Bryan Books
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only oneReview Date: 2007-09-29
textbookReview Date: 2007-01-15
A Fantastic TextReview Date: 2006-08-16
Great book, just doesn't successfully meet its intentions.Review Date: 2007-01-03

Perspective From an InstructorReview Date: 2000-08-17
Pocket ValueReview Date: 2003-08-04
This book saved me from a web of confusionReview Date: 2005-05-11
During my first undergraduate sociology topic, I became confused by all the unfamiliar terms I was encountering in the readings. This dictionary saved me from a web of confusion by clearly defining each term.
The terms are explicitly explained and differentiated from each other. This sort of description is hard to come by in sociological literature.
It also acknowledges the relationship between terms by recommending other terms to refer to. Below many definitions, there are even references to readings if you want more information on the topic.
While the definitions are restricted to explain only the given term, they are also detailed enough to give a good understanding of the meaning and context of the term. Most terms are explained in a paragraph or two, while more important and complex terms or phrases are explained with more information, often in one or two pages.
If you want explicit descriptions of terms that we don't often encounter outside of sociology, or of terms that have a different meaning within sociology, this book will definitely help you. You will be able to write your papers more confidently knowing that you fully understand the sociological concepts.
Even though I no longer study sociology, I am happy to see this dictionary still resting on my bookshelf because I remember what a great help it was.
A Very Helpful GuideReview Date: 2001-07-05

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Not too keen on the introduction, but.Review Date: 2004-10-11
The trouble with the introduction otherwise is that it ignores the verse, the characterisation, the handling of individual scenes -- in short, everything that makes these plays worth reading -- and talks entirely about Themes instead. The development of Middleton's verse style is something that should be mentioned at least in passing in a selection of his plays; and maybe some attention should have been paid to the details of the Middleton-Rowley collaboration in The Changeling.
The plays are well worth reading, though, especially the three tragedies. The comedies have their moments, certainly, but I find them less immediately enjoyable than Jonson's, Shakespeare's or Massinger's.
True dramatic masterpieces from the English RenaissanceReview Date: 2005-09-09
Edition well-suited for intermediate academic studyReview Date: 2005-03-11
All five plays, which are well-footnoted, are presented without interruption. They are "A Trick to Catch the Old One," "The Revenger's Tragedy," "A Chaste Maid in Cheapside," "Women Beware Women," and "The Changeling."
As a group, I wouldn't necessarily recommend these for pleasure reading. To me, they lack the flair that so many of Shakespeare's works had, and the cultural barriers presented by the intervening ages are sufficient to deter my pleasure.
If you are very comfortable with the language of the period, I think you'd probably find them very well done, but that qualification rules out just about everybody, I suppose.
If you would like to read one just to get a feel for Middleton, I would recommend "A Chaste Maid in Cheapside," which is probably the liveliest of the five.
This edition also has a pleasantly succinct introduction that covers all of the particulars about Middleton in the typical Penguinian manner of brisk efficiency.
You're probably only going to pick this up because you have a teacher who is requiring that you do so. If this is the case, this text is appropriate for intermediate levels of study.
The top five?Review Date: 2001-08-04
As for the actual plays, they are classic Renaissance drama. There is plotting, marriage, and revenge. Fans or students of Jonson, Massinger, Marston, and Shakespeare are likely to be interested in these as well.

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For advanced college students and professionalsReview Date: 2004-08-24
Help for those unfamiliar with essay exams, UKReview Date: 2007-01-05
Best on the marketReview Date: 2002-08-01
The author has clearly taught and thought about this topic for some time and the needs of the student come first.
His explanations and examples are well outlined, and he gives lots of good reasons why a student should take the advice offered.
This is not a book about where to put a comma - this is about how to think, how to develop the skills needed to write well.
Although aimed at higher education students this book could easily be used by anyone wanting to write well.
All you need to knowReview Date: 2003-11-27

