Butler Books

The good points of this book are simple:


1.This is a very original approach for a children's book. Instead of cartoon characters, pop-up pages or buttons for sounds, the book operates by just opening the cover, literally.

2.The text is large enough and simple enough to start toddlers reading early.

3.The pictures are cute and captivating. My son loves this book and interacts with it directly.

4.The animal sounds below the picture that you read are cute, but not baby speak.

5.The pages open with ease and are manipulated with no strain unlike many other 'thick-page' books like this.


Overall this is a very clever book and the absolute simplicity of it makes it that much better.

I saw this book at a friend's house, and had to get a copy for myself. I work with children, ages 2-3 years, and this has been a wonderful book for them. They are fascinated by the moving pictures and it is a great introduction to several animals. I'm sure older children (or adults!) will enjoy it as well. It's with me on all of my home visits.

Joann

The kids get a kick out of this moving picture book. I bought an extra copy for my next toddler birthday party. Good sturdy pages and common words for beginning readers.

I'm a kindergarten teacher and so I've read thousands of children's books to my students. This book is one of our personal favorites and is loved by both children and adults. I've also given it as a gift that received rave reviews.

Gallop!, by Rufus Butler Seder, is a fun little piece that will have young children moving around as they show off their agility and physically respond to questions like "Can you gallop like a horse?" or "Can you flutter like a butterfly?"

There's not much of a plot here, but that's not the point. It's the lyrical rhyming of the text, the colorful lettering of the print, and most of all, the patented Scanimation® pictures that will have children (and their parents) wanting to read this book again and again. Yes, Scanimation®; it's a technique that optically animates artwork. Thus, as the reader turns a page, the displayed animal moves. I admit it; it had me mesmerized.

Quill says: Out with the old, in with the new. Move over pop-up books. You now have some stiff competition.

In my opinion, stretching and ergonomics are only aspects of conquering repetitive strain injuries and this book title presumes too much in the interest of drawing attention to itself.

4 1/2 months ago I experienced sudden onset bilateral arm pain, primarily in the distal halves of my forearms accompanied by carpal tunnel syndrome symptoms in my hands, with occasional aching pain clear to my plexus on my right arm. My doctors turned out to be fear mongers, so I declined their invasive tests and surgeries and have focused my efforts on supporting my body's natural healing process. Although the healing rate seems to be less than 1% improvement per day on average, I would encourage anyone with similar symptoms to treat this problem conservatively.

This book has an interesting high-level discussion of fascia. It is primarily a book of drawings which depict various stretches, and an organization which allows you to choose the stretches most appropriate to your injury. I found a couple of the stretches useful, but have found plenty of other useful stretches on the Internet and in other books which are not covered here. It also has a discussion of ergonomics which is fairly typical of other texts.

I am convinced that my injury is primarily acute tendinitis followed by chronic tendinosis. I have spent a tremendous amount of time studying tendon injuries partly by reading medical textbooks. One of the primary reasons for stretching tendons is that it stimulates proper healing and strengthening for a variety of reasons, not just to free up fascia. It would be nice if this book contained more background information about tendons in addition to the discussion of fascia.

Another interesting aspect of my condition is the fact that I have had cramping and inflammation which lead to poor circulation and healing. I have found that both hot and cold therapy as well as massage are instrumental in the healing process. I perform all of these things by myself most of the time, with a little help from friends occasionally. This book really doesn't address these issues, so I'd also recommend exploring some books on massage and trigger point therapy.

My instructor suggested this book for us training to become a Licensed Massage Therapist so that we wont burn out. Has great stretches and simple. What people dont realize is that its the repetitive motion in the shoulder and upper arm that causes the muscles at the carpals (wrist) to tense up as a reaction to the pain in the upper arm, trigger point therapy is a great way to relieve the strain as well. I highly recommend this book to everyone.

This book will cure your repetetive strain injuries. Butler describes how to stretch properly and what stretches will benefit you most depending on where you have pain or numbness. It is amazing how much better I got, and how quickly! You will need to keep up on your stretches to stay well.

I'd only be repeating the praises others have given this book, but I just want to say I highly recommend this book. The stretches are explained clearly and simply and they do work. I've bought this book for friends and when they follow the exercises, they get relief. Another plus, is doing the stretches FEELS so good and it only takes maybe 15 minutes.

This book was loaned to me at my job as a computer engineer. I had carpal tunnel affecting my wrists & forarm. Excellent, easy stretches which really relieve the pain. I recommended it to a friend who cleans houses for a living, and she was able to stop wearing the arm brace. Great for those tiny, hard to stretch muscles.

I forgot how much I enjoyed Butler's work. I found this book for sale at the used bookstore and snapped it up. W/O being cliche, I found she wrote the inner talk of the characters' well.

This book had me thinking about the storyline. And, I enjoyed the way she commented on race and class issues without wagging her finger at the reader. She is by far one of the best sci-fi writers. I don't know why I took a hiatus from her work, but I'll definitely read some of her newer stuff and go back and re-read the others.

Mind of My Mind is the second published novel in Octavia Butler's Patternist series, and chronologically it is the second, but the first published is actually fifth in the chronology and the fourth published is first. Confused? Don't be. Stick with publication order and everything will be just fine.

In Patternmaster we are introduced to a future Earth where humanity is divided into Patternists (telepaths), the Mutes (normal humans), and Clayarks (disease altered humans living no better than beasts). The telepaths are linked through something called "The Pattern", hence Patternists.

Mind of My Mind jumps back to a time not far off the present day and none of the future Pattern exists. We are introduced to Doro, a once human who has lived for thousands of years by jumping from one body to the next. He has been selectively breeding families of humans for millenia for telepathic ability and now he has several humans who may have sufficient power and control to take the next step.

Up until Mary, most of Doro's potential telepaths have been failures. Most who have transitioned to be an Active have been unbalanced and a danger. Mary has the potential to be the strongest and the most stable, if she lives through transition from Latent to Active.

What follows is a gathering of telepaths, the rise of Mary, and the origins of the Pattern. While this can be read before Patternmaster or after Wild Seed (which is set even before this book), but publication order is the way to go as Butler reveals this world in a particular way and with each revelation the next becomes more important.

