Biography Books

Lou Thesz's "Hooker" is a must-read for anyone interested in the history of sports entertainment, er, professional wrestling. It provides a good overview of the career of an indisputably great figure in this strange business. My only reservation is that the book isn't long enough. Anyone who read Thesz's letters to the Wrestling Observer knows the man had a wealth of anecdotes and insights about the wrestling business. It's a pity Thesz hadn't been more free with the anecdotes. It's also a shame Thesz didn't talk about life after wrestling - perhaps he didn't think anyone would be interested in Lou Thesz, the man? Oh, and by the way, am I the only one who found that anecdote about George Tragos to be seriously unsettling? Tragos might have been a great wrestler, but he sounded like a monster to me. Again, a great contribution to the under-recorded history of this business. It's like history itself talking.

This book comes across very well even if you are not old enough to know of Lou Thesz. You have to come to grips with the fact that most of his matches were fake to one degree or the other, but some were totally real, or even outright fights, and he was a highly skilled wrestler. His sportsmanship comes across loud and clear. I could cheer for this guy however he played it.

Every wrestling fan should read this book. There is more "TRUTH" about the sport here than in any book that I've read. Thesz was a master back when real men ruled the (then) sport. The difference between Lou Thesz and the wrestlers today is enormous. An excellent read for anyone with even a remote interest in the wrestling business. Classic.

In this book, Thesz gives an honest, open and interesting view of professional wrestling from an old timer's view point. Thesz was a reknowned "hooker", being that he was capable enough in the ring to actually destroy an opponent if need be, and has no qualms with giving the truth behind many figures in history. Ironically, you'd think he hated those deemed "performers," or those who were simply acters instead of accomplished amateurs or hookers, yet he seems to have been open-minded enough to realize that for the big money to occur, things had to change.

Thesz is a very open and honest person and I'd suggest this book to any wrestling fan who truly wants a good insight to the roots of professional wrestling through the 20th century.

This book is amazing! On telling the history of professional wrestling its second to none. And the best source for the history of Catch Wrestlers(Hookers), How wrestling went from Carnivals to the big time. And the stages of evolution it went through on the way to the Sports Entertainment its evolved to today. All the greats are talked about in length. Frank Gotch, Ed Lewis, Joe Stecher all the great hookers of yesteryear. This book tells how all the old promoters used to run the Business. Very intersting reading.

This book's weak point is in the actually biography of Lou Thesz. Way to much stuff left out. He would rattle on for page after page about Toots Mondt and other promoters. And then throw in a sentence like "I was married for 30 years to so and so. I wished I never met her." And just leave it at that. So he comes out of this book kind of like a cardboard cut out of the good guy he played in the ring. But dont get me wrong this book is awesome and a must read. 5 star supreme, one of the most interesting books Ive ever read. Just dont think that Lou reveals much about his self. Because he dosent. He talks about his 3 sons with just a one liner about he has three sons. Very shallow about his family life. And no pictures. But a great biography of the actual wrestling and behind the scene promotions. And how George Tragos took the son of a Hungarian/German shoe maker and made him one of the most dangerous human beings to ever walk the planet. Must read!

One should read this book only after the first volume covering the years 1933-41. The story of Victor & Eva's survival of detention in the Jews' house, the Dresden bombing and subsequent wanderings stunned me. But Victor's courage in continuing his secret diary for 12 years comes through - as does his humanity ad personal growth.

The diary jotting sryle means you pick it up and read a section at a time, but you will most likely be drawn into finishing it within a short time.

Because my friends all know what a book-hound I am, people often ask me what my all-time favorite book is. Admittedly the answer to this would change over time, but, at present, "I Will Bear Witness" is the one that first pops into my mind.

I found this very personal account of the days and nights of a German Jewish man--an inoffensive and formerly rather conservative German nationalist academic married to a Gentile--during the Nazi terror regime to be absolutely breathtaking. Indeed, I was so caught up in his account that I took an unexpected day of vacation from work just to not interrupt my reading once I had started.

Further, I found myself sprawled on my bed, as is sometimes customary with me, surrounded by ancillary books, atlases, and maps --a behavior that signifies I'm reading a book that has utterly gripped me and a book that is expanding my horizons.

Klemperer was (just barely) saved from being sent to a concentration camp due to his marriage to a non-Jew. However, he lived every day under the threat of torture and deportation to a camp and his journal tells of the years of grinding anxiety over his fate and the fate of his wife, friends, and relatives-many of whom were taken. It also speaks to the minutiae of life under the Nazi's--such things as their penchant for legalisms to justify their treatment of the Jews embodied in his incessant embroilment in Nazi demands that he take part in the legalisms of their confiscation of his property. Moreover, as the war draws to a close, he draws a stunning portrait of life as a war refugee--a picture that applies to war refugees the world over throughout time.

Kudos to those who elevated this book to number one among the history choices-it deserves it and in my mind deserves even more.

And I will get the other years of this author's diary. This is not a fast paced WWII battle book; this is the diary of a poor soul who had to live through every moment of a terrible regime, to endure even more when he thought he'd reached his limit. If you're interested in what it was like to live day to day in Hitler's Germany (as a Jew or a gentile)--to understand what it was like to watch it begin and grow and eventually implode--this is an excellent read. I would say it is for those deeply interested in the psychology of the times; not a passing interest. I'll get the other books and read them in order of the years they cover. I really want to understand how the Third Reich could ever BE.

