Brooks Books

This book does a great job of delving into the text of revelation and trying to understand it through a similar framework of the first readers. The first time I read it, I thought they spent two much time talking in the first chapter about alien encounters and such. Then one of my friends led a bible study on revelation and the first comment was that it was an alien encounter/out of body experience. The authors were thinking ahead. Great book.

Wes Howard-Brook and Anthony Gwyther have written an excellent commentary on Revelation. Like most mainstream scholars they believe that John of Patmos was writing about the Roman empire of his day. What I found especially unique about this book, was its very fascinating account of the imperial court and imperial worship. The authors make a very good case that Revelation's message to its Asian Minor audience was not to compromise with the deadly - both to soul and body - Roman imperial culture.

Furthermore, the authors also discuss applications of Revelation to current social justice issues. I really learned a lot form this book. I also used Unveiling Empire to teach an adult education class at my church. The class seemed fairly well received, and part of the reason was due to this book.

This is a thematic rather than verse-by-verse commentary. An underlying premise is that the churches of Asia Minor who originally received this letter were not under the severe persecution from Rome that has long been assumed. The authors assert that it was in fact a time of peace and affluence, and the churches in Asia Minor were succumbing to assimilation. The parallels with churches in the West are therefore more exact and evocative than previous interpreters have understood. The authors are not shy about drawing out the similarities between Babylon (as depicted in Revelation) and contemporary global capitalism (the incarnation of Babylon that surrounds us today). Drawing inspiration from Dorothy Day and the Catholic Worker movement, as well as the interpretive and prophetic work of Daniel Berrigan and William Stringfellow, this is a provocative reading of a consistently neuralgic but unavoidable part of the canon. The political implications are drawn out in a final chapter dialogue between the authors.

Howard-Brook and Gwyther unpack what Revelation really means. Studying the book in its original context - remember, Revelation was written for the first century, not for us! - the authors still connect the concerns of John of Patmos' day to our own. They see Revelation's message of faithful resistance to the surrounding patriotic culture and how John warned the early Christians to resist it and preach the good news instead. And they uncover what the "beast" really is in modern society. A thoughtful and passionate understanding of this fantastic book's true message to both its time and our own.

Every truly great read has an exciting ending. The last chapter is where it all comes together.

Yet most who daily read the most popular book in the world, have never comprehended the last chapter, the Book of Revelation.

"Becoming Empire" identifies hundreds of 'hyper-links' in the text of Revelation to the preceding books of holy scriptures. The veil lifts, and the reader begins to see and hear not fictions of starwars, but God moving through history and pointing to the here and now.

Today is the battle, and God's children are in the front lines. The whole Bible, understood, is their map to victory.

Great for rambunctious kids!

Let me say, first, that I really like this book, as do my young nieces. Those four stars weren't an accident.

However, there are a few possible concerns.

First, this book is, unsurprisingly, full of slapstick. Pianos falling on heads, kids sticking pins into their dads, men falling down the stairs, that sort of thing. Lots of comic violence. If this is not your thing, please check the book out at the library before buying it.

In addition, there's some comic semi-nudity, notably the scene where a lion rips the entire back off a man's outfit. Pretty funny, nothing obscene, but, again, if this isn't your thing, read before you buy.

Finally, in a book spanning, what, 32 pages? There's only one depiction of non-whites, on the N and O spread. Every other person in the book is white. Yeah, I understand that this is a retro-style book, like something you would've seen in the early part of the last century... but we're not living in the early part of the last century. We're living in the 21st century. It would have been trivial to add more non-white characters in this book. It's not a bad book because of this fact, it just could've been a better book because of this fact. Little disappointed there.

But yes, all that aside, this is a good book, and I really recommend it.

Bought for my now 6-month old granddaughter. She really enjoys the sounds and joins in with her own.

My little boy loves this book and has loved it since he was a year and a half old. It combines great pictures that have lots of action with action words that really grab a kids attention and without any effort they learn their ABC's along with the words. For little boys especially I think they enjoy things more that come with a sound track and this fits the bill perfectly.

This is one of the greatest books I own. The wood type is printed in fun, explosive color and the illustrations are warm and hilarious. They make for a book that puts a smile on my face every time I look through it. I've given this book to a four-year-old niece and a grandmother in her seventies, and both of them adore it.

A fun book that has nastolgic illustrations--very cool. A silly, yet clever read. Artistic, a true craft with 19th century type-set once used for circus and Wanted posters. And hip. A great addition to your child's library. As an adult, you'll enjoy it.

I am am Elementary Art teacher and I use this book in my classroom. The children love the story. I personally like how the children can get into the world of "Action Jackson" without knowing the actions of Jackson.

This book is an unusual children's book and about a character whose artwork will appeal to children. Although his life is not an uplifting story, the book picks up on the important parts and gives a feeling for what "Action Jackson" was all about. His freedom to create what he wanted and put his feeling on canvas is an important message to children who need to know that there are many way to be creative. That is it is OK to put their feeling into their art without worrying about whether it is "right" or "good". It is a quiet book about an artist who was quiet but whose life was certainly active as was his art.

