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Fun mystery!Review Date: 2008-08-03
/the Christe CaperReview Date: 2008-06-16
A must for Christie fans.Review Date: 2007-01-19
Christie's friends and enemiesReview Date: 2002-06-20
There is a treasure hunt, a trivia quiz, and a costume ball all devoted to Christie and her books. Not everyone at the Caper is a Christie fan, however. Neil Bledsoe, a book critic, comes to tout his new book which he says will reveal new truths about Christie which will not be at all flattering. Since he is surrounded by Christie advocates, it is not surprising that someone begins making threats on his life. Annie, her husband Max and the local police chief band together to protect the obnoxious Bledsoe, but despite their best efforts, murders do occur. The many would-be detectives in the group investigate the crimes and come to the conclusion that many people had a motive and opportunity to commit the murders. Finally the perpetrator is discovered and there is a nice little twist at the end. Obviously this book would be extremely appealing to someone who was familiar with Christie's books, but the mystery can be enjoyed even if the reader is not a Christie devotee.
Traditional mystery par excellenceReview Date: 2002-06-30
Interestingly, Hart provides a cast of characters -- names and descriptions -- at the beginning. From the very first the victim, Neil Bledsoe, proceeds to make himself thoroughly obnoxious. Leading characters are introduced, one at a time -- Victoria Shaw, Henny Brawley, Kathryn Honeycutt, John Border Stone... until we get to Annie Darling, who is the sleuth/protagonist. By this time the setting has been set, the battle lines drawn and the story is well underway. Hart has structured the story along the lines of Christie's work and she has provided well-rounded, distinctive characters to make the reader's experience an amusing and informative romp.
I love the references to Christie's books, her mentions of mysteries by other writers, Annie's ever-present watercolor competition in which her bookstore customers compete in recognizing paintings of famous mysteries, the last scene where all is revealed in classic Christie fashion . . .all these details combine to weave a contemporary tale into the traditional form and fascinate the reader.
If you're not a mystery fan you can learn a lot about the Dame of traditional mysteries from THE CHRISTIE CAPER and have great fun doing it.

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Amazing!Review Date: 2006-02-24
AwesomeReview Date: 2005-08-02
Basic Biblical teachings in easy to understand languageReview Date: 2004-06-01
A great book, but doesn't give much credit where it is due.Review Date: 2004-01-21
I can't really add much to the positive reviews that already appear here, so permit me to take away a star from what would otherwise be a 5-star review and gripe on one point: the authors of this well-written and thought-provoking work give very little credit to the ground-breaking scholarship previously done by the late Dr. Ernest L. Martin in his book "Secrets of Golgotha."
"Rod of an Almond Tree" is much more accessible to general readers than Martin's weighty tome and makes some new revelations, but the authors' failure to give Martin full acknowledgement within the body of their text for his discovery years ago of the true site of the crucifixion (hidden in plain site within the scriptures themselves) is a grave oversight. Don't pass this book up, but if you want to explore this subject in greater depth then "Secrets of Golgotha" is a must.
A thought-provoking book.Review Date: 2007-02-25
As a prior reviewer noted; some of the sources used by the authors are not Biblical,but rather Jewish works.They are listed in the Bibliography.
Some of the hypotheses in this book are not provable,like the rod(almond tree) being passed down through generations to eventually become the tree of the crucifixion.
There are some real "pearls" in this book though.
*The chapter on the location of the Garden of Eden and the four rivers was a new way of looking at the subject.
*The authors looked at Jewish laws and customs concerning the red heifer sacrifice in connection with the crucifixion and site.
*The day and year of the crucifixion was detailed and they spent some time explaining that the cross and Sunday worship originated from Constantine.
The idea that the crucifixion was on a tree does have some foundation.Have you ever noticed the words used in Scripture are "stake" or "tree"?
*The striking similarities of the cherubim in the Holy of Holies and the flaming sword guardians of the Tree of Life when Adam and Eve were expelled from the Garden.
*Some of the physical changes in the environment at Messiah's death and the affect they had on the Centurion helps in locating the actual site and the tomb.
It is true that some of these ideas can not be verified with Scripture.I think that the most important aspect of this subject can be summed up from Scriptures quoted on page 106 of this book.
"Yeshua came to fulfill the sacrificial system of the Law,setting us free from the law of sin and death."
