Carson Books

i absolutely ADORE this book. i fell in love with it for the first time when i was 12. i am 18 now, but the storyline and the characters are endearing to me every time i read it i must have read Ella enchanted about five times. the romance between ella and char is innocent, but it captures my heart every time. I was very disappointed when i saw the movie. I dont think the movie captured the essence of Ella and the magic that Levine bestowed in her book. If I could, I'd create a movie that is true to the book and its characters. Even though it is a children's book, it is still accessible to adults (though i am still kind of a child at heart- i LOVE fantasy stories)

1000000% RECOMMENDED

I actually saw the movie before I read the book and I loved the movie, but it's vastly different from the book. It was interesting to see the differences. I can see why some of the changes were made for the movie, but both are great in their own right.

I liked the treatment of Lucinda in the book better than in the movie. In the movie, Lucinda never learned or understood what she did to people, but in the book she did when Mandy tricked her into experiencing what she put Ella through.

I also liked that Ella had to find the inner-strength to break the curse, opposed to having an easy quick fix of undoing it. To be honest, Ella would have probably in more trouble if Lucinda had reversed the spell, so even if she wanted to obey at times, she would then be under a curse to never obey.

I also like that the prince was treated as a real person and given a real personality. Rewatching Disney's Cinderella as an adult, I was shocked how truly vapid the prince was. He had no personality. He was just a stereotypical pretty boy.

It was also nice reading the progression of Ella and Char's relationship, instead of her going to a ball and just falling in love with him.

This is a great book, which I'll definitely read again.

Romance, although also could be fantasy. Upper elementary to middle school. Reading level is supposed to be grade four, but it seems higher to me. 232 pages.

I read quite a bit of this book before I started to enjoy it, but because the librarian recommended it, I stuck with it. The book is the back story of Cinderella, although the reader doesn't realize it until near the end. Instantly, the story of Cinderella--which I never really liked--has a profound truth I now see: When we walk in another's shoes, our perceptions change. Honor book. No illustrations.

Ella Enchanted
By Gail Carson Levine

Ella only wanted to be a regular girl. But instead the day she was born, a curse was bestowed upon her. The gift of obedience. The fairy Lucinda does not think before she gives these silly curses and so when Ella is told to do something, she has to do it. If someone told Ella to kill herself she would have to obey. When Ella's mother gets very sick and dies, Ella is left with Mandy her cook that is her fairy godmother and her father. Ella's father traveled all the time and he doesn't know about her curse. Just like her mother said "Don't tell anyone about your curse." Ella had to obey.
But when Ella's dad introduces her to Dame Olga and her dreadfully bossy daughters, Ella realizes that the elder one, Hattie knows that Ella will do anything she says. Hattie commands Ella to give her the necklace that Ella's mom gave to her. But there is a silver lining on the story. Ella becomes dear friends with Prince Charmont, or as his friends call him, Char. Just when Ella thinks that Char and her are becoming great friends, Ella's father ships her off to finishing school so she can become a true lady with Hattie and the spoiled Olive (Hattie's sister).
Finishing school is the worst place for Ella. She must obey every command no matter how awful or difficult. When Ella cannot stand it anymore she runs away, and decides to quest for her fairy godmother and reverse the spell. But Hattie had forbidden Ella to see Char. So how will she be able to tell him how she really feels when he thinks she never wants to see him again?

Many young girls dream of having a fairy tale life just like the ones that appear in Disney movies such as Cinderella, but what happens when these girls grow into young ladies and expect a little more than your usual fairy tale? In her novel Ella Enchanted, Gail Carson Levine adds a whole new twist to the familiar story of Cinderella. With the use of point of view, characterizations and themes, she achieves to appeal to a budding, young female audience that already has a love for the classic Disney tale.

Point of View
Carson presents a first person point of view that allows Ella to narrate her own story. Her thoughts, her commentary and each of her actions are plain for the reader to enjoy and experience a first hand look into Ella's world. The reader is allowed to relate her character, as she seems more realistic (as far as a fairy tale goes) than ever before, as she goes through every day teenage trials with boys (a prince, to be exact), friendship, fitting in, envy and such problems that still happen today.

Characterizations
Ella
While Disney's Cinderella is an upbeat, optimistic girl that seems to have the whole world set out for her, Levine's Ella is given a whole new dimension as a character. Ella, as a child, receives the "gift" of obedience by the wayward fairy, Lucinda. Forced to do everything she is told, Ella develops a strong, rebellious character determined to become her own person, despite what others command her to do. She may subdue physically, but mentally and spiritually, she is a character that is intelligent beyond her years that refuses to conformity, aesthetics and propriety for the wrong reasons. Carson develops Ella in such a way that her flaws and struggles with herself and others are present. Ella is not a glorified storybook character that has everything going perfectly for her; she fights for what she believes in, she makes mistakes to learn from them and goes through the motions just like her young female audience.

