Brown Books

I have always been a great fan of Chris's music. He has a way to tell you stories about rodeos and cowboys that goes straight to my heart. He has that silk, and passionate voice that grip your attention. If you listen to his songs you'll think I'd like he write a book about that song. If you buy the book, you'll think you would him to read it for you with that special Wyoming cowboy melodious voice. Better save your money for both! Domi

This book is great if your a Chris fan. It tells great stories and is a must have for collectors.

A must have for all Chris fans- and rodeo addicts everywhere! Very well writen and thought out. After reading this book, it is obvious that Chris LeDoux writes from the heart. He is in a class of his own.

I think Gold Buckle Dreams is fantastic. Chris LeDoux represents what is great about our country about rodeo, and about country music. Gold Buckle Dreams lets us see some of the stories of the life of an American rodeo legend. It is great to find someone with such talent, also being someone of such dignity, and heart. Chris LeDoux's music brings to life these stories from his life. Buy the music, then read the book! Chris' songs had pieced together a story of his life in my mind , and Gold Buckle Dreams opened the door to see even more of the life of a champion.

This has to be the first book that really caught my attention. I've never been one for reading much, but this book kept me awake till early hours of the morning because I couldn't wait to see what would happen next. It has also given me a few ideas on how to play pranks on rodeo buddies. I highly recommend this book to anyone who is curious about rodeo both as a living and as a sport. I thought that I wouldn't be interested in this book because Chris was a bareback rider and I ride bulls, but that is only a minor detail in the main plot of the story. It's grrrrrrrreat!!(Tony the Tiger impression)

In the weeks before General David Petraeus - widely regarded as the most operationally and strategically brilliant of today's ground generals -- took command of Multi-National Forces - Iraq, a friend told me he was reading Bruce Catton's classic "Grant Takes Command: 1863-1865" about that earlier US general who took charge of a war at its most critical point. I and several others piled on and eagerly devoured this book. Two weeks later, we met to discuss our observations. Mine are below. I would bet you a paycheck that General Petraeus -- himself a formidable scholar as well as distinguished soldier -- has read this book more than once and probably even perused it before assuming his new post. "Grant Takes Command" offers timeless insights into the art of command and remains relevant for several reasons that should resonate today.

I found that several myths about General Grant were just that: myths. The first that Catton debunks is that Grant was not a political general. In one of his first chapters titled "Political Innocent", Catton lays out clearly that Grant understood that the Civil War was an extension of politics, and that certain personnel decisions in his Army would inevitably be affected by this. Thus, Grant's handling of Generals McClernand, Sigel, Butler, and Banks - all of them troublesome, of dubious competence, but politically useful at different times throughout the war -- was at once skillful, politically deft, and necessary. When they had each imploded after their political usefulness had been expended, they were thus easily discarded. To fire them when they were politically useful would have strained civil-military relations.

Grant also believed in the mission completely. This included the elimination of slavery and the re-election of President Lincoln in 1864. This was no small matter in 1863. The democrats had been making overtures to Grant in 1863, and several recent commanders of the Army of the Potomac -- most famously George McClellan -- had leapt into the political arena. Lincoln felt Grant out through mutual friends before appointing him to command the Union armies. For his part, Grant did his own maneuvering to ensure that Lincoln won re-election in 1864. Grant not only gave Lincoln battlefield victories, but also ensured that soldiers of the Army of the Potomac had the opportunity to vote. One of the most skillful uses of "controlling the message" occurred after Cold Harbor and the bloody siege of Petersburg, when Union soldiers might have become demoralized at their high number of casualties. On the eve of the election, Grant ordered 100-gun salutes to celebrate the victories of Generals Sherman and Sheridan down south and out west. Catton points out that these "salutes" brought home to the Union soldiers the aura of the juggernaut of their armies inexorably closing in on the doomed Confederacy. Grant clearly understood the nature of the war he was involved in and took the action he needed to to get the job done.