This book is a comprehensive work with notes at the end of each chapter.
The reader will have to judge for himself/herself the credibility of the authors and some of the sources used.


Last of a dying serialReview Date: 2007-11-10
because writing isn't critical to a show on TV?
So far science has no real idea what dark matter is
or what it is like.
It is just a theory that has a very little observational fact.
To start a "myth" that is is evil,
is probably not a good thing.
There wasn't any real discussion of science,
just a apology by one of the main characters
for his behavior.
I think they all should be sorry for being picked for yet another Star Trek spin off trilogy?
This last book has the usual happy ending...
' Efficient' yet not quite VoyagerReview Date: 2001-08-04
I believe some have extremely over rated this book. Sure, it was good over all. Finally the plot lines come together and Jerki finds Telek and everyone else comes together. Yet, there were certain things that really bothered me about this novel that others have failed to mention. First of all, it took me a while at least to really get into it. I had to literally put the book down, read about eight other novels ( including the DS9 post-finale books, pick them up ) and then come back to it. After a few months away from the book, it appeared better. Just as Golden did in ' Seven of Nine' and the previous books of this series alone, the majority of the plot is given to Paris and Chakotay's alien friends. Total bore. FINALLY around mid way through, Golden realizes its a Voyager novel and Janeway and crew are given their moment to shine before the plot snaps back to the rather wasteful Kim and alien relationship and the Paris/Chakotay issue.
Another problem I had was that it appeared Golden simply started throwing things together near the end. She even slips up at one point when Voyager is faced with danger, Janeway tells Paris to take the ship back. Well duh, PARIS is not even on Voyager and clearly it was meant to be Tom Paris. The whole emotional part added to all the characters, including Seven of Nine, R'Mor, Jerki and every other character in the novel was just out of character. I'm sorry, I can't see Seven near tears over not saying good bye to a Romulan she worked with for around a week. Janeway goes wimp at the end, Kim has an emotional break down, its simply something that ruined the novel near the end. Another BORE factor was the near ten page summary of Dark Matter. I'm no Data or Spock or Janeway in that I know little about Dark Matter itself and a full report within a ruined ending was not that pleasing. In all, as Seven would say, its an ' efficient' book. The best part about it is the Entity HERSELF, how troubled she is following ' Fury.' I thought this novel took place during 5th season Voyager... yet Kes' involvement would sorta say it took place following Fury which would put it in season 6 I believe. Ack, buy Dark Passions, DS9's The Avatar, the New Earth series or Double Helix if you haven't hit them up yet. Gateways appears to be promising, yet I think Golden is set to write the Voyager novel so :: rolls eyes :: We'll pray for it.
STV #21 Shadow of Heaven Dark Matters III - A great trilogy!Review Date: 2004-03-27
Where "Cloak and Dagger" and "Ghost Dance" established the trilogy and furthered it along, "Shadow of Heaven" quickly takes shape in the beautiful "Trek" fashion of wrapping up the many strands that make up a great story! Christie Golden's skills as a writer, in setting up a very plausible premise, carrying an exceptional pace and imbedding a highly intriguing twist or two all shine through brilliantly in this trilogy, making this third novel one that is hard to put down until you've reached the last page.
One extremely minor note of caution in this third novel is that there are some fairly glaring mistakes in where people are but I would highly recommend dismissing those editorial misses as I did, all in favor of the overall excellence of this exemplary tale!
The cover art for this third and final novel in the Dark Matters trilogy is in keeping with the other two in that they're a cut above the rest of the novels published in the same time frame.
The Premise:
Where the first novels established the premise and furthered the story, Christie Golden does an exceptional job of wrapping up the many threads of this wonderful Trek tale where we finally become privy to the rogue Shepherds plot and the good Shepherds role; the exceptional character of the Romulan chairman of the Tal Shiar, Jekri Kaleh and the conclusion of her intriguing tale; the troubles that Chakotay and Paris go through in the Shadow universe and ultimately, the trials that Captain Janeway and her remaining crew aboard Voyager must go through to conclude this extraordinary chapter in their journey home...