Prince Charmont
When the thoughts of a charming prince come to mind, what is available is only the idea of a charming prince who is just there to both save the day and marry the girl. While in most fairy tales, the female lead character usually overshadows the male equivalent; Prince Charmont is far from hidden. Carson develops Char (as he is cleverly nicknamed) in such a way that he breaks away from the usual princely stereotypes by adding a little more to his personality but still maintaining the characteristics that would most likely still make any female weak in the knees. When Ella first meets Char, she keeps her distance in a demonstration of respect of his nobility, but he refuses to be regarded of higher ranking and asks to be addressed as any other person. He is kind hearted and humble but still he holds strong and true to the convictions that he is instructed as a young ruler. One example of this is when he pauses the beginning of a military journey to get on his hands and knees to help a merchant whose cart is overturned, instead of leaving off and ignoring the lower class. Another defining characteristic is that he, like Ella, struggles to create his own identity under the overpowering shadow of his future as the ruler of the kingdom of Frell. Char's authentic infatuation for Ella and his deep respect for her are what make the reader believe him as the true charming prince.

The Fairy Godmother
One may expect a flick of the wand and a bibidi boppidi boo to describe a fairy; Carson declines to this generic view. Mandy, Ella's fairy godmother is described as aging, overweight, speckled with freckles and frizzy hair. She hides her true identity from Ella and for the first 16 years of Ella's life, she is known as the kitchen maid and nanny. Her real self is only discovered after Ella's mother died and Ella is left to the care of no one but her father. The way that Carson portrays Mandy is in a stern, parental way so the reader can see her as a mother figure for Ella, more than just a fairy godmother that provides every single wish. Carson makes Mandy out to be a lovable character towards the reader because she nurtures and takes care of Ella while still remaining firm to what she thinks is best for her goddaughter.

Themes
In this novel, Carson explores themes that are of interest to a young female audience. One of these is the search for an identity and a place in the world. Carson develops her main theme as Ella is trying to establish herself as a person with her beliefs and convictions, and not just become a pawn to anybody's game that has knowledge of her curse. She demonstrates to the audience that they do not have to conform to a popular idea and encourages the reader to form opinions by gaining knowledge by Ella's example of maintaining her integrity and refusal to ignorance.

Another theme that goes hand-in-hand with the one mentioned before is integrity, being true to who you are. Carson encourages this by making Ella such a strong character that even though she is forced to be someone else, in her mind, she is determined to be who she truly is. Char is also another example of integrity. He is a prince, a trait that may give way to arrogance and to discrimination by status, but he denies any association of himself as a person to his nobility.

With these different literary aspects, Gail Carson Levine creates a fairy tale all her own that only alludes to the commonly known storyline. She creates a story for young girls to be immersed with such believable characters in a fictional world that teach very valuable lessons while also having those key elements that happen to draw the audience in.

This book was given as a gift to a Carson fan. It was very well received and we felt we had given the perfect gift.

For those of us who grew up with Johnny Carson it's hard to believe that it has been fifteen years since Johnny last came out from behind "The Tonight Show" curtain and even harder to accept the fact that he is no longer with us. But we're in luck in one way....this wonderful book, compiled by Stephen Cox, brings Johnny back to life in the most comprehensive and nostalgic way. It's a walk down Memory Lane and it is nothing short of wonderful.

From the inception of "The Tonight Show" and its early years before Johnny, Cox takes us through every segment of the thirty-year run we all enjoyed. There are comedians, of course, memorable moments, the monologue and my favorite...Joan Embery and her wildlife companions from the San Diego Zoo. Who of my generation can forget the wedding of Tiny Tim and "Miss Vicki" or the Ed Ames tomahawk throw? (the latter being a perennial favorite of the Carson annual retrospectives)

What is such an added bonus to the book are the dozens of photos that grace its pages. "Here's Johnny!" is a terrific look back at a man who made the nation laugh for three decades and who will always be remembered as the best at what he did. Thank you, Johnny!

If you want to know about Johnny Carson and the things that went on behind the scenes at the Tonight Show, you need to get this book!!! It was great and the photos were wonderful.

Excellent read. For any fan of Johnny Carson and the glory days of the Tonight Show, this is the book for you. It makes you feel like you're actually watching the show again. Enjoyed it thoroughly!

Johnny Carson was the late night entertainer of my youth and there will never be anyone to compare - although Conan is great in his own right(that will be another review sometime). This book really takes you back. While I do not know all the "for-sure details"(and some things could be slightly off in this book since I don't keep track of that so much), there is enough substance here to take you right back to watching Johnny in your parents' living room! Like the "Clapper Caper" with Jack Webb. LOVED IT!