This is actually the second volume of Klemperer's diaries, published in two volumes. I highly recommend that you buy both volumes as a set and read from the beginning how a bureaucratic mindset advanced towards ultimate evil.

In the end, Klemperer's diary doesn't fully answer the haunting question, "How could it have happened?" But you will find some definitive answers here to questions that Holocaust scholars have debated over the years.

For example, Klemperer's experience answers the charge that virtually all Aryan Germans knew from the beginning exactly what the Third Reich's intentions were towards the Jews. Klemperer's actual interactions stand as refutation of this blanket indictment. Often when he visited Aryan acquaintances to conduct business - he would then jovially be invited to come back that evening for schnapps. Klemperer had to explain that he couldn't come back later for schnapps - that as a Jew, he was prohibited from boarding any vehicle of public transportation after 6:00 PM, that he had a general curfew, and that of course, he had long since been banned from owning his own car.

Klemperer was always circumspect in recounting these laws he labored under to his "Semitophile" acquaintances. (That's an awkward translation of the German phrase Klemperer probably used to refer to Aryans who were sympathetic to Jews. But it is perhaps the only word that was available to Martin Chalmers, who otherwise has produced a generally fluid translation of Klemperer's journals.) At any rate, Klemperer was careful never to appear too whining or too critical of the restrictions placed on him. He didn't want to alienate these Aryan allies. Nevertheless, he repeatedly found himself in the position of having to enlighten them about the government's latest round of restrictions. And his listeners were almost always genuinely surprised to hear about these laws. Their ignorance in the face of all the anti-Semitic propaganda blared daily from radios, blazoned from the newspapers, seemed to be more a function of people's tendency towards plodding self-preoccupation than an indication of any active complicity with the advancing evil.

I think you'll find that Klemperer's account also carries a very relevant warning to us in our current pursuit of terrorists at all costs. Klemperer survived the early rounds of call-ups for the concentration camps because he was a decorated World War I hero, and because he was married to an Aryan. For these reasons, he was given some initial grudging dispensation from the worst Nazi reprisals. However as the War progressed, his past service to Germany and his Aryan affiliation came to count for less and less. Finally his number was up and he, along with the last handful of Jews remaining around Dresden, were scheduled for transport. The only thing that saved him was the Allied bombing of Dresden. Most local Nazi records were destroyed in this notorious bombardment. So Klemperer and his wife, having survived the bombing, were also able to survive those last most brutal months of the Nazi regime by assuming new identities and wandering through the German countryside from town to town, passing themselves off as a typical displaced Aryan couple. If the Nazis' meticulous records (documenting family lineages and confirming who was where) had remained intact, Klemperer would certainly have been deported to the gas chambers.

So if you don't already have doubts about the increasing surveillance measures being taken in the U.S., presumably to guard against terrorists and other "evildoers" - reading these journals will give you pause. One of the lessons of Klemperer's journal is how tyranny proceeds by little increments of paperwork. Its power is in keeping tabs.

Klemperer risked his life to write the entries in these journals, because it eventually became a capital crime for a Jew to possess paper or any pen/pencil. So it feels almost sacrilegious to make any criticism of this supremely brave and literate account. However I do have one small criticism. And that is Klemperer's common masculine tendency to put his wife in the background of his life. Eva Klemperer comes off in the diary as a shadowy adjunct to the importance of Victor's work producing these pages.

She is mentioned, more frequently in the first volume of the diaries, but this mention is usually limited to reports of the fact that she had another hysterical fit that day, or that she engaged Victor in another round of angry lamentation, or that she suffered some physical malady. He does acknowledge her collaborative bravery. She also risked her life every time she smuggled the pages of his work out of their small assigned apartment into the hands of friends for safekeeping. But we never directly hear Eva's voice in all this. The reader is only left to guess at the actual substance of her outbursts.

You will probably feel impelled to read between the lines to flesh her out. Perhaps Eva wasn't the prettiest girl in school, so she took the one marriage proposal that came her way. She married the intellectually accomplished Victor. Victor was available because Aryan prejudice, even in those early years, already limited him socially. We can imagine her outbursts of recrimination as the Nazi noose grew tighter around their yoked necks. Why did you have to be Jewish? Why have you dragged me down with you? I could have led such a happy life. And instead, look at me - scrounging for rotten potatoes, under constant threat of beatings and death - and all because of you!

If only Eva had written her own diary, we might have had some additional fascinating insights into why and how a couple stays together under such trying circumstances. We might have gained a greater understanding of the ties of love and the chains of having nowhere else to go. As it is, we have only Victor's side of the story. But that is a powerful, must-read insight into how tyranny grows, brick-by-brick, petty edict by petty edict.

Victor Klemperer's diary of the years of the Hitler dictatorship and his recording of the day-to-day lives of the Jews of Dresden, his thoughtful and insightful commentary on the methods (particularly the language of the propaganda) of the Third Reich, the heart-wrenching stories of those who were taken away never to be seen again, his experience in the firebombing of Dresden in 1945 and his miraculous journey home should be required reading for everyone about the horrors of tyranny and war. It is also a tribute to the true human spirit and the power of the intellect. Klemperer never lost his determination to live, despite all the blows of terror that were aimed at him, his family, and his friends. That he believed there was something to live for--in the midst of utter barbarity--should inspire all of us to work for a better world. It did me.

