Brooks Books
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i love this bookReview Date: 2007-11-08
FascinatingReview Date: 2003-04-25
I read quite a few textbooks for work and occasionally just for interest's sake, but this one really stands out. After reading the first few chapters, I found myself wishing I could sit in on Hall's lectures. His style is intensely personal, and his explanations are incredibly clear. I'll admit that sometimes my eyes glossed over while slogging through some of the numbers and charts, but it was mainly my fault for not being a more active reader. In order to get the most from this book, you really need to read it with calculator in hand, or better yet, an Excel spreadsheet open, ready to try out the numbers and scenarios that Hall provides us with. Nevertheless, the math is kept quite simple- -no calculus; if you can do algebra, you should be able to get through the book.
I've found the information in the book to be quite useful. Hall's description of how resonance works in drums has helped me make sense of my tabla teacher's pickiness about where my fingers strike the tabla heads. And at last I understand the physics behind why some rooms in my house are acoustically dead, and others are alive. Hall has opened up a new world of ideas for me, and I will be thinking them through for years to come. I would recommend this book to anyone who wants to know how music really works.
Great starting point for studying the intersection of science and soundReview Date: 2006-12-09
The author provides an integrated understanding of three major areas: the production of sound by various sources, the propagation of sound from source to listener, and the perception of sound by the human brain.
For easier reading, each chapter starts with an introductory section that sets up the chapter. There are also summaries and lists of symbols, terms, and relations highlighting the most important terms and quantitative expressions in each chapter. There are realistic and interesting exercise sets containing both qualitative and quantitative questions for each chapter, with most chapters containing 20-25 exercises. There are also projects included that provide out-of-class assignments that generally require students to do research. There are approximately three of these in each chapter. Finally, several new photographs have been added to this third edition, particularly of the inner ear structure and of the vocal cords in motion.
Like the previous reviewer, I make a habit of purchasing and reading several textbooks a year, and sometimes I am very disappointed and sometimes I am not. This is one of those purchases that I found most worthwhile. If you are interested in the intersection of math, acoustics, perception, and musical instruments I highly recommend it. A math background up to the level of algebra and geometry should be sufficient to understand the quantitative portions of the book. The table of contents is as follows:
1. THE NATURE OF SOUND.
Acoustics and Music. Organizing Our Study of Sound. The Physical Nature of Sound. The Speed of Sound. Pressure and Sound Amplitude.
2. WAVES AND VIBRATIONS.
The Time Element in Sound. Waveforms. Functional Relations. Simple Harmonic Oscillation. Work, Energy, and Resonance.
3. SOURCES OF SOUND.
Classifying Sound Sources. Percussion Instruments. String Instruments. Wind Instruments. Source Size. Sound from the Natural Environment.
4. SOUND PROPAGATION.
Reflection and Refraction. Diffraction. Outdoor Music. The Doppler Effect. Interference and Beats.
5. SOUND INTENSITY AND ITS MEASUREMENT.
Amplitude, Energy, and Intensity. Sound Level and the Decibel Scale. The Inverse-Square Law. Environmental Noise. Combined Sound Levels and Interference.
6. THE HUMAN EAR AND ITS RESPONSE.
The Mechanism of the Human Ear. Limits of Audibility and Discrimination. Characteristics of Steady Single Tones. Loudness and Intensity. Pitch and Frequency. Pitch and Loudness Together. Timbre and Instrument Recognition.
7. ELEMENTAL INGREDIENTS OF MUSIC.
Organizing Musical Events in Time. Melody and Harmony. Scales and Intervals. The Harmonic Series.
8. SOUND SPECTRA AND ELECTRONIC SYNTHESIS.
Prototype Steady Tones. Periodic Waves and Fourier Spectra. Modulated Tones. Electronic and Computer Music.
9. PERCUSSION INSTRUMENTS AND NATURAL MODES.
Searching for Simplicity. Coupled Pendulums. Natural Modes and Their Frequencies. Tuning Forks and Xylophone Bars. Drums, Cymbals, and Bells. Striking Points and Vibration Recipes. Damped Vibrations.
10. PIANO AND GUITAR STRINGS.
Natural Modes of a Thin String. Vibration Recipes for Plucked Strings. Vibration Recipes for the Piano. Piano Scaling and Tuning.
11. THE BOWED STRING.
Violin Construction. Bowing and String Vibrations. Resonance. Sound Radiation from String Instruments.
12. BLOWN PIPES AND FLUTES.
Air Column Vibrations. Fluid Jets and Edgetones. Organ Flue Pipes. Organ Registration and Design. Fingerholes and Recorders. The Transverse Flute.
13. BLOWN REED INSTRUMENTS.
Organ Reed Pipes. The Reed Woodwinds. The Brass Family. Playable Notes and Harmonic Spectra. Radiation.
14. THE HUMAN VOICE.
The Vocal Apparatus. Sound Production. Formants. Special Characteristics of the Singing Voice.
15. ROOM ACOUSTICS.
General Criteria for Room Acoustics. Reverberation Time. Reverberation Calculation. Reverberant Sound Levels. Sound Reinforcement. Spatial Perception.
16. SOUND REPRODUCTION.
Electric and Magnetic Concepts. Transducers. Microphones. Amplifiers. Recording. Loudspeakers. Multiphonic Sound Reproduction.
17. THE EAR REVISITED.
Types of Pitch Judgment. Pitch Perception Mechanisms. Modern Pitch Perception Theory. Critical Bands. Combination Tones. Loudness and Masking. Timbre.
18. HARMONIC INTERVALS AND TUNING.
Interval Perception. Intervals and the Harmonic Series. Musical Scales. The Impossibility of Perfect Tuning. Tuning and Temperament.
19. STRUCTURE IN MUSIC.
Melodies and Modes. Chords and Harmonic Progressions. Consonance and Dissonance. Musical Forms and Styles.
20. EPILOGUE: SCIENCE AND ESTHETICS.
APPENDIX A. WRITTEN MUSIC.
APPENDIX B. THE METRIC SYSTEM.
Units for Physical Measurements. Scientific Notation and Computation.
APPENDIX G. GLOSSARY.
APPENDIX H. HINTS AND ANSWERS TO SELECTED EXERCISES.
Index.
The Chromatic Scale; The Chromatic Series Slider.