For those who know of Roy Buchanan...he's not as well known to the general public...this book documents the upbringing and influences that guided and shaped one of the most talented and unique guitarists ever. A wonderfully researched chronicle of the life of an icon in music.

I've always wondered why Roy Buchanan, who in my opinion was the world's greatest guitar player, never broke through to a larger audience. After reading this excellent biography of his life, I completely understand why. Phil Carson did an outstanding job of pulling together a huge amount of detail into a page-turning, sometimes laugh-out-loud funny and other times heart-wrenching story of Roy's life. I've read quite a few biographies on music legends and the majority of them have been hard to read chronologies of factoids and interviews loosely held together. So, even though I was very motivated to learn more about the life of this unsung guitar master, I assumed that I was in for a chore. Much to my surprise, this was an outstanding read...a well researched, heart-felt, telling of the life of a gifted, albeit troubled, man.

If you're a fan of Roy's, then order this book immediately. If you aren't familiar with Roy's music then order a couple of Roy Buchanan CD's and listen to them while you read this book.

Note to Phil Carson: I'd love to see you take on the biography of another relatively unknown guitar master, Nils Lofgren (a protégé of Roy Buchanan).

THIS BOOK IS FANTASTIC..ROY WAS FANTASTIC....IF YOU ARE A FAN, YOU NEED THIS BOOK..I WILL READ IT OVER AND OVER....

All I ever wanted to know,about the man and his music.Great biografy,have read many books on other artist.If you go through Buchanan`s songs,there are many differt styles he mastered.Country,rockabilly,rock & &roll,instrumentals,pop,r & b,jazz.Saw him live once in Oslo,that was great.My friends say,play the #Telecaster# and die young,but I have to play it,have -blonde 52 reissue.Now I study bossa nova masters,like Lois Bonfa,Joao Gliberto,Jobim etc.cause I got a job with a female singer,playing spanish guitar.There are a few cuts with Roy playing acoustic and they are great.Read the book,by his concert DVD,s,and if you run short,get bored playing the beast,listen to the man.There have never been a guitar player like him,he had his own style,his style will never be duplicated.All american music styles,and Malaguena.The roadhouse king will live on forever.Arnie Buy-ROY BUCHANAN his first and SECOND ALBUM on Polydor,that is a good start.Good reading,good listning and play them over and over,and you will hear his soul.

I like Roy's first records--loud and clear, with the focus on his playing. Later on they tried to make him like Clapton, but it didn't work. I would rate Roy in the top 5 of the people I have heard. I also like Bugs Henderson, Tinsley Ellis, Wes Jeans, and Dave Hole. This book is a very good read. I saw Roy at Park West in Chicago. He did a very short set. It was hard to enjoy him with the female booze hustlers bothering me, but, he seem to be in top form. I still have my ticket, inside Roy's live Japan import.

Doug Moo offers a great exegetical and expositional commentary with the PNTC series offering on James. Well worth the buy, if you don't have a solid commentary on James. Nothing too crazy, and lots of compelling argumentation for his positions.

I have five critical commentaries on James (Lenski, Bruce, Woods, Martin, and now Moo). This one will more than likely be the primary source for me when I study the book in a critical fashion. He is thorough and that is what I want. If you are a preacher looking for something quick and in summary form, a smaller work might be more useful. For me, as a preacher, if I am in the circumstance where I need something quick I am already in trouble. I like the Pillar Series. Not long ago I read of one's review that was overly critical of the work on the epistles of John - I do not subscribe to that sentiment at all. It is a good series!

If you are looking for an answer to a question raised about the meaning of the book of Phillipians, you could not find a better treatment. This is a wonderful resource and fine treatment of the text. I used it in a series of sermons, and found it very easy to acess and get the gems of the book.

`The Epistle of James' by James B. Adamson, 1976, 227 pages in the series The New International Commentary on the New Testament; `The Letter of James' by Douglas J. Moo, 2000, 271 pages, a volume in the series The Pillar New Testament Commentary; and `James' by Ralph P. Martin, 1988, 240 pages, A volume in the series Word Biblical Commentary are all `full featured' and recent commentaries on the first of the short `catholic' epistles in the New Testament.

I find it amazing how different the material is in these three volumes. After 1800 years of commentary, one would expect a fair amount of uniformity in thinking about this short letter, but there is a remarkable range of differences in emphasis among the three.

