Arthur Books

I recently read the 1993 Doctoral Dissertation by the author, Steven Luckert, which is entitled: Jesuits, Freemasons, Illuminati and Jacobins. This excellent dissertation describes in detail the genesis of all the beyond-the-pale conspiracy theories which unfortunately are propounded still today by hacks and nuts, as they were at their start in the eighteenth century. Luckert is now chief curator at the Holocaust Museum.

I thoroughly enjoyed reading this book, and viewing Szyk's wonderous art. The biography is well written and interesting. The artwork is intriguing and thought-provoking. I highly recommend this book to afficionados of Jewish Art and Literature.

The book gives an in depth coverage not found in abridged articles
and gallery sheets. It is worth having.

The collective and profusely illustrated study of Harvey L. Jones (Senior Curator of the art at the Oakland Museum of California since 1971), Kenneth R. Trapp (independent curator and writer), and Kevin Starr (Professor of History at the University of Southern California in Los Angeles), The Art Of Arthur And Lucia Mathews is provides the reader with an intricate detailing of the collective works of the two truly great artists. Providing art students and scholars with an in-depth understanding of the history and comprehensive production of their eclectic and contemporary artistry, Arthur Mathews and Lucia Mathews are presented as artists who were progressive for their time, and this 272-page compendium of their work righteously and validly expresses the entirety of what truths, beauties and gentle intricacies they strove for. The Art Of Arthur And Lucia Mathews is very highly recommended for academic library Art History collections, as well as students of modern, contemporary, progressive art.

The Art Of Chemistry: Myths, Medicines And Materials by Arthur Greenberg (Department of Chemistry, College of Engineering and Physical Sciences, University of New Hampshire, Durham, New Hampshire) is an impressive, scholarly compilation of 72 outstanding essays on the history and nature of chemistry, ranging from myths about the origins of this fascinating area of science, down to great watershed experiments performed by dedicated pioneers in the field of chemistry. An informed and informative history which is superbly illustrated with 187 figures (including 16 full-color plates), The Art Of Chemistry is a truly fascinating survey and inquiry into the origins of a science that has substantially contributed throughout the years toward human advancement and civilization. The Art Of Chemistry is a very highly recommended addition to any academic Science History collection.

Colin Russell once made a television film for the UK's Open University in which he demonstrated some of Edward Frankland's work in a mock-up laboratory built in the studio. Under the powerful studio lights, and in the film itself, the glass apparatus gleamed seductively, leading me to reflect on the wonderfully photogenic nature of chemistry. The visual appeal and power of alchemical paintings, symbols and emblems was elegantly captured by John Read over 50 years ago in his splendid book, The Alchemist in Life, Literature and Art (1947). As far as the ideas and practice of chemistry are concerned, however, the economics of publishing has usually dictated that narrative should dominate over art. There have been attempts at greater pictorial generosity. The scholarly pre-war A Pictorial History of Chemistry (1939) by the pharmaceutical historians F. Ferchl and A. Suessenguth has long been a collector's item, but more recently the organic chemist and bibliophile, Arthur Greenberg, produced the light-hearted A Chemical History Tour: Picturing Chemistry from Alchemy to Modern Molecular Science (2000). (See rev. CH 19, Spring 2001) Primed by the deserved success of the latter, Greenberg again whets our visual appetites with a companion piece that provides another well-stocked gallery of pictures drawn from title-pages, tables and diagrams, cigarette/baseball cards and art works. These are used to illustrate three predominant features of the discipline's intellectual and experimental development -its myths, its medical connections, and its primary concern with materials.
Although one of the author's aims is didactic - to help non-scientists understand how science works and to show how chemistry was done before it became largely hidden in black boxes - the predominant purpose (as with the former volume) is to entertain. The format and style are identical to the Chemistry History Tour: 188 illustrations (19 in color) and 72 essays. However, whereas previously the essays were elaborate captions to explain the pictures, in this sequel the illustrations serve to illuminate the essays that form a delightful "random walk through chemistry's imagery." The generously-sized reproductions have been selected from his own library, as well as that of fellow bibliophile, Roy G. Neville, and the Othmer Library of CHF. The essays, roughly signposted from chemistry's spiritual and mythological past through the twentieth century, are essentially playful and satirical, and sometimes earthy in humor.
As with his previous book, there is material here in plenty for the chemist and bibliophile as well as for the "amiable historian" (Greenberg's wily term for the critical historian). In my own case, I was intrigued by his perceptive remark about a slower process of metamorphosis replacing stories of the instantaneous transformation of people and things in the twelfth century. I noted a primitive fume cupboard in a print from Johann Kunckel's Ars vitraria experimentalis (1679). There is a valuable comparison between affinity and periodic tables. It is challenging to have Greenberg's opinion that in 1853 Jules Pelouze and Edmond Fremy published the most beautiful textbook of chemistry ever written (Notions générale de chimie) in contrast to the awfully dull Chemia Courtata ("compressed chemistry", 1875) by the Montreal pharmacist A. H. Kollmyer. He also gives a much more complete discussion than I have seen before of the clairvoyant occult chemistry of the theosophists Anna Besant and Charles Leadbeater. As an old fan of Prout's hypothesis, I was also educated by Greenberg's observation that the speculation would never have been possible if the ratio of protonium to deuterium were 80:20 and not 99.98:0.014. Finally, I can't wait to find a copy of a novel new to me: Edwin Herbert Lewis, White Lightning (1923) whose 92 chapters are named after the elements and sequelled in order of their atomic numbers.
Idiosyncratic, self-indulgent and even corny, Greenberg believes chemistry to be fun. It is much to be hoped that The Art of Chemistry, like A Chemical History Tour, will find its way into school and college libraries and encourage a new generation of students to laugh all the way to the lab.

