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adorable book for cat lovers of all agesReview Date: 2004-02-17

Living in historyReview Date: 2007-02-10
The book is also an excellent reference to confirm or debunk representations made about Jefferson's stands on issues that have become controversial in our time.

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The real Jesus Christ.Review Date: 2008-05-07

The Jewish Discovery of IslamReview Date: 2001-08-05
In The Jewish Discovery of Islam, Kramer takes as his starting point several comments by Lewis about the important role of Jews in developing nineteenth-century European attitudes toward the Middle East and Islam, then asks: Did Jews actually made a distinct contribution to the Western discovery of Islam? His reply - and that of his nine contributing authors - is a resounding yes. He and they argue that nineteenth-century Jews found in the Muslim world a model directly relevant to their current situation. Looking about for arguments to bolster their case to join the mainstream of European life, they pointed to Islamic civilization at its height as to show the benefits of integrating Jewry. This in turn meant they had to prove that Baghdad and Cordoba represented peaks of human achievement.
These "pro-Islamic Jews" routed the opposition and their empathetic, sympathetic approach rules the roost today. Kramer's book has many implications: By showing that the main Orientalist tradition derived far more from sympathetic Jewish approach than from the hostile Christian one, it devastates Said's grand theory of Orientalism. It establishes that recent Western attitudes to the outside world - such as the Third-Worldism of the 1960s and the multiculturalism of today - owe their existence in good part to the success of the pro-Islamic Jews' long-ago efforts of humanize Islam. Muslims eventually also picked up on the romantic Jewish myths about Islam and made these a standard part of their own self-image. Finally, Muslims now living in the West owe much to the Jewish scholars who laid the groundwork for their finding an at least partially hospitable reception.
Middle East Quarterly, December 1999

A Magnum Opus in English on Jewish LawReview Date: 2001-09-30

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An Artist Whose Art Makes Me HappyReview Date: 2005-12-03
However, like all great art, you really have to see his work in person to appreciate it fully. The colours are so bright and the images wonderful but, for me, Joe Norris's art is definitely not just a visual experience. The wood panel paintings he made, the furniture he painted, they all have such a great smell to them and all of the colours seem that much more vibrant in person. It may sound really odd but the smell of his work alone makes me feel very comfortable & cozy (reminds me of my family's cabin).
Looking at Joe Norris's artwork in this book reminds me of that & makes me feel happy & content.
Highly recommended.

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Beautiful and well worth the price!Review Date: 2008-04-04

