Bush Books
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This is a great bookReview Date: 2005-04-28
ehhhhhhReview Date: 1999-07-09
A must for every campaignReview Date: 1999-04-13
(Sigh) yet another sourcebook...But desparately needed.Review Date: 1998-10-14
Not for 3rd EditionReview Date: 1999-04-14

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A Manual for How Not to be PresidentReview Date: 2008-10-13
The book concentrates on some of the major and spectacular disasters brought on the country by this president and describes how and why things backfired. The main reason, according to the author is that the Bush administration was too closed and worked under a bubble where opinions generated by them were the only options evaluated and that outside opinions were not valued. In addition, the administration looked for quick solutions with political gain rather than look at long term solutions that would actually work.
If you are interested in how Bush could manage to screw up as badly as he did, this is a great book. It is easy to read and contains great examples of the poor decision making found in the White House. I only wish the author has waited a year to write the book, as there have been more disasters since this went to the publisher.
One complaint was the lack of any sort of sourcing information to check facts against. Otherwise, a nearly perfect manual on how to screw up as President.
Utter Incompetents, by Thomas OliphantReview Date: 2008-07-24
Utter IncompetentsReview Date: 2008-05-29
Good Buy
Z
Nine More Months?Review Date: 2008-04-14
Frightening but too trueReview Date: 2008-02-19

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Let Us Pray!Review Date: 2008-02-24
Stupidity at its Best, One Day at a Time!Review Date: 2008-02-08
Great calendarReview Date: 2008-02-08
Mad!!Review Date: 2008-02-08
BUSH CountdownReview Date: 2008-01-22

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Policy + History ... with PizazzReview Date: 2008-04-02
But Nancy Altman actually did it, against all odds. Apparently all it required was her encyclopedic knowledge of social security and its history, combined with writing skills that could support a popular whodunit and seasoned with her commitment to well-reasoned social policy. From her first page, she engages readers with the "torn from the headlines" reality of the role of social security for dependents of our countrymen killed on 9/11.
This book would be fascinating to you if you're interested in how legislation gets passed (or doesn't get passed) and how public policy is made, whether or not you ever thought of social security before as a hot topic.
The Complete History of Social SecurityReview Date: 2007-11-16
On the Chapter about the ideal way to strengthen SS, I completely agree that privatization of SS (that Bush supports) is not the way to lead the program. Honestly, I don't think there would be much difference between a personal SS program, a 401K or an IRA, so I hope the government elects to stick with the current "social" system and doesn't try an "modernize" the program. I do feel many people my age will support privatization because of the uncertainty of SS being around when our generation retires. Apparently, a majority of young adults assume that if SS becomes individualized, the government will be able to pay their benefits when they retire. The author gives great facts about how it will cost much more to privatize SS, and there is an easier way to solve the issue. No, I won't ruin the ending for you, but I will say the problem can be resolved easier than you think it will be when you are reading the book.
Although I do not have much interest in politics or law, that would be my only criticism of this book. It goes into great details about getting certain amendments passed, which includes the final voting numbers by Congress, Senate, etc. These were the portions of the book that lost my interest. However, the history of the program is very interesting as it was really intriguing reading how all these presidents fought to evolve this social insurance program.
I probably wouldn't have rated this book so high if I'd had more in depth knowledge about Social Security previously, but I wanted the history of the program as well as the current issues and that's what this book was all about. In conclusion, if you want a detailed history of Social Security, then this book is for you. However, if you aren't that interested in the evolution of the program and want more information about current issues, then you should try a different book.
Accessible, well-researched, and inspiringReview Date: 2005-12-13
Not Worth the Read (or the Money)Review Date: 2005-12-12
For many of us who do not favor individual accounts but who worry about the long-term solvency of the program, this book really is a disappointment; I recommend Diamond and Orszag's Saving Social Security instead. For those interested in a detached, scholarly account of Social Security's early years, I recommend Achenbaum's Social Security: Visions and Revisions. For those who just want a thoughtful analysis of the issues at play in the current policy debate over Social Security, perhaps the best of all is Daniel Shaviro's Making Sense of Social Security Reform. Anything but Altman's book.
Social Security for Christmas!Review Date: 2005-11-28