This book is so very well done -- lots of biographical facts woven into a beautifully illustrated story from the most peaceful and productive phase of Pollock's life. Just right for younger elementary school students -- and also good for older ones when you add the fuller biography in the back. A really wonderful book about an important artist and about making art.

When modern art is brought to the table, the question for the untrained is quite often: Is this art? What makes art? Can I do this? For such questions, answers always vary. It is art if you think it is art even if it may not be good art. The final consensus is that it is art if it challenges and sustains. Such art is universally held to be art.

Early on, modern art broke tradition, broke stereotypes, and set the art world on its heels. Until this time artists tried to capture a realistic experience--people, objects, landscapes--and put them on canvas. The moderns were the first to ignore the boundaries of the canvas. In fact, iconoclasts that they were, they acknowledged the confines of the canvas and its two-dimensional world and started experimenting with new techniques. The Impressionistic painters were the first, then the Post-Impressionistic painters went jumps ahead. Instead of painting broad realistic pictures, they began defying shapes, colors, time.

Jackson Pollock represents one segment of this new modern art, that which is called "action painting," or "spatter painting." This book, "Action Jackson," details Jackson's technique of creating art and making the viewer feel and appreciate his vision and told simply enough for a child to understand.

How did Jackson work? He lay out a huge canvas on the floor of his studio, studied it, then spattered house paint across it--directly from the can, from a stick, a brush. He worked over a series of days to get everything just right.

His vision was to lay out colors and patterns and the intermixing of colors and patterns to create a canvas that spoke of something more cosmic than a bowl of apples. For Jackson the process of painting said as much as the final product. This book beautifully conveys the idea of his vision and his process and his final product. I never dreamed a writer and an illustrator could capture the essence of Pollock's work in one thin children's book, but this most definitely does.

Perhaps the success of this book in capturing Jackson's style and work earned it an Honor Award in the Robert F. Siebert contest, and a New York Times Best Book of the Year, and a Publishers Weekly Best Book of the Year. "Action Jackson" was published in 2002. Jackson Pollock died in a car crash in 1956.

Award winning authors, Jan Greenberg and Sandra Jordan introduce a whole new generation to the brillance of painter, Jackson Pollock as they focus on just two months in the artist's life, and the creation of one of his most famous paintings, No. 1, 1950 (Lavender Mist). Based on firsthand accounts from friends and family, and often using the painter's own words and quotes, this well researched and enlightening picture book biography lets the reader get into Pollock's head, hear his thoughts, feel his energy and joy as he works, and actually peek over his shoulder as he paints. "An athlete with a paintbrush, he uses his whole body to make the painting. Layers build with each gesture, new colors emerging, blending, and disappearing into the wet surface. He swoops and leaps like a dancer, paint trailing from a brush that doesn't touch the canvas..." Their eloquent and lyrical prose is engaging and complemented by Robert Andrew Parker's bold, bright, and busy watercolors. Together word and art paint a dazzling and evocative portrait of the artist, his work, and his times. "Some people will be shocked when they see what he has created. Some Angry. Some confused. Some excited. Some filled with a happiness they can hardly explain. But everyone will agree- Jackson Pollock is doing something original, painting in a way that no one has ever seen before..." Perfect for youngsters 7-11, Action Jackson includes a short biographical sketch at the end to augment the story and fascinating notes and sources about his life and paintings. This is non-fiction at its very best. Kudos to Greenberg, Jordan, and Parker

Outstanding book. Makes biology & the study of life very interesting. Great detail, but not overwhelming. Many illustrations that are first class & very instructive. Highly recommend.

Vitalism is a profoundly science-ejected concept, though many CAM or 'natural health' cabals falsely claim that vitalism survives scientific scrutiny.

I quote:

"nineteenth century chemists firmly believe that all biological processes were chemical in nature. To believe otherwise, to insist on some mysterious role for living organisms that was not purely chemical in nature, was condemned as vitalism -- the belief that living systems have powers beyond those of nonliving systems [p.109...] modern biologists reject vitalism, the belief that living systems have powers beyond those of nonliving systems [p.124]."

-r.c.

The book was new and I found out later that a similar new book like this one would retail for $125 and I got it for $13.50. I got a deal!b

I used this book for my AP biology course. Thanks to this book, it let me got 5 on the AP exam. I'm homeschooled, I learnt biology myself,well, maybe not cause this book taught me all of the materials to score high on biology.I'm glad I used this book.
By the way, the supplementary CD is very helpful,so if you buy this text, i suggest you also to buy that CD.

I don't usually review (or even read) textbooks. However, in researching a forthcoming book, I've spent a lot of time with Tobin and Dushek's Asking About Life. It's made my life much easier.