A remarkable record of a dark time. Reading it gives one the courage to carry on in the dark times that have come again.

I read a lot about the Michael Jackson case and most of the time, everything written about it is superficial and redundant: reporters repeating the same lines over and over without thiking about it. I was pretty convinced about Michael's guilt. With the information broadcasted by the media, all pointed out to that conclusion. I was naive to think that we were well informed. This book, to my surprise, brings up new facts that were brought in the trial, facts that, you would think, everybody should know. As I read the lines, I just couldn't believe it! How come nobody mentionned it? To prevent from revealing interesting details from the book, I won't divulge it here, but I can say that now: Michael Jackson won that trial because facts proved his innocence.

I must say, that before I bought this book I was a little apprehensive. A media person commenting on the case. I figured it would just be another book bashing MJ. Much to my surprise the book gave a non-biased point of view of the actual occurances inside that courtroom. I have watched and read the cases in many criminal trials. NEVER have I seen the media, law enforcement, the D.A., and such an immoral, resprehensible group of people (the Arvizos), go to such lengths to destroy another person all for the sake of money.
What was done to Michael Jackson I would never wish on my worst enemy. I was so sad and so angry at the lies that were being told. At how this family tricked their way into his home, how they ransacked his home, and how they grifted money from several celebrities. What hurt me the most was that his mother had to sit through every vile detail that was made about his personal life and alleged relationship with the Arvizo boy. After reading this book, you will understand why the jury found MJ NOT GUILTY on all criminal and misdemeanor charges.
I must commend Aphrodite Jones for having the courage to write this book. Everyone in the media shunned her and refused to publish it. They only wanted to hear the negative. They didn't care about the real facts. Remember Ms. Jones is one of those media people who was "out to get Michael Jackson" also. But after sitting through the trial, and listening to the testimony she had a change of heart. What you saw on CourtTV was a biased, slanted point of view. After reading this book, I believe many people will change their negative opinions of Michael Jackson.

Wonderful. That's the only word I can use to describe this book. If you want to know why it's wonderful, BUY IT!!! It's definitely worth the money!!

And one last thing... MICHAEL JACKSON IS 100% INNOCENT!

I trust this author. She went into the court room a full fledged believer in the accusations and left dumb found. A few years later wrote this book.
Mr. Jackson is an easy target for indictments. He wears more make-up than the Avon lady and he dresses like Captain Crunch. He is not your average "Joe".
I don't know for sure that he didn't do these terrible things. Nobody does really except for him-- and of course the accusers.
What I do know, is he has been very loving to those who know him well and to those who don't, and enormously generous giving over 300 million dollars to charities around the world.
Lets face it your gonna believe what you wanna believe. But if you are really in search of the truth behind all the speculations and sensationalisms that have surrounded this famous case pick this up. My heart broke for him, and yours will too.

A book to own for an MJ fan, it is full of anecdotes and it tells the truth with reliable sources: the woman who attended the trial herself!! It's a mine of information, really worth your money.

I felt like I was sitting in Ronda Rich's living room and she was talking only to me as I read this book. It's so personal, warm, inviting and irresistible. There are no startling revelations in this book, except perhaps Dale Earnhardt's reaction to a race track incident with Bill Elliott, and I, for one, am thankful for that. I'm happy to see people who are heroes portrayed that way and not torn apart. This book is written in a way that I got the impression that if the author had crossed paths with bad people, she just didn't write that. Instead, she wrote of the good in people. Bless her for that. My 13-year-old son is a race fan and I have given him this book to read. I think he needs to know of the good that still lies in many people.

My wife bought this book, read it and kept bragging on it. I was reluctant to read because I'm not a big reader and I just didn't think I'd enjoy it that much. One day, I picked up the book and read the chapter about the late champion Alan Kulwicki. That did it. I then had to read the entire book. I enjoyed it very much. It shows the human side of a sport that is becoming so slick and so polished that it's easy to forget that the drivers are often regular guys with problems and struggles just like the rest of us. This book reflects on many of the heroes and legends who made the sport like Darrell Waltrip, Richard Petty, Dale Earnhardt and others. There are places, like where she talks about her friendship with and the death of Tim Richmond, that really put a lump in my throat. As in the case of Kulwicki, who is displayed here to be a serious loner who saw too much death in his young life, his mother included, that shaped his life and personality, you are shown an inside to the sport that is seldom seen. The men in this book are true heroes and the author is to be commended for writing it in a way that we feel we are being treated to VIP look at these guys.

I was pleasantly surprised by the spell binding content of this book. I read everything I can on NASCAR and just added this book to my collection as a matter of course. I ordered four books at the same time but read this one last. I should have read it first. Once I started, I couldn't put it down. The author has a way of pulling you into the story in such an interesting way. I stayed up until 4 a.m. in the morning until I had finished every word. This is the first book about NASCAR that I ever read that shows such an emotional intimate inside look. Be ready -- you'll laugh, cry, laugh, cry. It's an emotional rollcoaster but very, very fulfilling. Without a doubt, it's the best NASCAR book in the world and I think I'm qualified to say that since I have read them all.

I couldn't really get into this book. While I chuckled at some of the stories (like the muffler bearings story), other times I thought the book delved into the sugary-sweet. As an example the two and a half pages taken up to spin the tale of her date with a present day driver. Another time she writes how dressing femininely works for you in business dealings. Huh? This book seems to be an extension of What Southern Women Know with Nascar thrown in. I don't think we're getting a good picture of life in the pits. There is Ms. Rich's side of pit life, and there is the grease under your fingernails and a motor roaring in your ears side. I would've liked a view from both sides. Perhaps it is because I've read Dale Jr's and Tony Stewart's books that Ms. Rich's book is a bit of a disappointment.