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Loved this book!Review Date: 2007-05-27
Millie's Book by Barbara BushReview Date: 2007-02-01
how can you not like it?Review Date: 2003-12-23
Great BookReview Date: 2001-03-08
Former President George Bush Sr.'s Springer Spaniel
It shows Millie with various politicians and famous people.
Great Pictures!Review Date: 2001-12-05

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Excellent edition of one of the best books everReview Date: 2007-09-17
Now, why you want to read this collection. Most of us come to the sonnets singly: random reading assignments, in mixed anthologies, or one is quoted provocatively some place. With few exceptions, each is a perfect example of what the sonnet form does and how form itself shapes meaning. But read straight through consecutively, they offer a close-to-the-bone narrative of Shakespeare's preoccupations. This is the source of all that speculation about his sexual preferences. We've all heard lots of opinions on the bard's relationship with the "Young Man" and the "Dark Lady" but there is nothing like getting it first hand, and I must say that my ideas changed after sorting through for myself. For one thing, love--platonic or carnal--is not the only thing on his mind. Immortality, beauty, truth and a few other problems get a work out. The most pleasant surprise is how truly readable and accessible it all is.
Lord of my love, to whom in vassalageReview Date: 2006-10-06
To thee I send this written embassage,
To witness duty, not to show my wit.
(Sonnet 26.)
How to do justice to the legacy of literary history's greatest mind -- moreover in such a limited review? Forget Goethe's "universal genius" and his rebel contemporary Schiller; forget the 19th century masters; forget contemporary literature: with the possible (!) exception of three Greek gentlemen named Aischylos, Sophocles and Euripides, a certain Frenchman called Poquelin (a/k/a Moliere), and that infamous Irishman Oscar Wilde, there's more wit in a single line of Shakespeare's than in an entire page of most other, even great, authors' works. And I'm not saying this in ignorance of, or in order to slight any other writer: it's precisely my admiration of the world's literary giants, past and present, that makes me appreciate Shakespeare even more -- and that although I'm aware that he repeatedly borrowed from pre-existing material and that even the (sole) authorship of the works published under his name isn't established beyond doubt. For ultimately, the only thing that matters to me is the brilliance of those works themselves; and quite honestly, the mysteries continuing to enshroud his person, to me, only enhance his larger-than-life stature.
The precise dating of Shakespeare's sonnets -- like other poets', a response to the 1591 publication of Sir Philip Sidney's "Astrophil and Stella" -- is an even greater guessing game than that of his plays: although #138 and #144 (slightly modified) appeared in 1599's "Passionate Pilgrim," most were probably circulated privately, and written years before their first -- unauthorized, though still authoritative -- 1609 publication; possibly beginning in 1592-1593.
Format-wise, they adopt the Elizabethan fourteen-line-structure of three quatrains of iambic pentameters expressing a series of increasingly intense ideas, resolved in a closing couplet; with an abab-cdcd-efef-gg rhyme form. (Sole exceptions: #99 -- first quatrain amplified by one line -- #126 -- six couplets & only twelve lines total -- #145 -- written in tetrameter -- and #146 -- omission of the second line's beginning; the subject of a lasting debate.) Their order is thematic rather than chronological, although beyond the fact that the first 126 are addressed to a young man -- maybe the Earl of Pembroke or Southampton, maybe Sir Robert Dudley, the natural son of Queen Elizabeth's "Sweet Robin," the Earl of Leicester -- (the first seventeen, possibly commissioned by the addressee's family, pressing his marriage and production of an heir), and ##127-152 (or 127-133 and 147-152) to an exotic woman of questionable virtues only known as "The Dark Lady," even in that respect much remains unclear; including the nature of Shakespeare's relationship with the two main addressees, regarding