the "unbiased" student to draw plenty of their own conclusions. Overall I find this to be the least biased of all the western histories of the Soviet Union.

What I found most fascinating was the distinct parallel between American conservatives (who of course are anti-Marxist) and Russian conservatives of the time (where were very pro-Marxist).

As a student of Marxism, I fully understand this, but this book demonstrated it so well. In mentality, its safe to say that many of America's far right Republicans would have been among the USSR's Marxist orthodoxy.

This book is a must read for anyone interested in the Soviet Union, it will dispell myths on both sides.

Hendrick Smith is a New York Times correspondent that spent the years 1970-75 living in and among the Soviet people, studying both the people and the culture. As much as a westerner could he immersed himself in many aspects of their lives interviewing workers, peasants, government beaurocrats, physicists, writers, movie producers, dissidents and students. He came away with a picture of a passionate and conflicted people; at times warm and hospitible, fearful and paranoid, petty and tyrannical, cynical and apathetic, and proud and loyal. In a country where the state is in overwhelming control of nearly every aspect of their lives, where a stroke of the pen from a government beaurocrat could destroy a man's life for the slightest misstep, the Russian are hardy souls that have found many ingenious ways to cope and survive.

In a supposedly classless utopia Smith shows us a country deeply divided by class distinctions, much more so than anywhere in the west. With a haughtiness that rivals the most snobbish western aristocrat, the cultural elite enjoy a life that is completely out of reach of the common man. They get to shop at special stores, stocked to the gills with imported goods from all over the world (Soviet made items considered beneath them) while the rest of the country spends on average 22 hours a week per household standing in line for basic necessities. The blatant corruption and hypocrisy is startling, but don't you dare voice it. Smith claims that just a few weeks of this type of living would wither away the will of your average American, and I believe him.

Only a westerner living among the Soviet people could write such a book. He tells of his 11-year-old daughter, enrolled in a Soviet public school, coming home and practising military drills taught as a regular part of the curriculum, or repeating songs and slogans extolling the `Great Leninist State' and condemning America without really comprehending the meaning of anything she's saying. Soviets are taught from an early age to simply parrot the idealogical dogma that is fed to them on an almost daily basis without digging too deeply. The Russians are so used to being lied to by their own government that they assume all nations lie to their people, and the Soviet government uses this political cynicisim as an effective means of control.

Although many of these `facts' about life in the USSR are fairly common knowledge in America (especially if you grew up during the Reagan years), Smith puts a human face on it that transforms this grey, drab, and seemingly monotonous totalitarian state into a vivid and colorful mosaic of a sincere, intelligent and deeply conflicted people with a communal inferiority complex

Although this book is now rather dated (from the Brezhnev era of the 1970s) it still sticks in my mind as a very vivid portrait of Russia and the Russians...I read it in my late teens circa 1989 or so. I didn't read THE NEW RUSSIANS until a couple of years ago. Both are excellent books but I enjoyed THE RUSSIANS more, I think. Any student of Russia would do well to read this book even today...although it's no longer contemporary/current events it still captures like a snapshot the then-USSR in the late 70s, and even some discussion of the earlier times in people's memories then--Krushchev, Stalin, etc. I found the book insightful and still relevant when I myself I finally visited Russia in 1993. Should be available at most Public Libraries...handle with care, the copies will be old.

I learned more from this book than all of my screenwriting classes combined. The information therein is priceless.

This is a practical and necesssary tool as well as an invaluable road map to writing action films.I've been a successful screenwriter for over seven years and I owe much of my success to reading this book four years ago. Mr. Martell is an excellent coach and I can't recommend enough that anyone who wants to write action films needs to study this material. Its a very funny read and you can tell its written by a smart writer who is dedicated to watching far too many DVD's. He's a fan just like us. If you want to know all the tricks of this genre and some really cool tips on coming up with script ideas then get this book.

What a gem. This book is packed with everything the author deems necessary for ensuring you have an action-packed SP. He uses small chapters that are easy to follow and provides lots of examples from films and fragments from actual scripts (his own as well as others). This is not a how-to, more a what-others-do-that works. Actually, even if you're not a writer, this book is a great read for an insight into what analytically makes an action-flic.

This book isn't a broad examination of story structure like you find in Robert McKee's "Story," or an abstract analysis of archetypes and forms like in "The Writer's Journey" by Christopher Vogler (both excellent books in their own right). Instead, Bill Martell bypasses the forest and takes you straight to the trees to explain the nuts and bolts of storytelling through screenplays.

The book's title sells itself a bit short; this isn't just a book about writing screenplays for what are traditionally considered action genres. While the information is certainly presented in the context of action films, much of it would be just as applicable to, say, romantic comedies or period dramas. Topics covered include sidekicks, love interests, building suspense, plot twists and reversals, all of which have broader application than just "action" films.

Martell knows his subject well and has studied hundreds of movies to figure out what works on film and why. He frequently uses examples from specific movies-often his own-to help drive home his points. And he doesn't pull any punches in pointing out where some films go wrong.

While explaining the common storytelling devices used in film, Martell draws on his real-world experience as a screenwriter to help you appreciate the perspective of producers, directors and actors who might read your script. These are obviously important considerations if you ever hope to see your baby on the big screen.

Somewhat surprising is the number of typographical errors in this book, which easily could have been avoided by a careful review of the manuscript. But it's a minor distraction from an otherwise excellent book.

I'm a big fan of Tony Robbins. Yeah, the infomercial guy. One thing that Tony teaches is that if you want to learn how to do something, find an expert and model them. Learn what they do, how they do it, and learn those exact same habits, actions and ways of thinking.
With over seventeen sold screenplays, Bill Martell is an excellent choice for you to learn action screenwriting from. He's sold over seventeen scripts! How many screenplays have Syd Field, Robert McKee, Linda Seger, Michael Hauge and John Truby sold recently? Not a hell of a lot, because they are too busy raking money in, hand over fist, by doing nothing but teaching arcane, over intellectualized and just plain weird ways to write screenplays.
Martell breaks it down to the basics, baby. Every page, I'm having an 'Ah Ha!' moment. I break out the highlighter, I write the nugget of information down, for use in my own scripts.
Do yourself a favor and get this book. It's small, it's succinct and it's learning from a guy who's a working, selling screenwriter.
Deal with the facts of the business and learn how to write selling screenplays; get Bill Martell's book today.

- William Mize, Shamus Award nominee, creator of the Denton Ward and Monty Crocetti mystery series.