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Killer CainReview Date: 2007-05-15
A Page - Turning ThrillerReview Date: 2007-04-28
Hooker, a racist and religious fanatic, escapes from prison and becomes dangerously fixated on Cain, the man he blames for his own loss. Cain and Hooker embark on a mad journey of payback where everything and everyone Cain cherishes becomes threatened. Cain and Hooker become embroiled in a twisted and sinister chase that takes both men from the seedy and crime ridden streets of LA, to the dark and deadly forests of Alabama, and finally to Cain's brother and family in Oklahoma City.
Killer Cain is a captivating thriller filled with many surprising deadly twists and turns. The author takes readers into the vividly described violent world of guns and racist hate mongering fanatics. Although the dialogue may seem harsh to some, it gives a sense of realism to the twisted and deadly hate filled racists such as the KKK.
Within the violence and bloodshed, important themes of love, loss, and family become entwined with self-pity, guilt, and vengeance. Cain's brother and family reveal Cain's longing and painful guilt for the peaceful life that he gave up for a life of capturing criminals, and delving into the darkness they represent. My only question of a realistic approach to one issue is Cain's brother and how quick he forgives indiscretions.
At the heart of Killer Cain, is a story of revenge and redemption. From start to finish, the thriller is a definite page-turner. I highly recommend the book to readers who enjoy engaging and action packed stories with unexpected twists and turns.
Tracy Roberts, Write Field Services
Would make a solid action filmReview Date: 2007-04-23
The book is at its core a revenge tale. John "Killer" Cain, a veteran ATF agent haunted by a tragic early career that includes the disaster at Waco, Texas, is pitted against Bobby Ray Hooker, a racist gun dealer who blames Cain for his brother's death. Cain pursues Hooker from the back alleys of Los Angeles to the backwoods of Alabama, each just waiting for the chance to deliver a lead lobotomy.
It's a story that would probably make a solid action film, but as a book it's undistinguished - at several points I felt like I was just reading a film novelization and drifting from scene to scene. Though the dialogue is natural the novel's overall language is unimaginative, and similes like "fell like a ton of bricks" and "kid in a candy store" only mar the story with each use.
Cain is nowhere on the level of Philip Marlowe, with little to recommend him even as an anti-hero seeking redemption. He picks up hookers, wallows in self-pity and eventually gives up the system in favor of his own. Other characters in the book are stereotypes ranging from skinhead to housewife, and Foreman's effort to share their viewpoints only detracts from the novel's flow.
"Killer Cain's" back jacket claims the novel is written in the "hard-boiled" style of Mickey Spillane and Raymond Chandler, but it has little of these authors' terse action or literary sense. It's simply an action story that goes from start to finish, and while it makes it through the whole journey it's forgotten after the last page.
Killer CainReview Date: 2007-06-15
Bobby Ray is a punk arms dealer, born and raised in the heartland of KKK country. His kid brother Billy is his bane. The boy obviously isn't ready for the big time but he gets himself into it anyway. Like always, Bobby Ray is there trying to take care of his brother.
Unfortunately, this time even Bobby Ray can't help his brother. The two find their way into a trap. Billy is killed. Bobby Ray vows to make his brother's killer pay.
Killer Cain is the real deal. The characters seemed to have jumped right off the streets and onto the pages of the book. In particular, I thought that the dialogue suited the situations perfectly without any political correctness or watered down ideals to ruin the effect. I also have to say that I didn't expect the book to end the way it did but truthfully why would Killer Cain follow any sort of ordinary cliché of an ending. Besides it completes the reader's experience perfectly.