Grant further understood that a great team of commanders was better than a team of great commanders. Great teamwork always beats great talent. Grant had worked very well with Generals Thomas and Sherman when he commanded out west, but with the exception of Hancock, he did not have as skilled commanders individually in the Army of the Potomac. But Grant did foster good teamwork in his army, and looked for this quality in his selection of key subordinates. In my opinion, this proved to be decisive. Grant kept and provided the required supervision for generals such as Meade and Burnside, but found little use for the self-seeking and overly critical generals such as Hooker and Smith, despite their comptetence. Most important was the relationship Grant fostered with his Commander-in-Chief, President Abraham Lincoln. Lincoln was much more involved in the military details of the Civil War than his own statements would indicate, and his oft-quoted remark that: "Grant doesn't tell me his plans, and I don't want to know" belies his own political skill at handling his best general and imposing his political will on the battlefield. It was the "marriage" between Lincoln and Grant, more than anything else, that saved the union. Catton's masterful work shows this quite clearly, and thus retains its great relevance for civil and military leaders.

This is a very readable, engaging study of the last two years of the Civil War, in which General Grant is taken from his command in the west, to the "big show" as commander of the Army of the Potomac. He is shown to be a determined, relentless leader willing to fight the war of attrition that ultimately led to the destruction of the Army of Northern Virginia. He proved to be more than a match for General Lee, who was confounded by Grant's steadfast leadership and willingness to stand tough, despite the losses of thousands of men. Grant was a very different kind of leader than his predecessors.

I also liked the way Catton developed the personal side of Grant.

This is a terrific book for those who want a straightforward history of the latter part of the Civil War, without embellishment or political bias.

"Grant Takes Command" is the second of two volumes by Bruce Catton on Grant's Civil War service and the third of a trilogy on Grant's military career (beginning with Lloyd Lewis's "Captain Sam Grant"). However, this volume can easily be read by itself. Catton picks up the story in the fall of 1863 with Grant's successful raising of the siege of Chattanooga, following which President Lincoln picks him for a third star and command of all the Union armies.

Grant is the latest in a long line of Union commanders, most of whom have been badly beaten by General Robert E. Lee and his Army of Northern Virginia, and none of whom have been able to bring superior Northern resources effectively to bear on a slowly weakening Confederacy. In fact, as Grant takes command, the war has not yet been won and could still be lost.

Grant will be the commander that Lincoln has long sought. Lincoln's telling exchange with an aide, repeated by Catton, lays out why. Grant is the first general to take the supreme command who will work in harness with Lincoln and in full acceptance of Lincoln's constraints as President of a democracy in the midst of a civil war. Grant is prepared to take full responsibility for the conduct of the missions of the armies, and without setting up an alibi in advance for possible failure. And as it becomes apparent in the course of Catton's absolutely superb narrative, Grant understands the terrible math. Lee and his army are too proficient to be easily beaten; great persistance will be called for. Grant grasps the essential truth that Lee's army is the Confederate center of gravity and the corollary that Lee's requirement to protect Richmond ultimately limits his ability to manuever. Further, Grant is able to cause the Union armies to work at a common design, denying Lee the ability to reinforce Virginia from other theaters of war. The result will be a long, grinding, and exceedingly bloody campaign stretching from 1864 into 1865, as Lee's army is slowly bludgeoned to death.

Catton's narrative does not spare Grant his errors; in the 1864 campaign, Grant underestimates both Lee's abilities as a general and the difficulties of conducting campaigns on such a massive scale. Grant has to learn the job of Army commander in chief on the move; the unnecessary casualties of Cold Harbor and the repeatedly failure to flank Lee out of position in Virginia are proof of the learning curve. But Grant's great gift is his refusal to be deterred from his objective. He pins Lee at Petersburg and uses the Union armies of Sherman and Sheridan, among others, to destroy the Confederacy's ability to make war.

"Grant Takes Command" was first published in 1960, and the details of the history of the Civil War have evolved since then. However, Catton's prose has stood the test of time. This is a truly magnificently told story on an epic scale and a highly recommended treat for the Civil War enthusiast and the casual reader alike.

Was Ulysses S. Grant a drunk? Did he win the Civil War simply by burying Robert E. Lee under a wave of superior manpower and resources? Bruce Catton addresses these questions, and many others, in GRANT MOVES SOUTH and its companion volume, GRANT TAKES COMMAND. Taken together, the two books chronicle Grant's Civil War experience.

I've read a lot of history, but I confess to being relatively ignorant about the American Civil War except in a very general sense. I've always been interested, I just never got very far into it. These two books are my first real foray into the subject. Both are very well researched and documented, while at the same time being very readable. Catton demonstrates a thorough knowledge of the facts as well as a genuine insight into Grant's character. The result, for me, was an experience that was at once informative and enjoyable.