Overall, I highly recommend this entire trilogy to any and all who are fans of great Star Trek fiction that more than capably makes up for the lack of these series airing on a weekly basis for our viewing enjoyment. Additionally, I'd highly recommend any other novels written by Christie Golden as she is an exceptional author whose work "must" be acknowledged as among the best in the world of Trek fiction! {ssintrepid}
ST-Voyager Dark Matters: Shadow of HeavenReview Date: 2002-03-21
What a wrap-up! All along you were hopeful that things would turn for the better... with the Voyager characters and the universe... the Romulans, the Shepards... even the deceitful rogue... as if I should doubt.
Christie Golden pulled it off in her unique way... I was riveted to the whole series, not only were they fast reading, but captivating till the end. And, yes, I too had a chuckle when Paris was not on the bridge... ahh just a little brain flatulence nothing more... something a good proof reader should have caught.
Nonetheless, a good story told well. To get the whole story reading all three volumes is a must. The Romulans were excellently portrayed, true to the essence of their character... even some redemption.
As only Christie Golden can...Review Date: 2002-03-12
I've heard several comments from various Star Trek fans who feel there were flaws with technobabble. And I also noticed the slip up where someone speaks to Paris on the bridge, when he had been missing since early on in the story. But to be completely honest, I don't see the big deal. When I saw Tom being addressed in that scene, I simply smiled to myself and went on. It didn't distract me from the story. Why? Because the story isn't really ABOUT the technobabble. It's about the hearts of these characters that I have come to love and adore so much.
Christie Golden has a way of capturing the essence of the Voyager characters that seems to elude most authors. She gives them depth and a realism that many Voyager novels lack. I recommend this book to anyone who loves Voyager not only for the space battles and futuristic technology, but for the heart and the character interaction.
Shadow of Heaven is a wonderful conclusion to a brilliant story. If you love Janeway's wry humor mixed with her deep devotion to her crew, or B'Elanna's Klingon temper toned down by her newly found sense of belonging and acceptance, and all the things that make each character unique ... if you love action, humor, and emotion all rolled up neatly into one story - this trilogy is for you.
Kudos to Christie Golden! Once again, she wrote a book that touched my heart, and took my mind off of reality for a short while. What a gift. Thank you, Christie!

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WILL SOMEONE LET THE WOMAN SPEAK?Review Date: 2008-05-09
Complex Yet SimpleReview Date: 2007-08-24
Under the pretense of being poor, Miss Marple visits Carrie Louise at her home. Stonygates is more than a house, however; it is a rehabilitation facility for juvenile offenders, run by Carrie's husband Lewis. Just as Miss Marple settles in and begins to unravel what is wrong with Carrie, Lewis is taken hostage by one of the "patients" and Carrie's step-son is murdered.
In typical Agatha Christie fashion, the mystery is complex yet simple. And while the novel is definitely not her best, it still surpasses most work published today.
BACKSTAGEReview Date: 2007-06-06
A book to keep in your library.
A Pleasant, Innocuous ReadReview Date: 2006-12-29
GoodReview Date: 2005-07-12

Like itReview Date: 2007-09-10
EXQUISITE NOSTALGIA FOR TRAIN LOVERSReview Date: 2007-03-02
Andrew Eames' THE 8:55 TO BAGHDAD evokes exquisite nostalgia for train lovers in search of exotic destinations. But Eames does much more. He personally traveled the same rail routes taken by Agatha Christie as she developed ideas for Murder on the Orient Express and many other popular mystery novels often while traversing Europe to Istanbul, Syria and finally Iraq. Simply, it is a traveler's treat.
Years after the famed mystery writer's own far-reaching travels, Eames, took his travel cues from Christie's autobiography and memoir. While the train cars had long ago been replaced or refurbished, the terrain remained similar enough, and in some areas such as Bulgaria, Serbia still remained the same. Eames stayed in hotels where Agatha had, walked the same streets and even talked with several people who had met her--one in Aleppo, the other in Ljubljana.
Given the relative slowness of trains in today's fast-paced world and the comfort and ambience of the coach's interiors, Eames recreates the sense of leisure that Christie must have felt, almost to the point of giving a sense that time has stood still. It was probably that very freedom that allowed Christie to think about what she would eventually write about.