Those of you who are familiar with the world of biblical commentary will recognize that all three are part of major series of commentaries. Adamson and Moo belong to series dedicated to the New Testament, while Martin's volume is an offering of a larger series on both Old and New Testaments. And, each volume is organized in a way to match the editorial style of their series. This is most clearly seen in Martin's volume, as his work is organized in virtually the same way as the much larger work on Paul's Epistle to the Romans by the distinguished scholar, James D. G. Dunn. This is no surprise, as Martin is the New Testament editor for his series, the Word Biblical Commentary.

Ranked by scholarly detail, Martin has the most and Adamson has the least, with Moo somewhere in between; but don't take from this that Martin is heavy on the Greek and Adamson has no original Greek. All three are specifically written for the scholar and assume that the reader either knows classical Greek or is willing to slog through all the Greek words and expressions. The irony here is that while Martin is the most heavily scholarly, it may also be the most accessible to the lay or strictly pastoral user, since this series divides scholarly observations into the `Comments' on each paragraph, while more general thoughts are spelled out in straight English in the `Form/Structure/Setting' section and later in the `Explanation' section following the `Comments'. Adamson organizes all his `special' or more technical topics in `Excursus' sections following his main commentary. I found this just a tad distracting, especially when I discovered some mistakes in references to these Excursus sections in the main text.

All three authors give us their own translations of the text, and all three agree on where the difficult phrases are to be found. If I were to pick a volume purely on the basis of their translation, I would prefer Adamson, as he seems to give translations that best resolve these difficult sections. But, in all three cases, the authors agree on where the difficulties lie and, in general, the nature of the difficulties.

In the three authors' introductory chapter on the author, themes, and canonical status of the letter, all three agree on the major points. They uniformly agree, for example on the belief that the letter does, in fact, represent the thoughts or writings of James, the brother of Jesus, who was head of the Christian Jews in Jerusalem up to about 62 CE. They also agree that the final form of the letter was rewritten and polished sometime in the early 2nd century, CE. The authors are also uniform in their citing Martin Luther's misunderstanding of James; however, I would give Luther credit for seeing scriptural support of many Roman Catholic doctrines, even if any sound reading of `James' shows that this support is probably stretching James points just a little too far.

On the major themes of the letter, I generally prefer Martin's emphasis on the three topics of `Wisdom', `Perfection', and `The Piety of the Poor' to the other authors' interest in theology and the law. James is clearly spending less times on these typically Pauline topics than he is on lessons for a Christian life.

Among all the other differences, it is most remarkable to see all the differences between how the three authors structure an outline of the short letter. If you didn't know better, you may think they were talking about two different writings. This is just a symptom of the fact that `James' is much less a theological argument a la `Romans' and much more a collection of lessons on prayer, right Christian behavior, and the implications of faith. This is consistent with the fact that the letter has much in common with the Gospels, especially the Gospel of Matthew (See Martin).

One last difference I detect between the three is the fact that Martin makes more connections to modern theology of, for example Dietrich Bonhoffer, while Moo and Adamson have more citations to the great reformers, Calvin and Luther.

If I had to pick only one of these, I would go with Martin's volume in the Word Biblical Commentary series. If I were interested only in pastoral interpretation, I would go with Moo or the article `The Letter of James' by Luke Timothy Johnson in `The New Interpreter's Bible', since both refer heavily to the standard NIV and NRSV translations. If your interest is in a scholarly study of the letter, you will probably want all three.

This is Moo's second commentary on the epistle of James. He wrote his first one in 1985 as part of the Tyndale series. This commentary is the result of fifteen years of reflection on that work. The content of this commentary makes it evident that this is the mature thought of a noted scholar on the letter of James. Those fifteen years left him more convinced "that the heart of the letter is a call to wholehearted commitment to Christ" (x).
Moo provides a lengthy introduction to this epistle (46 pages worth). This introduction includes the history of James in the church, nature and genre, authorship, theology, occasion and date, and structure of James. Concerning authorship, Moo holds that James, the bother of Christ, is the author. He presents arguments against this traditional view and then answers them. The section on the theology of the book is a feature more commentaries would do well to include. He dates the writing of the letter around the middle of the 40s AD. This is important because the date of writing has great implication on the relationship of the letter to Paul's teachings. Moo does not place a ridge structure on the letter. Instead, he finds "several key motifs" which "are often mixed together with other themes in paragraphs that cannot be labeled as neatly as we might like" (45). Denying the assertion of some commentators that the letter has no unifying purpose, Moo argues that the central concern of the letter is spiritual wholeness of the readers (47).
Moo's analysis of the text is insightful. His word studies are well done. He presents a wide range of possible meanings but uses the context to determine which meaning is James's meaning. Moo also does a good job in showing James's relationship with Paul. James is not writing against Paul. James means something different by faith than does Paul. They are addressing different problems.
The format of the commentary is user friendly for the most part. One helpful aspect is that Moo's introductory notes precede the verse by verse exposition of major points and most sub-points. Moo transliterates Greek words making the commentary usable to those who do not have the advantage of knowing Greek. One slight critique concerns the chapter divisions. The chapter divisions of the commentary are based on the chapters of James. This is fine, but the table of contents is broken down by his outline. One would whish the editors would choose a method of division and stay with it. The only other criticism is that Moo's writing style can be difficult at times. These two minor criticisms in no way change the fact that this is a masterpiece. It is short at only 251 pages not counting indexes. Anyone from a layperson to a scholar will benefit from this commentary. This reviewer would recommend it without hesitation (something he does not do often).