I got this book for Christmas and could not stop reading it. Just as someone else has already said, when you are done reading it, you will wish there was more. I am an aspiring motorsports public relations lady, and Ronda's book is hands-down the most insightful book about the "inside" of this sport that I have read. Her point of view is different from most writers, in a very refreshing way! If you are new to the sport, or a fan for life, this book will turn you on to the sport, or let you in on a special side of the lifestyle you already know and love. I want to thank Ronda for being so helpful to me, and sending some much needed advice my way. I would recommend this book to anyone that has ever wanted to experience "life in the pits."

This book is a real labor of love. Dr. Dusleag tells the story of his grandfather and the persecution he endured. Dr. Stroia overcame his horrible experiences and left a legacy behind in the journal that he kept, at great risk to his physical well being and that of his family. His grandson followed in his footsteps by visiting the sites mentioned in the journal, taking pictures and documenting his research. He used the journal as well as his memories of his grandfather to inspire his own life. This is a very good book indeed and I highly recommend it to anyone, but particularly to those with an interest in history.

Stanciu Stroia's memoirs are very important to all of us, because they help us understand what went on in Romania and throughout Eastern Europe before 1945, and what followed the fall of Communism in 1989. The book's web site [...] in itself is a valuable document.

I've read several books by political prisoners of the Romanian regime. This one does not discuss as much the details of the physical horrors of the prisons. The concept of a person being visited by the securitate late at night, put into prison for years, and familial contacts severed, is horrible enough. This story is told by a doctor, who by very nature is compassionate and sworn by oath to heal others. Dr. Stroia lived by that oath. In the book he mentions a prison doctor who "prescribed" that his patient throw himself onto the barbed wire as a cure for depression. The patient followed his doctor's orders and was shot. Dr. Stroia's humanity not only remained intact, but it grew. His "second university" tore a giant chasm in his life, but his inner strength carried him through.

This story is extremely important today, helping us to understand more about what happened in Eastern Europe and why there is still much of a struggle there since 1989. I think in the US we have tended to think "Oh good! Communism has toppled and everything will be just fine." The scars of a monstrous regime run deep and don't go away easily. We also must look at ourselves to make sure that we don't create a system that is not accountable to the people it governs. This exceptional story shows us that pride, integrity, and compassion are necessary to carry us through evil times and leave us intact on the other side. I highly recommend this very readable addition to the literature on Romania's modern history.

The book was exceptional in its treatment of how life in a Romanian communist prison must have felt on a personal level. It seemed as if Dr. Stroia was speaking directly to me (and all readers) personally through his grandson, telling me something about what that life was like for these prisoners. I cannot even imagine, however, what life must have been like for him as each of the things he did mention must have been repeated so many more times than he recalled, over and over again, day in and day out, for seven long years!

Without dwelling on the cruelty of the prison guards, he managed to give me enough of an idea to read between the lines of the events he chose to include in his journal (and in the book). I am not ashamed to admit that I cried at times while reading his story ... especially whenever he got his hopes up, only to be shattered by his oppressors ... or to hear how little they cared about his health. Imagine a doctor, knowing what was happening internally, and being unable to do anything to stop his slow deterioration through continued scurvy and hypertension.

His was a gentle, quiet condemnation of what some human beings are willing to force another human to endure ... and also a loud voice proclaiming the human spirit of this man to endure and overcome an adversity that was forced upon him without justification! He and others like him are the true heroes ... in every sense of the word! I can only wish I had known Dr. Stroia in real life ... he'd have so many things to teach me, I'm sure, about living.

A wonderful book and one that I'd recommend to anyone!

I have read My Second University, which told the story of a man with strength of character that all of us should strive to achieve. As a doctor he was taught "to do no harm". Whether he was born with that humane instinct or acquired it after medical training is not important. What is important is how noble a man can remain after a period of harsh confinement. His life is a testament to our best possible behavior that few of us live up to. Not only did he defeat his enemies in his life time, he also left a legacy for his grandson to emulate. What more could a grandfather do for his grandson? From a man whose life has been enriched by reading about a human being of regal character,
Joe Garcia, Lakewood, Ohio.

Once I started this book, I could not put it down! I am a pre-veterinary student, so my opinion is of course biased, but I think that most animal lovers will love this book. The doctor's stories ranged from funny to sad, but were all enjoyable. Like another reviewer mentioned, I am hoping for a sequel! Worth every penny.

Dr. Sharp's poignant and humorous stories of a vet's life in a rural area remind me of the great Dr. James Harriott books that I have enjoyed. I highly recommend No Dogs in Heaven.

Don in Chilli

I happened to pick up this book on my way to the airport. The title caught my eye. I have a 16 year old son that shares my love for dogs and I thought
maybe he would also read it and we would have something to talk about
during our trip. We were on the way to Hawaii and I finished the book
before we landed. I couldn't put it down. It was so much fun to read.
The lady sitting next to me said "You are truly enjoying that book. I have
seen you laugh, sigh, giggle and even cry while reading it. I am going to
buy it as soon as I get home.".
My son now wants to become a vet his grades are good, especially science and math, and we live near
"The Ohio State University", so he may even attend the same Vet school as
Dr. Sharp!I have sent a copy to my parents and two neighbors.