Patternmaster was quite obviously Octavia Butler's first novel. It was decent enough, but not as strong as her later works. With Mind of My Mind Butler has written a much stronger novel which deals more with issues of identity and belonging, but it is also simply a stronger story with greater detail and description and more raw emotion. The first half of the novel is building, building and telling a consistent storyline with shifting viewpoints. Midway through when Mary actually begins building the Pattern Butler's storytelling becomes fragmented in that we are now given scattered episodes about the building of the Pattern. There are greater shifts in time during the second half of the novel, but this too is building to a great conflict and a great confrontation.

Not perfect and not as extraordinary as her later work, Mind of My Mind is a much more accomplished novel than her debut and shows the growth of Butler's soon to be masterful storytelling.

-Joe Sherry

Good premise, but charcters were not very well formed, and not very likeable either.

Octavia E. Butler's books often deal with the issues of race, sex, and class and feature young black women coming into their own. In MIND OF MY MIND, Mary, a young woman raised in tough conditions, realizes that she has extraordinary power, and this both frightens and amazes her. Her predecessor, Doro, is also someone of nearly unlimited power, but he can hardly be categorized as human. Able to take over the body of anyone, he discovered this ability as a child in ancient Africa. Through the ages he learns to control this power and with it embarks on a quest to breed a new species--one that will dominate the world.

However, his experiments are not without cost. Many of the humans that he "created" are wrong. Their abilities may be dormant and often cause mental problems that are uncontrollable. In one truly horrifying scene in the book, readers are presented with a possible outcome when two of these humans come together--a baby's rotting body is discovered among two people that are incapable of functioning because their abilities, in such close proximity, drive them crazy.

Still, there are some that function enough to breed more children. And finally, Doro has what he wants in Mary. But her power may prove greater than his, as he feels that she is what he could have been. He believes, at first, that she will be easy to guide and control because she is a female. Once she fully learns to command her abilities, she also learns to lead others like her, and she and Doro continue a dangerous game of mental chess as they learn what the other is truly capable of.

Though a short novel, it is written from multiple points of view and engages the reader with simple yet extraordinary prose and dialog. Anyone that enjoys science fiction and fantasy should enjoy this book; it is also a great read for anyone that is looking for an engaging story that probes the questions of humanity, evolution, and the responsibilities and pitfalls of power.

"Mind of My Mind" is one of Butler's most riveting excursions in vampiric fantasy and science fiction; the second chronologically in her critically acclaimed "Patternist" series, depicting a near future United States where humanity has split into two branches, most notably the telepathic vampiric one. In a riveting tale set almost entirely within the city of Los Angeles, Octavia Butler introduces us to an intriguing cast of normal humans and mutants, ultimately waging war to determine humanity's future; an intriguing cast comprised of credible, multi-dimensional people. An intricate test of physical and mental will pits the nearly age-less leader of the mutants, Doro, who has systematic bred a small portion of humanity for his own purposes, like a herder raising a unique breed of goats or sheep, against one of his "children", Mary, a young woman. Their epic struggle will determine whether this unique strain of humanity will not only survive, but ultimately, assume dominance over the "normals". Much to her credit, Butler conducts a vivid exploration of race and sexuality within the pages of "Mind of My Mind" replete with elegant literary passages and a splendid ear for dialogue. And her exploration of the importance of obtaining power is one that is timeless in science fiction, beginning most notably with Mary Shelley's "Frankenstein", but skillfully depicted and embellished by Butler in this admirable example of science fiction and fantasy writing. This is truly one novel which I can recommend highly to those interested not only in Octavia Butler's greatest works of fiction, but also in one of the finest ever written in American fantasy and science fiction.

Wow, Joy Butler has just made our lives easier. The Permission Seeker's Guide Through the Legal Jungle is a user-friendly, detailed, wealth of knowledge for authors, producers and anyone who wants to use copyrighted material. I've written 4 books and had to wind my way through the jungle of permissions on my own, which was tedious and painful (news flash, your publisher doesn't track that stuff down for you and YOU are legally responsible for any inapporpriate use of material your use in your books and productions.) Thank you Joy for making every book I write in the future a breeze with your book now on my shelf right next to my desk.

Joy Butler's The Permission Seeker's Guide Through the Legal Jungle arrived promptly and I was blown away. The guide expertly covers rights, clearance issues, how to obtain clearance, minimizing risksThe Permission Seeker's Guide Through the Legal Jungle: Clearing Copyrights, Trademarks and Other Rights for Entertainment and Media Productions (Guide Through the Legal Jungle). It also has a section at the end for resources and forms. Butler enables the reader to navigate through complex issues with ease. Her style is comfortable. You can pick it up and read straight through or skip to the sections that are of immediate concern.

This book should be required reading for all of us creative industries. Sure wish I'd had it earlier!

Shannon Grissom
Author: Monkey Made of Sockies
Television Producer: Give Your Walls Some Soul!

This book is written for publishers, writers, visual artists, muscians, music producers, film & TV producers, producers of Web sites and software, people, celebrities, and businesses. They all have or want intellectual property, and by reading this book they can learn how the commercial licensing of intellectual property works. The book has 28 chapters:

1. Guide to using this book
3. Copyright basics
4. Trademark basics
5. Common elements of privacy, publicity & defamation law
6. Right of privacy
7. Right of publicity
8. Defamation
9. Other relevant rights & laws
16. Getting organized (to seek permission)
17. Putting your own house in order
18. Submitting the request for permission
19. Negotiating the rights agreement
27. Methods of minimizing risks
28. Dealing with lawsuits

2. Checklist of clearance issues
CLEARANCE ISSUES FOR ...
10. Publishers & writers
11. Visual Artists
12. Musicians & music producers
13. Film, TV, & audio-visual producers
14. Producers of Web sites and software
15. Business
CLEARING RIGHTS AND SEEKING PERMISSION ...
20. To use books & other printed material
21. To use visual art
22. To use music
23. To use film, TV, & video footage
24. To use Web site & software materials
25. With respect to people
26. To use trademarks, products, & locations

The numbers above correspond to the chapters as they are sequenced in the book. I have rearranged the chapters in the order in which I would have liked to have seen them included in the book. Also, I would have liked the book better if it had been split into two parts instead of six. Part A would have included the chapters "1-28" as cited herein above. And Part B would have included the chapters "2-26." As a result of the way the book was organized I almost gave it a 4-star rating. But this book really is a gem and full of content.