Besides interesting, brief, useful historical backgrounds of the countries he passes through, Eames supplies enticing illustrations and maps, helping the reader to feel a part of the journey. One learns much from Eames' generous narrative. Given Christie's adventurous spirit, it is not too surprising that she sometimes traveled alone. For me, the most astonishing information is that her first solo voyage in 1928 followed the disappointing end of her first marriage to Archie Christie. Perhaps the Orient Express would ease the sad and lonely young author's pain as her philandering husband had just divorced her to marry another woman. She took the 8:55 out of London for Baghdad. It is in the figurative sense, as one train never went all the way, Istanbul being the last stop on the Express which she had boarded on the continent. From Turkey travelers take yet another "Express".
Christie more than succeeded in her quest to discover "what sort of person I was--whether I had become entirely dependent . . ." Through friends in Iraq she met her second husband Max Mallowan--an archeologist thirteen years her junior whose life and work she happily shared. They spent many winters on important digs in both Syria and Iraq. Eames reports that Christie adored working in archeology, quoting from her archeological memoir COME TELL ME HOW YOU LIVE if she had not become a writer that would have been her profession. Eames did his amazing homework and then some! Highly recommended. MARK ROSE, Author BANGKOK, OH BOY!
Appeals on many levels.Review Date: 2006-09-08
Captures people, place, and time vividly--well recommendedReview Date: 2007-08-06
In 2003, on the eve of the second Gulf War, seasoned English travel-writer Andrew Eames retraced the famous train trip that Agatha Christie made 75 years earlier on the Orient Express from London to Baghdad. Thus this book is a delightful hybrid--part history and biography of Christie, part travelogue concerning a unique trip through parts of the world where few Westerners choose to travel, and part transcribed candid conversations with strangers and interviews with local dignitaries that the author hooked up with during this travels.
Thankfully, Eames knew better than to bore us with the familiar. Most of the travelogue deals primarily with the wholly unique--parts of the trip where the typical Western traveler has little to no experience. I am speaking of countries like Croatia, Serbia, Syria, and Iraq, as well as little travel portions of Hungary and Turkey.
Personally, I was only mildly interested in the Christie history. What interested me most was the candid conversations that the author was able to have with strangers everywhere along his travels. These conversations often open up a whole new perspective on world politics. Eames was able to pick up some amazingly straightforward points of view about important topics from complete strangers. This is what kept me glued to the book.
Take for example:
1) The conversation Eames had with a Belgrade businessman who genuinely felt that what Serbia needed was another war in order to jump start its stagnant economy. The man says: "Today, Serbia is old news. Now there's 9/11, Afghanistan, and Iraq, we're not important any more. Everyone's left or leaving and all the money is going elsewhere. That's why we need another war. To bring back the budgets." The author politely inquires against who the war should be. "Dunno. Someone will pop up. They always do" (p. 141).
2) The conversation Eames had with a fellow train traveler in rural Turkey about President Bush: "You have traveled. I have traveled. We understand each other. But President Bush? Has he traveled? What is that expression--travel broadens the mind? I wonder if he would still be demonizing the Islamic world if he'd come here on his holidays" (p. 205). A few pages later, while the author is still conversing with the same Turkish passenger, they start talking about Iraq. The man says: " Iraq will probably be a better place without Saddam Hussein, but the war must not go on for too long. Might is only right for a limited time; look at Genghis Khan. Justice, that is the important thing. If the U.S. treats Iraq with justice, then I don't think there'll be any backlash from here. But if America shows itself to be greedy, then it'll be a problem. A real problem." Then the conversation turns naturally to Israel and we get this candid comment: "There you see it, comes the problem of justice. There is no justice, not for the people of Palestine. For them Israel sets the parameters and inflicts the penalties. Imagine if a foreign power claimed the heart of London, and you could do nothing because it had a big, powerful bully of a friend. Well...I have Jewish friends, but we can't talk about it. It is such an injustice, and it is deeply felt elsewhere in the world. Deeply felt" (p. 209).
3) Or the conversation he had with a Canadian engineer on the border between Turkey and Syria. Eames asks the man if he thinks there is going to be a war. The man who builds grain silos for a living says that he does not think so, "Don't think the Syrians do either. How could there be, with so little pretext?" But what about the oil, the author asks. "No way; Even Big George wouldn't do anything so cynical. No, I tell you what...I predict that water, not oil, will be the next big justification for war. The Syrian aquifers are going down at a rate of fifteen feet a year. That's serious for Syria, and it's even more serious for Iraq...you know what Mesopotamia means? It means land between two rivers. The Tigris and the Euphrates. They both originate in the mountains of Turkey. Without those two rivers Iraq would not, could not exist." They go on to discuss the Turkish Central Anatolian Project to construct 20 dams on the Euphrates and the Tigris by the year 2020. "Those dams will pull the plug on Iraq...the poor buggers will die of thirst. They don't have any other source of water" (p. 251-2).