As those who are familiar with Asking About Life know, this is a textbook with a philosophy. That philosophy is to present biology not as a canonical set of facts about life, but as a dynamic, ongoing dialogue with nature, in which real people who happen to be scientists ask meaningful questions and take understandable steps over time to discover answers to them. The book mixes an engaging narrative style, a strong historical perspective, great examples, and authoritative factual knowledge into an eminently readable, extremely informative, and scientifically impeccable text. As a result, a student or reader can turn to this book not simply to learn about the structure of DNA or how the human immune system functions, but also about Rosalind Franklin's role in discovering the double helix and about why HIV "continues to perplex medical researchers." And, as shown by the book's section headings (How Do Zygotes Cleave? How Does Gastrulation Set Up the Three-Layered Structure?), it embodies the truth that the best scientific questions start not with "what" but with "how."

Asking About Life is also full of beautiful, crystal-clear photos and illustrations, many of which, like the text, do a wonderful job of depicting not just static objects, but dynamic processes.

I can't imagine a better biology textbook.

Robert Adler, Ph.D.,author of Science Firsts: From the Creation of Science to the Science of Creation (Wiley & Sons, Sept. 2002).

This book contains some of Gwendolyn Brooks best poetry. It is definitely a keeper!

Gwendolyn Brooks is one of my favorite poets and this anthology of her work gives a glimpsing answer to the question 'why?' "Blacks" is a veritae encyclopedia of the America experience written in Brooks' lucid but unsettling style.

It's people like T.S Eliot which make us think art is an inclusive privilege of a born, elite few. And then artists -like Brooks- go right along and prove that, at its best, art is inclusive, fun and thought-provoking. Rather than tying itself up in esoteric knots, Brooks' poetry flows along personal but recognizable paths that most blacks have experienced at one time or another.

I go to Northwestern U. and we've had the privilege of her speaking at our school many times. And after meeting her my respect only grew.

Forever "young, gifted and black" Gwedolyn Brooks deserves nothing less than the attention given to the likes of Langston Hughes or Phylis Wheatley. This books shows us why.

A collection of poetry by Brooks, probably the most honored African- American poet. It also includes "Maud Martha," Brooks' single novel to date. I liked the novel, but felt it was a little too much for me. I like poetry, but I think I like it in small doses, where I can relax and read and reread it without concentrating on how much time it is taking me to do so. Her fiction is like poetry, in the sense that it had as much to do with the vision of things as it did with the characterization or the plot. This is my failing as a reader: I've never cared that much for description, and the longer it continues, the more likely I am to tune out.

But the short poems here, especially from her earlier period, I like a lot. The subjects are strong and powerful, the economy and purpose of the prose admirable. One of my favorites was a poem called "Queen of the Blues," which contrasted the stage persona of a Billie Holliday-like singer with the treatment she receives as an African-American woman. Queen or no queen, she still has the blues. Or "The Murder," about a young boy who sits his toddler brother on fire then doesn't understand when the little brother isn't around afterwards. I did not care as much for her later poems, which were much more experimental in form and harder to follow in content.

"Blacks" is a collection of several decades' worth of the work of Gwendolyn Brooks, who is one of the most significant figures in 20th century American poetry. At over 500 pages long, "Blacks" is a truly monumental text. Included are several books in their entirety ("Annie Allen," "In the Mecca," etc.) as well as excerpts from some later books ("Primer for Blacks," "The Near-Johannesburg Boy and Other Poems," etc.). Although most of the books represented are works of poetry, "Blacks" also contains the text of Brooks' 1953 novel "Maud Martha."

Brooks is a stylistic virtuoso, proficient with the sonnet, ballad, free verse, and other forms. She is an expert with alliteration, rhyme, and other musical effects. Her vocabulary is encyclopedic; she evokes not only African-American vernacular speech, but also the entire sweeping history of the literary tradition in English. In this collection are both short poems and longer poems.

Many of Brooks' poems deal with aspects of African-American life. She writes of anti-Black violence and other forms of racism, and reflects upon enduring figures in African-American cultural history. She also writes of family relationships and intimate personal crises.

Her novel, "Maud Martha," is a poetic chronicle of the life of a dark-skinned urban Black girl. We follow Maud Martha through her girlhood, marriage, and motherhood. "Maud Martha" is a memorable vision of an African-American woman's life, and, in my opinion, should stand beside such literary works as Harriet Jacobs' "Incidents in the Life of a Slave Girl," Zora Neale Hurston's "Their Eyes Were Watching God," and Audre Lorde's "Zami."

Of Brooks' long poems, I found the most memorable to be "In the Mecca," a tragic and haunting narrative poem that takes place in a Chicago apartment building. "In the Mecca" is a sort of urban, African-American "Odyssey" in which we encounter the various inhabitants of this world.

In her poetic tribute to Langston Hughes, Brooks writes that he has "a long reach, / strong speech." I would say the same of Brooks. Her amazing body of work deserves to reach into the 21st century and beyond.