What does Catton have to say about Grant's alleged drunkeness? Clearly, Catton is an admirer of Grant, but it's an admiration born of respect for the man as revealed in his personal records and actions, as well as in the record left by people who knew him. To get his take on this and other criticisms of Grant, read these books.

Conventional wisdom has it that GRANT MOVES SOUTH and GRANT TAKES COMMAND are definitive works on the subject of U. S. Grant's Civil War career. I certainly won't argue with that perception. If you have a deep interest in Grant or in the Civil War in general, they are "must haves". Beyond that, though, if you have just a casual interest, this is still great reading material. I highly recommend both volumes.

The second in a two part study of General Ulysses S. Grant's Civil War leadership, Bruce Catton has written a vivid narrative following the enigmatic Commander in Chief of Union forces through the final year and a half of the war.

This work won the Pulitzer Prize. Read it and you will appreciate why. It is a remarkably good book, excellently crafted, clear and precise. This one is truly well worth your time.

The Italian sugar cookies are neutral tasting and more shortbread in texture than crisp. I wouldn't want to make these again.

I do not pretend to know much about Italian desserts, but I have baked enough cheesecakes to know a good one when I bake one. I am basing my evaluation of this cookbook on one recipe alone, the outrageously good crustless Sicilian Ricotta Cheesecake on pages 220-221. You can stir up this light concoction in minutes. You don't need to beat this one, unlike American cheesecakes. It is the easiest cheesecake I've ever made and qualifies for the "quick and easy" category of cooking. The cake is light and airy, almost like a souffle, and probably has fewer calories than the usual ones heavy laden with cream cheese. Your guests can eat this delicious cheesecake without guilt.

There are literally dozens of dessert recipes here in chapters on yeast-risen pastries, fried pastries, puff pastry, cream puff pastry, plain cakes, cakes with fruit, layer cakes, biscotti, ices and frozen desserts, etc.

I have tried many of Mr. Malgieri's dessert recipes from his other cookbooks and have never found one that didn't work. I would therefore try any of these with confidence.

Nick Malgieri is, without a doubt, one of the best dessert chef-teachers in America today. In "Great Italian Desserts" Maligieri adds ethnic passion and the energy of fond memories to his enormous skill, resulting in a magnificient work. Nowhere else have I found such an array of Italian desserts presented with such simplicity. This book is a "must have" for any cook who would like to create an authentic cannoli or discover an array of Italian desserts. The methods presented are straight-forward and presented with a simplicity typical of Malgieri.

Italian desserts are both delicious and artistic. This great contribution would have been even more significant were it better illustrated. With the exception of the book jacket, the work totally lacks color illustrations of these marvelous creations. Though the book is populated with crude preparation sketches, those not familiar with the look of the final products may feel a bit frustrated in bringing these wonderful desserts to life.

I think Malgieri is by far the best book on Italian desserts. Probably its main strength is that it explains carefully which ingredients have to be used. I had gone through many failures preparing Italian recipes here in the States, usually because the American products are different (for instance, ricotta cheese or marzipan). Most books do not adjust for that, and simply translate the Italian recipe, or, even worse, they Americanize it (use of vegetable shortening, or cream cheese instead of ricotta, and other horrors). Malgieri, instead, explains carefully what to use. In addition, the book contains almost all the famous recipes, in their true Italian form.

Enjoyed the desserts when Nick was at World Trade Center, NY. The cookbook helps us recapture the quality without the airfare!!! This is a clear, step-by-step format and produces what it promises. Baking takes more time than does making soup. This book helps make the the use of our time most efficient.

I bought the book as I am going on a birding trip to Colombia in 2009. I know that the species list for Colombia is long and just wish that there was someway to have the plates as separate booklet. This book is great for studying before the trip but it way too heavy to think about taking it into the field on an all morning trek. This book weighs over 4 pounds! That said, the book is very through and it is wonderful to have a guide to this country that is so full of wonderful birds and for so many years has been out of bounds for the birder from the USA. At last it is possible to go to see these wonders and after my trip I might add to my review.

The product arrived fast and secure, I'm very happy. It's a beatiful book, I recomended a lot.

