Cameron Books

"Artists are the antennae of the race." (Ezra Pound).. so quote the authors interviewed on this tape. Both Natalie Goldberg and Julia Cameron stress that writing is "a form of listening, a conduit that connects you to everything within yourself as well as to everything outside of youself." Therefore, writing is about receptivity. It's not always about the finished product but about the process.

On this two tape set Natalie Goldberg and Julia Cameron talk about the writing process: What to do with the critical voice, specificity in writing, character development, criticism, jealousy, the use of morning pages, persistence and the willingness to show up.

What qualifies these two authors to teach is not only their love for writing but the fact that they actually write. They are engaged in the writing process. They speak from experience not theory. The authors advise, "find someone who is in love with writing and they will help you!" Follow that advise and it will lead you to this set of tapes.

The "Secret of Julia Cameron" may be available on this tape, where she tells how she began writing (short stories) at middle-school age: "I wrote them to woo [a certain party]" -- (I have met that party) -- "I think I just terrified him", Julia concludes. The party of the second part remembers her fine drawings of horses, her memorizing five new words from the dictionary daily, even one of her papers for Science class ("We Shall Have Weather, Whether Or Not"). Whether or not what? he asked and earned her acerbity. But, party of 2nd part does not recall five short stories and must have missed the pitch, too.
Meaning? Julia is in love with her IDEAS, not so much young Lochinvar. This works, as evidenced by her career.
The Secret, then? Be in love with your own ideas if you wish to follow Julia, the artist's, Way.

As for Natalie's part, she has a nice, comforting tone, and presence of a deuterium control rod in a nuclear reactor. Where Julia has two thoughts, Natalie has one = whew! Together they scoop up the "poor, tired, huddled masses yearning to breathe free". Fittingly, as bold women writers and teachers they are peripatetic statues of Liberty, inviting us to leave elitism and come on over to creativity.

They dish up ideas faster than a mechanical pitching machine at a batter's cage...unlike pitching woo, this pitch you can hit.

I was forunate to initially rent this audiobook on a cross-country trip. I listened to it 5 times in that week. I don't think, "I need to do my morning pages." I hear Ms. Cameron say, "Morning pages are mandatory". I hear the change of inflection when Ms. Goldberg says "Writng Down the Bones". You could read the instruction that finding a safe, functional place to write is a necessity or you can listen to the story about the cafe with the bad coffee and hear from the tones how important this factor was in the success of "Bones". Ms. Cameron tells a story about a walk in a dreary northern concrete and asphalt city and the inspiration she found in a single flower forcing its way through the cracks, one tiny and colorful thing living in a block of massive gray inanimate objects. Just reading the words would make this another self-help writing manual. The voices are haunting, inspirational and comforting.

Yes, I bought the audiobook.

Yes, I listen to it still.

Having read several Cameron Judd stories I feel as if I can tell you, yes read it, and you will want to read more of Judd's books. This particular book sends an 18 yr. old boy, from a small Wyoming ranch, scouting the Southeastern territory of Montana in search of his older brother to bring him home to see his dying father. During this adventure he meets a wonderfull girl, sees men killed, is nearly killed himself, almost gets hung and finally --- THE END

There is a lot going on in this story. Plot twists galore...you never know what is going to happen next. It explores Tuck's feelings toward his family in a way that let's us all feel his emotions. It is also filled with action. Love stories are included as well. In my opinion, this book has it all.

Those familiar with Cameron Judd's work will not be surprised by the well developed characters and intricate plot twists. For anyone who is not acquainted with the author, Corrigan will serve as a good introduction. The book is short (roughly 180 pages) and it's populated by three-dimensional individuals. With the right mixture of suspense, romance, tragedy, and inspiration, Corrigan leaves you with a good feeling. Anyone who is leery about picking up an unfamiliar author for fear of encountering gratuitous sex, violence, or profanity, can rest assured Corrigan--like all of Judd's books that I have read so far--proves that it is very possible to tell an adult story without any of the above.

I would also like to add that I am not your typical western fan. With the exception of Cameron Judd's book, I have probably only read three or four westerns.