I think this book is adorable and well-written. I'm enjoying it!

On the surface this book describes the days of a small-town vet. But it goes well beyond that to illustrate the ambiance of this country when people and times were more personal, more gracious, and much more in tune with those things that still really matter no matter how "global" we are claimed to have become by the talking heads of the media and government.
It will convince the reader that those "better times and people" really haven't disappeared, and that is tremendously Good News.

This is the most Catholic and scholarly biography of Padre Pio to date. Yes, the author on one or two occasions gives some personal reflections of his own from a Protestant perspective. But the other 99% of the book is a thorough and unbiased account of Padre Pio's life, using only verifiable facts, with references and footnotes. The strength of this biography is that it is not sensational like other biographies of Padre Pio. His life is dramatic enough; it does not need to be stylized and watered down to a human level. The facts of his life stand on their own.

I've read several books about Padre Pio and was somewhat skeptical about this one because the author is a Lutheran minister. Perhaps that's why C. Bernard Ruffin took such pains to provide a well-documented and balanced approach to the tale of this great saint. Other books, written by Catholics, failed to tell the whole story of the Church's persecution of Pio. Ruffin lays it all out and it is astonishing! Pio's detractors were priests who were jealous of him and an archbishop who had a history of rewarding priests convicted of child molestation, selling church artifacts for personal profit, and questionable sex practices. When the truth was finally revealed, punishment was light. The archbishop was allowed to retire early with all benefits and a few wrists were slapped. But if Padre Pio had had his way they would have been forgiven totally.
No matter how badly he suffered through this time, he never said anything to harm his "Mother Church" and he remained in complete obedience to Church authority. In fact he would be sad that I am pointing out the character of his detractors. Sorry, Padre.
All in all this is a book I couldn't put down. Several pages of photos, including one of his parents, makes the book a good read.

I just finished reading this book. Most of it was very well done, but the author who is non-Catholic had a bad habit of inserting irrelevant material relating to Martin Luther and other Protestant luminaries in order somehow to bridge the chasm between the holiness of St. Padre Pio and the religious experience of these other individuals. It all has the smell of an ecumenistic work, a suspicion given added weight by the liberal nature of the publishing company. St. Padre Pio was a great saint for modern times. Like all saints he loved all humanity, but his personal love for souls did not, in any way, include acceptance of the errors they espouse. It is inexplicable that this author, who apparently believes what he has written about the saint, did not at the end adjure the errors of Lutheranism and enter the Catholic fold.

This is possibly the best book currently on the life of St. Padre Pio. It is very well researched and well written that you honestly get a true glimpse of the man in my opinion.

The book was written by a non-Catholic which can dispel some people's fears that the book is a fanatical work to boost the Padre Pio simply because of his faith.

After reading this book there is little way anyone can doubt the amazing activities which took place around this man. Jesus was surely using St. Padre Pio.

I highly recommend this book for religious and causal readers alike.

I thoroughly enjoyed this very delightful and inspiratonal book. It was really very well written and I would recommend it to any reader interested in knowing about the saintly soul Padre Pio. I was not able to put the book down once I started reading it.I highly recommend it to any reader interested in knowing about a Christ-like man of the 20th century.

This book really opened my eyes to reincarnation. I would recommended it to anyone that is unsure and needs proof into the field!

My husband and I were fortunate enough to experience a slice of serendipity when visiting friends in Connecticut. We had ventured out to visit a quaint little cigar shop and that's where we met Mr. Keene. I had never heard of him or his work, and after learning that we were from Upson County, Georgia, he was more than happy to share with us his experiences and convictions regarding his connections to John B. Gordon. The author is quite an interesting fellow--very personable and entertaining. The opportunity to meet and talk to the author has made this book much more meaningful and authentic for me. I highly recommend it to both believers and skeptics alike. It is quite the read!

Mr. Jeff Keene had provided his own past life in a way understandable and as historically accurate as possible to his earlier life as a CSA General John B. Gordon. There were some very touching places in his story which literally brought tears to my eyes like the following -
(1) The place where he explains about the spontaneous feeling of sadness he felt when he stood next to his daughter's grave from his previous life and who had passed off when quite young even before ever being named.
(2) The place where he very humbly stays behind thinking of himself as quite junior when compared to other army commanders on the lines before being called by General Hancock during Grant's funeral to lead the funeral procession alongside him in the front lines.
(3) The place where he vividly reminisces his past life incident when he saved the life of the Federal Division Commander Francis Barlow.
On the whole the author comes through as a very great gentleman and one worthy of emulation in both of his forms as Gen Gordon as well as the current Fire Chief Jeff Keene.
May God provide him all prosperity in the present and the yonder!

What more can I say. I have read many books on this subject, and there are many of them out there, but this I must say is the best ever. It takes you from the very start of his search to present day. If you are looking for your own past lives, this book can help you. It gives you ideas of how and where you can start looking for yourself. It lets you know how a journey of this type can affect your present life, good and bad. It also lets you know how past lives influances the thoughts, actions and memories you have today, even your dreams. I could not put this book down from the moment I started reading it, till I was finished with it. It takes alot for someone to come forward like this and share what they went through, and I must say thank you to Jeffrey for doing so. Martin Huffman

From the time I received this book I couldn't put it down. It is a must read for history buffs as well as for those who are interested in reencarnation.