I just started birwatching and this book is a must have for every birdwatcher both amateurs and specialists.
The spanish version is very hard to get and probably in the future the Organizacion colombiana de ornitologia will release a revised version of the book.
For the moment this book is a must have!!!

I live in Medellín, Colombia, South America, I was looking for this book in the spanish edition, but it's hard to find it, so I bouhgt the enlgish version.
This book is an excellent knowledge tool and it will open the eyes of the readers to one of the many wonders we have. A Guide to the Birds of Colombia is just AMAZING. For those who love animals, in special birds, consider buying it, you won't regret it.

"A Guide to the Birds of Colombia," by Steven L. Hilty and William L. Brown is mandatory reading for serious field observers. This book treats all of the 1,695 species of resident and migrant birds known to have been reliably recorded in Colombia and on its island posessions of Gorgona and Malpelo prior to 1984.

Moreover, this massive Princeton University Press text (836 pages) includes sixty-nine color and black and white plates by Guy Tudor (one of the most talented living bird illustrators in the world) & others. And before I forget this book includes superb line drawings by Michel Kleinbaum.

I found the sections on Topography, Climate, Vegetation, Habitat Descriptions, and Conservation & National Parks excellent. In addition, the review of Colombian Ornithology and the Range Maps are valuable field observer tools. In conclusion, this is a meticulous text with an expert index that will absolutely fill all the needs of serious field obsevers. Recommended.

Bert Ruiz

Hit a Grand Slam is about Alex Rodriguez as a kid and growing up. It teaches you to be kind. I recommend it to people ages 7 and up, even if they don't like baseball. It's also a really good sports book for kids who like sports. It's one of the best sports books I ever read.

I loved this book because I got a chance to learn about Alex's life and how he handled his dad leaving. I like how he expresses his feelings and doesn't keep his feelings inside. I would recommend this book to people of all ages.

This book really affects kids in a positive way. It informs the reader "It's nice to be important, but it's important to be nice!" This having been said ever so elegantly by A-Rod himself.

Alex and his team did a great job of affluently connecting the pictures with his stories in such a way that it is one you won't want to put down until finished.

Alex is a great role model, and his book is an excellent reflection of him. His positive outlook shines throughout his book, which in turn inspires the reader, the kids.

Children are constantly searching for role models in the public spotlight. Alex Rodriguez's book introduces them to an outstanding human being who has experienced many of the obstacles in life that young children face today. Alex shares his memories of his past and the events that shaped his youth. Children will identify with his struggles and the concerns that he faced in his own childhood. Wonderful pictures fill the book and are sure to delight any fans of Alex. Most importantly the book carries the message to children that they CAN succeed with hard work, no matter what hurdles life throws at you!

This is a wonderful book. This Book shows how even through adversity you can still rise above, and achieve success. It is a book for all ages, Alex had difficult times, but he did not let it stop him..that is an inspiration.

How to be a Pirate


How to be a Pirate is one book you have to read sometime in your life! This book from Cressida Cowell is about pirates dragons and thieves! I recommend this book to people the like adventure and dangerous books. A boy named Hiccup his dad is the chief of the Harry Hooligans Hiccup must become the heir. He must go to the island of the scullions and get the treasure of Grimbeard the Ghastly. But there are a few problems they come acrossed a guy named Alvin the Treacherous. He wants in on the treasure so he says he is "Alvin the poor but honest farmer". They sail to the island of the skullions on the Lucky 13. Alvin stays in the boat Snout Lout finds the fake treasure but Grimbeard booby-trapped it. They almost get killed. Will Hiccup find the treasure first and become the heir? Find out in the book How to be a Pirate.

How to be a Pirate
By Cressida Cowel

Have you ever been with Vikings? Now you can. This book is very funny and imaginative, recommended for all ages.

The book's point of view is from Hiccup, the main character. The action begins on a pirate ship named the Lucky Thirteen where Hiccup and the Hairy Hooligans are practicing to be pirates. Each boy has a dragon for a pet. They find a coffin floating in the water. They open it and out pops a character named Alvin, the poor but honest farmer. This is an example of this wild, wonderful, heartwarming fiction. Toothless is the name of Hiccups dragon. Although Toothless is very lazy he is also very funny. An example of a funny quote is "He leapt forward and bit that wobbling rear end as hard as he could".