Its been a few years since I thought about this book. I was searching around suggested items from Amazon, and memories of this great writer came rushing back to me. This book is a collection of poems, short stories, a novel, highlights from several decades of excellent writing. I wish Chicago would do more to honor her like Europe honors their great writers regardless of race. Anyway, Ms. Brook's poetry is influenced by the classical literature she studied during her time and she takes that style to the south side of inner city of black Chicago. The results are poems that feel quiet, calm, much like the demeanor she displayed when she was alive. However she can communicate anger, depression , anguish, without hitting you across the head with it. This changes a little when you read through some of her sixtites work such as the "Riot" which describes the riot in the sixties after Dr. King was assasinated. I find myself missing her reading "We real cool" but at least I have this and other books from her memory alive in me.

Greenberg and Jordan's book is a pretty good introduction to the work of one of our modern masters, Chuck Close. Chuck Close is a phenomenal painter, both before the onset of his disease and even more so after. You won't find many books on him, or many that contain his work. Until something a bit more 'adult' or comprehensive comes out, this is a good selection. It discusses his life and work. There is also a brief chapter on what is a portrait. They finish it off with a list of museums that have some of Chuck Close's work. It's a nice intro to a great artist.

Chuck Close has been a bridge for introducing the world of possibilities to children and adults alike who are physically challenged in some way. What Christopher Reeve did so eloquently in speaking to us all, so does Chuck Close. A gifted artist, Close's now highly regarded works demand our attention. By using his techniques developed because of his paralysis, he has magnificently demonstrated how portraits are built from cells/cellules that when viewed up close appear to be a gorgeous abstraction of oversized pointillistic units only to come profoundly into focus with distance. He has re-educated our eyes and the way we visually dissect images.

The writing in this fine book is sophisticated and endearing, and without being the least bit maudlin it shows how a gifted artist has utilized his challenges to become one of America's foremost representational artists. This is an exceptional little book. Highly recommended. Grady Harp, November 05

I'm an artist and art teacher, and I recently read this book tomy high school art students as an introduction to gridded portraiture.Don't let the age 9-12 reading level put you off--my high schoolstudents really enjoyed learning about Chuck Close, and were impressedby his work and his life story. In addition to having some greatpictures of Close's work, the book has a lot to say about the artist'sability to develop strategies to deal with his learning disabilities,and his perseverance to continue to work despite an injury that lefthim paralyzed from the neck down. Many of the students could relateto Close's learning differences, and viewed his story as veryinspirational. I like this book so much, in fact, that I'mrecommending it on my website where I have a detailed lesson planbased on teaching kids portraiture via a similar gridded method! END

Both elementary and high school readers get something from this book. The straightforward prose coveys this artist's powerful talent, humanity and relevance without being sappy. My students like to be read to when they work - its great to see them process and internalize this information as they struggle with these skills and concepts. Clean design and beautiful photos lay it all out simply. If more art history grad students would get to the point this well and this fast, I could coach art history as a sport.

This is a clear and inspiring story of the life and art of a great american artist. (and not as expensive and art speaky as a catalogue raisonne) Good for children and adults. I highly recommend it!!!!!!

This book goes beyond a must read to a must do. It provides clear, compelling guidance for growing stronger, better performing companies from within. It challenges organizations that compete in the knowledge economy to move beyond "people are our only assets" to "We, the people". But it is not mere smarmy and naive trash that extols empowerment without responsibility. If people are to seize the moment and become companies of citizens -- become contemporary equivalents of "Athenians" -- then they must take responsibility individually and together. They must risk their futures on learning from the distant past so well described in this excellent book.

Whether you are looking for a model of a democratic yet decisive organization or for an example of the timeless lessons of ancient history, you will love A Company of Citizens. The authors, a businessman and a classics professor, deserve a victory wreath for this short, sparkling, and inspiring guide that takes us from the Acropolis to the organization of the future.

History was never my favorite subject so I was a little leery of how much I might appreciate from a book about ancient Athens. How wonderful to find refreshing insights and practical teachings page after page! The authors use Athens as more of an illuminating example or clever case-study than a mantra for what modern managers should do now. They address both historical challenges and modern day dilemmas to get at the heart of how to build community while supporting individuality at the same time. Through stories that could almost seem ripped from today's headlines, they show refreshing ways of working together, learning from one another, and networking for the good of a geographic or business community. I was especially impressed with chapter 5, Practicing Citizenship, because it offered a series of Athenian practices that (as the authors said) "embody the combination of 'doing' and 'learning'--things that modern managers still tend to keep in separate jars." In my work, helping people and organizations discovery alternative ways to learn and work together, I'm sure to surprise people with some fresh approaches that are anything but new.