*Cousin Bette* and *Cousin Pons*, Part One and Two of 'Poor Relations', are generally considered to be the last great gasp of French genius Honore de Balzac, inspired simultaneously and written in a fury to capitalize on the recent market for novel serializations. I'm not sure about this "last gasp" claim yet - *The Wrong Side of Paris*, Balzac's last novel (recently republished!) is on my reading list - but they certainly are great in and of themselves, *Bette* more than *Pons*, in my opinion. Not to degenerate this work in the slightest: being within the shadow of a masterpiece is close enough for posterity.

'Poor Relations' tackles the subject of the individual and its family; but where in *Bette* the poor relation was the spinster cousin, surrounded and revered by her family while she secretly schemed to destroy them, in this novel Pons is the outcast and victim, humiliated by his wealthy relations for his eccentric behavior and mooching ways. For Pons loves food - sumptuous feasts, where he can indulge the demands of his gastronomical addiction - and when his lack of social grace irritates his relatives to the point of banishment, he always wheedles his way back into their hearts with exquisite presents: Pons' monomania extends to collecting the great masterpieces of art, hoarding them away in his private salon where he can bask in the glory of oil and gold. After a scheme intended to permanently set his place at the dinner-table goes awry, however, the old man finds himself an exile, snubbed and refused at the homes of his relatives. The heartbreak - and the stomach-ache - drives the poor man to his deathbed, one hounded by prospective vultures seeking to profit on his jealously-kept collection.

*Cousin Pons*, on reflection, is perhaps one of Balzac's bitterest and unrelentingly tragic novels, sharing similarities to *Pere Goirot* in its plot, structure and sharp denouncement of the materialistic bourgeois society that had come in fashion after the July Revolution. Greed, avarice, selfishness, poisonous coveting (literally), corruption, hypocrisy and blackmail all raise their heads in this novel, a gaggle of vipers ranging from the highest of society (the infuriating Presidente) to the lowest dregs (the despicable La Cibot), and all those that scheme in between (the ghoulish Fraisier). Pons and his roommate Schmucke, gentle failures in the game of life, haven't a chance among these beasts: and it is heartache to see the villainous deeds done to these two men for the glitter of lucre and the whiff of prestige. Balzac was never much of one for happily-ever-after, but most of his tragedies have some sort of uplifting resolution, some cosmic vengeance dealt upon at least a few of the miscreants (and *Bette* was probably the most satisfying in this regard); *Pons* refutes this technique, leaving the reader shaken and upset at the circumstances of the conclusion...at the _reality_ of it.

This volume is not quite within Balzac's creative pantheon: it's too slim (!), lacking the complexity and the captivating digressions of a *Lost Illusions*; but man o man does that ending work - for the novel, and as a conclusion to one of the most ambitious artistic statements of the past two centuries.

Four and a half stars, rounded down.

This work, like all of Balzac's works, possesses his style, namely his perceptive insights into a Parisian's sole and the fabric of society during that time. Had these observations been relevent only to Paris of that time (the book takes place 1844-46) this book would not have the impact it does. I can almost imagine any one of these characters existing today, and wouldn't be surprised to open up the newspaper and reading a column with a similar story as this book.

It's a great look at what moves people to get ahead and step over other's who are more vulnerable. It is as if Balzac is saying that society is an extension of the apt phrase "survival of the fittest". The characters that ultimately succeed in this novel are the one's not with the most talent, but with the drive to get ahead in society. There are limits however, as a character who oversteps the laws of society is ultimately punished.

It is a painful novel to read as the characters who are the most sensitive and least versed in the ways of society suffer the most . Even a relatively minor character who is noble becomes withdrawn and pessimistic as a result of his inability to be charitable. It's definetely not an uplifting read, but it is very well written nontheless.

I'm a Balzac's french fan.
"Cousin Pons" is one of my favourites Balzac's novels.
This novels speaks about art (music, paintings, ...), social relationships in a family and in a flat, and over there of FRIENDSHIP.
The friendship between Pons and Schmücke is the most facinating aspect of this novel (may be it's more than a frienship : a platonic love ?).

after i read the Jeff book i had to read this one this was not as good as Jeff A Heart of a Champion but it was a good story of a boy who fell in love with the wildcats and never wanted to go any were eles

After reading this book, I realized that with faith, anything is possible. I really enjoyed this book, and think it is a great book for anyone to read.

This is a "must read" for all people in every stage of their Christian life....especially those who bleed the blue of Kentucky. Cameron Mills is one of the most powerful speakers and writers I've ever seen.