Popular scholarship at its best: engaging, entertaining, and very informative. Magee systematically illuminates some of the most elusive and misunderstood aspects of Wagner's life, work and influences, with graceful clarity. He summarizes and recapitulates just enough so as to ensure that each idea is remembered and understood in light of what proceeded. A broad scope of complex topics are made remarkably easy to digest. A tribute to Wagner both unapologetically celebratory and intellectually rigorous!

People who have learned how to write properly organized essays in school might find the kind of writing that Wagner did rather loose, to say the least. I'm far more interested in rock 'n' roll as an artform that appeals to the contemporaries of those who are moderately talented than in the fine art of Mozart, but favorite songs can be done well no matter where they came from. Not half bad is more likely to be my judgment on anything I would like to hear. I have enough CDs to remind myself of music in many forms, but the creative tension involved in trying to write a review of a book like THE TRISTAN CHORD also reminds me of many things that are not in this book.

THE TRISTAN CHORD ~ WAGNER AND PHILOSOPHY by Bryan Magee starts out strongly with the idea that Wagner's work is based on an understanding of life that exceeds anything within the confines of philosophy or knowledge as it is contained in universities. Clearly Nietzsche acquired so many of his ideas from Wagner because Wagner had realized that ancient Athens was the kind of society he wished to inhabit, and the festivals at which tragedies were performed were so different from the commercial nature of entertainment values in modern global intellectual property that the context has to be explained to modern readers as follows:

... Third, human participation was also maximized, in that the whole community was involved. Dramatic performances were accorded the highest possible importance, a significance that was tantamount to religious - nothing that the community did was seen as mattering more, unless it was fighting a war. This attitude could scarcely be further from that of a bourgeois society towards its commercialized art. When Athens put on a play the entire life of the society revolved around it: the day was a public holiday, all other activities came to a halt so that everyone could go to the play, no one talked of anything else, attendance was free, the actors were maintained by the State; what we would call commercial considerations were totally absent. As Wagner summed it up in his essay `Art and Revolution,' published in 1849: `With the Greeks the perfect work of art, the drama, was the sum and substance of all that could be expressed in the Greek nature; it was - in intimate connection with its history - the nation itself that stood facing itself in the work of art, becoming conscious of itself, and, in the space of a few hours, rapturously devouring, as it were, its own essence.' (pp. 86-87).

Few adults in American society were able to offer young people anything as compelling in the 1960s, when Walter Kaufmann was writing and translating, but rock 'n' roll was having more impact. The Beatles are not listed in the index of THE TRISTAN CHORD, but one of their songs, `All You Need Is Love,' is mentioned on page 60, long after comments about the early Wagner opera `Das Liebesverbot' (p. 24) being in response to the intellectual discontent of the Young Germans:

In the arts they saw the classic figures of their immediate past, people such as Goethe and Mozart, as pre-revolutionary, and therefore antediluvian, no longer speaking to the condition of the young. ... They glorified love as it really was, the sexual intoxication of the young, and they saw it as socially subversive. To express it they wanted an art that was freely and frankly erotic. In opera this caused them to look away from Weber to the unabashed sensationalism of the French, and also, much more seriously, to the sensual, hedonistic lyricism of the Italians. Perhaps most important of all to the Young Germans as individuals, they wanted to live out these principles in their own lives, loving and expressing themselves as liberated beings, innovating boldly in politics and the arts, deriding authority, and free for ever from the stultifying conservatism and conventionality of their elders. (pp. 24-25).

The philosophy of Feuerbach is considered a major source for the setting of Wagner's `Ring' cycle of operas. I tend to associate this kind of catastrophe with the Vietnam syndrome of my generation, but THE TRISTAN CHORD links Feuerbachian philosophy of religion to picturing the gods as a gang of crooks. Just imagine, "Isaiah Berlin used to exclaim complainingly, `But they're just a lot of gangsters!'" (p. 54).

The interesting theme for me is the idea that Wagner did a lot of writing to generate the creative tension which he would like to turn into a form of art critical of his own society by composing music that would maintain a stream of consciousness worthy of the kind of life currently possible or imagined as a future ideal. "Because Wagner believed that we live in `a whole world of injustice' which was about to be swept away and replaced by `a righteous world' there is a sense in which he was living for the future." (p. 59). "Because the drama of ancient Greece is the art he is bent on re-establishing, and the opera of his contemporaries is the obstacle he is determined to sweep away, he is liable in a discussion of almost anything to dive off into the question of how whatever it is he is talking about relates to either or both of those things." (p. 91).

... The musical motives need not simply be repeated, they possessed infinite possibilities of musical transformation - the light hearted could be made tragic, the triumphant hollow, the confident full of foreboding, the loving grief-stricken. The potential for musical metamorphosis was protean, and also endlessly subtle. (p. 91).

Rock 'n' roll has filled many pockets with big bucks, but it is also carrying remnants of more than philosophy could say. The vocabulary was entirely different, but the simplicity of a chorus that kept repeating after verses that can go from bad to worse in so many ways, certain songs could be described as blues. Just one example is a song, `(Down to) SEEDS & STEMS (Again)' recorded in Austin, Texas, November, 1973, written Billy Farlow and George Frayne, who do vocals and piano for a group called Commander Cody & His Lost Planet Airmen, which was included on a collection of their songs `Too Much Fun' released on CD in 1990. A looser version on `Marijuana's Greatest Hits Revisited' has someone singing, "I have a few decent memories of what I was going to say. I'm down to seeds and stems again, hurray!" At times, it is nice to discover that the fun is going to stop and life can go back to being about something else. But for us, what else could there possibly be?