A Company of Citizens is concerned with two themes. First, "workers in today's Knowledge Age," mindful of their contributions and responsibilities, increasingly expect to become full citizens of their organizations with rights to self-govern and to develop practices of cooperation. Secondly, the Greek city-state of Athens in the fourth and fifth century B.C. is presented as the most significant example of a large organization/society that operated as a thoroughgoing democracy, and, as such, is suggested by the authors as the best practical model for modern firms desirous of a transformation to democracy. But the connection between the democracy of Athens which existed primarily at the level of the state and participatory democracy in modern, private enterprises is hardly straightforward. The authors contend that reality for today's employees is one of being forced to "check their values and sense of purpose" at the door to their firms, much to the detriment of the firms.

A large portion of the book consists of a discussion and breakdown of what the authors term the core elements of the Athenian democratic system: "democratic values, governance structures, and participatory practices." The basis of the widespread participation by Athenian citizens in the affairs of state was an unprecedented freedom and equality. There was not a layer of elites that trumped the various citizen assemblies, and any leaders chosen remained accountable to those assemblies. There was frequent rotation of citizens among the various bodies performing legislative, executive, and judicial functions. The art and responsibility of governing was widely distributed among Athenian citizens.

The authors focus on the Athenian concerns for defense and the domination of neighboring city-states as evidence of the positive workings of the Athenian democracy. But the authors make little mention of the economy of Athens, which is surprising since this book attempts to address the relevance of the Athens model to modern private enterprises. They make the claim that redistribution of private assets was not part of Athenian policies. But the redistribution of power or economic goods in the name of fairness and the wellbeing of communities is invariably part of democracies. That is a fundamental principle of modern social-democratic states, and, one guesses, of the Athens city-state.

For both communities and organizations, issues of "who can be members" and "the permanency of membership" are primary. An oddity by today's standards, citizenship in the Athens city-state was limited to native-born males. Unfortunately, the authors seem to have been unduly swayed by that restriction by pondering whether levels of membership will need to be established in firms employing workers with varying degrees of importance to their firms' success. However, a caste system is a dubious proposition for a modern democratic community. As a further consideration, in most genuine communities, members are protected by the group and not cast aside in difficult times. Yet the authors see "downsizing" as a possible action by democratic communities, though perhaps distasteful. The damage to an organization's fabric is not discussed.

The oft-repeated, hollow slogan of modern companies, "the people are the company," certainly had validity in Athens. There can be no state without citizens. But modern companies have legal, independent standing and are generally owned by outside shareholders, not workers. The reality is that workers are more like "wage slaves," not citizens of their companies with long-term, essential standing, legal or otherwise. The authors briefly touch on the necessity of redefining and reprioritizing the concept of "stakeholder" in modern companies. Obviously, a company of citizens cannot be trumped by absentee owners and still be a democratic community.

Closely tied to the issue of ownership of a firm is the role of management. The difficulties in transforming a company being operated by a managerial elite backed by a board of directors to one governed by employee-citizens cannot be exaggerated. A company of citizens cannot simply be mandated with power being retained by some overriding authority, no matter how enlightened. The authors point out that a democracy evolves through experimentation and mistakes by citizens. It is difficult to envision a modern CEO permitting his authority to be eliminated, let alone diminished, or allowing himself to be rotated out of the job. In addition, a huge issue is whether modern workers can really embrace and accept the responsibilities of democracy.

The emphasis on the Athens city-state is instructive from the standpoint of describing a "strong" democracy, despite some of its shortcomings. But one could ask whether it is even necessary to turn to ancient history to shed light on employees trying to find empowerment within their workplaces. The labor movement has struggled since the beginnings of industrialization to gain a voice for workers within enterprises. The authors do not present in the main text any examples of companies where employees are full citizens. It would have been interesting for the authors to comment on the well known example of the Saturn Corporation as to its fit as a company of citizens. Or perhaps the works council systems found in Europe could have been mentioned.

The authors repeatedly make the point that a company of citizens must be concerned with a "steep performance challenge," but why the condition? One would think that those advocating for democracy would do so on the fundamental basis of citizens controlling their destiny and not on the existence of some unusual circumstance. The book is thought provoking. But far too much space is devoted to the Athens city-state and the attempt to capture its workings in a set of textbook-like generalizations. There is little in this book that leads one to believe that the U.S. will be establishing companies of citizens any time soon. Nor is the book much in the way of a blueprint of how to do so. In some respects this book can be added to a large list of management books that talk employee empowerment, but don't quite get it.

Ancient Greeks bear gifts to management.
By RICHARD DONKIN.
1,073 words
27 February 2003
Financial Times
16
English
(c) 2003 Financial Times Limited. All Rights Reserved

The authors of a new book argue that the ordered society of Pericles' Athens offers transferable models of organisation for the modern company.

There is a memorable scene in the Monty Python film The Life of Brian, where a group of Jewish resistance fighters asks: "What did the Romans do for us?" before producing an ever-growing list of achievements. It is just as well that the Python team did not include the Greeks or the scene would have run and run.