Have used the book as back-up to a high school Modern History course this semester. It is extremely well-written in many of the chapters and summarizes and encapulsates key points and moments during this period. It also updates the current state of scholarship in the field in places and overall is an interesting read. Worth the money if this is a time period of interest to you.

A very interesting analysis of a world that wanted to go forth but did was afraid to break ultimately with its past.Behind the cabinet of Monarchist-Europe a world of new ideas,classes and ways of worshipping God were emerging stealthy and in the end will make any return to the past impossible.My favorite chapters were those of Alison Rowlands and Robin Briggs.I stayed a bit puzzled with Euan Cameron's aphoristic remark in page 87-we must not forget the class struggles in Augsburg,the revolt of the Netherlands or the role played by Brittish middle class in the establishment of a moderate religious tolerance for the first time-and T.C.Blanning's "natural end of Early Modern Europe".Germany was a problem for Europe in the seventeenth century also;is not better to stay attached to the feature of "authority" in this period?This attitude was gone for good after the Napoleonic expansion,despite his latter defeat.Why not be 1796(Italian expedition)a good suggestion?

Early Modern Europe is a survey of European history from the 16th to the 18th centuries. Its three parts, one for each of the centuries the book covers, are each a collection of three essays by period historians. Scattered throughout are numerous illustrations and a few maps; though, oddly, the origins of many of the illustrations aren't cited except in the List of Illustrations. With so many authors it can be difficult to maintain a consistent tone and theme throughout. I found the style of nearly every author in Early Modern Europe to be, while not identical, at least similar enough that transitions between essays were fluid.

Perhaps to make this survey seem more like a narrative and less pedantic cited works for each essay are relegated to the back of the book. Also, I can't recall a single end- or foot-note. I would have preferred the bibliography to be placed with each essay and that the text to have been supplemented with footnotes. But lest that criticism seem too harsh I will say that the authors achieved the monumental task of reducing the historical fact, and conjectures, of three centuries into eleven relatively short essays (including the Prologue and Epilogue) without losing too much.

Anthony Pagden's, "Prologue: Europe and the World Around" was particularly interesting to me. This essay covers how the ancient Greek and Roman worlds, and the coming of Christianity, influenced the Europeans conception of themselves and their relationships to others. It explains, if only superficially, the European sense of "unity" and the belief in the superiority of Western Civilization; I use superficial not in its negative sense but to mean "on or nor the surface" i.e. the scanty 28 pages devoted to the subject can only be a survey rather than a critical analysis.

The other essays in the book cover the life of the masses, war, religion, politics, and economics. Such a range of topics gives you a general sense of the times. And that is really the power of this book - a framework in which to locate other more intense readings on the particulars.

this book was great to read but some of the parts were too slow. it begins when mercedes amberson goes into a club called the Night Owl and falls for the lead singer of a popular band but has no idea that he is a 200 year old vampire looking for a woman's love so he can be free and live as a mortal again having the woman to become the vampire. only then that mercedes friend Andrea must save her from Conner egan before its too late. excellent read but some parts too slow

Yeah, as far as young adult horror books go, this is one of the best. I really liked Dokey's writing style in this one, because I was able to identify with the characters and their feelings/thoughts. The best thing about this book is the characters. I really liked the emphasis "Eternally Yours" placed on friendship and faithfulness. Those aspects tie the book together. Overall the book is very suspenseful and well written. It's a quick read, and there's excitement throughout, not just at the end. The action at the end is VERY well written - emotional and horrifying at times (as well it should, since this is a horror novel :). If you're looking for a quick, seemingly simple young adult book, read this one, though I would argue this book is much more than that. I felt compelled to write a review for it, for heaven's sake.

I read this book a few years ago. I enjoyed it then and am looking for it now. The story is quite interesting, if a bit juvenile. It was afterall intended for a younger audience.

Mercedes is sent to a professional riding academy. She's doesn't really know anyone there at first, but does make a friend. The local town has a club of sorts that is the teen hangout. There she meets Conner Egan. He seem a bit Lestat-esque, at first. However, he has dark intentions. And Mercedes is placed in great danger, for her life.

The story was quite captivating with a few sub-plots here and there. Overall, this was very well written. I never read any of the other Nightmare Club books, but I thoroughly enjoyed this one.

It was my first year taking an accounting course and this textbook was very helpful. It offers tips and suggestions to help you remember certain formulas/ratios. It even offers practice quizzes to test your knowledge to see whether or not you understand each chapter and what it is discussing.