This is THE book on Wagner that I hoped would one day be written and which I knew could be written. The author has no use for post-Holocaust axe-grinding or ideological regard, and neither does he indulge in any of the by now ubiquitous but superficial kulturgeschichtliche approaches in which Wagner is one more symbol-player to be pigeon-holed and arranged (much like the props in Hans-Juergen Syberberg's "Parsifal" film), nor does he dish up Wagner with a sideorder of Marxist criticism. Instead you get Wagner as a living, breathing, thinking, and creating human being, a real man (no impersonal cultural forces here!) who encountered ideas and reacted to them in the completely unique way that his personality demanded.

In a way one can only appreciate this book if he has already spent time ploughing through even a fraction of the tendentious trash in print that attempts to deal with this man (e.g. Gutman, Millington, even M. Owen Lee at times). If you have done that, then you will really be in a position to enjoy what Bryan Magee has done, how he has done it, and what a tremendous debt we owe to him for presenting to us Wagner the man in all of his outrageous but fascinating complexity. This is a book for people who are interested in learning more closely what kind of man Wagner actually was (that, for example, he was a 'commanding' personality, what that might mean in real terms, and that, in itself, should not be held against him)and who are equally interested in distinctions being made along the way that really do amount to something and are not just so much critical hot air.

After you read this book, and if you have not already done it, read Michael Tanner's "Wagner" and enjoy hearing from someone who knows actually knows what he is talking about and has spent some time thinking about it instead of listening to the clowns who parrot the prejudices they've picked up from "The New York Times Review of Books".

Bryan Magee writes with enthusiasm and clarity. He's particularly good at explaining philosophy in layman's terms. According to Magee, Wagner was the most erudite of all the great composers, and his philosophical beliefs profoundly effected his compositions. His intellectual life can be broken into two main periods: the early, one of political radicalism and activism, and the late, one of resignation and mysticism.

As a young man Wagner believed that a revolution - a total annihilation of the existing order - must take place in order for people to start anew to build a free and equal society. This was the intellectual zeitgeist throughout Europe in reaction to the sweeping changes brought about by capitalist industrialization in the early 19th Century. It was, in part, a romantic longing for a simpler past.

In Wagner's first period two figures were his main influences, Mikhail Bakunin, the anarchist, and Ludwig Feuerbach, who taught that mankind created the Gods, or God, in its own image. This was not to dismiss religion but to appraise it seriously as something illuminating about human beings.

After numerous inconsequential attempts at revolution took place throughout Germany in the mid-1800's Wagner became disenchanted with politics. He immersed himself in the philosophy of his contemporary, Arthur Schopenhauer. Schopenhauer wrote a great deal about music and it occupied a large part of his philosophical outlook. Both he and Wagner shared an interest in Buddhist thought.

Schopenhauer maintained that human beings are the embodiment of a metaphysical "will", so that willing, wanting, longing, craving and yearning are not just things we do, they are what we are. And he believed that music was a manifestation of this metaphysical "will." Thus, music directly corresponds to what we ourselves are in our innermost being. Wagner's "late" period dates from his extensive study of Schopenhauer.

Schopenhauer wrote that music proceeds by creating certain wants which it then spins out before satisfying. Even the simplest melody makes us want to close eventually on the "tonic" and provokes dissatisfaction if it ends on any other note than that.

Schopenhauer gave special attention to a technical device in harmony known as "suspension," and this instantly appealed to Wagner's musical sensibility. The suspension in music is the penultimate chord, when what we had just heard was what we thought was the penultimate chord. This causes a sense of discord in the listener. Schopenhauer said "this is clearly an analogue of the satisfaction of the will which is enhanced through delay."

This inspired in Wagner the idea of composing an entire piece of music moving from discord to discord in such a manner that the listener was always in a state of tension waiting for a resolution that did not come. This would be the musical equivalent of the dissatisfied longing , craving, yearning that our being is. There could only be one resolution to it, the final chord that was the end of the musical score (and in an opera, the end of the protagonist's life). This would be a musical expression of the essence of humanity in the universe.

The first chord of Tristan is the most famous chord in the history of music: F, B, D sharp and G sharp or any chord of the same intervals. It contains not one, but two dissonances. It then moves to resolve one of the dissonances but not the other, thus providing resolution, yet not resolution. Thus as the music proceeds, in every chord shift something is resolved but not everything. This "partial satisfaction" yet continued "frustration" carries on through the entire work. The only point where all discord is resolved is in the final chord, which is the musical analogue of freedom from striving, freedom from the tension that is existence. It is like a mystical state of nirvana.

What made this double-dissonance chord so famous was that it, in effect, closed the door on the age of classicism. And it opened the door to impressionism, atonalism, and modern classical music in general.

It was under the influence of the Schopenhauer-Buddhist belief system that Wagner's late works, Tristan, The Mastersingers, and Parsifal were written. Actually, since most of his operas were written piecemeal with many interruptions (sometimes years in length), there are traces of the early and late philosophical influences in almost every opera. Tristan is the only opera that Wagner wrote uninterrupted from start to finish.