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.

these are indispensible to the person seeking out this particular path. I have learned so much and continue to share with friends and family. a must have in your personal library

I've had these cards for several years now. Throughout that time I've used these for self-discovery as well as to enhance my study of nature and the world around me.

The artwork is welldone and there is always more in each card than what originally meets the eye.

The descriptions and guides and useful, but not in great depth. To me that's part of the joy of this deck...the necessity to put yourself INTO the process and really learn.

I recommend these if you are looking to find a focus point for your daily meditation and you are working to find your place among nature.

I tried for years to work with tarot decks and just found them to be cold and impersonal. A friend reccomended these and they've been not only easy to work with but very relevant to my life. I would highly reccomend these to anyone.

I love this set, I kept my cards a secret to myself for the first few weeks I had them, but the identification of the reading and the situtaion I was questioning was eerie - so I asked various people who visited if they would not mind having a "Go" with the cards, well now my friends, family and acquaintences beleive I am a Shaman Sacred Card reader, this may be so but I believe it is the book and card set that are the true hero, as long as the person giving the reading has respect for the essense of the set the truth will Out. A teriffic gift to give someone interested in the subject of Native American Wisdom, it is so much fun to see a friends face change into the "Oh my god how did you know that" look. All readings are positive (I don't mean polite I mean give positive guidance for good news or bad) but one would have to be dim not to understand the significance of every card reading. If I can make sense of the set anybody can - The cards are Beautiful and the book print size is big enough for my bad eyesight, for late night reading with a bedside lamp.

beautiful cards. Interesting book. had many dream of spirit animals after reading book.

Fast shipping! The book was slightly below product advertisement but nothing at all to be bothered by. Overall, very happy!

Wow! This text is overwhelming but in a good way. It is exhaustive. Glancing through it I see every book in the NT represented with its connections to the OT. A reference work that I plan on using in all of my NT studies. A must have for the Bible scholar, pastor, minister, or seriously deep student of the Bible.

This book is an excellent one worthy of a collection specially to those who are involved in the ministry of preaching, bible study, or even in sharing the gospel. It might not be as elaborate as those individual commentaries, but needless to say, the book is complete and touches almost all of the critical, difficult, and controversial issues.

References to the historical findings such as the MT, LXX and a lot more gives sufficient credence to their studies that these are based on historical facts, and not just on personal opinions. A great number of authors with their credentials who participated in writing this commentary proves that this book is a collective effort of great minds in order for us to benefit the cream of the crop. It is because of this that I find this book worthy as a treasure.

Really, this is just a start. Any commentary is. But this is one of the best because it proceeds from a radical premise: the whole Bible is from God, giving His point of view and superceding that of the human author.

Not that this is promoted self-consciously or consistently from each contributor. But the structure of the enterprise is such that they are sucked back into presenting how it is that the old testament is so thoroughly imbued in NT writings, including in ways which both OT and NT writers could not have intended.

Treading down this path forces us to question all those teachings we've had where we were told: "Matthew (or Paul or John ...) here had in mind xyz." When Matthew wrote his gospel, we might now surmise that we can't be sure what he himself had in mind, because what we wrote was superintended to the degree that Matthew's sinful thoughts were NOT what ended up on parchment. God's thoughts are there, pure and untainted by Matthew's natural limitations and sin.

Attempts to work from Matthew's sinful thoughts and culture to God's meaning miss the point that whatever Matthew was in his head was NOT the end product that flowed out his quill. Remember when Caiaphas spoke what he thought naturally about how it is better for one man to die rather than the whole nation take a hit? He meant it for evil, but God superintended it to be ultimate truth, regardless of that speaker's intent. Same with all holy writings.

Yes, holy men of old spake as they were moved, but their holiness does not naturally come out in uncontaminated speech -- that takes a special work of God. This commentary allows for that premise. There's something way more than human going on that ties this whole Bible together in one theme from one Writer.