My favorite chapters were chapters 2 & 3 (intellectual property law) and chapters 6-9 (tort law). And chapters 18 and 19 were really good, too. Clearly much of the book is aimed at topics an entertainment lawyer handles in her legal practice. But from my perspective as a SCORE small business counselor I think chapters 3, 4, 10, 14, 15, 20, and 24-28 are the most relevant to my clients' concerns. 5 stars!

Serendipitously, I received entertainment and business attorney, Joy R. Butler's "The Permission Seeker's Guide through the Legal Jungle" when a good friend of mine was in the process of designing and launching his website. Knowing that he had some trademark issues ( he had recently come up with a logo for his goods and services and wanted to protect his intellectual property) I promptly handed over this book and awaited a detailed synopsis of his first hand experience with it.

His comments exceeded my initial impression of this guide. While my reading of the book revealed a tightly crafted compendium of situations and solutions that arise during the identification and elimination of rights clearance problems in media production ----think anything through which people communicate and express themselves i.e., film, video, television programs, newspapers, magazines, posters, computer games, comic books, paintings, photographs, fine art, advertisements, websites, sculptures, books, etc.--my friend's opinion waxed practical as he followed the steps to insure that his production contained no material that violated the rights of another person.

Specifically, he wanted to use a song and CD photo on a website that he had heard on a CD and change key lyrics to reflect and promote his product and personal enterprise. Author Butler explains how to identify the rights owner - in this case the owner of the recording and the photographer of the photograph used on the CD cover----and how to seek permission to use the music and the photo. Using Butler's techniques, my friend successfully accomplished his mission and both the edited song and the photo appear on his website without the fear of kindling a lengthy expensive and tiresome lawsuit.

Butler's guide is definitely well organized; the summary table of contents, the table of contents and the index lay out with an encyclopedic precision exactly what the book contains. She presents an overall format for using the book, defines and explains relevant rights and laws, relays clearance issues for each media type, details the process of clearing rights and seeking permission, while minimizing risks and protecting oneself from possible lawsuits. Specific information is extremely easy to find within this volume; all topics are comprehensive, well documented and easy to read and comprehend with procedural information as well as examples of up-to-date cases and court rulings.

Bottom Line? On a real and practical level, Joy R. Butler's "The Permission Seeker's Guide through the Legal Jungle" provides a wealth of information that every writer and publisher should own and reference to avoid rights clearance problems in any media production. Recommended highly for all those who need to know the law and make it work in their favor.
Diana Faillace Von Behren
"reneofc"

Joy R. Butler is endlessly impressive as she charts and details all of the legal choices, decisions and ramifications behind being a producer: that higher stage of artist which combines talent and inspiration with the realities of the global marketplace. This is, definitely, a book for the artist who is taking their craft and their lives to that next level.

The degree to which she covers virtually every subject that could be covered re copyrights, permissions, trademarks, etc. is daunting. The book in fact is so detailed and voluminous that being shellshocked or momentarily disheartened as an artist will be inevitable. Showing once again how litigious our society is, amongst her many examples of interpretations of the law--and what artists and producers must contend with in that context--include the following: a treasured Muslim friend & assistant of Spike Lee unexpectedly suing him for the right to be considered a co-writer of his masterpiece MALCOLM X; and Eminem's fourth grade bully suing him to get a share of a song written about him being overcome later in life after it broke the Billboard charts! (And we wonder why stars can be so aloof.)

Butler does say at the outset, however, that there may be big chunks of the book not designed for you, given your artistic specialty. And indeed, every artistic specialty is covered: from visual arts to computer arts; dance to drama; music of all genres to literary works; videos to commercials, TV, cinema and documentaries.

You may walk away from this book thinking as I do: I gotta hire her as my lawyer! But either way, in the end, you'll walk away from this book feeling inspired, as the wealth of information provided supplies you with new ways to approach your work--beginning with the degree to which it is or isn't dependent on the inspiration and marketable work of others. Knowing your options regarding trademarks, copyrights, and other rights to use or transform works that have either come before you or are part of your individual and unique production teaches you how to think big time--really big time--as an artist. And helps make the inevitable success associated with taking this mindset on possible.

Highly recommended.

I finally picked up this book last year and throughoughly enjoyed it. I keep referring to it because the examples build up to the point of qualified proof of concept. The examples also are different enough from the other ones that are easy to find with Google, so between the two you get a complete view of the vulnerable issue.

The book's title should be obvious enough; this is NOT a book of defenses. However, if you understand these attacks you will be better equiped to deal with them when they happen. This book is no replacement for hands-on training in person with a qualified instructor such as at the SANS Institute, but it is an excellent supplement.

Its a great place to start...and works its way through some pretty indepth concepts. The great part is that for the beginner it is step by step....and they tell you were to download everything you will need. Anyways loved it, read it twice.

I have been around the software industry now for almost 20 years and every now and then I find a book where I learn exciting things, this is one of those books. It reminds me of the early days of low level Windows programming but with very up to date information on the OS and how to apply it. The book is obviously designed to attract hackers - both black and white hats - however it does do a good job diving on the internals of the Posix and Windows subsystems. If you like low level stuff this book is for you.

Not an easy read if you're not already familiar with programming and operating system concepts, but then if you are an IT security professional you'd better be, and the book explains why.

I read Rootkits: Subverting the Windows Kernel last year, but waited until I read Joseph Kong's Designing BSD Rootkits before reviewing both books. In a head-to-head comparison, I thought Kong's book was easier to comprehend and directly covered the key techniques I wanted to see. If I could give this book 4 1/2 stars I would, but Amazon doesn't allow that luxury.