I liked this book because its funny and adventurous. The characters have hilarious names, like Dogs Breath the Duh Brain, Snotlout, Baggy Bum. Hiccup and his best friend, Fish legs are both wimps. This book will show that even wimps can save the day. Don't read this book without reading How to Train Your Dragon, the first book in the series of three. You will find yourself going on an adventure and laughing hysterically.

My 9 year old read all three of these books within a few days and giggled his whole way through. Highly recommend!

My Name is Jack and I'm 8 years old and I love to read. I read this book in three days because I just couldn't stop reading. I loved it because it was funny, surprising, and one of the best books I've read. My favorite part was when the boat sinks and Hiccup ends up in an underwater cave and finds the treasure of Grimbeard the Gastly. It's all about Pirates, Vikings and Dragons which I love. Now I am gong to find the other books in the series too!

I read this book and "How to Train Your Dragon" to my fifth grade class. When I finished they begged me to go on Amazon and look up the next book - which we discovered will be published in May. I ordered it right then and they have circled the anticipated delivery date. The characters are amusing, the writing is fresh, the vocabulary (especially the character's names) is right up an adolescent's alley - and they loved having a grown up having to pronounce names like Snotlout and Baggybum. Practically every one of the kids (average to above average readers) have read both of the books on their own, also.

This book is informative and very well made. Hundertwasser is one of my favorite artists and I own several books about his life and work. This is one is (so far) the best. The Taschen book reproduces his work beautifully, showcasing the washes and color use that make his work truly sublime. It also contains some wonderful photographs of the buildings he designed, which make one wish all construction could be so imaginative. This book was more than I expected for a very fair price.

This book really shows off Hundertwasser and is a great addition to any art collection. This is another hit by Taschen.

REVIEW SUBTITLE: A Serendipitous Purchase

While I had come across references to "the art of Hundertwasser," because I knew only of him as an architect and consider architecture an art, I assumed that the colorful work adorning the cover of this book was one of the Gaudi-esque architect's occasionally fancified plans. As a number probably know, however, it is not. Rather it is but one of Hundertwasser's many paintings.

Though I'd expected a book on architecture, I was not disappointed to receive one focusing on H's development as a painter. In fact, I was elated, for splashed across approximately 2/3rds of the 197 pages of this book are what had originally attracted me to him: the "lush opulence" of what I now know are his watercolors and paintings.

This book, however, is not just a visual feast. In addition tracing his development as an artist, the text includes and discusses H's thoughts on topics such as those noted in the Table of Contents I've included in the commentary following this review. And while some may seem esoteric, the discussions are not. In fact, they're fascinating.

That most of the focus of Taschen's retrospective of H and his work is on water colors/painting is not surprising, for so few of his structures were ever realized. However, approximately 30 well-illustrated pages are devoted to H's theories about architecture, his architectural models, and the utopian structure he was commissioned by the city of Vienna to build.

I was certainly correct in one assumption I made when I ordered HUNDERTWASSER: With the words "Taschen 25th Anniversary" attached to its title, I could not go wrong. Nor will anyone who purchases it.

Note: Lest you give any weight to L. Egan's comment about the book's "downsides," please read my response to his review.

I am a quilter, and bought this book largely because of my love for batiks,(which are cotton fabrics hand dyed)and on recollection of a show I saw 32 years ago on Hundertwasser in Toronto's ROM.I like it,big time.Yep,there's no gold leaf in them thar hills and curves of Hundertwasser repros,if it bothers you enough,grab a gold leaf marker and add it yourself.Taschen offers value for your money,if you want gold leaf,you may have to add another 20.00 to the cost of the book.I have no problems about the quality of the repros.Anything that looks like pale brown,try and doublecheck,it is likely it is gold leaf. The artist may not have alot to say as other painters,but his designs,and color sense are really got me going into my studio.
I am glad I got it!

Any book about art or an artist that doesn't make me fall asleep gets five stars from me. The only downside (but it still gets five stars) as that you don't get the full representation of the pictures and need to look at the description to see the medium. For example the foil overlay. Still wonderful. (Feb 17, 2008)

I eventually found a small, beautiful, cloth-bound catalogue of his Australian and New Zealand exhibitions (the one I have was produced in 1973 by cicero, gmbh and titled 'Hundertwasser 1974 Australia') and there you get glimpse of the phosphoric metallic brilliance that I find missing in many of the books about Hundertwasser - although for the price of these books, no complaint. This book and the catalogue are a good combination. The catalogue I was able to find at a very reasonable price of $30, but it took a bit of searching. (April 16, 2008)

This is a beautiful story and the illustrations are superb! I've given this as a gift... always a big hit!