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They're never too youngReview Date: 2008-11-02
My brother and my sister-in-law are probably going to kill me, but I don't care. If this book does not somehow wind up in bedtime literature history (like "Goodnight Moon"), it will be a travesty. The combination of lilting word rhythms and sweet illustrations will charm and soothe any restless child, and a few adults I can think of as well. Highly recommended.
What a great book!Review Date: 2008-10-31
I was so impressed with it I picked up another copy for my office waiting room, so parents will have a good book to read to their children while they wait.
The author/artist does a wonderful job...knew his work in college (go 'Saders!) and I think he'll continue to produce some amazing comics and children's books.
Love itReview Date: 2008-10-16

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As good if not better than the standard texts out thereReview Date: 2005-11-15
excellent adv undergrad text on numerical linear algebraReview Date: 1996-07-30
A very resourceful and readable book on this subjectReview Date: 2000-01-27

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The Ocean Book is Great!Review Date: 2007-07-26
Beautiful and God-honoringReview Date: 2007-06-27
WonderfulReview Date: 2006-06-03

EXCELLENT.Review Date: 1998-08-07
Excellent ReviewsReview Date: 1998-07-19
...Work of this sort can and help liberate us from obsolete structures and strictures toward the ultimate freedom of expression that is the artist's Eden...
DAVID HOPPER ALBUQUERQUE JOURNAL
...Picture the childlike innocence of Italo Calvino's early tales, ballasted by an alineation that invokes the lost souls of Beckett... JOHN STRAUSBAUGH NEW YORK PRESS
...Perez's journey is fable, but a modern one, discontinous and interactive, the connective tissues left out...The Odyssey is an original book...
JAMES GRAHAM HUNGRY MIND REVIEW
great bedtime reading for the permanently twistedReview Date: 1997-02-14