Don't get me wrong, not all these contributors seem to subscribe to my radical conclusions above, although I think the editors do. And their prescribed structure for this commentary nudge the contributors into a path that I think leads to a more theocentric authorship. So this is a good start, but nothing beats trying to read the Bible itself from God's point of view, rather than the hallowed and misguided grammatial-historical human focused approach.

At a recent gathering of pastors from across the USA and Canada I was surprised that one VERY well-known speaker from So. California spoke to the pastors about his preaching style, his study habits, and his commentaries. When asked about his lack of preaching from Old Testament books, this pastor noted that he is a New Testament pastor and in his 25+ years has never preached through an Old Testament book, that the era of the Old Testament has no place in New Testament kingdom work. There was a hush like I had never heard (and these are all pastors who love to talk!). This new volume is a fantastic addition to any pastor's library and helps to link the entire counsel of God. Beale and Carson have given us a tremendous gift in the unique style of this reference book and how they build all the New Testament upon the shoulders of those prophets, priests, and sages who had gone before.

As we have seen, the New Testament is replete with uses of the Old Testament. Jesus, himself, was often quoting the Old Testament and the authors show us how the knowledge, culture, and genre of Old Testament books and passages that were useful in the establishment of the church after the resurrection. The authors are quick to remind us that the authors of the New Testament Canon were using Old Testament text to establish the church and then included God's counsel from the ancient eras in their writings back to the churches at Rome, Ephesus, and more.

This book serves a very powerful niche in our sermon preparation, it gives us tools to excite our congregation about the Old Testament which seems so ancient and almost out of place to the 21st Century thinker. Beale and Carson give us the tools to energize a new generation of disciples. I cannot imagine our pastoral libraries without this new work. It serves us as pastors and it serves our congregation as it illuminates the whole counsel of God.

I was slowly drawn into the storyline of the book, but once I arrived I rapidly advanced with every chapter and had a hard time putting the book down. One vital lesson that we can all learn in our postmodern era comes from the Maccabee himself: "Take courage. ... Keep your hearts pure. Remember what you are fighting for. God will fight for us again" (p.280). Ultimately, the battle is not ours but the Lord's. If you are looking for something to live for, this book will inspire you with the example of those who found something worth dying for. Like them, you will not be disappointed. But beware, "The evil in a man's heart [will] always find an ally in the world around him" (p.411). We must guard our hearts and the truth equally well. This book challenges us to do both.

It only takes a few words to know you have found a good story teller. I did not put this book aside for the first hour after I picked it up. David Carson weaves an absorbing mixture of history and fiction that was thoroughly entertaining. David would be a wonderful history professor. This book obviously required an enormous amount of research but the factual details rarely intrude on an excellent story. I highly recommend this book and look forward to David's next one.

I was pleasantly surprised since history books can bore me! The author draws you in and you can not wait to see what happens next. I am ready for another book to follow. I love that I learned something about history and the story of how Hanukkah came to be but was entertained at the same time - makes learning more fun! I also like how the author tells you at the end what parts were true recorded historical events and people and who he added to make the story flow better. Get it today - it is worth every penny!

Written by former international mission worker David C. Carson, Maccabee is a historical novelization of mid-2nd century, when a Syrian king called Antiochus Epiphanes sought to exterminate the Jewish nation. One elderly priest and his five sons dared to resist; and one of those sons would become known to future generations as Maccabee. Told in first-person perspective, Maccabee is as dark as is to be expected of a chronicle of genocide and resistance, and brings events of history to vivid life. "They came to our town and set up an altar to their pagan god. They wanted my great-grandfather to offer a sacrifice they had brought with them - a swine... My great-grandfather refused... He said God had given him ninety years on this earth and that he would not dishonor God now. Because he refused, the Syrians tied him to a post and beat him with a whip until his insides fell out. They made us all watch. I saw it all, and I heard his last words as they were beating him to death. He looked at all of us and said, 'I have great pain in the body, but I have joy in my soul because I have stayed true to God.'" Highly recommended.

Having a good plot is the most important thing I want in a book, and this book has a great one. When I first began reading it, I didn't think I was going to enjoy it. The first couple of chapters set up the setting and historical context for the remainder of the book, so it's too technical in the beginning for me. Once the action begins (specifically, the chase scene through the temple), the plot is exciting and doesn't let up. This book would make a great movie. The author describes the action so well that as I was reading, I was imagining different camera angles as if it were a movie. I had never heard of any stories from this time period, so to read about events that really happened from a time with which I was unfamiliar was extremely interesting.