From the book - I'm coming, Mama, I'll see you soon. I know just how... I'll follow the moon (how sweet is that?)

This is one of the best children's books I have ever read! My [...] son, who loves turtles, is inpired to read with this book. Stephanie Lisa brilliantly incorporates the adventure of a baby sea turle hatchng from his egg to his trip into the sea, all the while following the moon to find his mother. The illustrations are beautiful. A must read!

A neighbor sent me the link to this author's website and I immediately became entranced with her style, it is unique, captivating and totally engaging - my kids (5, 6 and 8) LOVE it! I sent the web site link to all my friends - everyone adores her books, they are fun, inspirational and this mom wants to put the word out for others: With the oversaturated, overabundant children's picture book market, why not choose books with sweet, thoughtful and positive messages?! It helps us moms do our jobs better! From one mom to another - thanks Stephanie Lisa Tara!

The Mom's Choice Awards® honors excellence in family-friendly media, products and services. An esteemed panel of judges includes education, media and other experts as well as parents, children, librarians, performing artists, producers, medical and business professionals, authors, scientists and others. A sampling of the panel members includes: Dr. Twila C. Liggett, Ten-time Emmy-winner, professor and founder of Reading Rainbow; Julie Aigner-Clark, Creator of Baby Einstein and The Safe Side Project; Jodee Blanco, New York Times Best-Selling Author; LeAnn Thieman, Motivational speaker and coauthor of seven Chicken Soup For The Soul books; Florrie Binford-Kichler, Founder of Patria Press, Inc.- an award-winning independent publisher and Member of The Children's Book Council; Tara Paterson, Certified Parent Coach, and founder of The Just For Mom Foundation(tm) and the Mom's Choice Awards®. Parents and educators look for the Mom's Choice Awards® seal in selecting quality materials and products for children and families. This book has been honored by this distinguished award.

I stumbled across this book quite by accident, and I found it to be a treasure. The verse is lovely and calm, as are the illustrations. It also depicts fairly accurately a remarkable natural phenomenon. As a new mom who longed for a child for many years and eventually adopted internationally, I found the symbolism achingly beautiful. I have since given the book to several friends who have also waited for their children to find them. This book is far too beautiful to be limited to the adoption genre, however. It is very meaningful on a number of different levels!

Surely, if this man had any other surname, this novel would have received the acclaim it deserves... the cloud!

"Reading some of the reviews I notice a few individuals reading much further than the words on the pages - a word for those Millionaire virgins... try not to do this until say, your 5th or 6th read. It may interfere with your enjoyment "
- ME, just then

To think I stumbled on it by ACCIDENT, attracted to a 1984 re-print with a compass on the cover, having recently read a half entertaining nautical adventure! A read so enjoyable I'm almost relieved it did not receive its due - over-analysed masterpieces and authors often get spoiled through the process, or on occasion battered into a film... the silver lining! Enjoy!

"An Innocent Millionaire" is a bitter book and quite obviously the work of an angry man. Vizinczey gives vent to his hatreds on just about every page of his novel. Some of his targets are well-ventilated already: lawyers, taxes, junk culture, greedy corporations, etc. But it is his two main hatreds -- women and New York City -- that cause him to lose perspective and damage an otherwise rather impressive novel.

First the misogyny. Vizinczey's dislike of women leaps from every page of this book. Most of the women in his story are just the tools of the rich men in their lives. Almost all of them are faithless. The few successful women all slept their way to the top. Take, for example, the female character who publishes and edits a prestigious fashion magazine. Before we have a chance to waste any admiration on her, V assures us that she is no more than an ex-fashion model whose married lover bought the magazine for her just to keep her happy. Another successful woman whom V takes pains to keep us from admiring is the Chief Valuation Officer for the Bahamian Ministry of Finance. Despite the fact that the woman has earned a bachelor's degree from the University of South Florida, a masters from the University of Toronto, and a doctorate from the London School of Economics, V dismisses her as "Nassau's top she-bureaucrat" (note: none of the male bureaucrats in the book is ever referred to as a "he-bureaucrat") and assures us that she is nothing more than an overeducated secretary who acquired her government position by sleeping with her boss. As the main characters are leaving this woman's office, they deride her with an anecdote one of them believes is worthy of "Playboy" and dub her "Miss Passionate" -- a reference to another secretary they all disdain. In fact, V seems to have a special distaste for female secretaries. In a later scene, after the main character concludes his business with a female secretary who has never been anything but pleasant with him, V concludes: "If there is a hell, there must be a special pit reserved for nice, sweet, charming intelligent secretaries who have spent their niceness, sweetness, charm and intelligence on covering up for their bosses."