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The quality of Balzac Review Date: 2004-11-02
PeerlessReview Date: 2007-11-20
Highly recommended.
Caffeine Inspired RealismReview Date: 2002-12-09
The protagonists of the story are Eugene, a young and poor law student, and old man Goriot, the aging father of two narcissistic daughters who live in the upper strata of Parisian society. While many mediocre authors manage to make cardboard characters out of real people, Balzac has the task of making cardboard people real. Eugene is invited to a ball held by his cousin, a countess, and falls in love with the beautiful people and their world. He is determined to be a part of it. Vautrin, a fellow boarder, a wise street philosopher, and prototype for modern day CEOs, tells Eugene that money is everything. Eugene promptly appropriates every cent of his family's savings to buy the clothes that will allow him to blend in with the aristocracy. Soon he meets Goriot's aristocratic daughters and falls in love with one of them. These two grasping young ladies, in their need for the necessities in life (fine clothing and jewelry), have taken so much money from their formerly wealthy father that he now lives in abject poverty, sleeping on a moldy straw mattress in Madame Vauquer's boarding house.
By now I am sure that you have discerned Balzac's attitude toward the socially elite. He has no love for people who are famous for being famous. We should resist the urge, though, to shake our heads in wonder over these strange 19th century Parisians. If Balzac were alive today I am sure he would loosen his poison pen on our own celebrities whose meaningless lives are constantly being spotlighted during their fifteen minutes of fame. Balzac is a lively writer. He supposedly drank huge amounts of coffee every day, and his writing often seems to be the product of a highly caffeinated mind. If the highly stylized writing of some Victorian era writers numbs your brain you might want to dip into Balzac.
I strongly recommend that you consider purchasing the Norton Critical Edition of this novel. It provides an additional 150 pages of commentary on Balzac, this novel, and his oeuvre in general; an extra dollar or two well spent.
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PhenomenalReview Date: 2007-03-01
Excellent review of personology !Review Date: 2000-02-19
This book does not only present fair and detailed accounts of various theories of personality, but also succeeds in capturing the reader's imagination and truly represents personology as a fascinating and uplifting discipline.
Additionally, the second section of Maddi's work features discussions of empirical and rational support for various theories, as seen from within the author's proposed conceptual framework for clarifying personality theory.
This book is an indispensable guide for all students of Psychology or Philosophy
Salvatore Maddi's Classic Text - Personality theoriesReview Date: 2003-10-29


Honest stories written by wise womenReview Date: 2005-11-15
[...]
A MUST-READ FOR ALL WOMEN!Review Date: 2005-11-14
PINK JASPER IS A RED HOT BOOK!Review Date: 2005-11-10
I ENJOYED EACH AND EVERY WORD OF THIS BOOK AND FELT CONNECTED TO EACH AND EVERY AUTHOR WHO SHARED THEIR PERSONAL STORIES IN THIS TERRIFIC COLLABORATION! I WAS LUCKY ENOUGH TO BE ASKED TO DO A FORMAL REVIEW FOR THE BACK OF THE BOOK AND IT IS MY PLEASURE TO SHARE IT WITH YOU HERE:
"Pink Jasper easily ranks as one the best books I've ever read! It is a tightly organized collection of poetry and essays chronicling the personal journeys of six outstanding authors. From the loss of a child- to surviving cancer- to the discovery of God, this book grabs one by the hand and draws one through a wide variety of emotions and challenges. There is deep grief here, illness- and yet laughter and divine celebration. The material is superbly balanced and superbly written. Pink Jasper is a spiritual breeze- and yet a hardy gemstone- that lands on one's lap and sparkles like no other."
- Anastasia Clark
Poet and Author

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its great for science fairsReview Date: 1999-05-22
Pond and Brook A guide to Nature in Freshwater EnvironmentsReview Date: 2003-07-10
All-around best ecology book for general readersReview Date: 2007-04-10

Very simple and informativeReview Date: 2007-08-24
Great customerReview Date: 2007-08-28
A good book to have, even if you're not taking the class!Review Date: 2002-05-08
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It is a nice introductory book both for music and physics.. physics students who are learning wave theory should consider reading at least some chapters of this book..