Bradford Books
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Used price: $6.99

How can I get this book? please help!Review Date: 2004-07-14
Useful workbook to learn about ANNsReview Date: 2000-11-26
Badly out of dateReview Date: 2000-07-05
Badly out of dateReview Date: 2000-07-05

Used price: $7.50

irritated, but not surprisedReview Date: 2005-06-30
Excellent and LearnedReview Date: 1999-07-01
not worth your timeReview Date: 1999-02-26
Used price: $4.00
Collectible price: $15.00

very interestingReview Date: 2000-04-01
see belowReview Date: 2000-04-03
Used price: $0.01

Ho Hum boring.Review Date: 2001-11-12
It is not what I expected.
Every county is listed. What industries, how many people, what kind of government. Ho Hum.
More like a Colorado Civics book than a book that would provide me any incentive to move there.
Where are the pictures? Colorado has such a variety of geographical landscapes, it would be nice to see an example of each region. Mountains? hills? flat? what?
What about school scores? I really would be intrested in that. How many kids go to college? What are their average SAT scores? That would significantly impact where I moved if I wanted to move.
Small business concerns are mentioned a bit, but a more thorough coverage would be handy.
If I am thinking about moving to Colorado, what do I need
to know:
1. I am probably bringing my business there -OR- going to need a job. (I need employment data and small business
data)
2.I am going to bring my family (real estate prices, common sizes of properties, school INFO!)
3. Weather (Covered!)
4.
Geography (hmmmm not enough)
5. Entertainment (Is it an average of 50 miles to the nearest town with a theatre?)
Anyway. The author would do well to get a welcome packet from a Realtor. Those may be more handy.
Great resource for those new to ColoradoReview Date: 2000-04-12


Author reply to cckReview Date: 2004-06-03
(Please ignore the 4 star rating above. I had to fill in something in order to get my reply posted.)
I found it flawedReview Date: 1998-04-03
The point that I would get from her book, which I don't think is quite the one she intended, is that IF you restrict yourself to considering music based on the Western 12-note equal-tempered "classical" (e.g. "grammatical" a la Lerdahl-Jackendoff) pitch system, and IF you restrict yourself to musical scores which are only notated in terms of those 12 pitches and the classical grammar, and IF you restrict yourself to only listeners and performers who also have restricted themselves to those same 12 pitches and the classical grammar, THEN you can say that anything else, variations in those pitches or exceptions to the grammar, etc., is "ineffable".
But that just seems like a tautology, e.g. if you restrict yourself to only using the 2 words "white" and "black", then of course you cannot describe any colors!
There are many many people who have learned to perceive and reproduce other intervals, besides the Western equal-tempered dodecaphonic semitone, and who have become quite comfortable with music that does not conform at all to Lerdahl-Jackendoff's grammar. In fact I believe that the music she considers as her entire universe is a very small subset of the music that has been made over the course of human history.
So for any listener of any music outside that limited universe, the same nuances that Raffman calls "ineffable" would perhaps be easy to describe, if those nuances fell into categories that they recognized.
This appears to disprove Raffman's whole thesis, unless I misunderstand it. If she acknowledged the restricted universe she was operating in, that would be different (unless I missed such an acknowledgement?). My impression was that she tried to generalize, to all listeners with all possible experience and training.
On the other hand, she did introduce me to an idea which IS potentially interesting, if one considers the broader implications beyond her narrow application of it. Roughly speaking, this is Goodman's notion that if you only have a ruler with finite measured markings on it, then you can't precisely measure in the spaces between the markings. You can add more markings, but there will always be spaces in between. Mathematically this is just the notion that there are different kinds of infinity, i.e. countable rational numbers, and uncountable real numbers in between them. Of course you cannot "count" the "uncountable"; this was proved a long time ago by Cantor (?) with a "diagonalization" proof.
So I would be more comfortable with Raffman's approach if she considered it in this abstract sense, that the Western 12-tone equal-tempered classical grammar is only one of many possible "rulers" (counting systems) with only one of many possible sets of measured marks.
But then the whole point seems too obvious (you can't count things, if they fall in between the indices you use to count them), so again I must be missing something -- if so, I apologize.
But being involved in communities of electro-acoustic musicians and composers, who have worked for years on ways to "effably" describe the nuances in sounds that are NOT based on the system that Raffman takes as a given assumption, I was disappointed in her work.
Even Fred Lerdahl himself once suggested to me that he wasn't so sure of the applicability of the grammatical approach to musical analysis that he derived with Jackendoff. Again, it only works for a very restricted universe of possible musical gestures and intervals, and perhaps this restriction is too severe to be useful anywhere beyond a purely academic discussion.

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Not Meant To Stand AloneReview Date: 2006-12-19
Contra the previous review, I found this textbook to be tremendously helpful. I was fortunate enough to study with Dr. Bill Robinson, who worked hard to insure that his lectures adequately explained the material: the book complemented that instruction. If I needed to refer back for the formal definition of a term or rule, I had the book to rely on. The definitions were clearly worded, and made plain sense (when coupled with the high level of classroom instruction) and the examples and exercises were helpful for understanding and practice. Step-by-step solutions were given at the back of the book for selected problems. In short, this text provided a useful complement to the fine instruction I received in symbolic logic, and, when properly used in concert with such instruction, should provide any beginning practioner of symbolic logic the tools he needs to begin to his foray into the world of logic.
Nothing more than a specialized dictionaryReview Date: 2005-07-01

Used price: $31.94

Not what I expected...Review Date: 2007-08-27
OD is in crisis and this book tells you why!Review Date: 2007-09-27

Great study guideReview Date: 2008-08-23
If your teacher explains the chapters pretty well, you could just get this student problem manual instead of the textbook and be fine.
Old EditionReview Date: 2008-02-13
Collectible price: $45.00

Essential papersReview Date: 2001-03-23
Of particular interest to me are two papers on modularity. One is a precis of his book, Modularity of Mind, which is useful in it brief outline of the main arugments of that book. The other, "Why Should the Mind Be Modular?" gives arguments for his empirical claims regarding the features of cognitive modules. It also has a prescient discussion that bears on contemporary Evolutionary Psychology and its use of the modularity concept.
This is a good book to have.
Very poorReview Date: 2000-12-19

I must of missed the sign, wheres the real 42nd street!Review Date: 2001-05-02
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THANKS A LOT!