But even more than women, V hates, despises, LOATHES New York City. The last third of the book is nothing more than an extended diatribe against New York lawyers, New York art dealers, New York politicians, ad nauseum. It's a shame, too, because this bile poisons the book just as the shipwreck story is beginning to get interesting. But the shipwreck and its history pretty much vanish once V sets his sites on his real target: NYC. In fact, in many ways, the Note From The Publisher appended to this edition of the novel by the University of Chicago Press (and which, by the way, reads as if it were written by the author himself) is a small analog of the novel itself. The Note starts out interestingly enough by telling us that Vizinczey is a difficult name to pronounce, leading us to expect that somewhere before the Note's end we will learn that pronunciation, just as in the book we hope that somewhere near the story's end we will learn the final fate of the shipwrecked Flora. But, alas, the promise is never kept and the Note, like the novel, devolves into another cliched rant against NYC, which is taken to task for failing to fully appreciate Vizinczey's genius. Although we are assured that the book was reviewed favorably by the NYTimes Book Review when originally released, we are expected to share the author's outrage that it was reviewed in brief and apparently not given the kind of consideration that a major literary work deserves. We are told that when the author's first novel was published in 1966, it received so little notice in New York that it had to be remaindered after three months. As if New York City itself is responsible for the fate of every author who doesn't become as well-praised as, say, Graham Greene. Tens of thousands of novels get published in this country every year. Just to get mentioned in the NYTBR is a rarity for most writers.

At any rate, I for one had no difficulty understanding why the culturati of NYC (or anywhere else, for that matter) might have been underwhelmed by An Innocent Millionaire. For one thing, it is burdened by the author's blatant efforts to evoke the reader's memory of Heinrich von Kleist's tale "Michael Kohlhaas," a much better story of justice denied. Kleist's name is evoked about twenty times during the course of the novel, just in case we don't get the connection. It is almost as if V had been trying to write his own reviews of the book and became bitter when the NYC reviewers wanted disagreed with his self-assessment. This heavy-handedness combined with the author's troubling misogyny and blind hatred for NYC torpedo what could have been a really great novel. At one point in the book a character derides such schlocky plotboilers as Colleen McCullough's "The Thorn Birds" and Sydney Sheldon's "A Rage of Angels." V is a better writer than either of those two populists, but his novel is only slightly more worthwhile than Sheldon's and not nearly as well-realized as McCullough's. Ironically, it is V's hatred of NYC that does him in. He seems to be insisting over and over again that NYC isn't worth the consideration of any decent person, much less a true artist (one of his Ten Commandments for writers is "Thou Shalt Not Worship London/New York/Paris"). But if NYC is so beneath his consideration why does he fume so over the fact that his work hasn't been better received there? He should have stuck with his shipwreck story and left his hatred of NYC for some other venue.

Stephen Vizinczey (sp?) is, in my estimation, the greatest living author I've read. Or at least my favorite. He is also a great hero of mine, and I do not have many heros.
Why is this? The man tells the truth. He isn't concerned with the consequences of revealing his thoughts to all comers. A previous reviewer accused him of misogyny, but I don't believe she's read "In Praise." I think what she was pointing to is a quality I regard as a virtue in Mr. Vizinczey. He is brutally honest in all things, and for a man playing at being omniscient, he does a pretty good job. One of these things he is honest in is the role that appearance plays in our thoughts and interactions. Some people use sex appeal outside of the bedroom. Sometimes the social progress people make in life is tied to their attractiveness, and sometimes this is not the case. Mr. Vizinczey is not the only one who finds this remarkable.
Mr. Vizinczey has also taught me a great deal about life. To get any lasting knowledge from a book is noteworthy, but the roles that two of his have played in my life seem more like the work of the Hand of God. I read this book at the age of 24, working my way up the economic and social ladder in NYC, and at the same time, hating the goals of success. The first 200 pages confirmed my beliefs about the cannibalistic nature of success, and then, as I contemplated giving up on my idea of success, my fictional alter-ego's luck got better. He met a lawyer who took on the case he had previously lost all hope in winning, and still was not quite convinced that it was worth trying. Mark Niven said something like, "The world is evil!" To which his attorney replied, raising his arms and looking at the sky, "But there is also chance."
Damn, that was a valuable lesson.