If you like reading that kind of candid dialogue, you'll love this book. I did, and it opened my eyes.
Wish I could take this tripReview Date: 2007-11-01


Journalist meets ex-lawyerReview Date: 2007-10-31
She finds that her preconceptions of her father and his second family are shaky and that she has to ask herself what she wants for the future.
It's not a bad read, but I felt that sometimes Angel wasn't very believable as a journalist. The relationship between her and CJ was quite believable and touching. Some of the other relationships were quite believable as well. The story was just not all that strong.
Finding Love near the Sea within Tranquility Review Date: 2005-04-18
Angel's burgeoning relationship with Cooper is against both of their rules. Cooper has survived two heart attacks from heredity and a previously stressful life as a high powered criminal defense attorney. Angel does not trust men due to her abandonment issues from her father. Cooper wants to protect his family at all costs. He agrees to Angel doing a story on Whitney, although he is not completely trusting of the outcome in terms of his family's welfare. The sideline relationships with Whitney's previous relationships to the other family members make for interesting diversions to the main characters' romance.
Artist of the HeartReview Date: 2006-09-04
The only real problem I had with this book was the fact that the entire premise is that Angel is the daughter of Stephen Whitney, a Thomas Kincade type man, but his current family knows nothing of her existance. Upon his death, Angel travels to his home under the guise of writing a news article on his life.
Internally, the reader comes to know Angel and the life she led that made her bitter towards her father. The reader also finds out that Stephen was not really the saint his current wife and the world thought him to be; aside from being Angel's father, he was also involved with another woman.
None of this, however, is revealed to the characters in the book. Angel comes to terms with her daddy issues, but the reaction of his family is never discussed. The only mention comes in an epiloug and is basically summed up with the sentence "Stephen's family accepted her with open arms" or some such drivel.
Other than that, the book is enjoyable and enteraining. Christie Ridgway is quickly making her way onto my 'must read' list.
A light-hearted story, but definitely not a shallow oneReview Date: 2005-09-18
From the very beginning, the reader empathizes with Angel's desire to show the world the truth about her father. The pain and confusion of the little girl whose beloved father left without explanation is evident in the adult Angel has become. Due to his death, she has questions that can never be answered. When she sets out to expose her father, the reader roots for her. After all, it seems only fair. Later, when Angel gets to know her father's second family and begins questioning her original intent, the reader struggles with her. Yeah, the new family seems very nice, but allowing him to keep his sterling reputation -- well, where's the justice in that? Furthermore, the man was a public figure, and as such, doesn't the public have a right to know? Doesn't she owe it to her job to write the truth? I appreciated the author's handling of her quandary, because life is seldom black and white, and the line between what is right and what is best are not always easy to see.
Cooper has his own issues to deal with. His father, after receiving a clean bill of health from the doctors, died in Cooper's arms while the two were on a camping trip years ago. Now an adult and about the age his father was when he died, Cooper has already had one heart attack and fears that history is about to repeat itself. Because of his fear, he has avoided relationships and walked away from the job and life he loved. Angel's appearance on the scene stirs up feelings and emotions he has tried to suppress. For different reasons, both Angel and Cooper are afraid of being left alone again, and just as afraid to stay.
Secondary characters are well developed and act as more than filler for the story. As in real life, each has his or her own quirks, fears, faults and strengths. I especially liked Angel's half-sister, Katie. While the romance has the requisite happily-ever-after, not all issues are neatly and satisfactorily wrapped up. Though this bothered me at first, upon further reflection the author's choice seems the more realistic and appropriate decision. We don't always get the answers we want, so we have to adjust, deal with our disappointment and move on.
Witty, warm and wonderful, DO NOT DISTURB is a light-hearted story, but definitely not a shallow one. I highly recommend it.
Cute...Review Date: 2005-02-26
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Not great, but not bad either.Review Date: 2002-12-05
Golden doesn't disappointReview Date: 2000-10-18
One of the Better Ravenloft NovelsReview Date: 2000-09-28
Good enough, but...Review Date: 2000-05-29
One of the Best Ravenloft NovelsReview Date: 2000-01-23
I liked Christie Golden's take on Souragne and Anton Misroi so much that when it came time for to rework the Ravenloft game setting for 'Domains of Dread' that I made sure the land was reshaped to be closer to the novel than it had been in previous presentation.