Ancient Greece has so much to offer that it is perhaps surprising that the management book-publishing industry has taken its time to evaluate the Greek city state for ideas that may be applied in the modern company. It is not as if business publishers have been coy about historical studies. We need only look at the exhaustive examinations of the methods of Sun Tzu, the fourth-century BC Chinese general, and Niccolo` Machiavelli, the Florentine Renaissance politician.

The interest in both is understandable, since they had much to say about the dark arts of manipulation and strategy, perceived for so long to be instructive for bosses who wanted to be sure of their power base.

But what could the city state of ancient Athens with its democratic traditions have to offer the autocratically run company?

The authors of a new book* believe the time has come for greater democracy and citizenship in the workplace. They argue that the ordered society of ancient Athens - what they describe as the world's first "company of citizens" - offers transferable models of organisation for the modern company.

It is tempting to dismiss this collaboration between Josiah Ober, a classics professor at Princeton University, and Brook Manville, a chief learning officer in Saba Software, a human resources and management consultancy, as a flight into faddism. But their comparisons provide an intriguing reflection on the modern company.

They do not, for example, explicitly compare today's companies with another Greek model, Spartan society - but there do seem to be similarities. The Spartans were reared as warriors and trained in military systems from childhood. Society was controlled from the centre. What the authors describe as a "grim and joyless military camp" sounds like the pared-down efficiency expected of lean manufacturing or the no-frills office.

There is a big difference, however, between tightly controlled Spartan society and the various degrees of semi-autonomous decision-making work teams in more progressive manufacturing businesses today. Some companies, flush with the ideas of empowerment, do appear to be heading towards more consensual models of organisation. But they have yet to achieve the devolution enjoyed some 2,400 years ago by the citizens of Athens.

As the authors point out, the decision to build the Parthenon, still one of the world's most potent symbols of democracy, emanated from accountable leaders who proposed it in an open forum and had the work plan approved by a citizens' assembly. "It did not spring from the head of an egotistical tyrant," they write. How many corporate decisions today can boast such participative involvement of employees?

The Parthenon remains, say the authors, "a product of tens of thousands of people working together to create something of lasting value and excellence, a reminder to us that similar excellence can be achieved today."

The achievement of such excellence was founded on a strong emphasis on the involvement of citizens in decision-making, the system of poletia that embodied a sense of civic duty, common purpose, learning, governance and community values. If the same spirit could be replicated in a company's workforce, say the authors, it could produce the same kind of sustained dynamic performance that characterised the success of Athenian society.

But, as they point out, the Athenian poletia was not socially engineered from above. "(It) did not start with a strategy, then devise a structure then finally plug the people into the framework. It began with the people themselves, and let values and structure and design emerge through the aligning practices of citizenship." But it relied on the direct involvement of citizens in the direction of society. "We do not say that a man who takes no interest in politics minds his own business; we say that he has no business here at all," said Pericles, the Athenian statesman.

There is a big difference between this view and that of the typical board-run company. It is one thing to communicate decisions to staff. It is quite another to involve those staff in the decision-making process. As the authors acknowledge, most experiments in workplace democracy to date have taken place in village-sized enterprises, such as the St Luke's advertising agency, the Oticon strategic management group and a jet engine plant run by General Electric in Durham, North Carolina.

They argue, however, that the Athenian model of organisation, consisting of "networks of networks" of citizens based primarily on neighbourhood groups called demes, could be scaled up to cover communities of tens of thousands of people.

The authors are not completely starry-eyed about the Athenian model. Ultimately, after 200 years, it was replaced by hierarchical rule after the city's conquest by Macedon. Athenian citizenship was never inclusive. It did not grant citizenship to women and it exploited the practice of slavery, although a small minority of slaves did manage to prosper and some even won their freedom.

But there is no doubting the power of involved citizens in democracy or that of involved employees in a genuinely democratic enterprise. Even so, can we really expect the chief executives of traditional businesses to become more accountable to employees? Recent developments in corporate governance are forcing boards to become more accountable to shareholders. Moreover, increasing numbers of organisations appear to be acquainting themselves with the stakeholder concept of the organisation. But this has yet to extend to any sophisticated understanding or practice of corporate citizenship.

Greek civilisation emerged in a turbulent world of warring nation states. Athens discovered that the organisational power unleashed by its system of governance endowed it with a real competitive advantage. That alone is enough to justify a more active experimentation in corporate citizenship today.

I agree with the reviewer who said it can be a real pain to find a particular recipe in this book because of its unusual organization. But my wife said it would be fantastic for her if I were to suddenly keel over and she had to figure out how to grill for herself. She very much enjoyed the writing style, and the recipes gave her good ideas for dinners.