I read this book once in high school and once in my third year of college. When I first read An Innocent Millionaire I was intrigued by the adventure. As an adult I found that the book was really about life , of tragedy and the state of the world we live in. This book is a must read.

In difficult times we like to turn to books, especially to novels. But it would be a mistake to think that only light and syrupy stories bring us relief. On the contrary, we need the company of authors who, thanks to their perceptiveness and creative vigor, describe the world as it is, without false embellishment. We sense that these writers are able to face the worst of all possible worlds because they keep alive in themselves the promise of peace and goodness. For this reason we are moved by their vision.

Vizinczey's Innocent Millionaire brings us such a subtle solace. The novel is an enthralling roller-coaster of fortunes and passions, full of striking dialogues. It even manages to say something new about the birth of love. Marianne, the heroine of an ultimately tragic love affair, is one of the most lovable woman I have ever encountered in fiction, surpassing even the desirable and generous ladies of the author's previous masterpiece In Praise of Older Women. But this is a very different novel. Here the author weaves a tragic love relationship into the story of a fraud, showing how small and ridiculous are all those stupid and greedy people who make our life miserable or dull. If you are satisfied with the world as it is and approve its values, you will scorn this book. But for the dissatisfied reader, it is a rare treat and a unique source of comfort.

i really enjoy reading this book because it help me understand fibroids and know more about them.

I brought this item as a gift for someone who was dealing with fibroids. Prior to ordering the book on line, I had the pleasure to review the book as well. It is an excellent and informative book, which is well written. I recommend this book for any women who is dealing with fibroids.

Thank you.

the best book on the market for women of color who suffer from fibroids.when i was thinking of surgery monique's book helped me make the final choice.I am so glad I bought it.I will recommend it to all those who are going through the same thing.

I found Monique Brown's book more informative than any I read of its kind. So much so, I recommended it to a number of women and even purchased it as a gift for some of my friends.
Many of them wished they would have known about the book prior to undergoing a hysterectomy or a myomectomy.

I found the case studies inspiring and the resources quite helpful for my research. The diagrams were awesome as they helped me to picture what fibroids actually look like in and on the uterus. Furthermore, the natural healing information has been extremely helpful in providing alternatives to surgery. Overall, I especially liked that it was an easy warm read and not cold and clinical.

First, let me say that, "It's A Sistah Thing," by Monique R. Brown, is one well written and well researched book on fibroids. Ms. Brown's credits include: senior editor of Black Enterprise Magazine, an adjunct professor at Long Island University, and President and Founder of Professional Women of Color.

The author, Monique Brown, had fibroids and has herself faced the horrible specter of hysterectomy. She was one of the lucky ones and got a myomectomy. She reports that her myomectomy improved her sex life.

The main thrust of the book is to advance alternative approaches to fibroids; however, she does take the op to sound many important alarms. She is delicately raising the hysterectomy/race connection. She notes UAE is new with few studies done and then adds Dr. Scott Goodwin's remark, pg. 203, "If you embolize and block the blood supply to the nerves going into the uterus, those nerves may very well be damaged. And if you were feeling something in your uterus that was pleasurable, you may no longer feel that after embolization."

And Monique is pretty straightforward about hysterectomy and sex. On page 204 she quotes Herbert A. Goldfarb as saying that 40% of women indicate a reduced sexual response after a hysterectomy and then goes on to briefly explain why. But what made me buy the book?

One short sentence found on pg. 201, "There's also a theory that the vagus nerve, a nerve that shoots from the cervix to the brain stem, is a pathway for orgasmic sensations." Readers, that is not common knowledge. Ms. Brown has done her homework.
Let her share what she has learned with you!