As with most things, this book is not without its faults. At times, it sacrifices the storyline and mood by interjecting historical details that come across as being too "textbook-ish". Hopefully, there will be a sequel and the historical facts can be better blended into the narrative. (For example, I would leave out the "they did this during this time" or "such and such a food was popular then" and simply have the characters doing what they did and eating what they did without the author pointing it out as being "historical"--the reader should assume this without the author having to blatantly explain the historical significance.)...Overall, though, this was an entertaining and enlightening novel that never lets up on the action.

I read this book and was both shocked, ticked and, well, amazed. A lot was just plain common sense. But a lot I would have never imagined. The bottom line is this is a must read for every person no matter what the age. I have showed it to a couple teachers and they were amazed at how easy it is for even a kid in school to get a criminal record that will haunt him for hte rest of his life. You will hear a lot of things you want to believe do not exist in the United States, but believe it! It does happen to good people, even what the author calls "Whitebread America". The book talks of how the way one dresses, talks, drives, walks and who they associate with can all contribute to their 'arrestibility'. This book is a no nonsense book on how to reduce the risk of ever getting a criminal record by a man who has been in law enforcement for a very long time. He pulls no punches and tells it like it is. He even touches on subjects like the 'pussification' of America and how the old ideal of 'innocent till proven guilty' has been replaced by 'guilty till proven innocent'. I don't care if you are a hip hop punk or a soccer mom. You NEED to read this book! It could save you from the true nightmare of an arrest record which could cause you problems from not being able to get a job to not being able to get credit to buy a new home. Did you know that you can end up with a criminal record for little more then being taken in for questioning and then just set free? Unbelievable right? But I personally know of a person who has had this happen and was denied a job because now he shows up as having a criminal record. Prospective employers could care less if you were guilty, just that in a check you show up with a record. Buy this book and read it if you value your rights.

This is an essential guide for everyone--it doesn't matter what your previous encounters with law enforcement have been. Carson explains that in the world of criminal justice, it's all a numbers game: how many arrests can the beat cop make? how many tickets can he write? how many convictions can the prosecutor get? how can the city/county/state make money off the people who end up in the endless cycle of the justice system? (Don't believe me? Read Reason Magazine's story about Tracy Ingle. Unfortunately, most police officers are in the business of policing because they want to play cops and robbers; they aren't in it to help people.

The most eye opening part of this book was when he explains how someone can be inexorably caught in the "social services plantation," as he calls it:

Joe gets arrested for carrying a joint (or DUI, driving without a license, mouthing off to a cop, etcetera ad nauseum). Joe needs to have the financial resources, familial support, and a very understanding boss for the needed time off to make it to his court appearances, probation officer meetings, court ordered Narcotics/Alcoholics Anonymous meetings, and he needs to make it home from all these appointments in time because he's also ordered to complete in-home detention.

One day Joe's car breaks down on the way home. He calls a tow truck. After the tow truck drops the car off at the repair shop, he calls for a taxi to take him home. He gets home an hour later than he's allowed, and fully expects to hear from his probation officer, but he's sure the tow truck bill, repair shop bill, and receipt for the taxi are enough to prove he is telling the truth. Sure enough, he gets a call, and he goes about explaining the situation. A few short minutes later, the police show up and arrest him for violating his probation. The probation officer tells him that the GPS device Joe is required to carry shows him being in the liquor store next to the repair shop, and any drinking is prohibited on probation. Joe insists he was only in the repair shop, but the probation officer doesn't believe him, and that's all that is required to put Joe in jail.

Now Joe, the kid arrested for carrying a joint in his pocket, is a part of the local jail population for the next month. Career destroyed, family starting to have enough of Joe's getting in trouble, and financially buried by the court costs, the cost of the in-home detention, the cost of probation, and the cost of missing work for the required appointments throughout the day, Joe gives up on living a "proper life" and gets mixed up with illegal activities in the jail, and the process continues. All that from an arrest for a non-violent legal infraction.

I know the above is a long anecdote, but it's a perfect illustration of one part of Carson's subtitle: "How Even a Single Arrest Could Ruin Your Life."

The only part that seems a little bit paranoid in this book is when Carson demonstrates how to make an arrest-proof car, complete with filling the glove box with expanding foam and super gluing the trunk shut. That's a bit much, but still understandable.

The best part of the book are the "Creds" he offers: Sheets of paper that have all the pertinent information a cop would ask for, along with a statement that your lawyer has told you not to say anything in those situations. That's worth the price of the book alone. I'm putting my Creds together right now.

Highly recommended for everyone--especially those in the most arrestable demographic: young, poor, minority males.

This is an important book for everyone. It really shows how workings of the justice system are very much different than commonly supposed. It addition to valuable information for the individual in their dealing with the authorities it has some valuable sociological insights into how the legal system might be improved. The book gives the lie to the notion of 'innocent' until proven guilty.' If you are arrested the record stays out there to affect your life. It is the case that 'if you were arrested then you must be guilty of something.' ... I bought several copies and passed them out to my friends.