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A Writer of MeritReview Date: 2007-07-05
takes the biography on to a whole new levelReview Date: 2006-03-13
Johnson was a difficult character and, at times, an unlikeable person. Overly arrogant concerning his talents and constantly annoyed at his lack of sales the reader of this study will find it hard to warm to him.
Nonetheless, he did genuinely try to innovate with his fiction and I am a big fan of his experimental writing. As with many experiments, they don't all work, but I respect him for trying and find his failures more interesting than a lot of writers' successes.
Coe has constructed this book in four parts.
The first is broadly a critical analysis of his work, focussing on his novels in chronological order. This is an insightful and measured look at the books and adds a great deal for both the fan and reader new to Johnson's work. This is a section which will be re-read by many each time they tackle one of his books.
The second, and major bulk of the biography, is a life told in 160 fragments. Here Coe tells the story of BSJ's life through a collection of writings - diaries, letters, notes, published and unpublished work. It is a wonderful way to let the reader into BSJ's state of mind and the finest moments are the many times that BSJ rants at an editor or agent for not selling enough of his books.
The third is a neat collection of quotes from people interviewed for the book. Memories and views on BSJ from friends and colleagues.
The final part is a fascinating piece of detective work from Coe, piecing together BSJ's last days.
I cannot remember having read a more imaginative, honest or thought-provoking biography. This is a masterpiece and deserves a wide audience.
Terra IncognitaReview Date: 2005-12-19
The truth is that Bryan Johnson, ill read and ill served by his publishers (though he couldn't have been easy to handle) is a far more interesting author than Jonathan Coe, no matter how many awards the latter has received. The whole project had a quixotic tilt for Coe, who seems to have regarded himself very reflexively, for of course he is constantly having to defend his own bourgeois conception of the novel against the avant-garde of Johnson and, say Beckett, and constantly he is shading his generally well thought out exegeses on Johnson's books (a few of which I have not read) by citing their inhuman, formalist coldness, a quality he abhors, a quality that he believes contributes to the "deadness" of experimental writing.
So it's a funny book in many ways, and yet I am grateful to Coe for writing it, for it establishes a context, no matter how skewed, by which he might form a coherent view of BS Johnson's life and times. And surely we owe him a huge debt of gratitude if only for spending eight years interviewing many souls (and many who have since passed on) who knew Johnson and who otherwise would have let their knowledge go quietly into the grave of experimentalism in England. It is a rich turf, nearly unknown, terra incognita and nearly untouched by biographers.
All in all, a splendid book, a book you can lose yourself in, and perfect for long winter nights
"Telling stories is telling lies"Review Date: 2005-06-18
In a way, this is the biography of BS Johnson that BSJ himself would have wanted (and then some). I'm not talking about the content particularly, although Johnson's life has been rigorously researched and then described in fascinating detail, but the tone and form of the biography. It holds a mirror up to what Johnson was trying to do with his own (mostly autobiographical) novels and reflects as much as it can back at you. Johnson had two strongly (passionately, belligerently) held beliefs about the novel. First was the idea that 'telling stories was telling lies' and he tried to make his writing as honest as possible (or did he? is there in fact as much artifice in the 'truth' he writes about as in any work of fiction?), writing mostly about himself and his experiences. He didn't believe in 'fiction' but he did believe in the 'novel' and his second strong belief was that James Joyce's Ulysess changed the novel so significantly that to act as if it had never happened was tantamount to treason, instead the novel must continue to evolve. An experimental writer (although Johnson himself disputed this term, claiming his experiments were just that and never submitted to publishers), his most common experiment was with form - using whatever form he felt best suited his material.
And that is exactly what Jonathan Coe has done. He grapples with the act of writing biography, how to get at 'the truth', how to write honestly about someone you never knew, and he freely admits when he's guessing or extrapolating. He talks personally about his experience of Johnson, as a teenager, a student, a biographer, a fan, but also as a successful novelist, standing in direct opposition to Johnson, not just because Coe is admired by the literary establishment but because he creates fantastic stories/'lies'(although is it just coincidence that Coe's novel The Rotters Club, written at the same time as this biography, is more strongly rooted in his own past than any before?). And then, having collected all his biographical evidence, Coe creates a narrative out of it by using whatever form works best to 'tell the story' - usually directly quoting from a friend, an irate letter of Johnson's, one of his poems, screenplays or novels. This is done most evocatively towards the end of the biography in one section that consists solely of recollections from friends and Johnson's widow.
BS Johnson himself, of course, is the only person who could ever reveal the real truth behind the truth, what really went on 'inside his skull', but Coe manages to reveal the heart of the man. While Johnson could dismiss Coe's tentative Coda suggesting what might have led up to his suicide, BSJ and the rest of us can only admire this honest, passionate, playful portrayal of a troubled, confused man, a single-minded writer, and writing itself.

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GREAT TO LEARN METHODOLOGIESReview Date: 2008-07-24
Overall: Very GoodReview Date: 2007-08-25
There are two areas I would like to see improved upon in future versions however:
1) Have closer editing and copy proofing. There were far too may grammatical errors.
2) At times the author(s) used terms or names/labels that weren't already defined or described, so it left me having to stop reading and go back for a precise definition so that I could understand the intent being covered at the point in the text.
Other than that, well worth the read and investment. I still have it on my shelf and refer back to it when needed.
A lot of extra wordsReview Date: 2007-01-09
Great way to learn Marketing ResearchReview Date: 1999-01-12

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Surprising ending!Review Date: 2001-01-23
Satisfying Reading!Review Date: 2000-12-28
A very compelling storyline!Review Date: 2001-01-15
Great read - kept my attention every minute!Review Date: 2001-01-08

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Nice book on puppiesReview Date: 2002-12-09
Do you know about alot of diffrent dogs.Review Date: 1999-07-25
quick starterReview Date: 2001-11-08
Great Book!Review Date: 2000-02-14


A must for EVERY biologistReview Date: 2000-03-15
added the bootstrap to permutation testsReview Date: 2008-02-09
excellent coverage of randomization and resamplingReview Date: 2000-06-11
Data referenced in book are suspectReview Date: 2003-02-14
I did a lot of searching on my own for these data sets. One of these supposedly came from Sweden; but, after extensive searching through several Swedish databases I found nothing on this particular data set. I contacted the author again and requested at least a reference or link to these data sets --- no reply to my request has been received (after 11 days).
I feel strongly that all data sets referenced in a book of this type should be available to the readers. If not, then they should not be used in examples.
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