which the sonnets' often ambiguous metaphors invoke much speculation. #145 is probably addressed to Shakespeare's wife; the closing couplet plays on her maiden name ("['I hate' from] hate away she threw And saved my life, [saying 'not you']:" "Hathaway -- Anne saved my life"), several others contain puns on the name Will and its double meaning(s) (exactly fourteen in the naughty #135: "Whoever hath her wish, thou hast thy Will;" and seven in the similarly mischievous #136), and the last two draw on the then-popular Cupid theme. Sometimes, placement seems linked to contents, e.g., in #8 (music: an octave has eight notes), #12 and #60 (time: twelve hours to both day and night; sixty minutes to an hour); and in the famous #55, which praises poetry's everlasting power and as whose never-expressly-named subject Shakespeare himself emerges in a comparison with Horace's Ode 3.30 -- in turn written in first person singular and thus, denoting its own author as the builder of its "monument more lasting than bronze" ("Exegi monumentum aere perennius") -- as well as through the number "5"'s optical similarity to the letter "S," making the sonnet's number a shorthand reference for "5hake5peare" or "5hakespeare's 5onnets," echoed by numerous words containing an "S" in the text.
Of indescribable linguistic beauty, elegance and complexity, Shakespeare's sonnets owe their timeless appeal to their supreme compositional values, the universality of their themes, and their keen insights into the human heart and soul; as much as their transcendence of the era's poetic conventions which, following Petrarch, heavily idealized the addressee's qualities: a form new and exciting twohundred years earlier, but encrusted in cliche in the late 1500s. Indeed, Shakespeare's "Dark Lady" Sonnet #130 owes its particular fame to its clever puns on that very style, which went overboard with references to its golden-haired, starry- (beamy-, sparkling, sunny-) eyed, cherry- (strawberry-, vermilion-, coral-) lipped, rosy- (crimson-, purple-, dawn-) cheeked, ivory- (lily-, carnation-, crystal-, silver-, snowy-, swan-white) skinned, pearl-teethed, honey- (nectar-, music-) tongued, goddess-like objects. "My mistress' eyes are nothing like the sun;" the Bard countered, proceeded to describe her breasts as "dun," her hair as "black wires," and her breath as "reek[ing]," and denied her any divine or angelic attributes. "And yet," he concluded: "by heaven, I think my love as rare As any she belied with false compare."
Arguably, Shakespeare's very choice of addressees (a young man -- also the subject of the famously romantic #18: "Shall I compare thee to a summer's day;" the first of several sonnets promising his immortalization in poetry -- as well as the "Dark Lady," in turn introduced under the notion "black is beautiful" in #127) itself suggests a break with tradition; and compared to his contemporaries' poetry, even the equally-famous #116's on its face rather conventional praise of love's constancy ("Let me not to the marriage of true minds admit impediments"), echoed in the poet's vow to vanquish time in #123, sounds fairly restrained. But ultimately, Shakespeare's sonnets -- like his entire work -- simply defy categorization. They are, as rival Ben Jonson acknowledged, written "for all time," just as the Bard himself immodestly claimed:
'Gainst death and all oblivious enmity
Shall you pace forth; your praise shall still find room
Even in the eyes of all posterity
That wear this world out to the ending doom.
(Sonnet 55.)
Also recommended:
The Oxford Shakespeare: The Complete Works 2nd Edition
Shakespeare: For All Time (Oxford Shakespeare)
Much Ado About Nothing
Love's Labour's Lost
William Shakespeare's Hamlet (Two-Disc Special Edition)
BBC Shakespeare Comedies DVD Giftbox
BBC Shakespeare Tragedies DVD Giftbox
Olivier's Shakespeare - Criterion Collection (Hamlet / Henry V / Richard III)
William Shakespeare's The Merchant of Venice
Twelfth Night
The finest sonnets ever written in EnglishReview Date: 2007-02-23
Beautiful Review Date: 2006-10-21
Listen to them at night or on a rainy day, or just follow along with a hardcopy of the Sonnets in your hand. You'll be reciting them in short order.
Premium edition of the SonnetsReview Date: 2007-01-09