Hoglund and Butler should be commended for writing this book. It really does assemble the parts (meaning techniques and code) necessary to implement a Windows rootkit, at least prior to Windows Vista. My only concern is that, at times, the authors are not as clear as I hoped they might be. This is probably due to the fact that they are two of the best rootkit writers on the planet, so they probably do not remember what it was like to not understand "hooking" and other techniques.

In some ways Rootkits is probably a book best suited for other experts (like many who wrote reviews here). That leaves beginners (like myself) wishing for a little more foundation or direct language prior to reading about implementation tricks.

One of the greatest strengths of this book, however, is the degree to which it exposes the internal workings of Windows. For greatest effect it's probably worth reading Microsoft Windows Internals, Fourth Edition by Russinovich and Solomon first.

Note that although I found the direct approach of the BSD rootkits book better for my learning style, this book by Hoglund and Butler is deeper in several areas. In fact, those who liked the BSD rootkits book would do well to read its Windows counterpart to learn tricks from Hoglund and Butler.

If there's one thing Bertie Wooster should never do, it's make elaborate plans to bring estranged lovebirds back together.

And he demonstrates just why in the second full-length Jeeves novel, a screwball disaster saga that sees Bertie confidently trying to fix people's lives. Of course, things go horribly wrong, and Wodehouse's arch, nutty look at what happens next is an absolute gem.

When Aunt Dahlia summons him to Brinkley Court for a prizegiving, Bertie sends his newt-fancying friend Gussie instead -- especially since Gussie is enamoured of a girl staying there, the soppy Madeleine Bassett. But when Bertie hears that his cousin Angela has broken off her engagement to Tuppy Glossop -- and his aunt is in need of money -- he rushes down to assist all his relatives and pals by advising them to feign such sorrow that they're unable to eat.

Unfortunately his plan falls through, and they manages to enrage the cook Anatole to the point where he storms out. Even worse, the prize-giving is a disaster and the wrong people end up engaged -- and pursued by homicidally angry exes. Only Jeeves' formidable brain can somehow save the day -- and Bertie's behind.

P.G. Wodehouse made a pretty good living off of spoofing the upper crust of England, and the subtlely intlligent servants who bail them out. "Right Ho Jeeves" is a prime example of his writing -- some small mistakes rapidly balloon out into a crazy tangled mess, which only an intelligent manservant can rescue Bertie from.

Much of the book's charm comes from its complex plot and series of disasters (such as Tuppy's homicidal rampage). And as usual, poor Bertie finds himself the object of young ladies' affections -- in this case, the appallingly goofy Madeleine thinks he's madly in love with her, when she's not rambling about fairies and bunnies. If there's a flaw, it's that Jeeves' final solution is a bit limp.

But Wodehouse's writing is what really makes the book timeless. It's arch and wry, whether he's describing basic actions ("He leaped like a lamb in springtime"), or goofy dialogue ("But if you were a male newt, Madeline Bassett wouldn't look at you. Not with the eye of love, I mean").

Jeeves and Bertie are the perfect comic team -- Bertie is proud, goofy, and not terribly bright, while the quiet Jeeves is a towering intellect with wry wit. And they're backed by a colourful, small cast of nutty aristocrats, schoolboys, sharp-tongued aunts and cousins, newt-fancying fish-faced men, and a girl who talks about how "every time a fairy sheds a tear, a wee bitty star is born." Yech.

"Right Ho Jeeves" is a hilarious, tangled farce of love, money, jealousy, dinner jackets and the mating rituals of newts. Absolutely priceless, from start to finish.

"Right Ho Jeeves" was first published in 1934 in the UK, though was first published in the US under the name "Brinkley Court". The book is set in England and features Wodehouse's best known creations : Bertie Wooster and his valet, Jeeves. Bertie is the book's wealthy, good-natured and rather dim narrator. He's a member of the "idle rich" and, rather than having to work for a living, lives off an allowance provided by his uncle. He spends much of his time in the bar-room of the Drones Club, is fond of the occasional wager and has an appalling dress sense. Luckily, Bertie has Jeeves, to look after him. Without Jeeves, Bertie's life would be a mess : he makes an excellent hangover cure, his bets usually win and is intelligent enough to rescue Bertie from nearly any situation. He disapproves of Bertie's more garish items of clothing, and will - occasionally - take it upon himself to deal with the offending item.

The book opens with Bertie's return from Cannes, having spent two months on holiday with his Aunt Dahlia, his cousin Angela and Madeline Basset - Angela's best friend. Arriving back at his flat, Bertie is surprised to learn that Gussie Fink-Nottle has been a frequent caller in his absence. Gussie, an old school-friend of Bertie's, is something of a reclusive character : he doesn't drink, looks rather like a fish, prefers country life to the city and is a noted newt-fancier. Gussie has apparently fallen in love, and has - wisely - taken to visiting Jeeves for his advice on how to win the young lady's heart. However, following a disagreement with Jeeves about a white mess jacket purchased in Cannes, Bertie decides to take over Gussie's case.

By sheer coincidence, the object of Gussie's desires is none other than Madeline Basset - who, after the trip to Cannes, has returned to Brinkley Court (Aunt Dahlia's stately home). Bertie sends Gussie off to the stately home in question - though his motives aren't entirely noble. As well as spending time with Madeline, Gussie will also be delivering a speech at the local grammar school's prizegiving day - a job Aunt Dahlia had intended for Bertie. However, when word comes through that Angela has brokern off her engagement with Tuppy Glossop, Bertie and Jeeves race off to the countryside to offer their support. Naturally, Bertie's attempts to ease smooth things over land everyone in a great deal of bother.

A very easy and enjoyable read.

got the blues? melancholia got you in its grip? the prospect of death got you down? jeeves to the rescue! nothing like a good wodehouse read to cheer one up. problem is, the man wrote just short of a million books, and not all of them are good. so where to start? right here, with this book. of all the wodehouse books i've read, this is my favorite, the most consistently entertaining. just what the doctor ordered to smash you in the funny bone and get a smile going on the old face.

If you love Monty Python, Faulty Towers, and the like, you'll love RHJ. The glowing reviews on this page are spot on. This is timeless stuff. And Cecil's reading (if you incline towards the recorded version) is terrific. Laugh out loud funny. I adored every moment!

