Blair Books
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Part II, Q&A with Robin HemleyReview Date: 2001-11-20
Rich charactersReview Date: 2000-07-10
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A Student's BookReview Date: 2003-03-05
The unique features of this book are (1) helpful ESL boxes that offer important tips for international students, or for those that help international students, (2) Questions for analysis and useful assignments, both for individuals and groups, (3) a clear, exciting format that makes for easy, captivating reading, and (4) practical charts and helps for easy reference. The book can be read like a novel or used as a reference tool. The only problem is that, because of the size of the book, the softcover does not wear well. I would recommend buying hardcover.
I have always avoided writing; it never quite turns out the way I want. But this handbook, with its clear explanations and user-friendly tone, has inspired me to simply write, not letting burdens of worry slow me down. I have been encouraged to have fun exploring new ways of putting my fingers to the keyboard. This book is for anyone who is not a writer, or is, but wants to be one.
SPLICES, ANTECEDENTS ETC.Review Date: 2000-10-21

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A nice item for your Blair Witch collectionReview Date: 1999-12-07
Fun for any Blair Witch FanReview Date: 1999-12-10

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VERY informative book!Review Date: 2006-12-08
Clear and concise guide to understanding the special child.Review Date: 1998-08-07


Interesting and FunReview Date: 2008-08-01
Great program!Review Date: 2006-02-24

Used price: $3.85

Judith D. Mercier, Duck: An Outer Banks Village (2001)Review Date: 2005-05-25
Duck remains a place worth knowing. Its people are worth meeting, its heritage worth guarding. Stories are what bolster the spine of this coastal community, an old village bent but not yet broken. For that reason alone, these are stories worth telling (at pp. xi-xii).
One finds it hard not to like phraseology such as: "A coat of simplicity has been brushed over every million-dollar deal, a homey quaintness hammered into each joist and floorboard" (at p. 36) or reference to blacks who "concealed whatever blues and bitterness they felt as cleverly as bootleggers hid their liquor" (at p. 105). That this glowing prose is combined with numerous facts about Duck and its environs should make for a rich mix, and it does.
What tempers enthusiasm about Duck, and to my mind makes it a "very good" rather than a "great" read, is the general treatment of references. Mercier says, for example, that Suzanne Tate's Bring Me Duck (1986), "provided insights and reading pleasure" (at p. 256), but this is tepid praise for what appears to be a major precursor to her own work. Mercier's comments about Lewis Scarborough (at p. 162) and Ruth Scarborough Tate (at p. 169) reflect material already published in Bring Me Duck (see pp. 28-29, 5), while the quote from Tate about "cripple-ducking" (at p. 170) is directly taken, without attribution, from Bring Me Duck (see p. 6). The superstition about sweeping sand out of doors at sundown is found in both books (at pp. 196-97; see also Bring Me Duck, at p. 6), while other examples could be added. Indeed, readers of Bring Me Duck may regret that even more of Tate's work was not utilized in Duck.
At the same time it is clear that Mercier has done a lot of research on her own. While it's frustrating that no bibliography lists articles from the "dozen mainland journalists and travel writers [who] have dropped in on Levin [Scarborough]" (at p. 41- or sources for the quotes at pp. 50-51), materials such as Frank Scarborough's cooked sea gull story (at pp. 149-51) are almost certainly appearing in print for the first time.
Details such as the 600 canvasback killed in a day (or the 892 ruddy duck shot in less than ten hours in 1905- see p. 166) give us glimpses of a community now dominated by condominiums and tourists- although the contemplated Food Lion mentioned (at pp. 241-45) does not appear to have been built (personal observation in Duck; May 2005). Duck: An Outer Banks Village, is a lyrical introduction to the town and its social history, providing a worthy and informative read for summer visitors and Bankers alike.
Samuel Pyeatt Menefee
I loved this book!Review Date: 2001-06-06

Used price: $6.80

Senior FitnessReview Date: 2008-04-28
Any over-50 person should have this basic guide.Review Date: 2006-11-07
Diane C. Donovan
California Bookwatch

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I love my Goddess in a Box!Review Date: 2002-07-31
My only bias is that because it is a 365 day book of goddess, I wish all the major goddesses were representated. I agree that mentioning obscure goddess is important, but I think representing the core group is also valid. I would recommend this set to anyone.
A lovely kit.Review Date: 2002-10-14

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Ghoulies and ghosties of North Carolina.Review Date: 2003-09-24
Among the ghosts to be found in this book are the familiar Maco head light and the spirit of Theodosia Burr along with many lesser-known haunts. Many of the stories to be found are backed up by the testimony of contemporary witnesses, which adds a great deal to the believability of the story. Unfortunately, there are also some stories that are mere legend and the last chapter about the Oakdale Cemetery, while interesting, is just a short history of the cemetery and contains no ghosts at all.
Overall though, this is a well-written and enjoyable book. It would especially help set the mood of the Cape Fear area for anyone planning a visit. As one might expect of a place with this much history, this book will tell you not only of the ghosts themselves but also much of how the ghosts may have come to be. Along the way the reader will be lead down a colorful history that includes pirates, redcoats, ship wrecks, Confederate soldiers, and even a couple of Scottish highlanders.
This is not the most detailed, informative, or even scary ghost book on the market. Even so, it is an entertaining book and Preik has a very pleasant writing style. I enjoyed it very much.
Cape Fear ParanormalReview Date: 2004-06-21

Used price: $18.43

A welcome addition to holistic healing and alternative medicine shelvesReview Date: 2007-04-14
Great book !Review Date: 2007-05-13
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Q: Among the famous authors of the past few centuries, whom do you consider to be the most boring to read?
Hemley: For me, the hands-down winner is the French author Robbe-Grillet who could write a three-page description of a slice of tomato.
And many literary theorists are quite adept at boring readers in the name of edification. But the list of those would be far too long.
And even the most celebrated authors have written wonderful works as well as boring works. What we find boring changes over time. Shakespeare's epic poem, "Lucretia" comes to mind. In his own day, this was a famous work of his - I had to read it in college, and though I adore many of his plays, this poem was incredibly dry to me.
Q: If you were asked to compile a three-book required reading list for the college students of America, which three books would you select?
Hemley: Ack! I'd probably start with that biography you're forcing me to write.
For me, that's one of those impossible questions. How could one possibly choose? Three books would be much too narrow for me. For that reason, I'd probably choose The Tao of Lao-Tze, The Illiad, and maybe the Old Testament. I'd want them taught in the original language, so the students would have to learn Chinese, Greek, and Aramaic. I might remove one of the latter two in favor of The Larousse Encyclopedia of Mythology, which I used to read as a kid. It has an introduction by Robert Graves and is pretty comprehensive, thought the version I have does not include Judaeo-Christian mythology, and should before I'd want to use it. I know the term "mythology" is out of vogue, but I'd use it as long as all belief systems fell under that category. That might be a substantial education: culturally, historically, spiritually, and in terms of language.
Q: What is the function of your work? Entertainment? Social message? Something else altogether?
Hemley: I'd like my work to be both entertaining as well as working towards discoveries. I'm not a writer who has a message in mind when he writes. Personally, I'm after discoveries, not messages. The highest kind of discoveries, and the most elusive, are spiritual discoveries. And to me, this is what many literatures have their roots in, the Eleusinian mysteries of ancient Greece, or the ontological tales that most cultures share.
Q: What is your greatest work?
Hemley: We end with a trick question. I'd love to have a greatest work, but right now I only have a "goodest work." And right now, my goodest work is, of course, the last book I wrote, which is something I think most writers want to believe. The last work they completed is the best, and the next one will be even better.