I am a professor of accounting at a community college. If you have the opportuntity to use this accounting text consider yourself blessed. It is easy to understand and actually interesting, qualitites not often used to describe accounting texts. I highly recommend it.

My dad said this was the easiest book he ever read. And he hates to read!

This book, along with the others in this series, is done very well. Pictures are excellent and text is clear and informative.

I love this book. The illustrations are beautiful and the factoids are really cool. I have purchased about 30 of them so far and have given them away to every child whose birthday party my daughters have been invited. Next I will give away "A is for America" and then, after that has made the rounds, "P is for Passport". All the books in the series are really great. I've purchased other states as well, but "G is for Garden State" is especially close to my heart. 8-)

We liked this book so much, while we were living in New Jersey we gave it to many of our friends and their kids so they would know more about New Jersey - which is actually a very nice state that most people don't know very much about.

Joni Eareckson Tada, a quadriplegic co-authors this book with ethicist Cameron. It is written to awaken ordinary Christians to the ethical questions raised by IVF, cloning and other bio tech developments. The authors seek to base their ethics in Scripture but not all who share their views on the authority of the Bible will share all their conclusions, but they do raise the contemporary questions and encourage Christians to be involved in the contemporary debates. Their history of early last century eugenics programmes nm the USA is horrifying as it was the precursor to what was done in Nazi Germany. It is a stern waring against human cloning and the manipulation of life from the embryo.

The brave new world the authors refer to is the scary new world of biomedical technologies and breakthroughs. While the new biotech offers much promise, it also raises many ethical and social concerns. In this volume two Christian authors advise readers on how to think biblically and morally about the new technologies.

Thus issues such as human cloning, stem cell research, genetic engineering, eugenics, designer babies, and cybernetics are closely examined.

The pair are well placed to discuss these topics. Joni is well known as a speaker and writer who has learned to cope with her quadriplegia. Nearly 40 years ago she was confined to a wheel chair after a diving accident. She could easily be tempted to grasp at the hype and hoopla promised by such things as embryonic stem cell research, but is aware that any potential cures must be ethically achieved.

And Nigel Cameron is a long standing expert on bioethics issues, and author of the important 1991 book, The New Medicine. Together they help us think ethically about where the new biomedicine and technologies are taking us.

As mentioned, there are a lot of promises being made about how cures derived from embryonic stem cells (ESCs) may soon help people like Joni walk again, and help many other people with various diseases such as Alzheimer's and Parkinson's. While Joni would of course love to be able to walk again, she realizes that ESCs are not the way to go. This is because ethical medicine must take priority in such cases. Killing a embryo to obtain its stem cells is not how we show respect and dignity to members of the human race.

Killing some to possibly save others is not good medicine, and it is not morally acceptable. Plus, as the authors show, adult stem cell research is already resulting in numerous human cures, while ESCs have not yet led to even one.

This book does not simply give an academic case against some of the destructive new technologies, but features case studies and personal stories of many people suffering various infirmities and diseases. Joni herself of course provides a human face as to how ethical medicine can be pursued.

While the media is wont to focus on emotive stories of people suffering, such as the late Christopher Reeve, and call for such ethically dubious science as ESC research, they seldom feature others who equally are suffering, but refuse to go down the path of technologies that do not respect human dignity and personhood.

Thus this book shows how we can not only think rightly about the new biotech world, but how we can act rightly as well. A very helpful resource for those wanting an introduction to this brave new world.

This book made me think about ethical choices and the consequences of what are becoming routine procedures. I appreciate the authors deep respect for life, willingness to acknowledge common interests with those who share a different worldview, and their willingness to challenge us by clearly stating what they think is right. It is hard to be neutral after hearing their story.

A great book. Helped me get my first Hollywood job

Starving in the streets of production village? Burns' book will teach you the basics of making connections in the film industry. Complete with names and numbers of industry resources, this book can help you find a job in Hollywood.

I like author's approach to things. He does not scare the reader away; he does not sound like "the all-knowing, arrogant Hollywood pro". He is trying to be helpful and more or less encouraging. Yet, he does talk about how things are in Hollywood realistically. He does want you, the reader, to take his advice and to try Hollywood out with his help. This book is not a must-have, but read it, just in case, if you have a chance.