There are many more aspects of Wagner's life and work contained in this book. New insights are provided into the Nietzsche-Wagner relationship and the vexed anti-semitism of Wagner. It should be noted that although Magee believes the above conjunction of philosophy and music in Wagner, he is not dogmatic. He says late in the book that "one does not have to be familiar with Schopenhauer's ideas, let alone accept them" to appreciate the greatness of Wagner's music.

This book has added a new dimension to my understanding and appreciation of Wagner. I heartily recommend it.

I'm a careful fellow yet I make quite a claim in the title of this review; and I confidently stand by it. Wagner has stimulated an enormous bibliography, but most of it is biography and/or polemics regarding the man himself or else "way out" (e.g. Jungian) interpretations of his art. Surprisingly little criticism of real seriousness pertains to the actual music. Bryan McGee's book magnificently fills that gap.

It is not a musical analysis per se, but a study of Wagner's changing philosophical values and how they influenced his music...and there is no composer in history who was a more acute intellectual than Wagner and more influenced in his art by ideas. You cannot fully understand his art without this book...it is that seminal. And it does not pertain only to "Tristan und Isolde," despite the title. It covers the entire sweep of Wagner's output.

Mr. McGee brings to his text the virtues which previously made him an outstanding author in "popularizing" philosophy: clarity, honesty, common sense, and even-handed weighing of the evidence. I hesitate to say he "popularized" philosophy. That could suggest a "dumbing down." And that is definitely not this book. It is crystal clear for a layman yet it is a scholar's dream in substance...a rare combination.

The book is an absolute must for anyone who has ever been moved by Richard Wagner's music...and perhaps even for those who have wondered why the rest of us are so moved by it. I cannot recommend it enough. There are only two other texts in the last century which compare, in my opinion: 1) Ernest Neumann's multi-volumn biography of Wagner; and 2) Deryk Cooke's "I Saw the World End," (first published 1979), which is the definitive (if incomplete) analysis of Wagner's "Ring."

If you love Wagner's music, or want to investigate it, this book is both a delight and a "must."

A previous reviewer compares the author's work to Bill Bryson's A Walk in the Woods. Considering a usually successful use of self-deprecating and anecdotal humor, I can understand the comparison between the author's style and Bill Bryson's style. The author is undeniably funny. Relying entirely on the author's passion for adventure, the narrative describes a theatrical series of events fit for a screenplay.

However, that is all this book offers and why the comparison to Bill Bryson falls well short of accurate. The strength of Mr. Bryson's writing is the purpose underlying the humor, especially self-recognition through experience. The reader can internalize Mr. Bryson's experiences, see the world from Bryson's vantage and ultimately identify with Mr. Bryson's motivation for writing the book.

Mr. Davis' The Underdog falls short of Mr. Bryson's achievements. Instead of relating to narrative, the reader must watch from the sidelines. In this case the author's strength is also his weakness. How many readers can identify with first hand-experiences of bull-fighting or sumo wrestling? The effect is, essentially, a Hollywood blockbuster in a book. What you see is entertaining, but fails to stimulate any further thought.

Furthermore, and what was most disappointing to me, was the lack of conclusion. I kept waiting for the author's epiphany to explode off the pages and into my conscious, but instead of an explosion I got a series of undeveloped thoughts more analogous to a shotgun at 200 yards than a grand-finale. In the final passage, the author's last chance to tie the whole book together, he opts to wander off on a completely new tangent relating his experiences to the untapped potential of the internet (Did Wired ask you to plug The Long Tail, or was this your idea?). Instead of finishing the book with an appreciation for how this author's struggles to find his purpose in life might assist me in finding mine, I was left with questions:

Was this about the unquenchable American spirit? Or, was it about the changing definition of achievement and success? Alternately, it might have been about appreciating your own family, your talents, your opportunities, etc instead of admiring your neighbor's lawn. Honestly, I don't know.

In essence, The Underdog is a funny one time read, but certainly not deserving of such glowing reviews as it has received here on Amazon.

This author sent me an invitation to be his amazon friend. Hello! All of my reivews are bitter and sarcastic, why would I want to buy your book? Maybe I should you spam about "enlargement" products. How would you like that? The book might be a great story. Frankly, I don't care! I would rather read a book about the mating rituals of worms than me spammed by an author that wants me to buy his book.

From the moment I read the first three pages of the introduction I was hooked. This book speaks of and to the American spirit with humor and wit. Not only did I laugh out loud every time I opened it, but I cried a few times too. It's the kind of book that you read so fast because it is so good, but you don't want to so that it will last longer.

If you are looking for a book that inspires you through narrative and challenges you to go beyond your day-to-day life, or, if you want a hilarious window into the zany life of some "average" Americans, look no further. We are told to follow our dreams in a culture that is not set up to handle it when all of us do. This book is for us an answer to that problem. I look forward to many more insightful books from this talented author.

I think this book was funny and adventurous. My favorite part was the sumo wrestling. I recomend this book to parents and older kids.

A quick read; fun and emotionally transparent. Our little hero graces his way through eccentric adventure after eccentric adventure, all the while proving that even the least talented among us can be champions (or at least, very nearly so). There is a tenderness in this book. In its Quixotic madness, it transports us into worlds of danger, adventure, greatness, and saunas in Finland. A true story of sporadic unshakeable dedication and glorious redemption...and courage. The Underdog clearly underscores the ideal: it's not whether you win or lose, it's how many fat guys you can yank by the g-string. A great read.