If you have an interest in dark fantasy or the gothic horror genre, track down a copy of this book. You won't regret it.


My favorite Christie short story collection so far...Review Date: 2008-04-21
OK--best for deep Agatha fansReview Date: 2007-02-21
Not Choice ChristieReview Date: 2003-04-21
Most of the stories were written very early in her career and have a girlishly romantic flavor with almost no mystery. The one Hercule Poirot tale "The Mystery of the Spanish Chest" is a fair puzzle, but she enlarged on the theme more successfully in the full-length "Baghdad Chest." The will-o'-the wisp, Mr. Harley Quin, one of my least favorite Christie characters, appears in the title piece with a very elderly Mr. Satterhwaite.
To savor Dame Agatha's really fine abilities as a short story writer, may I suggest the excellent "The Thirteen Problems." Give this one a pass.
-sweetmolly-Amazon Reviewer
Nice Reads, But Not What I Was Looking ForReview Date: 2005-08-04
Not to say that I truly disliked any of the stories. But when you're a die-hard murder mystery addict like I am, stories of love, betrayal,and the like aren't what you want coming from Christie. My favorite was the only true murder mystery, with none other than Hercule Poirot: The Mystery of the Spanish Chest.
Enough of my ranting. By no means am I trying to dissuade whichever poor soul may read my review--I only want to prepare you for what lies behind the colorful cover of Harlequin Tea Set (and Other Stories).
enjoyableReview Date: 2003-03-05
The best piece is the Lonely God, about a non descript museum idol that brings two lost souls together. Quite moving and touching... Also, as well, in the final story, it's nice to see Harley Quinn again. He appears almost like an apparition here, and very well could be just a figment of the main character's imagination.

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Informative.Review Date: 2007-01-03
High society shows its greed in Mason's bookReview Date: 2004-08-11
"greed is good, greed works"Review Date: 2005-09-11
Christopher Mason's enthralling book concerns the great Sotheby's and Christie's scandal, which rocked the art collecting world and `high society' across continents during 2000. The blurb states that chief executive officers Christopher Davidge (Christie's) and Dede Brooks (Sotheby's) conspired to "cheat their clients out of millions of dollars". In fact the issue is more that they colluded to deny their clients costly incentives to become their clients. The often comic sometimes revolting thread running through this affair is that terminal greed was to be found everywhere - except, ironically, among the dedicated, devoted, grotesquely underpaid employees of the auction houses. The executives were greedy for power and the privileges of great wealth. The dealers, collectors and sellers were greedy for the last dollar from their Cezannes and Van Goghs (neither artist made a brass farthing from painting) for, as the Duchess of Windsor remarked, "You can never be too rich." Another irony: although colluding with Christie's in defiance of the anti-trust laws put the chairman of Sotheby's, Alfred Taubman, one of the richest men in America, in jail for a year, and put his really guilty executive officer, Mrs Dede Brooks, under house arrest for six months and stripped her of her wealth, it was the decades long intense competition between Christies and Sotheby's which had brought this situation about. Their competing for clients and the grotesque incentives they offered were bankrupting them. Finally the hounds of the Justice Department came baying at the door and after them the lawyers, like genial sharks, charging more an hour than a Sotheby's fine art expert could hope to earn in a week. By that time Davidge had unearthed his long cached evidence and cut a deal with the Justice Department which was so good for Christies as well as himself that the new management, trying to come to grips with the destruction he had brought upon them, had to swallow their bile and pay him millions in severance pay. Christies lost millions in lawsuits from hungry clients but escaped criminal prosecution - most unjustly.
What makes this book so good is the author's expertise. He moves in the circles whose lifestyle he mercilessly lays bare. He does not lambast the rich with inflammatory invective. He is more deadly than that. He gets them to spill the beans about themselves, a `child among them taking notes' - and faith, he prints it! The opulence and tasteless extravagance are so gross, the self-absorption of so many are so blatant, that Mason needs no rhetoric. Remember Gordon Gecko? "Greed is good, greed works!" Right on Gordon - but keep an eye on the Anti-Trust Laws!