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One of the great living historians of the Middle AgesReview Date: 2007-04-28
Kelly DeVries is a great medieval historian who can be seen on the "History Channel" whenever it covers the Middle Ages. "The Journal of Medieval Military History" is a great comprehensive work of articles from many great historians. It is especially useful for how the Roman Vegetian science of warfare was used in the Middle Ages.
Edward I's most important contribution to advancing the war fighting capability of Britain was in the battlefield tactics that he employed. It cannot be stressed enough that his use of mixed cavalry and archery was a monumental leap in battlefield tactics, as well as the precursor in making the longbow a force multiplier during the Hundred Years' War. The military record of Edward II, who reigned from 1307-1327, was abysmal. DeVries spoke on behalf of all historians who wrote about Edward II's lack of military prowess, and was justifiably unflattering in his critique of Edward II's military acumen. Most of what Edward I won on the battlefields in Scotland, Edward II ineptly lost.
Edward III's strategic and tactical abilities were on full display during the Hundred Years' War. One of the most important tactical innovations that Edward III instituted to increase the fighting capability of the English army before the start of the Hundred Years' War was the introduction of mounted archers to its ranks. Oman took notice of the importance of Edward III's tactical innovation. Mounted archers rode ponies for quick transport to the battlefield, and then they would dismount to shoot their longbows in battle. Undoubtedly, Edward III learned from the previous one hundred years of his predecessors' fighting the Scottish, that too many times the Scots outmaneuvered the English; thus, they escaped from having to fight a battle advantageous to the English. Edward III was going to do all he could to make sure that this did not happen to his army. Oman's research shows muster records from 1334 listing mounted archers for the first time as part of Edward III's expedition into Scotland. This was Edward III's second largest campaign against an enemy during his reign. The expedition served as an excellent opportunity for Edward III and his army to prove their new tactics, which they would put to good use a dozen years later in France.
The requirement on localities to provide longbow men with weapons was very demanding. Edward III made great strides to take on the fiscal responsibility of equipping his army. This actually provided him with two advantages--that of quality control of weaponry, and reducing manufacturing cost through economy of scale. One example of how enormous a task it was to prepare for war comes from the armory records at the Tower of London. In 1359, the clerk of the armory is ordered to put bowyers (longbow makers), and fletchers (arrow makers), to work for the king, under penalty of imprisonment if necessary, if they were non-cooperative. Between 1353 and 1360, the armory added to its stores, 15,300 bows, 4,000 bow staves, and 24,000 sheaves of arrows. Each sheave contained twenty-four arrows; thus, this order equates to 576,000 arrows in all. In March 1345, 15 Sheriffs were issued orders to supply the Tower armory with, "3,000 bows, 8,400 sheaves of arrows and 20,000 bowstrings." By looking at supply records leading up to the battle of Crecy, DeVries was able to surmise several important factors about the supply of arrows. Each longbow man had an allotment of 60 arrows for the battle. The average arrow weighs 4 oz., so to supply 7,500 longbow men it took nearly a half-million arrows weighing 55 tons. This supply was easily transportable in some 60 one-ton carts from the port to the army. These figures can cast little doubt on the fact that the king was constantly writing back to England throughout his campaign in France ordering more supply of arrows and bowstrings. These facts about arrow supply gives one a good picture of just one facet of the monumental logistical, organizational, and planning skills necessary to support Edward III's invasion force of about 15,000 men crossing in ships numbering some 700 to 1,000.
The longbow reigned supreme on the battlefield until the mid-sixteenth century. By this time, other technologies such as better-tempered armor, cannon, and musketry, overtook the effectiveness of the longbow. DeVries points to the dawn of the sixteenth century as the one in which gunpowder would change warfare in Europe. This time, the easy use of gunpowder would cause all warring nations to adopt it to their use. Cannons would now make it easier to break up impenetrable longbow defensive positions. In addition, cannons were ideal for siege warfare against fortified positions.
Recommended reading for those interested in medieval history, and military history.

Praise for Joyce-Again's Wake: An analysis of Finnegans WakeReview Date: 2007-07-24
Elsewhere L sounds couple with S sounds as the gossip crosses and recrosses the river where the dirty linen is being washed, and the seduction of young Anna Liva provides conjecture for the washerwomen: "Letty Lerk's Lafing light throw those laurals now on her daphdaph teasong petrock" (203.29-31), and "she was just a young thin pale soft shy slim slip of a thing then, sauntering, by silamoonlake (202. 26-28)."
In contrast to the musical pairing of the S's and L', Joyce also offers a nonmusical pattern of sounds involving P's and Q's, also indicating the girls in the park. The choice of these sounds probably has a lot less to do with their significance in Gaelic sound changes than with a dictum of propriety ("mind your P's and Q's") against which all the characters in the Wake sin, and the urinary meaning of "pee," as well as the form of the two letters, both being yonic in shape with a small tail attached. The Prankquean as such is a combined P-Q female, most often seen in the Wake as a pair, the girls in the park: "a queen of pranks"(68.22), "the parkside pranks of quality queens" (394.27-28)."
Bernstock stands with the original Wake critics such as Atherton, Glasheen, Hart, Tindall, and Campbell. Though old, this is still one of the most well-ordered and systematic books ever written on the Wake." A necessity to all Wake Junkies.

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A Treasure for Story HourReview Date: 2006-02-06
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