It is rare that I derive such pleasure from a book, but Right Ho, Jeeves, gave me a delightful surprise. Not only does Wodehouse make an art of the satirical novel, but in the process wraps the reader up in the witty speech of Bertram Wooster and his strange arrangement of friends, family, and butler. Bertram, or "Bertie," as he is commonly known, stumbles through the entire novel with the idea that he alone must bear the weight of being the sole aid to his friends' problems. Despite several attempts at a kind reprimand from Jeeves, his personal servant, ("I beg your pardon sir... What I intended to say, since you press me, was that the action which you propose does seem to be somewhat injudicious."); Bertie continues to give it his best. Among other things, Wooster implements the best intentions while attempting a match between old friends, but with little success: "All he had to do was propose." "Yes, sir." "Well, didn't he?" "No, sir." "Then what the dickens did he talk about?" "Newts, sir."

Despite the playful banter, colorful characters (such as a sensitive French cook), an inept yet lovable narrative voice found in Wooster, and of course, Jeeves, behind all is an incredibly clever satire on the "upper crust," so to speak. Although, admittedly, many readers cannot associate directly with the early-middle twentieth century, one cannot help but feel the idle, privileged and somewhat clueless lives of the English aristocracy seep from the pages of Jeeves. Wodehouse does a wonderful job of capturing the lives of people who have nothing better to do then dabble about ridiculously in the lives of one another.

Indeed, Wodehouse does much to reflect the over-privileged lives to which Bertie and company cling to so humorously. However, what might have become a novel filled to overflowing with hilarity and drama is brought back down to a more substantial level with the constant subtle humor and patronization brought in by Jeeves. "Jeeves, don't keep saying `Indeed, sir?' No doubt nothing is further from your mind than to convey such a suggestion, but you have a way of stressing the `in' and then coming down with a thud on the `deed' which makes it virtually tantamount to `Oh, yeah?' Correct this, Jeeves." The nature in which Bertie and the rest are virtually ignorant to Jeeves' little jibes such as this shows clearly the statement of Wodehouse, how the aristocracy is too self absorbed to notice even the slightest. In short, this is a wonderfully clever novel, which keeps the pages turning with quick wit and snappy humor. I highly suggest it.

WotF XIX is a compilation of excellent stories (with a few, notable exceptions) spanning the genre range from historical fiction through horror and fantasy to science fiction. Despite the ever-present copy-editing errors, this was a very good read.

I would put the stories in four categories of excellence (well, three of excellence and one of crap).

Group One: The best

Walking Rain - Ian Keane's tale of supernatural beings in present day America, reminiscent (but not derivative) of American Gods, is compelling. The writing is lush, the characterizations beautiful. Hands down the best of the best. I can't say enough about this story. The book is worth buying for this story alone.

Into The Gardens of Sweet Night - Algis Budrys weaves a fairy tale-like tapestry of words as a boy takes a fantastic journey into the sky looking for the fabled gardens. Sometimes the discussions on freedom get a bit thick, but still great.

Blood and Horses - Myke Cole brings us a story of military sf where rebels riding horses seek the oil that gives life, losing their own blood fighting against a technically far superior opponent.

Group Two: The very excellent (in no particular order)

From All the Work Which He Had Made - Michael Churchman's style is strikingly odd at first, but within a page he had made me a convert with this interesting tale about the development of a humanoid robot exploring the questions of his soul.

Dark Harvest - Geoffrey Girard brings us a story about what happens when you find your worst nightmare dying in a field, and it becomes a tourist attraction. Excellent writing, and a wonderful story.

Beautiful Singer - Steve Bein's story of a haunted sword is elegant in its way of presenting feudal Japanese culture and characters. Every word of this story echoes with the culture of the samurai. The only thing holding back this most savory of writing from the top slot was the way the ending rushed together (a common difficulty in short-story writing).

A Few Days North of Vienna - Brandon Butler takes us along as a band of thieves join up with a group of vampire hunters to eradicate those evil creatures. The plot is nothing new or innovative, but the writing is top notch, and that's more important anyway.

Group Three: The still excellent (still in no particular order)

A Ship That Bends - whatever Butler lacked in innovation, Luc Reid makes up for in spades with his characters who live on a flat world and must build a bending ship if they wish to sail to the other side without falling off. The ending is its great weakness, suddenly ending the story before it really reaches its climax. Fun world, great writing, but it just stops cold.

A Silky Touch to No Man - a weak ending is also the problem with Robert J. Defendi's exploration of life in the near future where virtual reality has become the only reality. For a murder mystery, it was painfully apparent "whodunit" from the very beginning. But the writing is strong and the world well conceived (almost scary, actually) which makes it fun anyway.

Gossamer - Ken Liu offers a scenario where Earth finally makes contact with an alien species, and has no idea if they can even communicate. Art seems to be the only thing the Gossamers are interested in, but what does that mean? Interesting twist on the first contact plot.

Numbers - Joel Best brings us a stark account of a world where mathematicians can do almost anything, including make animals and people. In this world one woman seeks to create the perfect mate, but learns that perfection (and creation) are about more than doing everything flawlessly.

Group Four: The stories that really don't belong

Trust Is A Child - Matthew Candelaria's overly long story of negotiations with aliens is really just a painful rehash of about a thousand other identical stories, offering no new slants or anything. That alone wouldn't make it so horrible, but the main character is painfully stupid, and the plot has a hole in it the size of a small star system (it has to do with her being stopped by Marine guards while the aliens can just cruise on by and enter her private quarters without explanation). Also, her solution to being stopped is just horrible (apparently the guard is even dumber than she is). Still, with a good edit and re-write, I think it could have been decent, so I wouldn't write off the author.

A Boy and His Bicycle - Carl Frederick offers a story about just that: a boy and his bike. They don't do anything interesting, or go anywhere fun, or give us any reason not to hope that they just crash into a bus and die. The only saving grace is that it's short and over quickly. And to think this story got first place that quarter...