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very informativeReview Date: 2008-04-22
Wall Street, Hitler and the games we've playedReview Date: 2007-03-07
ALL BECAME ACCEPTED IN THE 90'sReview Date: 2006-10-29
This is the book that started it all, because Sutton was a first rate scholar. BUT if you read ONLY this book, you will miss the whole story. Sutton wrote a book about Wall Street Banker backing Trotsky Et. Al. It got him drummed out of his job. But like this book, its all true and proven. His other books on the Fed help to fill in the picture of how the Bankers and men of Finanace work.
Other books to complete the picture:
Tragedy & Hope: A History of the World in Our Time by Carroll Quigley
Creature from Jekyll Island by G. Edward Griffin
Rotten BusinessReview Date: 2008-03-21
Telling All The Names Who Financed HitlerReview Date: 2008-01-03
I will not ruin the book for you by telling all the names in it, but I will tell you two men's name I know you will instantly recognize.
Henry Ford & Edsel Ford. Yes, those "Ford's", from Ford Motor Company. Henry Ford even got the highest award the Nazi's could give to a foreigner, in recognition of his assistance to Adolph Hitler, and his picture hung in Hitler's office.
Just so you know, I am not a fan of the Nazi's, nor am I a racist of any kind, nor a fan of Adolph Hitler. I'm following a papertrail to find out all the names of who helped the man get into power to begin with, because I am someone who knows there's more to history than what they teach you in school. It doesn't just come down to the lies a politician tells the people who put them in office, but to the power-brokers who finance the man. Adolph Hitler was a politician, plain and simple. He knew how to lie to the people and give them comfort through manipulative persuasion and then when the people willingly gave him the power he went for the throat of the world.
Another good book that tells the details of who assisted Hitler that you may be able to find here on Amazon is, "IBM and the Holocaust."
Yes, I am talking about that "IBM" here too. They helped Hitler track down the Jews and other "undesirables" (Hitler's words, not Mine) through the use of the census and the Hollerith Card Sorting Machine.

Bush's Law is very well researched & writtenReview Date: 2008-07-20
If have read other books on how Stalin and later Hitler used their powers to eliminate those that stood-in-their-way and/or opposed them, you might see some parallels.
The Truth Review Date: 2008-05-27
BOOK READS LIKE A CLANCY THRILLERReview Date: 2008-05-22
For anyone interested in government and the law it is a must read!!! You can follow up on the book in Mr. Lichtblau's NY TIMES articles which become a
continuation of the things that he wrote about in the book.
Hooray for the First AmendmentReview Date: 2008-06-24
Lichtblau writes of the post-9/11 attitude, "This was a war planned in secret at the highest reaches of the Bush administration, with a go-it-alone muscularity that relied at its core on a broad, omnipotent reading of the president's wartime authority." There are a few heroes here who understood that the furious expansion of presidential powers was not just a given, like James Ziglar, the commissioner of the Immigration and Naturalization Service, who objected to ethnic-profile sweeps of Muslim neighborhoods. He called it "a violation of the Constitution, and I'm not going to be part of it," earning the distrust of the administration; he was eventually forced out. Chief among the victims of the surveillance described here is Brandon Mayfield, a lawyer in Oregon whose fingerprints, the FBI said, matched a terrorist bomber in Spain. You would think matching fingerprints was something basic in which the FBI would be expert. Spain tried to warn the FBI off, insisting that the fingerprint didn't match Mayfield's. For false arrest and harassment, Mayfield's family got a $2 million settlement. There were thousands of arrests which eventually showed no connection to terrorism. The expanded wiretap capacity was not constitutionally defensible, but even so, it might have had the practical effect of leading to the arrests of lots of terrorists. This just didn't happen.
The central part of the book, how Lichtblau and fellow reporter James Risen got their Pulitzer-winning story on the NSA wiretapping, gives plenty of details about the hard work of reporting. There are more than a few comparisons to Watergate; there is a Deep Throat figure pointing the pair of reporters in the right direction, for instance, and the administration considered taking a Pentagon Papers-type injunction to keep the _New York Times_ from publishing the story. The sorts of people who accuse Lichtblau of helping the cause of terrorism or who leave him death threat e-mails will miss some of the lessons here. It is not the case that the paper rushed into print with the story; Lichtblau describes how the story was essentially complete by 2004, but the paper sat on it at the request of the administration. It was only a year later, with new evidence that the wiretapping was out of control, that publication happened. The go-ahead was advanced when the staff of the _Times_ negotiating about the decision with the White House discovered that the administration had been lying to the paper about how limited the wiretapping was and how it was universally supported by administration lawyers. (When the story was published, the president attacked the decision to do so, but did not dispute a thing in it. "Confirmation didn't come any better than this," Lichtblau notes.) And Lichtblau shows that there were two additional stories about clever ways the government was using to assess communications or money paths of terrorists, but unlike the NSA wiretaps, they had no conflict with the Constitution nor with the right to privacy; not one word of these ever appeared in print. Lichtblau's book is sometimes exciting, although its descriptions of what our government does in our name are often infuriating: our president and his aides executed an eavesdropping program that many of their own lawyers thought unconstitutional, and they lied about it to reporters and to the public, and then they accused the journalists of helping terrorism. There is no advocacy needed for a free press, but a reader closing these pages will have a new appreciation for our First Amendment.
A Must read--even if it makes you sickReview Date: 2008-05-09