This is my favorite grilling booking. I have about a dozen recipes marked in this book that I want to try, but I can't get past the "Forbidden Nights Moroccon Pesto Chicken" because it is so good I don't want to try the other chicken dishes. I'm a pretty serious foodie who loves to cook but has given up beef and pork and is moving towards a nearly vegetarian eating and cooking philosophy, and I swear this recipe is the one thing that's keeping me from giving up chicken altogether! I literally get cravings for this chicken recipe, like I get cravings for good quality dark chocolate. :0)

The "Hot Lips Chili Butter" for grilled corn is great, as well. I like the fact that the recipes are unique...not your average, run-of-the-mill grilling standbys. I've made a few of the dishes for dinner guests and they're always impressed. Besides having wonderful recipes that anyone can tackle, the book is cute and clever and has my favorite cookbook feature...it's spiral bound, so it lays flat! If you love to grill, this is a great little gem for your cookbook collection.

An excellent book for men also.
Flavorful recipes with common ingredients.
Quick and easy to prepare

I found this boook at some random store and picked it up because it looked fun. I decided to use it as a theme night for my cooking club. I belong to an all girls coooking club and all of our husbands always operate the grill. This gave us some awesome confidence as we stoked the charcoal and made a three course meal. It was such a blast and we loved the campy smore sundaes as dessert. We are planning a You Grill, Girl II club this summer because we had such fun with this book. Just reading it and laughing at all the fun food titles and wording was worth the purchase. Enjoy!

I don't cook a lot of fancy, labor-intensive food. I like being imaginative and speedy in the kitchen, and I usually figure I don't need a book that is going to have me go through 40 steps just to cook a pice of chicken. But despite my wariness of cookbooks, I now own all of Karen Brooks' (and her different partners') food and cocktail books. I never thought I'd be such a fan of...cookbooks? Yup. "Dressed to Grill" is as fun to read as it is to use. When it comes to barbecue, women have traditionally taken the roles of preparing side dishes and smiling as they chew charred pieces of red meat. Well, this book makes tending the flames extremely accessible to women, from the basic how-to's and the tips on buying grills to the de-emphasis on meat (and a great low-fat chapter). The snappy writing and graphics that are the trademark of Ms. Brooks' books are present again here. Just broke up with a guy? Look in the "Bonfire of the Miseries" breakup chapter for recipes like Jerk Chicken with Grilled Bananas, Who's Sari Now?, and Chauvinist Pig (all delicious recipes). And for the absolute best version of a classic: Forget Caesar: A Bang-up Cleopatra Salad. The recipe for Campy S'Mores Sundae with toasted marshmallows is super-easy, tasty, and what the authors call "An urban girl's idea of a Girl Scout campfire dessert experience."

Whether you're cooking for one, entertaining friends, or trying to give a guy some tactful advice on how to take barbecue to a whole new level (tell him to try the Hot Girls Spice Rub - the recipe, not a spot in the red-light district) you should own this book. Yeah, being so effusive about a cookbook may seem weird, but only until you read this one.

i was a math major at University of Georgia (i have graduated since then) and took intro to linear algebra several times. (okay it's not THAT funny.) it was a different teacher and a different book every time. which made it very easy for me to compare. this book was so much more organized and explained things so much better so that not only did i pass the class, i actually made an A. strongly recommended for all that is interested in the subject, or taking this class but having difficulties. this book will help you understand.

I really like the layout and presentation of subject matter in this textbook. If you want to self-teach, I can't think of a better companion text. Everything is clearly laid out in detail. It is oriented towards college sophomore and juniors who are also students of engineering or computer science. Knowledge of calculus is not required, although there are a couple of examples that use calculus that are clearly labeled and can be omitted without loss of continuity. There are theorems and proofs included, but this is very much an applied example-driven book. There is an abundance of diagrams and figures illustrating every point and example. There is currently a sixth edition, but if you can convince your instructor, go for this edition. I've seen the sixth edition and it offers no better a presentation than this one. Has matrix algebra somehow changed in the last five years? I don't think so. The following is the table of contents:
1. Systems of Linear Equations
2. Matrices
3. Determinants
4. Vector Spaces
5. Inner Product Spaces
6. Linear Transformations
7. Eigenvalues and Eigenvectors
8. Complex Vector Spaces

The book has something extra special - every chapter has a section that shows how the material just presented figures into the solution of an actual problem. The following is the list of applications for each chapter:
1. Applications of Systems of Linear Equations
a. Polynomial Curve Fitting
b. Network Analysis
2. Applications of Matrix Operations
a. Stochastic Matrices
b. Crypotography
c. Leontief Input-Output Models
d. Least Squares Regression Analysis
3. Applications of Determinants
a. The adjoint of a matrix
b. Cramer's Rule
c. Area, Volume, and Equations of lines and planes
4. Applications of Vector spaces
a. Linear Differential Equations
b. Conic sections and rotation
5. Applications of inner product spaces
a. The cross product of two vectors in space
b. Least squares approximations
c. Fourier approximations
6. Applications of Linear Transformations
a. Geometry of linear transformations in the plane.
b. Computer graphics
7. Applications of eigenvectors and eigenvalues
a. Population growth
b. Systems of differential equations
c. Quadratic equations

Each of the first seven chapters also has two projects each which range from the very simple to the involved.

for many students, linear algebra is the gateway to abstract mathematics. larson and edwards have created a textbook that gives students the "big picture" of linear algebra, before delving into the details.

