Bryan Books

Computer-intensive methods covered in Chapter 9 such as permutation and bootstrap methods are covered in more detail in Manly's book "Randomization, Bootstrap and Monte Carlo Methods in Biology." There are also a number of other specialized texts on these topics.

Throughout, the methods are reinforced with many practical examples from the biological sciences.

This book quickly gets beginners up to speed. But at the same time, doesn't attempt to overwhelm them with techno-garble. It even includes lots of screen shots, including one of Amazon.com.

Working in the industry it has the answers to commonly asked questions. How to block web sites from children? How to protect from Viruses? How to download? How to e-mail? Where are some of the best sites? Working with Favorites or Bookmarks? How to SUCCESSFULLY search?

I carry it around like a Bible for people to look at. It is a must buy for anybody who wants to web-savvy without being a techno-genius

Mr. Eisenstaedt straddles the 20th century almost perfectly. He was born in West Prussia in 1898 and died in 1995. He started photography as a hobby while a youngster, and only turned it into a livelihood as a 31 year-old man. He served in the German army in World War I and was severely wounded in the legs in Flanders during 1918. While recuperating, he visited art museums to study the compositions the painters used. It was time well spent. Later he would comment, "I seldom think when I take a picture." "But, first, it's most important to decide on the angle at which your photograph is to be taken." After the war, he sold belts and buttons. But he continued to take photographs as a hobby.

His big break came when he photographed a women's tennis match in 1927. Discouraged with the results, it was pointed out that the image of the woman serving in one frame would work well if everything else was cropped out. This image is in the book for your reference. This photograph immediately sold, and he was encouraged to come back with more. By 1929 he was doing well enough to start photography full-time.

Because of the rise of the Nazis and the popularity of photojournalism in the United States, Mr. Eisenstaedt came to the New York in 1935 where he visited Time. There he learned about plans for a new weekly photography magazine, LIFE, and became one of four staff photographers in 1936 when the magazine started. Over the years more than 80 of his photographs graced its cover.

Sophia Loren was his favorite assignment, and Ernest Hemingway was his least (Hemingway tried to throw him off the dock).

"I like photographing people only at their best." "This means making them feel relaxed and completely at home with you in the beginning."

Unlike most portrait photographers, he was informal. "I always prefer photographing in available light." His approach to equipment was similarly simple. "A Leica, a couple of lenses, a few rolls of film -- that's all he needed."

Totally devoted to his art he said, "I will never retire," and he never did.

Familiarly known to his friends and colleagues as "Eisie," "'Cold fish' or 'horrible man' were his epithets. 'Unbelievable' was his word for wonder."

These details and observations are taken from the excellent introduction by Bryan Holme.

I found Mr. Eisenstaedt's work here to be amazingly luminescent. He captures a spiritual glow in his subjects and in nature. Realizing that he was using natural light, the images and detail are very well illuminated regardless, much like what you find in Ansel Adams's work. His people have an animation of body and personality that makes the viewer feel more alive as well. Whether professional actor or ordinary person, they each resonate with the viewer through intense and attractive emotion.

Here are some of my favorite images (reduced to fit the space allowed): Italian officer sledding, 1933; Toscanni, early 1930s; La Scala, 1934; Carriage, near La Scala, 1934; George Bernard Shaw, 1932; Ruth Bryan Owen, 1934; Robert Oppenheimer, 1947; Albert Einstein, 1949; Bertrand Russell, 1951; Dancers pause, 1936; Roofs of Prague, 1947; Trees in snow, 1947; Janet MacLeod, 1937; Katherine Hepburn, 1938; Carole Lombard, 1938; VJ Day, 1945; Edward R. Murrow, 1959; John F. Kennedy and Caroline, 1960; Dame Edith Evans, 1951; Marilyn Monroe, 1953; Gene Kelly and Vera-Ellen, 1949; Frank Lloyd Wright, 1956; Alec Guinness, 1951; W. Somerset Maugham, 1942; Robert Lowell, 1959; Charlie Chaplin, 1966; W.H. Auden, 1955; Children watching, 1963; Gunter Grass, 1979; Norman Rockwell, 1974; Gilbert Murray, 1951; Menemsha harbor, 1937; Thomas Hart Benton, 1969; First lesson, 1930; Propeller, 1951; Willie Mays, 1954; Leonard Bernstein conducting, 1960; and Tree-lined road, 1978. The effects of well-known painting compositions on these images will be obvious to you.

After you view these photographs, I suggest that you try your hand at capturing people at their best with your camera. Once you get to be reasonably good at that, I encourage you to try to catch them at their best without your camera. Practice the skill of subtly encouraging people to fulfill their potential. That will make you a person of simple genius, as well.

Evoke the best!

It has aged a bit--the corporate farm is now more in charge of prices than ever--but it has aged well, and I cannot open it and read a random page without chuckling to myself.

I've read a lot of similar books over the years--Victor Davis Hanson's excellent FIELDS WITHOUT DREAMS springs to mind--but for humor and overall enjoyment, you cannot beat this little known and under-appreciated take on small farm life.