This is a tremendous book and is worth every penny because the people it will save from jail are not the true criminals (who ought to be there because that protects the rest of us) but those who just do dumb things like mouth off to cops. As the author says, jail is full of people who are there principally because a policeman didn't like the attitude they projected.

However, he could have saved even more people from jail if he had been more forthcoming and graphic about what happens there. The jail population would drop by half if people new exactly what takes place (courtesy of their fellow prisoners) behind bars. As a former police officer and current practicing criminal attorney, he is most definitely well aware of the unspeakable horrors awaiting both males and females in jail.

Of the How To" books, this one may be the most important one that you will every read.

Author Dale C. Carson is a former Florida street cop and FBI agent. He is presently a practicing criminal defense attorney in Jacksonville, Florida. As such, he is in a perfect position to reveal the brutal truth about how police work, their methods, dirty tricks, and motivations. He stresses that cops do not receive promotions or accolades for keeping the peace, or resolving disputes by negotiation, but are evaluated and promoted strictly on the number of citations issued and arrests made, especially felony arrests.

He goes on go to explain how easy it is for *anyone* to get arrested, a subtitle of the book. Most non-criminal "upstanding" citizens" can inadvertently become caught up in the criminal justice "plantation," to use a word coined in the book. Arrest records can have serious consequences, even if the charges are subsequently dismissed, not pressed, or you are acquitted. Such an arrest will doom you (especially young people) to a lifetime of low paid jobs, since many employers will not hire anybody with an arrest record, regardless of the judicial outcome or merit of the arrest. This is particularly dangerous in the age of electronic information, where records can last indefinitely. Before the computer age, written records often got lost with age. Not so now.

So the only practical approach is a defensive/preventive/proactive one. Sadly, most people with not read this book until it is too late, if at all. The "clueless" people, who don't even understand the basics of the system, but are either petty criminals or non-criminals, because in their addition to their lack of ability to keep court dates (they do not own or do not use calendars or alarm clocks), frequently turn minor charges to major ones by failure to appear and other add-on charges. Probably most of them are not even literate enough to understand the simple advice in the book.

This book explains how to keep from being sucked into the system. Once you are, it will be very expensive to get out, if it is possible at all. Numerous parasites in the criminal justice system, including cops, lawyers, prosecutors, jailers, social workers, psychologists, have a big interest in perpetuating the system. The most important battle to be won is for custody of your body - remember, cops are visually oriented predators, whose main motivation is to arrest you and take custody of your body.

Buy this book BEFORE you get sucked into the system, and save a lot of money and heartache. As noted by the author, if you are a real, habitual, or big time criminal, this book will not be of much use to you - you will eventually be residing at the "Graybar Hotel" sooner or later. This book, however, is a must read for the non-criminal, petty criminal, or "victimless" criminal, or just for anybody that is naive about a dangerous, unforgiving system, in which ANYONE can inadvertently be caught up in for a momentary lapse of judgment.

This is the way weight loss should be approached - by a real person with real emotions. Carole is so honest that you can't help but laugh in recognition of your own foibles. But she found a path to fitness and the rest of us can do it too. Better yet, our whole communities can become supports for health. Highly recommend!!!!!!

This book offers a lot of information for any reader who has struggled with their weight. Its filled with great ideas, and a whole host of professionals to give you motivation to loose weight the right way, the healthy way. Carol Carson's story of her transformation is one we all should read and use it for motivation to get fit and stay fit.

Carole Carson took our already wonderful community and made it even more wonderful! She has struggled with issues many of us have had throughout our lives. Her book has humor, helpful suggestions, and examples of people challenging themselves. Not to mention a map on how to loose weight and stay fit.
A must read for people interested in being fit.

Susan Michalski

This is one of the Best motivational books written about obesity and how to get people motivated to loose those extra pounds, make friends, and get positive reinforcement from within. It inspired me to start moving.

I actually met Carole Carson and THEN read her book. Believe me, seeing the "after" first had a great impact on me. I never could have imagined the "before" Carole. She went from a pleasantly round grandmotherly type to a toned, energetic, athletic and strikingly attractive woman who looks like she could take on the world! Oh, did I mention that I met her on a tennis court in the Hawaiian Islands? My group was so impressed with her play, confidence and effervesence. Imagine my surprise when I read her book. After only a few chapters, I decided, "I want that!" Her ideas are easy to implement and I love hearing, "Are you thinner--you look great!" Better yet, I have new-found energy and confidence. Her story can be your story. You'll laugh out loud as you read how an entire town jumps on board as Carole motivates them to healthy living.