Carter Books

What Maddie Hatfield learned from finding the perfect mate: Rule #1: Never date a coworker, just because Derek Newman is every woman's fantasy, that doesn't mean he's husband material. Rule #2: After a string of dating disasters, avoid turning to your coworker for comfort, you might find there's more to Derek than his baby blues. Rule #3: Don't fall in love with your coworker, no matter how good it feels to be in Derek's arms. Rule #4: If rule 1-3 fail, refer to Planning the Perfect Wedding.

David Remfry's artistic career spans more than 30 years. A figurative painter born and trained in England, and now living in New York, Remfry has a long-established reputation as a draftsman and watercolorist, having had over 50 solo exhibitions in Europe and America. The most recent was curated by Alanna Heiss at the P.S.1 Contemporary Art Center, New York City, a Museum of Mordern Art affiliate.

Remfry works almost exclusively in watercolor, but not in the conventional way of small, polite landscapes. His watercolors are large; some single-figure pieces are practically life-size, and his subjects are decidedly urban.

This book, published on the occasion of an international touring exhibition originated by the Boca Raton Museum of Art, serves as a biographical and critical study of the work, with esays by Edward Lucie-Smith, Dore Ashton and Carter Ratcliff, and provides a definitive mid-career survey of an increasingly important and original figure in British and American Art.

The exhibition present a body of work begun in 1985 that Remfry refers to as the Dancers. It numbers over 80 paintings and drawings, most of which have not been exhibited before.
--- from book's cover

Andre Norton, "Fur Magic" (short novel)
Gordon Dickson, "Warrior" (novelette)
Tanith Lee, "The Truce"
Alan Burt Akers, "Wizard of Scorpio"
Tanith Lee, "The Martian El Dorado of Parker Wintley"
Marion Zimmer Bradley, "The Day of the Butterflies"
Brian Stableford, "Captain Fagan Died Alone"

I found this to be just an extremely interesting and valuable book on a topic that has received relatively little attention in this country. While there has been much speculation on the issue of whether the legal positivism of the late 19th and early 20th centuries facilitated the Nazi co-opting of law, there have been few if any empirical studies in English of how criminal justice operated in Wilhelmine Germany, and Berlin in particular. The focus here is on the culture of the criminal courtroom, and how such influences as interest groups, an aggressive press, juries, the changing role of defense counsel, public opinion, the use of experts, and sociological theories of crime all impacted on the process.

The book is very well structured to lead the reader through vauable background before getting to the heart of the analysis. Hence, such topics as the "free law movement", the German criminal code, the role of the judge, the three stages of a German criminal trial, the power of prosecutors, the quality of defense counsel, and the role of the new mass press are all discussed. One of the most interesting facets of the book (at least to me as a defense counsel) is how tame and even passive the few defense counsel were initially. Professional norms, backed up by the "Honor Courts" ensured that vigorous criminal defense was foreclosed, although this was to change in the early 20th century. This resulted in a particular disability for defendants, since false confessions were so prominent a feature of proceedings at this point.

But, as the author so cogently explains, much was to change in the period immediately prior to Weimar. More use of documents at trial became the norm; police procedures were reformed; mental disability as a defense was developed; expert witnesses began to limit the power of prosecutors, and a more vigorous defense bar emerged. The book examines several trials in detail affording a valuable empirical perspective on the changes infilitrating the criminal trial process.

Professor Hett's research is prodigious, and the extensive notes are extremely useful, though most sources are in German. His command of the material is superb, and, when coupled with his well-constructed discussion, this makes for an extremely valuable resource. An absolutely indispenable source for anyone, beginner or advanced student, interested in this fascinating topic.

Designing And Building from the collective works of Kansas architectural firm of Rockhill and Associates is a truly incredible and conceptually impressive compendium of writings, photographs, blueprints, along with cogent analysis of many truly remarkable buildings. As awe-inspiring as a book on architecture may be, Designing And Building also offers its readers an artistic approach to the intricacies of what beauty may be presented in modern buildings and their architectural elements. as innate works of art in their own right. A welcome addition to professional and academic library Architectural Studies collections, Designing And Building is an intuitive and informative introduction to progressive and subversive modern design, very strongly recommended to all architectural designers, as well as photographers and students of the visual arts.

In my research on the societal use of labeling in human males regarding masculinity, this book was unquestionably the greatest of assests I found. How utterly wonderful it is that an author has set forth such an honest work as Goode's "Deviant Behavior."

The aims of any society are to control the individual based on a set belief system that is generally followed by a conventionalized public. Goode pokes holes in this fallacy. He exposes in no uncertain terms the bias prevelant in all societies, which eventually lead to prejudice and judgement.

If I could recommend one book to the sociologist in training, it would be this one. No greater prize could be found than the astute knowledge offered hearin.

This is the only book I needed to start my small micro lab. It is complete and easy to follow. This is an excellent choice if you are a veterinarian (especially large animal) and want the basics of culturing, media prep, and diagnostic techniques. A must in every clinic!

Dialogues contains both interesting readings and well-written college level rhetoric. The title 'Dialogues' is an appropriate one as itstrives to untangle the myth that the only good argument is one with opposing sides that offer no compromise. Perhaps the only letdown -- few examples of what a good college paper should look like.

This book is far more than the story of a cancer journey. Emilie Barnes also shares her insights into God, and her reflections on suffering. And she doesn't sugarcoat her struggles. I have also had cancer, and reading this book inspired me--like having a personal conversation with someone whose relationship with God has just grown stronger and more real. I'd love to have had this book to "walk alongside me" when I was in "Cancerland."

I am a radiology instructor that has been searching for a text on digital radiology that presents the necessary information in terminology my students will understand. I am requesting that my department purchases this book for my students. It is the most complete text I have found so far. It is not complete by ASRT requirements however, it comes closer than other publications.