Bury My Heart At the Garrick - Steve Savile takes the prize for plodding, pointlessness. This story of Houdini was confusing, but not in that good way where you want to know what's going on, more in the way where you just don't care and want to skip to the next story. I kept reading to see if it would get better (imagine a short story that took me a week to read!). It didn't.

A Boy and His Bicycle is a great story.
(I put this in so I don't continuously trip over the review by someone who apparently didn't get it. I must offer the disclaimer however, that I wrote that story. It's a subtle tale, and I'm very grateful that the judges understood it and gave it a First Place award.)

This anthology, Volume XIX, (IMO) contains richly tapestried stories, strewn with new ideas or new takes on old ones. I've no doubt that before long, many of the authors will be Hugo winners

Before he went on to invent Cybernetics, L. Ron Hubbard was a prominent author of science fiction and eventually launched annual collections of science fiction and fantasy drawn from the best and the brightest in the field. The newest addition to the L. Ron Hubbard "Writers Of The Future" series is volume 18, ably compiled and edited by long time science fiction expert Algis Budrys and highly recommended reading for any fantasy fan and science fiction enthusiast. Included in this outstanding anthology are: The Dragon Cave (Drew Morby); The Haunted Seed (Ray Roberts); Rewind (David D. Levine); Windseekers (Nnedi Okorafor); Magic Out Of A Hat (L. Ron Hubbard); Lost On The Road (Ari Goelman); Graveyard Tea (Susan Fry); Carry The God (Lee Battersby); A Few Tips On The Craft Of Illustration (H. R. Van Dongen); Memoria Technica (Leon J. West); Free Fall (Tom Brennan); All Winter Long (Jae Brim); The Art Of Creation (Carl Frederick); Advice To The New Writer (Andre Norton); The Road To Levenshir (Patrick Rothfuss); Eating, Drinking, Walking (Dylan Otto Krider); Origami Cranes (Seppo Kurki); A New Anthology (Tim Powers); Worlds Apart (Woody O. Carsky-Wilson); Prague 47 (Joel Best); and What Became Of The King (Aimee C. Amodeo). L. Ron Hubbard Presents Writers Of The Future, Volume XVIII concludes with "The Year In Contests" by Algis Budrys and "Contest Information".

While I do not get a chance to read much science fiction, I decided to pick up this book mainly because I enjoy short stories. And I must say that this book surprised me. There are a number of well-written, very entertaining stories in this book. There is also a good amount of variety. As more than 12 authors contribute to this book, if you are not a fan of one story, you can move onto the next. There should be four stories in this book that will captivate you. From the quality of the prose and the structure of the stories, I was at first surprised to see that these are first time authors. Now realizing that these are contest winnners from L Ron Hubbard's Writers of the Future contest, it makes more sense. My favorites include Oragami Cranes, Eating Drinking and Walking, Windseekers, and Rewind (for it's writing style).

It's not perfect but I found this anthology very satisfying. When every single one of the stories is able to take me somewhere interesting, then the anthology is worth the money.. Favorite stories: Graveyard Tea, Windseekers, and Origami Cranes.

I agree with the critics who claim this book . . . "a delightful, rollicking history, a fun read and well supported by research". Greenfield's account is entertaining as well as informative, not a book to put you to sleep as some histories are. I read it as a library book and decided it is a 'must have' in my library. Although her style is professional, the read is easy - no big words to look up in order to understand the full meaning. Her account of world events is so insightful and complete, you come away with more than an appreciation of how color has changed the world An understanding of world history in general is gained, both political and economical. I especially loved the personal stories that added so much interest for me.

I live in Oaxaca, Mexico and even many people here are not aware of the impact of cochineal on the Spanish Empire and Europe. This book is fascinating! And well written.

This was one of two books a friend traveled across the country to share with me. I am so glad she did. I would never have picked up this book on my own. I have a terrible time finding non-fiction works that are interesting - unless they are recommended. I look at the table of books and decide something looks good. Then when I get it home, I have a hard time getting to my 100 page allowed stopping point.

Greenfield does a wonderful job of describing the importance of the color red throughout history and the different compounds used to create it. With a focus on the cochineal originating in Mexico, this book covers the fortunes of Spain and the industry itself. Weaving the domestication of cochineal with the efforts of other countries to destroy Spain's monopoly, the book moves quickly. there were very few sections of the book where I was willing to put it down. Yes, I could stop at the chapters, but I only once put it down while in the middle of a chapter.

I highly recommend this book - and if I didn't have to send it back to its owner, I would keep it in the library. I will be recommending it to my mother for her book club. With their focus on women authors and a mix of fiction and non-fiction, this book will give them much to discuss.

Some of the best stories are the histories of everyday objects that few ever consider. This book is an example of such a story. It traces the history of the color red; specifically, it examines the sources of red dye sought by humans over the past 700 years. Something as simple as a color can actually be quite difficult to obtain without the marvels of modern technology. This book starts of at the Venetian textile guilds of the late Middle Ages and shows the reader the state of the world's textile industry. Of all the colors, bright red is hardest to produce on clothing, and individuals and governments devote a lot of time and effort to procure new sources. Many are found, but the best one is carminic acid found in the insect cochineal, native to the Americas, and cultivated in Mexico specifically to obtain the color red. Starting with the Spanish conquest, red dye from Mexico is exported to the rest of the world, and four centuries of trade wars and political intrigue follow. The book lays all this out in chronological order, citing places, people, governments and institutions. But eventually, man's technology caught up with nature's bounty, and by 1900, synthetic red dyes destroy the cochineal cultivation industry. All the ensuing technical advances, scientific discoveries, and commercial contests are detailed clearly by the author. The book ends with a survey of the dye industry at the end of the 20th century, and a review of how red dye has influenced, and been influenced by fashion tastes throughout the centuries. This book touches many countries, and ties in history, economics, fashion, politics and science into a wonderful tale of man's obsession for a specific color.

This book is one of the very best I have seen in a long time. The author has taken great care to present historically correct and detailed information about the long history of cochineal farming, and sale of this commodity (dried beetles that can be processed to create a brilliant hue of red).
She reveals all of the intrigue of Spain's royalty, as they sought to keep this much prized product of New Spain exclusively for the Spanish empire. Even Perkin's discovery of the color "mauve" is discussed. This book will find broad interest among scholars and the general public. It is certainly a book worth owning, if you love the history of textiles.