For Gossip-hounds OnlyReview Date: 2004-09-29
Mason is clearly comfortable inhabiting the social circles he seeks to chronicle and the evidence lies in the sheer number of candid interviews he managed to conduct in preparation for writing the book. The story unfolds largely through anecdote (often times to scathing and hilarious effect), and the method mainly succeeds here. The first half of the book sails along at a breathless pace as Mason recounts the arrangement and execution of illegal collusion by the two auction houses. Brooks and Davidge-the then-CEOs of Sotheby's and Christie's, respectively--are portrayed as power-hungry aristocratic wannabes with no concept of the ramifications their unlawful meetings could produce. God-on-high Tennant (Christie's then-chairman) is credited with masterminding the scheme, while Alfred Taubman (Sotheby's then-chairman) is portrayed as the hapless scapegoat who took the hardest fall.
Unfortunately, the amusement of reading bon mot upon bon mot eventually wears off and the later chapters become bogged down with gossipy or repetitive stories that often do nothing to further the narrative. Where the author's sympathies lie also becomes quite plain in the book's final third. Mason has clearly not taken a strictly journalistic approach to his writing and this shortcoming ultimately weakens the facts so painstakingly narrated in the book's first half.
Nonetheless, The Art of the Steal succeeds in much the same way a good soap opera does. Most of the characters depicted between its pages have more money than some of the planet's smaller nations, and everyone knows it's a guilty pleasure to witness the spectacular fall of the uber-rich. The Art of the Steal ultimately proves itself to be a must-read for both watchdogs of the glitterati and those addicted to society columns.
Copyright 2004
Greed!Review Date: 2004-08-23
Special attention for the comments of Lord and Lady Hindlip.

Terror After DarkReview Date: 2007-09-27
The other stories in the collection are uneven, and every fan will have his or her likes and dislikes. I found some of the Marple ones a bit farfetched--like, she comes up with the solution without any evidence whatsoever, just her intuition. I guess that's okay, but outside of the frame of the "Tuesday Club" (and was "Strange Jest" left out of THE TUESDAY CLUB MURDERS by mistake?) the Marple short stories aren't that great. What was Christie thinking when she dreamed up the title "Tape Measure Murder"? For those who don't know, the title gives away the whole ending of the story! On the other hand, it's great to see the return of Quin and Satterthwaite in THE LOVE DETECTIVES; and the Poirot case of THE THIRD FLOOR FLAT is surely one of her greatest inventions.
Of More Interest to Established Fans than NewcomersReview Date: 2003-05-25
The centerpiece of the collection, of course, is "Three Blind Mice." This rather long story--more of a novella than a short--caused quite a stir among mystery readers when it debuted, and it would go on to considerably greater fame when Christie adapted it to the stage as THE MOUSETRAP, which has the distinction of being the single longest running play in theatrical history. But whatever its merits on the stage, and in spite of one of Christie's more startling plot turns, the style of the piece is decidedly melodramatic, artificial, and now and then down right clunky. This is a collection more likely to appeal to determined Christie fans, particularly those who are interested in tracing out Christie's unique ability to reconstruct the plots of her minor short stories into considerably more successful full-length works. While the stories here are certainly readable (and considerably more interesting than the short fiction of such Christie contemporaries as Dorothy Sayers, whose style was less at home in short story format), this is not a collection I would greatly recommend to new fans. Such readers would do better to select THE TUESDAY CLUB MURDERS.
--GFT (Amazon Reviewer)--
Three Blind Mice Review Date: 2004-11-19
The first (and main,) story, Three Blind Mice, all starts when a blinding snow storm hits, trapping Molly and her husband in their newly started guesthouse with the four occupants of the rooms, stranded. With a homicidal maniac on the loose, its only a matter of time before the maniac is revealed...
The other eight stories are all thrillers, full of clever criminals, and sneaky crimes. Some of the titles include "Tape Measure Murder" and, "The Case of the Perfect Maid." Miss Marple, an elderly woman, has deep explanations for almost every problem that occurs in her "peaceful" town of St. Mary Mead. Hercule Poirot; the other detective; gets down to the point with ease and confidence.
I enjoyed the tension and suspense in this book. While being short, the stories still gave enough context behind the characters, so that you still feel like you get to know them. I liked how these stories really cut to the chase, in that there wasn't anything in the story that didn't serve a purpose; no unnecessary parts as there sometimes is in other stories.