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Beware of medication biasReview Date: 2008-11-17
It could be my thyroid!!Review Date: 2004-02-18
A Great Reference BookReview Date: 2004-09-12
Comprehensive yet understandableReview Date: 2004-09-24
now I understandReview Date: 2004-01-15

Great Fun SeriesReview Date: 2008-06-19
Love ItReview Date: 2007-11-20
A family with a dirty secretReview Date: 2007-01-05
Older members of the family seem to hang about like vultures waiting to inherit the estate, and some people appear to be willing to help events along. There is some suspected fratricide. There are a few surprises as the novel winds to a climax.
The main problem with the novel is the tendency to digress into side issues and other cases. It makes for slow reading, especially if a reader would like to cut to the chase. There is Binkster, the dog acquired by Jane in the previous novel (see Candy Apple Red). There are Jane's family. There is Jane's relationship with her boss (who has his own way of setting fees for his clients). The other cases, while interesting, are mostly unrelated to the main plot, although they create some incidents in Jane's life.
The novel has some amount of language, sex, and violence. It is probably on the level of one of the Stephanie Plum novels. I would give it a PG-13 rating.
Enjoyed this very much!Review Date: 2006-10-19
Delightful mystery!Review Date: 2006-10-13
Working for a small investigative company where Dwayne Durbin is her boss and friend, she stumbles into a hornet's nest of crazies. Dwayne is working on a divorce case that involves a well-known family in town. The Purcells have a history related to their developing some of the first buildings and businesses in the city. Lots of wheeling and dealing have made the family wealthy. Their matriarch, Orchid, is in her 90s and controls the purse strings.
Our gal Jane Kelly has been asked to do some research work on the family for the divorce case. An unexpected call comes in from one of the Purcells asking for the help of a female Investigator on a separate issue. Since Jane knows the history on the Purcells, she is sent to take care of the assignment. Dwayne tells her to be careful and warns her that all the Purcell's are all crazy.
Jane meets with Jazz Purcell, who is more handsome than allowed, and gets her assignment. He wants her to observe Orchid Purcell, his grandmother, and determine if the old lady is losing it. Jazz wants to know if she is getting senile and no longer r capable of managing the family fortune. All the other family members want to have Orchid sign a Power of Attorney so they can claim the money.
The family is full of interesting characters all trying to get their hands on the money--some sinister and others, run-of-the mill weird. Jane gets in the thick of things and solves a murder and near murders and manages to have some romance too. Who will it be in the end? Bush keeps us guessing the whole time.
Nancy Bush has found a character in Jane Kelly that will have a long life as a private investigator, snooping under and around every nook and cranny. I am looking forward to the next case.
Armchair Interview says: Another delightful cozy mystery.
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