Patricia Cummings

"Life doesn't just happen to us. There is one spectacular moment when it happens for us," says Mary Gauden Hughes (psychology '81). Her book, The Last Slow Dance, conveys that sentiment in the story of a musician who must decide between his career and the love of a writer who may have found her best story yet in him. These two "not-so-young" lovers must figure out how to balance their dreams and fears when love is involved and when the past isn't resolved.

This is a powerful, poignant and compelling love story of love found and the transforming power of this love. The story is marked by Hughes's simplicity of form and purity of line, comparable to the best selling author, Nicholas Spark's novel, The Notebook. A pleasant and relaxing read.

I certainly have enjoyed "The Last Slow Dance." It would be a great movie as it would be interesting for young folks as well as older folks. It is so nice to read a book that doesn't have unnecessary and unwanted descriptions. It is a book that you can be proud of. Keep more books coming!

This book was great! I fell in love with the characters in the first chapter. Micheal Mcain is such a deep character. I'm sorry that can't write much now, but this book is great!

I read this book in one sitting! What an excellent, uplifting story of life and love. This author's writing style is beautiful and easy - it flows so well - you just can't put it down. If you liked The Bridges of Madison County, you will also love The Last Slow Dance. I look forward to more books by Mary Gauden Hughes.

There's a knee-jerk reaction to think of success as being defined by money and material things alone. This book encompasses that,but goes far beyond it into the realm of defining what real gratification means. The author begins by presenting a list of factors that are elemental to achieving success:
1. Optimism
2. Definite vision
3. Willingness to work
4. Discipline
5. An integrated mind
6. Prolific reading
7. Risk taking
8. Realizing the power of expectation
9. Mastery
10. Well roundedness.

"The 50 Success Classics" are divided into four categories: motivation,fulfilling your potential,prosperity,and leadership. The summaries of the classics themselves are excellent. But one of the real added benefits of the book is the author's astute commentaries, highlighting important points,and providing enhancement to the wise words of each classic. This is a terrific motivational book. I use it not just for my own stimulation, but with my management students also.

"The 50 Success Classics" provides wisdom from those whose names are immediately recognizable: Andrew Carnegie,Steven Covey,Michael Dell, Warren Buffett, Ben Franklin,Sam Walton, and many others. Any prospective purchaser can be assured that in spite of the fame of these and others mentioned in the book that there are many new facts and insights to be gained. (The summaries are far superior to the standard re-hash of the familiar that we've all seen.)

While the names above are common knowledge to most,have you heard of Robert Collier,Les Giblin,Gracian,Richard Wiseman,or in the case of men,the well known women's motivator Cheryl Richardson? All of these summaries contain sage advice and excellent guides for daily living. There are other great lessons to be learned from other "unknowns", at least to many of us.

The book also contains a summary of Sun Tzu's classic "The Art of War", arguably one of the greatest military stategy manuals of all time,which has also been recently adapted for use in management. After reading "50 Success Classics" you'll want to continue in the same vein, with Tom Butler-Bowdon's other "Success Classics" on Inspiration, and on Prosperity.They have all been a great help to me.

There are already a number of views outlining what this book is about, how it works, which books are included. I will skip doing that and try to think now of some of the 'lessons' I learned from reading the author's summaries of these works ( which so far as I can tell are done in an excellent way)
One lesson which seems to be paramount is the importance of attitude. 'Trust yourself, every heart vibrates to that iron string" says Emerson who is I believe one of the fathers of this whole yea- saying business. The 'trust yourself' also extends to having a positive attitude towards others, avoiding argument and criticism. An important lesson is to smile and be upbeat in dealings with others. It is also recommended to be honest and forthright in dealing with others.A third great lesson is the importance of 'seizing the opportunity when it is there' having the courage to do so. A fourth lesson which is repeated more than once is in finding 'opportunity in adversity' and in some transformation in life. The idea is here is that life is changing all the time and some of that change is certainly not for the better. And one has to be continually ready to change with it.
I could go on listing the different pieces of advice here, and they truly are various and interesting.
What I am thinking about is about all those like myself who will never take much of this advice, and probably never be 'successes' in the way the people who write here are.
I too am not sure that the sense of what success is here (It is as I understand it by and large- success in business )is the kind of success a considerable body of people truly long for.
I too think of a different attitude towards success,held by those who long for success, and will not attain it. And the fact that not succeeding may in some ways and in certain ways prove a more valuable experience than success itself. Perhaps this is best expressed in these lines of Emily Dickinson.

"Success is counted sweetest
by those who ne'er succeed
To comprehend a nectar
Requires Sorest Need.

Not one of all the Purple Host
who took the Flag today
can tell a Definition
so clear of Victory

as he defeated dying
on whose forbidden ear
the distant strains of triumph
burst agonized and clear. "

Butler-Bowdon is my guide through the literature of inner -development. His books have helped me grow as an individual and continue to help in my research for the books I choose to write to help humanity. His knowledge is exceptional and his choice of books is perfect. He truly is an expert in this area. I recommend his entire series and genuinely cant wait to get Psychology Classics. Thanks for helping humanity with your writing Mr. Butler-Bowdon.

10 stars

Author, Your Daily Walk with the Great Minds and Upcoming Release of Eastern Wisdom for Your Soul.

50 Self-Help Classics: 50 Inspirational Books to Transform Your Life, From Timeless Sages to Contemporary Gurus
50 Success Classics: Winning Wisdom for Life and Work from 50 Landmark Books
50 Spiritual Classics: Timeless Wisdom from 50 Great Books on Inner Discovery, Enlightenment and Purpose

In the first instance, I have bought these three books in one go because I have been fascinated by what the author had done: He has practised what is known as the highest level of reading. Mortimer Adler, in his classic book, 'How to Read a Book', written in the forties, had called it 'syntopical reading'. It's actually reading a number of books of the same genre, more or less simultaneously & then synthesising the key points.