A great book for self-directed learning. Plenty of examples, extraordinary graphics.

I'm a Computer Science major at Converse College, and I found this book very user-friendly. (BTW, I have a used copy to sell. Email recrandall@hotmail.com)

I am a graduate student at Queen's University, Canada, and my research work is heavily involved with linear algebra. I had looked through many books on this subject, and found this book most concise and sufficient in exlaining the fundamental theories of linear algebra. I recommand this book to those who are just starting to discover the beauty of matrices.

Gosh! This is for people who count, what else does a combinatorist do? Before people dismiss me as somebody who don't know hoot about math: I took a class with Prof. Stanley (the author) in college, and I had actually used vol 1 as a text. The material is highbrow (I agree on the 'hardcore' math observation) but the main theme of the book is how to 'count' -- needless to say not in the sense of everyday counting, but in the sense that 'topology' is 'coffee-to-donut transformation' and 'analysis' is 'honors calculus'. You have to know how to count, and comfortable with combinatorial proof to actually learn from this. I like the fact that Prof. Stanley asks for combinatorial proof to some known results, marking them as unsolved -- he really elevates the status of combinatorial proof, a method many dismiss as 'handwaving'. There is a number given to each exercise, according to the level of difficulty: [1] for trivial, [5] unsolved. I saw a professor who worked in differential topology for 40 years refer to this book -- and first year undergrads thumbing through the pages for exercises marked [1] and [2] to solve in spare time. This is a book for all levels of mathematicians: I am sure even the armchair amateur mathematicians can grasp some of the materials after a hard day's thought. I dont see this book as any less than a definitive text on enumerative combinatiorics.

This book is a must for anyone who likes how to count. In addition to the superb exposition of deep and important mathematics, it contains so many intriguing problems, some of them even puzzle-like. Read this book cover-to-cover or open it at a random page. Either way you would love it!

This is an excellent book on combinatorics, but it is quite difficult to understand--written for experts, not novices. The author often chooses a more general framework in which to present things, and this can make the material quite difficult to follow. But the rewards for the diligent reader are great. Occasionally I question how Stanley chooses to present a certain topic, but usually if I look closely enough, I see that there are deep reasons for his choice of notation or presentation.

Some of the material in this book is easier than others; some of it depends on earlier chapters, but some stands on its own. People interested in partially ordered sets and lattices may want to jump ahead to that chapter--much of this chapter stands on its own, and it is an excellent exposition of that topic, and I think somewhat easier to understand than the rest of the book.

The most precious thing about this book is that the author manages to provide several comprehensive frameworks for solving large classes of enumeration problems. Combinatorics seems a hodge-podge subject to many mathematicians, but Stanley manages to see it as a unified subject with a number of general theories and common techniques. This book is truly the only text I have ever read that has this perspective on the subject.

I would recommend this book only to someone who has a strong background in mathematics and wants a challenging text that can take them to a deeper level of understanding. Students of combinatorics may want to take this book out of the library and read the introductory pages; there are some particularly useful comments right at the beginning. As a final note, the exercises in this book are also helpful and of diverse difficulty levels--and Stanley classifies the exercises by their difficulty level. People who find this book difficult to follow may want still benefit from some of the easier exercises. Students wanting an easier-to-follow text might want to check out Cameron's "Combinatorics", or Wilf's "Generatingfunctionology". As a final note I would like to remark that this book is very reasonably priced, especially when you consider the wealth of material it contains.

I agree with the other reviewers. The book is a masterpiece on enumerative combinatorics. However, I am not so sure that it is a good book for a beginner. If you are a beginner, then you should read another book first, like John Riordan's book on "Combinatorial Analysis." Stanley's book is best suited for an advanced student who has a high level of mathematical mental maturity. The reason I say this is that in a few places Stanley's formalism, which is entirely appropriate for professional exposition, actually obscures the underlying simplicity of the mathematical ideas. We have all seen this in research papers, where a mathematician takes a trivial idea and "obsures" the underlying simplicity with too much formalism. However, for an advanced student, the book has a high density of important ideas and methods.

There was an earier review that claimed this book is for "people who like to count." That's a little silly. This book is a rigorous math text. And it's glorious. It's probably my favorite text. But it's not light reading at all.

I spent a semester actively reading and working on this book with my advisor. I read this book and worked on research, 50/50 split on my time. I got through 2.5 of the 4 chapters, and I'm damn proud of myself. It's a great book, but if you didn't know that 'enumerative' was for "people who like to count", you probably want a different text.