Of all the OS/2 programming books, this one is the best. It covers more topics, with more relevant details and sample source code, than any other book. Especially valueable are chapters like "Multithreading in PM Applications", which no other book covers. The majority of chapters covers topics specific to PM programming, but this book is still a must-have for any OS/2 developer.

This book is excellent if you have no experience with writing to a windowing platform. It is good to have a grasp on C and basic coding experience. The book is well written and gives many examples along with warning tips, common pitfalls and known bugs. The chapters flow from one to another much like a school text book. I recommend this book highly if you want to learn OS2 programming in C.

A must have for any library. We're big fans of the Arthurian Legends and this terrific book gives our children a wonderful introduction! It shows how even a great king was once an insecure child who through life's lessons develops his courage and personality. Guen is no shrinking violet either! The illustrations belong in a museum! Would recommend this book to children of all ages 1-99. ENJOY!

This is a book I highly recommend. It jump starts the imagination. It reminds me of classic children's stories from the past.

This is, quite simply, a beautiful book. I wish it had been a little longer! The story, as the author admits at the end, comes right out of the Malory version of the Arthurian legend, which is perhaps the best known. This story, therefore, comes as no surprise to those of us who love King Arthur. The surprise here is in the illustrations. He has put us into the medieval tale in a new way by illustrating the story with stained glass windows. Well, that's how they look, anyway. And we are drawn through them into Arthur's time. Sabuda admits that he wrote and illustrated this one especially for the boys, and I can see how it would appeal to them. But there's nothing here that would turn off a girl's interest, either.

Sabuda is well known for his amazing pop-up books, and I have copies of all of them. I'm glad I've added this book to my collection. Although it's not a pop-up, it's a very interesting concept, and it's beautifully executed. I know the kids will love it! END

The stained glass window illustrations and simple, straightforward text allow readers to learn about young King Arthur. This book is a staple for me each year, as I read it to my second graders. Each year they love it! Sabuda provides a cool author's note too! Sabuda is a gifted storyteller/book creator!

My 3 year old grandson loved this book. He had such fun lifting the flaps and putting on the stickers. He has removed the stickers repeatedly and they still stick back on the pages. He still loves to lift the flaps after dozens of times rereading the book. I will be looking for more books with lift the flaps and stickers included. This is a wonderful book for a 3 year old.

Our children, ages 5 and 21/2 love this book! They had a ball putting on the stickers (with a fair amount of parental supervision) and never tire of lifting the flaps on each page. I worried that after the "sticker fun" was over, they'd lose interest in the book, but they are still fascinated with their handiwork and enjoy the simple story of Arthur's Christmas. The artwork is fun and the book itself is quite sturdy - even in the hands of a toddler. We collect Christmas books and this is definitely one of the favorites for my kids.

