Cross Books
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Breathtaking collection of writing AND artwork!Review Date: 2001-09-27
A "must have" for every mother's quiet moments!Review Date: 1999-04-09
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Mystery Solved! Review Date: 2008-08-28
Then get this book for a surprise solution to the mystery. "Murder Near the Crosses" was written by the son of one of the law enforcement officers who investigated the Cricket Coogler murder.
He offers a solution to the crime that would have been revealed had the officer not died under very suspicious circumstances.
If you have a preconceived notion of what happened to Cricket Coogler, this book will shock you. The killer is revealed, but if you blink, you'll miss it.
By the way, I'm not sure what book Mr. Weinbaum reviewed, but it is not this one. He seems to have a vendetta against the region.
A City at a CrossroadReview Date: 2007-05-11

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It is my favorite cook book Review Date: 2006-11-04
The Sequel is as good as the Original!Review Date: 2006-08-16

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excellentReview Date: 2001-03-30
Pathway to GodReview Date: 2000-07-21

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A Challenge to Traditional Teaching MethodsReview Date: 2005-02-07
well-doneReview Date: 1999-02-04
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Invaluable sourceReview Date: 2004-10-03
With that in mind, "New Milton Cross' Complete Stories of the Great Operas" is an excellent resource for anyone checking out an opera. Gillian Cross does the job thoroughly -- not only does she give a detailed, insightful, act-by-act summary of the operas, but also provides a listing of the characters, the vocal types that should play them, the setting, the time, and a short biography of the composer (Strauss, Mozart, Verdi and many others).
The summaries of all these operas, from "Aida" to Verdi's retelling of "Otello," is also rounded by a trio of essays: "How to Enjoy An Opera," which might help wary newcomers be more open-minded about operas as a whole, "A Brief History of Opera," and "The Ballet of Opera." Not to mention an extensive reading guide for more information on the subject.
Most operas are more like Shakespeare than a modern movie -- to many average viewers, they seem almost incomprehensible if the plot isn't clear beforehand. But this book does an excellent job of bringing across the plot -- and many of the nuances -- of each opera without seeming dry or dull.
In fact, it's a pretty fun read. It also has a wealth of interesting facts that can serve as unusual trivia -- for example, Beethoven wrote only one opera, when he found a suitable libretto for his work. And while the summaries don't get TOO detailed, often stretches of dialogue are examined and plot twists studied. It doesn't replace the live experience of watching an opera, but it does make sure that readers will understand what they do see.
For someone dabbling in opera, or even to a die-hard fan, "New Milton Cross' Complete Stories of the Great Operas" is an invaluable handbook to keep nearby. Solid, entertaining and informative.
Well Written, Easily Read. Act By Act SynopsesReview Date: 2000-07-05
In addition to the slightly more than seventy-five operas discussed, he has also included sections on how to enjoy an opera, a history of opera, and a discussion of ballet in opera.
As I do before attending a Shakesperean play, (see my review of SHAKESPEARE A TO Z.) I find it helpful to prepare ahead of time by reading about the opera I am about to attend. Cross's book is fairly detailed, leading you through all the significant actions, and accompanying music, of each act in the order that they occur. I often supplement this reading with shorter, more succinct discussions in other references. There is a real value to owning multiple references on the same subject.
Included in this book are most of the operas that are in the normal reportoire of any contemporary opera company. Only the newer and/or experimental operas written in the latter part of the twentieth century are missing, and they are not often performed.
In his chapter on enjoying the opera, he states, as I did above, that for full enjoyment of an opera, you need to already understand it. Understanding, according to Cross, can come from some, or all, of the following: Read a libretto. Read the story. Listen to the music either on a recording or in an instrumental transcription.
He also reminds the reader that opera plots are often weak and illogical. Some are filled with obscure symbolism, some based on legend, and some just plain puzzling. The music is what is important.
He suggests other, more extensive, forms of preparation that are probably too time consuming for the contemporary opera goer, but I agree with him that some sort of preparation will certainly enhance your enjoyment.
The last two sections of the book, one on the history of opera from the sixteenth century to the present, and the other on the use of ballet in opera, are more appropriately read than summarized. These sections are interesting and are readable on a stand alone basis.
The bulk of the book, exclusive of the last three sections, is a reference and is most useful for the purpose of preparing yourself for an opera performance that you are about to attend.
This is an invaluable reference and belongs on the shelf of any opera goer or potential opera goer.