Secondly, the author, who is a graduate of the London School of Economics, somehow impresses me with his ability to synthesise the big picture of each of the books that made up the entire collection. For apparently a left-brain thinker i.e. economist by training, this has been a very remarkable feat, as his synthesising endeavour has been essentially more of a right-brain activity. Well, I must compliment him for a job well done.

Before my final decision on buying the three books, I have been thrilled by the prospect of reading three books, which in turn will give me access to one hundred & fifty books.

For each book, the author has very artfully as well as skillfully selected fifty books to made up one collection. I may not agree with his selection, but I must admit that I can't default him at all.

Take the first book, '50 Self Help Classics', with timeless wisdom, as an example. Out of the fifty books he has selected, I have read only seventeen of them. I have those books in my personal library.

For the second book, '50 Success Classics', I have read & still own sixteen of the landmark books on winning wisdom selected by the author.

For the third & final book, '50 Spiritual Classics', covering timeless sages & contemporary gurus, I have read only & still own three of them, namely 'The Tao of Physics', 'The Way of the Peaceful Warrior' & 'Zen & the Art of Motorcycle Maintenance'.

For those books I have read previously, totaling thirty-six of them (probably stretching over three decades of my life), & upon revisiting them again in the trilogy, which actually took me one whole weekend to complete, starting on Friday evening & finishing on Sunday night, I must say that the seemingly marathon reading experience has been very refreshing & uplifting. It has also given me the opportunity to check & verify whether the author has captured the key ideas or essence of those books. I don't think I can find fault with the author in this respect.

Not only that, in the first book, I am very impressed that the author has cut through the bewildering array of choices to bring the essential ideas, insights, and techniques from the `literature of possibilities'. In works that span the world's religions, cultures, philosophies, & centuries, he summarizes each work's key ideas & finally makes clear how these legendary classics can educate, affirm, & motivate anyone searching for the inspiration to make a meaningful life change.

In the second book, the author is back with his wide-ranging collection of enduring works from pioneering thinkers, philosophers, & powerful leaders, like Napoleon Hill, Stephen Covey, Kenneth Blanchard, Baltasar Gracian & Christopher Maurer; from the inspirational rags to riches stories of such entrepreneurs, like Andrew Carnegie, Warren Buffet & Sam Walton to the leadership lessons of Sir Ernest Shackleton, Eleanor Roosevelt, Abraham Lincoln & Nelson Mandela, just to name a few.

In the third book, I believe the author has captured the very best in spiritual writing: They include personal diaries & compelling biographies of such diverse figures as Gandhi, Malcolm X, & Black Elk & Eastern philosophers & gurus including Krishnamurti, Yogananda, Chögyam Trungpa & Suzuki; & Western saints & mystics such as St. Francis of Assisi, Herman Hesse & Simone Weil. For each book in this volume, the author offers insightful commentary on how these classics can help spiritual seekers everywhere bring personal beliefs, values & practices squarely into the center of their every day lives.

Reading the three foregoing books has been quite a breeze because the meaning of each work is initially captured 'in a nut shell' at the onset, coupled with a representative quote as well as cross-referencing to similar work. In each work, appropriate sectional headings in bold print make it really easy for the reader to follow the author's train of thoughts over some six pages. There is also a short biographical sketch of the author of the respective work.

I must admit that the third book in the trilogy has been the most challenging for me to read as I normally do not go for such stuff. To put it bluntly, it's not my cup of tea. On the other hand, the curiosity streak in me has been too overwhelming, since I relish the thought that I could read fifty spiritual classics in just one book!

Overall, & for all those books I have not yet read at all (some of which I have not even heard of), I really enjoyed digesting the author's bite-sized summaries (in actuality, they are only the main ideas, context & impact of each title, to give a taste of the literature, so to speak) in the three collections or volumes, even though some of the titles are relatively esoteric for me. The entire reading journey has been enlightening, inspirational & yet humbling in some areas. Best of all, there are useful tools & practical techniques to take away from each collection!

For the first & last book in the trilogy, namely, '50 Self Help Classics' & '50 Spirtual Classics', the author has respectively provide a list of additional 50 books. The titles are certainly enticing! Well, all I can say is this: I wish the author will repeat his syntopical reading exercise covering these books & add two more volumes, that will make a quintulogy, for all the readers out there, including me!

As usual, all my three books are now scribbled with my own hand-written marginal annotations as well as my fancy colour marker symbols. Additionally, there are also colourful sticky notes in between selected pages. My next personal assignment is to transfer all these notations into mindmaps with Mindmanager Pro.

To end my review, I have one last humble comment to make. Out of the one hundred & fifty bite-sized summaries, I still don't quite get it from 'The Bhagavad-Gita' as outlined in the author's '50 Self Help Classics'. I have not read this work before although I have heard about it. [J Y Pillay, former Chairman of Singapore Airlines, who is credited for building the airline to what it is today, A Great Way to Fly, has vouched for this ancient Hindu scripture as an inspiration for his leadership success during an interview.] However, in the same vein, I found that I could relate quickly to Deepak Chopra's 'The Seven Spiritual Laws of Success' but simply not this one! I may have to explore other avenue.

In site of the above minor short-coming, I strongly believe that the three books in the author's trilogy are really an intellectual treasure!

Truly, this is a great condensed volume of success advice. Butler-Bowden does the hard work for you, and in one volume you get the "meat" of 50 books. And, these 50 are some pretty hefty books. Some contemporary, some classic, but all contain valuable kernels of information that Butler-Bowden has already sussed out for you. The author includes a brief biography of the authors of the books he has chosen, and in many instances, those stories are just as inspiring.

I really enjoyed being reminded of "The Inner Game of Tennis". I read that book a long, long, time ago and 20+ years later, I have used the information time and again. Perhaps this little book helped make me a lifelong self-learner. I'm pretty sure it helped me be a better parent, teacher and manager.

For fans of success and achievement books, some of these selections are like old friends you need to get in touch with, and many will probably be new stories you'll grow to love.

If, on the other hand, you are a new student of success, seeking a meaty source for success education and information this is definitely bang for your buck. It might inspire you to read some of the "whole" books, but even this condensed "cram session" will leave you inspired and informed.