Over all, I would definitely recommend this book to all. It keeps you on the edge of your seat. Not once did I grow bored of this book. Three Blind Mice is full of brilliant disguises, clever plans, rich explanations, great dialogue, and overall delight.
A Thoroughly Delightful and Unique Short Story CollectionReview Date: 2003-02-20
4 Marple, 3 Poirot, 1 Satterthwaite, and The MousetrapReview Date: 2002-12-02
"Three Blind Mice" - None of Christie's regular characters appear; this tale corresponds to the play 'The Mousetrap'. Once upon a time, in 1940, three young children were evacuated and sent to live at Longridge Farm. The Greggs treated them barbarously, and after one boy died, Mr. Gregg was killed escaping from the police, and Mrs. Gregg went to prison. Now Mrs. Gregg has been murdered just after her release from prison, and the next target appears to be a young woman at Monkswell Manor - but the murderer could be either the boy or the girl (now grown up), the Davises don't know the background of any of their paying guests - and they're snowed in.
"Strange Jest" - Miss Marple has a missing will problem - except that in this case, the assets rather than the will itself are hidden. The stories I can think of with this theme are all of the form: wealthy uncle decides to amuse himself at his heirs' expense, and hides their inheritance. (Sayers' "The Fascinating Problem of Uncle Meleager's Will" from LORD PETER VIEWS THE BODY is a stronger story than "Strange Jest" - the uncle not only had a purpose in hiding the will, but a wicked sense of humor.)
"Tape-Measure Murder" and "The Case of the Perfect Maid", like most Marple short stories (and unlike the novels) are set in St. Mary Mead. In the first case, mild Mr. Spenlow is suspected by the village of murdering his wife, whose body was discovered by a dressmaker coming in for a fitting. In the second, Miss Marple is asked to intercede with the Skinner sisters when they fire their maid, Gladys, with an implication of theft. The slur on her character is compounded when the Skinners bring in an outsider who appears to be a paragon - too good to be true. (As a bonus, the village eagerly awaits Dr. Haydock's first professional encounter with the hypochondriac Miss Emily, and he comes up to scratch.)
To speed Miss Marple's recovery from a serious illness, Dr. Haydock writes up "The Case of the Caretaker" as a story-within-a-story for Miss Marple to get her teeth into. The end of Haydock's manuscript is an implied 'Challenge to the Reader', since at that point one has all the information needed to solve the puzzle; most of the stories of the Marple collection THE THIRTEEN PROBLEMS share this feature, although the other 3 Marple stories in this collection do not.
"The Third-Floor Flat" When Patricia Garnett finds herself locked out of her 4th floor flat after a double date, one of the young men climbs up the coal lift ("Pat *never* locks and bolts things"), but gets out on the wrong floor - and discovers the body of Pat's downstairs neighbour. Poirot, her upstairs neighbour, offers his help after being roused by the commotion.
"The Adventure of Johnnie Waverly" (a.k.a. "At the Stroke of Twelve") The only Poirot story in this collection narrated by Hastings. Why did the kidnapper send threatening notes to the Waverlys *before* snatching their little boy?
"Four-and-Twenty Blackbirds", a.k.a. "Poirot and the Regular Customer" - Listening to this one read by David Suchet may make you hungry; be warned. A friend of Poirot's has taken him to the Gallant Endeavour, a picturesque restaurant with very reliable cooking. The friend points out an elderly fellow diner who appears twice a week like clockwork and has very predictable eating habits, so the staff knows him, although they don't know his name, business, or anything else about him. Molly, the waitress, adds that he came in on *Monday* the previous week, and ordered stuff he ordinarily couldn't abide - she worried that she'd forgotten what day of the week it was! Poirot feels uneasy - later he felt that he should have forseen what was coming, and prevented it. :)
"The Love Detectives", a.k.a. "At the Crossroads" (30 October 1926) - One of the few Quin & Satterthwaite stories that doesn't appear in THE MYSTERIOUS MR. QUIN. Satterthwaite, staying with an old friend who happens to be chief constable, is carried along to a murder investigation. After finding out about the blunt instrument and the body in the library, you may start taking a hard look at the butler, but the investigators are themselves aware of the cliche, so don't be suckered on appearances.
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