Bruno Books
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A moving meditation upon an iconic figureReview Date: 2001-06-21

Where are you, Bruno?Review Date: 2001-06-27
On the visionary chapter titled "what is a designer", Munari made it clear to me that design is a much needed public and collaborative art. He wrote as translated to english in 1966: "Art is once more becoming a trade, as it was in ancient times when the artist was summoned by society to make certain works of visual communication (called frescoes)..." and keeps going. It never made sense to me that art could only be self absorption hidden in galleries, but I guess that is yet another kind of trade.
He writes with humour and honesty, and keeps me focused on my discipline. I owe Munari a great deal.


English humor at it's best !Review Date: 2007-12-12
examples include;
what was the greatest thing before sliced bread?
why is there only one Monopolies Commission?
where is the middle of nowhere?
who plays devils advocate with the devil? etc.
In England we traditionally say Americans don't understand irony, but looking at The Simpsons, Curb your enthusiasm, American Dad etc, we know that's just a myth. If you enjoy English humor, you will really love this book


Fabulous Sizzling RABBIT Review Date: 2008-10-07
Best of the Best. I am proud to own several of these books.
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One world lostReview Date: 2003-03-23
Born on July 12, 1892, the third and youngest child of a merchant, Schulz lived and worked in Drohobycz, and reflected in all his works his close connection to his family and place. In 1939, the Soviets occupied eastern Poland, and Schulz survived that period without experiencing the deportation suffered by hundreds of thousands of others.
Still, he was unable to work. But in June 1941, when the Nazis entered the area, he was like all the Jews of Poland further enslaved. The infamous Viennese Nazi and Jew murderer Felix Landau also had a taste for art, and boasted of keeping a Jewish artist slave alive on one daily bowl of soup and slice of bread. Schulz survived a year under Landau's "protection," but on Black Thursday, Nov. 19, 1942, he was shot in the head by Gestapo officer Karl Guenther and buried at night by a devoted friend in a Jewish cemetery that has since disappeared, along with his grave.
Assembled here, with Ficowski's 28-page introduction and his 12-page essay entitled "Catepillar Cat, or Bruno Schulz's Drive into the Future of the Past," are more than 200 Schulz drawings and engravings, most of which reside in Warsaw's Museum of Literature. These include Schulz's Book of Idolatry, an early collection of 25 works, including drawings, circa 1919 and later, on which he worked for several years. It illustrates imaginary scenes of mythical pastorals, nymphs and weird men, fawning on women. There are scenes labeled "Masochistic," which are really more fetishist than the sort of full-blown evil one might expect, a series of nudes, and a 12-print section entitled "The Table," reminiscent of scenes from Street of Crocodiles.
In "Jews," readers are treated to 16 prints and sketches of Jewish worshipers, students and scholars. The collection also includes 16 self-portraits and 8 portraits, all of them remarkable in their intensity and precision. There are also several book covers. But my favorite section is the 44-page group of "Illustrations" from Schulz's writings, including The Street of Crocodiles and Sanatorium under the Sign of the Hourglass.
There is one other collection, Letters and Drawings of Bruno Schulz, that contains some of these works. But those reproductions are few, and their quality far inferior. To my knowledge, this is the best gathering of the artists' pictorial works.
How much more of his work was lost altogether? We may never know. Schulz' brilliance was incalculable, the loss of his work and world, the more so.
--Alyssa A. Lappen
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Educating the Emotions: Bruno Bettelheim and PsychoanalyticReview Date: 2000-06-12
Bettelehim was and is a controversial figure whether he wrote about parenting, autism, the kibbutz or the potentially therapeutic effects of institutions. This book addresses his ideas and their contribution to our understanding of ourselves and others for whom we care.


Fallen but Glorious!!Review Date: 2005-08-05


Abkhazia - IndependentReview Date: 2006-07-28

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catsReview Date: 2007-11-17
Author of "Hobo Finds A Home"

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Excellent Book On Anxiety DisordersReview Date: 2003-03-13
Dr. Scrigner's book is unlike most that you will find on the subject, in that he approaches anxiety disorders from a largely unbiased point of view. Most books in this category preach purely cognitive methods of combating anxiety disorders and agoraphobia, while others focus on the physiological aspects of the disease. This is one of the few that draws a balance between the two, and acknowledges that no one solution is right for everyone.
This is a pretty basic book from most perspectives, so you will not need any prior knowledge of medical jargon in order to keep up. Yet it largely sticks to a clinical overview that is aimed at doctors, patients and others who are affected by anxiety/panic disorders, agoraphobia, obsessive compulsive disorders, and more simple phobias.
About the only downside of this book is its limited size and depth. It's a fairly quick read. There is only enough room for a fairly basic discussion of very complicated subjects such as psychopharmacology, cognitive therapy, methods of dealing with stress, etc. Still, it gives an excellent overview of these diseases, and the basic methods of treatment.
This is definitely not a book that pretends to "cure" people of phobias or psychological disorders, as many seem to do these days. What it will do is give you a much better understanding of how anxiety disorders "work" and how to most effectively treat them. For anyone with an interest in anxiety or panic disorders, this is an excellent volume to have on your bookshelf.
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The book also includes Agosin's fascinating introductory essay, "Anne Frank or the Landscape Uprooted" (both in Spanish and in English translation). In this essay Agosin draws connections between the Nazi Holocaust and the atrocities committed under certain Latin American dictatorships.
Agosin's poems are somber and lean. Her voice is at times angry, at times compassionate, at times even a little wistful. She explores Anne Frank's role as young woman, as martyr, as writer, and as iconic figure. This is an important volume for those interested in Latin American literature, Holocaust studies, 20th century poetry, or Jewish studies.