I've owned Elgort's "Model Manual" for over a year now, and find myself coming back to it often for inspiration, reference, nostalgia, and a new experience each time. The art direction, layout, and of course, photography, make this book memorable and a worthwhile purchase. Models (professional and aspiring), art directors, and anyone interested and/or ivolved in fashion, beauty and design are encouraged to take a look!

Medicine is not an art or a battle between technology and nature - it is a war, war between computers. On our side: the cognitive human brain and increasingly intelligent computers it makes. On the other side: The noncognitive and simple RNA and DNA computers of human genetics and human cells gone bad. So far the latter have lost a ground, but they have done remarkably well and even gained back little territory via fast-action guerilla tactics (e.g. rapid adaption to antibiotics) The (not so surprising) ability of DNA/RNA to evolve countermeasures to today's primitive medical technologies has led many to conclude that cyber-revolution will sink into a stalemate. Not so -RNA/DNA will lose the war, as fast as the genetic codes may evolve, they are old simple systems whose basic level of performance plateaued epochs ago. Worst of all - they do not think. They have never seen the likes of the increasingly smart macro and nanocomputers that will be thrown at them in the next few decades. The technology is moving much faster than its targets, and the Information-processing speed of genetic DNA will soon be billions of times less than that of their attackers. Point is that humans will soon have creatures among them that make Christy Tulington look like Frankenstein's Bride and her wits equal to that of Minnie the Mouse.

I have purchased several Arthur books for my grandson and he loves them. The illustrations and text provide a lot of opportunities for questions and comments which really gets kids "into" the stories. The story subjects are about everyday life with which kids can identify. I love the fact that all the Arthur books seem to have a lesson about making good choices.

"Arthur Helps Out" is one of the most recent in a series of large paperback "Arthur" stories targeted at slightly younger audiences than the Arthur Adventure books, or the chapter books based on the TV episodes.

"Arthur Helps Out" finds Arthur wanting to go out and play, but it turns out there's some work he's been putting off that has now caught up to him. He has to clean out his room, give Pal a bath, deal with the trash and more. Only once he's completed all of this can he go play, but all of the work is rather tiring.

Like all other releases in this set, all pages are fully illustrated. The story is fairly simple, but good enough to hold interest. The illustrations are also fairly well-detailed, with things to read and small side-gags.

Overall, another fine addition to the ever-growing collection of "Arthur" books.

Written by a former President of the British Academy and Chair of the Board of the British Library, Arthur Hugh Clough: A Poet's Life is the full-scale biography of one of the Victorian era's most modern and forward-thinking British poets. Though his work fell into relative obscurity immediately after his death, it was revitalized in the Second World War when Winston Churchill quoted lines from "Say not the struggle naught availeth" during his efforts to attain American cooperation, including "Westward, look, the land is bright." Tracing Clough's life from his childhood to his schooling to his years in London, his marriage, and his final days, Arthur Hugh Clough: A Poet's Life examines the influence of Clough's life experiences upon his poetry at each stage, the important role that women played in his life and particularly in influencing his love poetry, the transitions of his character and personality, and much more. Black-and-white photographs and an index round out this exceptionally detailed portrayal and literary study.

Written by a former President of the British Academy and Chair of the Board of the British Library, Arthur Hugh Clough: A Poet's Life is the full-scale biography of one of the Victorian era's most modern and forward-thinking British poets. Though his work fell into relative obscurity immediately after his death, it was revitalized in the Second World War when Winston Churchill quoted lines from "Say not the struggle naught availeth" during his efforts to attain American cooperation, including "Westward, look, the land is bright." Tracing Clough's life from his childhood to his schooling to his years in London, his marriage, and his final days, Arthur Hugh Clough: A Poet's Life examines the influence of Clough's life experiences upon his poetry at each stage, the important role that women played in his life and particularly in influencing his love poetry, the transitions of his character and personality, and much more. Black-and-white photographs and an index round out this exceptionally detailed portrayal and literary study.