Boyd Books
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A beautiful storyReview Date: 2008-07-29
I like the pictures and how the story was written.Review Date: 1999-06-16
Hard-Working HeroineReview Date: 2001-05-25
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Good Waterfall BookReview Date: 2008-05-22
This book is awesomeReview Date: 2004-04-26
Excellent trail descriptions.Review Date: 1999-05-28

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Timely and BeautifulReview Date: 2008-11-10
CritiqueReview Date: 2008-11-04
Excellent bookReview Date: 2008-08-06

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Consciousness for Divinity WithinReview Date: 2005-05-07
He documents the source of the NT typology and allegory as being derived from ancient Egyptian systematization - the formulation for the individual of the virtuous and divine temple steps for the soul; to understand and apply to beome a creative worthwhile consciousness. His methodology evidences the real ancestral lineage of the OT and NT mythologies and he does this superbly well in tracing the image sources. He initially describes it as "revamped and terribly multilated Egyptianism" but recognizes there is much deeper layer of developed sentient meaning to be gleaned from the co-linking of scripture allegories, once perceived - that at least matches if not surpassing the original increment of the ancient mythologies. The co-linking of allegories provides conclusive evidence of layered sophisticated meaning. He starts by stating that Christianity must acknowledge its parentage in a pagan (called ancient primitive) past and that only by such recognition and regaining of its parentage will the sublime be comprehended - its true nobler splendor. Convincingly, he traces the Egyptian Jesus, Egyptian Lazarus, Egyptian Bethany, and the two Egyptian Maries. Egypt knelt at the shrine of the Madonna and child, Isis and Horus and Egypt had long known Jesus, Iusa - born of immaculate parenthood, circumcised, baptized, tempted, glorified on the mount, persecuted, resurrected, and elevated to heaven. Egypt had listened to the Sermon on the Mount, and the Sayings of Iusa for ages. But Egypt's Christ was not a living person and neither was it historicized in Judean times - but exists at all times. In other words the Gospels "life" of Jesus turns out to be out to be nothing but the garbled and fragmentary copy of the Egyptian and other prototypes, never lived. But the light of Egypt Occidental religion can now find its way from medieval darkness to sunlit truth. The Dark Ages can now be brought to their dismal end means there is more to the later-day allegories than former - a way for the construction by the individual of that long sought divinity requires a much greater comprehension of the allegorical methodology.
In stating this Kuhn deeply comprehends that the NT largely replicates and enhances the types in the OT in a particular Hebraic way of thought and that the original stories in form came from early Mediterranean/Eastern sources and that the final culmination and apocalyptic scenes of Revelation point back to and remember OT precedents ("historically" referenced and allegorical conjoined links) and these then become motifs for higher perception of both the virtuous and disreputable psychological elements in all ages at all times. The purveyors of the OT and NT were taking very real but mythological, portrayed precedents and elaborating these with partial "historical" recollections of the elements in all events, to portray the forward and backward steps that living creativity confronts - the divine focused element and systematization of the creative element within each individual - the Christ within - the temple covering of the soul and heart. This is as far removed from the literal and historicized ruse Christianity that we are duped with in the mediums of today. Readers are capable of taking this knowledge much further and seeing the real message in Scriptural writings (yet to be disclosed) if allegorical appreciation is developed. This strictly opposes the static legalism, literalism and deadly indoctrination of the illiterate purveyors of a so-called naïve truth and this opportunity has been more starkly available since the pick struck the Rosetta Stone in 1796. Kuhn has traced original Hebraic meanings and documents that many others have seen the same revelations down the centuries of time - but the poetry of deep allegorical meaning has remained in the hands of a few. The tide has turned. A great read for anyone with an open mind and willing to sing a new higher song of joyful and inspiring eternal hope in divinity - we are yet to revive.
Best book I have ever read!Review Date: 2001-03-05
This book is not intended for the individual who is content with the common view of a historical Jesus but for the individual who struggles with a faith that seems like an impossibility. I would recommend this book to any theologian or spiritual seeker.
The Church RevealedReview Date: 2005-08-02

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Spook-tackular crafts found here for all ages.Review Date: 2000-06-26
Great CraftsReview Date: 2004-05-31
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Abandon Automobile Reflects Us AllReview Date: 2002-06-05
This book collects the poetry of over 100 poets with an enormity of diverse backgrounds and voices yet all with the common bond of having been a Detroiter. They reflect this yet also reflect a broader bond that we all have in our common humanity. The poems are generally short and easy to read. Pick up the book, flip it open to any page and begin reading. You will feel the honesty and clarity with which the poets write and likely these poems will stir up some very realistic feelings that have been buried deep within you. This poetry will help you to see within the soul of a city and its people whose microcosm may represent us all.
This poetry captures Detroit and AmericaReview Date: 2002-07-02
I could never speak to whether this book would appeal to somebody who doesn't understand Detroit's turbulent life over the 20th century. I would certainly tell anybody who asked that they should at least flip through this book every so often because it tells the story of America, its pinnacles of glory and how they can get ripped right out from underneath without a moment's notice.
The poetry in 'Abandon Automobile' is beautifully visceral. There are no "thou"s or sappy sonnets about flowers in this book. It may seem simple and plain to people more accustomed to coffeeshop poetry, but it isn't once you let the words meld together. Much like Detroit is defined by what many people have done as a collective rather than what any particular individuals have done, these words together form Detroit. The language is practical, impassioned, riddled with strife and hope and somehow happiness. It has stories told through the grit of abandoned sidewalks that were once the busiest in the world, but now only support a couple averted-eye strangers passing one another.
Everyone I know who understands Detroit lives with an uneasy love / hate for it. It is the love of the automobile mixed with an utter disdain for what it has done to destroy its own city. This poetry captures that. The poems throw up an impassioned defense for all Detroit has quietly contributed to society and reveals a deep rooted frustration over its potential in a world that no longer cares about it.
Anyway - even if you've never found yourself saying 'Detroit' over and over until its images were wiped away and it settled deep in your throat as an entirely new and strange word, read this poetry. Some are better than most, but you'll find the really good ones and you'll find Detroit.


HelpReview Date: 2008-10-18
ExcellentReview Date: 2008-03-26

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A superb book for anyone interested in ReichReview Date: 2001-02-14
A must-read for anyone interested in Reich's personalityReview Date: 1999-07-26


Touching and beautiful affirmation of love and faith.Review Date: 1999-03-24
A Positive Introduction to the Subject of DeathReview Date: 2004-02-04

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nice story, accurate depiction of life in TanzaniaReview Date: 2007-11-19
Beautifully Illustrated, Sweet StoryReview Date: 2004-07-07
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