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Delightful bookReview Date: 2005-01-24
AMAZING BOOK!Review Date: 2005-04-19

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FunReview Date: 2002-07-11
WonderfulReview Date: 1999-06-06
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A Heart Warming Story about a Wonderful ManReview Date: 2003-09-10
I must admit, Brook Berringer was a hero to me growing up.
I have always liked him as a Quarterback, but after reading the book, I realize that the way Brook lived his life and accepted God as his savior and higher Power.. it's the way I want to live my life. He was the most wonderful, caring, kind hearted person.
The way he held his head up high when the chips were down was amzing. He will always be a great hero to me and I absolutely recommend this book to everyone who is wanting to have someone to look up to.
Great book about very Special PersonReview Date: 2002-01-20

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Not Just Promises--But a Real Delivery!!Review Date: 2001-03-13
Review from "Dunbar on Black Books"Review Date: 2004-01-14
One More River to Cross by Margaret Blair Young and Darius Aidan Gray (Bookcraft, ISBN 1-57345-629-2) is the first of a trilogy entitled Standing on the Promises. It is a historical novel about black Mormon pioneers. With it "Dunbar on Black Books" (DOBB) makes an exception to its custom of reviewing only nonfiction books. We do this for two reasons. First, this book, albeit a novel, observes canons of history more dutifully than some works that hold themselves out as pure works of history. In the author's notes, the reader is told: "We have been true to all the facts that we could find but have freely fictionalized the spaces between the facts." Second, this book deals convincingly with an important subject about which very little has been written: black Mormon adherents whose membership in the Church of Jesus Christ of Latter-day Saints in Salt Lake City dates back as far as 1832.
The Church of Jesus Christ of Latter-day Saints makes much of the point that this book is not an official publication of the church. Bookcraft, its publisher, states that the book does not represent its position. One must know that Deseret Books publishes doctrinal works by Latter-day Saint leaders, biographies, and "enlightening" church historical books and that Bookcraft is a registered trademark of Deseret Book Company. It is in this context that DOBB reviews One More River to Cross.
When we overhear Delilah Abel whispering to her sleeping son Eli[jah] on the plantation just before they flee, we may think that they are fictional characters. We later learn from citations of the records of baptisms in the Nauvoo Temple Church of the Latter-day Saints in Salt Lake City that they were living people and that Eli[jah] Abel was baptized there. So that while we may have reservations about the dialogue between the persons in the book, or even the accounts of events that took place on the journey to Salt Lake City from Maryland or from Alabama, or from wherever, we know that Elijah Abel made it to Salt Lake. More than that, we are provided with evidence that he was one of the very few blacks to receive the priesthood in the early church and that he was ordained by the Prophet himself.
This book is one of the first, if not the very first, that this reviewer read by starting with the end notes. Quite frankly, to me the notes are a most significant part of this book. The authors make excellent use of records in the Missionary Record Books of the church, of information from conversations of Joseph Smith, as reported in Teachings of the Prophet Joseph Smith, from U.S. Census records in Salt Lake City, and from Brigham Young's Journal, to mention a few of their sources. They have given us a book providing information about African Americans in the Church of Jesus Christ of Latter-day Saints that is not widely available.
A word about the authors is in order. Heber G. Wolsey, former managing director, public communications, the Church of Jesus Christ of Latter-day Saints says of Darius Gray, the black co-author, "I know of no one who can express a more objective, more compassionate, more honest portrayal of blacks in the Mormon Church than Darius Gray." Gray is a former journalist and presides over the Genesis Group, an official arm of the Mormon Church. The Genesis Group was organized in 1971 to support church members of African descent. Coauthor Margaret Blair Young is a lifelong white member of the church, "with pioneer heritage," Mr. Wolsey points out. "She has felt deeply over the past few years the inspiration of her pioneer forebears, many of whom knew the Saints of color portrayed in this novel," he says.
This is an important book. It ought to be read by everyone as it throws light on some little-known facts about the history of the membership of African Americans in the early Church of Jesus Christ of Latter-day Saints. In this era in which Protestants are looking to their roots after decades of ecumenism, Darius Gray, as a black Mormon should not be on the defensive because of widely held, erroneous perceptions of the history of black membership in his church.
If this book were a nonfiction work, I would make the observation that an index would have been useful. The bibliography is excellent. William G. Hartley, associate professor of history, Smith Institute, Brigham Young University, says it all when he says, "In a way that pure history cannot do, this story attaches us to black Saints who deserve to be known about and appreciated by our generation."
With two more volumes to come, the contributions of African Americans to the Mormon Church should be well documented for the general public. It has been said that the best way to keep information from black men is to put it in a book and classify it as nonfiction. Perhaps Margaret Blair Young and Darius Aidan Gray have found a formula to set this situation right.
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