Anderson Books

A little boy sees dragons everywhere he goes. We should be jealous that we can't see them too! I think this book is a very sly, very cute book. This is a great story and I highly recommend it!

This book is beautifully illustrated. I can't even begin to understand why it would be out of print. I ordered
a used copy, and was beyond happy with what I got. It's a cute story about a boy who starts to see dragons.
He begins to feed them, and brings them into his home, which later he finds out is the last thing you should ever
do. The little dragons make foot prints and brake things that the little boy has to take the blame for. He then
builds a mechanical dragon. He plans on flying the mechanical dragon in hopes of leading all the dragons to
a safe desert home. The story is written simple so that even young kids can enjoy it, and the beautiful artwork will captivate the older kids as well. The art alone puts the book in my top ten most beautifully illustrated books.

I have read literally hundreds of books to my son over the last three years and this is one of the very best. The art is beautiful and the text is very rich without being wordy. Don't miss this one.

I'm sure that the folks who hand out the Caldacott didn't see or read this book since it wasn't even a Caldacott Honor book for last year. As a former employee of a national book store chain who worked in the children's area, I've seen a lot of not so good picture books that get published anyway. I can say that this is one of the best picture books I've seen in a long time. Not only are the illustations done beautifully, but the story is well written. It is not so wordy that you don't want to read it at night and not too short that you have to have a back up book. This book should be a classic.

The King James style english of the current Book of Mormon confuses the heck out of me when I try to read it. I do not understand why, in the reformed Egyptian, it was written that way but I'm sure Joseph Smith had a good reason for putting it down that way on paper when he looked through the Urim & Thumb-um to get his revelation.

I certainly commend young readers who earnestly and sincerely try to read through the Book of Mormon. I know when I had tried to read it in grade school, it was very difficult for me to understand simply because my education to that point had not sufficed for the difficulty level of this sacred writ.

Even though I don't think this book here was meant to substitute for the original, I do think Lynn Matthews Anderson has provided a text that will prove invaluable for telling young readers what The Book Of Mormon says in very elementary English. I've read this and it certainly has the potential to make a world of difference for helping our young readers learn about its teachings.

I'll add a comparison of different Holy Bible translations and what one might consider to be an approximate Book Of Mormon counterpart (in terms of "readability"):

King James Version (advanced readers) - The Book Of Mormon (as translated by the prophet Joseph Smith)

New Living Translation (junior high reading) - A Plain English Reference to the Book of Mormon by Timothy J. Wilson

Good News Bible (children friendly) - Easy-To-Read: Book of Mormon by Lynn Matthews Anderson

I hope this information proves helpful to pursuers of The Book of Mormon - I still advice that one read the original text alongside whatever level of reading (for comprehensive purposes) you are most comfortable with. Blessings to you.

anderson's background in grammer and old english styles allows her to take original text to a more readable and simplistic version. After reading original text you can become a little bogged down in it's old english style, as translated by j. smith in the early 1800's. The new easy to read version of the book of morman does not take any new docterine approaches. Sticks directly to the orginal text but uses english background to bring the message of ancient america home to the comman man. Great work and great contribution to sticking to orginal text and themes.

We are an LDS family who has faithful family scripture study and we encourage our children to also have scripture study on their own. The Easy-to-Read Book of Mormon allows even the youngest reader to actually understand on their own what the Book of Mormon is saying. We have been very grateful for the knowledge, insights and love for the Book of Mormon that our younger children have been able to gain from reading this book. We do encourage our children who are older to read straight from the scriptures. However, when they do begin to, they already have a very good understanding and love for the Book of Mormon that they have gained from reading this easy to read version.

Before we purchased this book, our younger children would attempt to "study" on their own, which was commendable, but in reality, they understood very little of what they read. In contrast, our first-grader is currently reading and understanding the Easy-to-Read Book of Mormon.

We have found this to be a faithful "translation" of what is written in the Book of Mormon. It follows every single scripture word for word, and simply puts it in simpler language. We do prefer the original scripture for obvious reasons. But this book is a wonderful option for a reader who is struggling to understand the scriptures. It is also excellent for a younger reader to use while they study the original text of the Book of Mormon.

Thank you, Lynn Anderson, for this good work!

A good resource for faculty. Well written with nice integrated examples. I always recommend this book to faculty looking to develop rubrics for their teaching.

While it may not seem like it to students, grading is a very complex exercise for teachers and instructors. Anyone hoping to go into that line of work will have to learn about how complex and uncertain the art of grading can be, and this book is a strong compendium of current theory on such matters. An especially valuable aspect of this book is its coverage of the different schools of thought on whether grading is really an accurate assessment tool at all, and how all parties in the education process (students, teachers, administrators, parents, employers) have different conceptions of the usefulness and value of grades. But while this book is hugely informative at the practical level, beware of a few larger theoretical weaknesses. Frequently, certain practices that are currently held in high esteem become overused examples of larger concepts. The most glaring example is the inaccurately-titled chapter "Establishing Criteria and Standards for Grading" which is entirely about just one method, Primary Trait Analysis. At a higher level, this book assumes that all instructors will have the privilege of smaller class sizes, or welcoming administrative environments, in which experimenting with grading methods is possible or practical at all. Meanwhile this book (and many others like it) fails to distinguish between future advancements in theory and the real world in which such theories and practices have yet to be implemented on any appreciable scale. [~doomsdayer520~]

Do you love to teach but hate the grading process? That's where I was when I picked up this book. Very practically written, "Effective Grading" shows you how to choose the proper grading model for a class, how to motivate students through properly communicating your grading system, and how to structure your assignments to increase student learning. All this while drastically reducing the amount of time you need to spend on grading papers. Within a week of reading this book, I've made some drastic changes in my courses which will benefit both my students and myself.

I admit I was skeptical when I started this book--so many pedagogically oriented texts seem to sacrifice content and standards for "feel-good" solutions to education. However, I have found this book to offer excellent suggestions for every aspect of structuring classes to teach and evaluate what you most want your students to learn. In my college English classes, I've used variations of Primary Trait Analyses and Gateway Criteria and they have made a big difference in the levels of thinking and writing in my own students. Giving students specific guidelines allows them to focus on what's important about the assignment, set their priorities appropriately, and makes things much easier for me when the time comes for grading. I highly recommend this book.

This handbook is an essential tool to anyone in the environmental field. There are always new additions, so having a recent copy helps but it's not necessary since the environmental laws don't change that much. I would recommend getting a newer edition when a major law has passed so that the reader can understand the impact the new law will have on their community. A copy can usually be found at either the public library or a law library but there is SO MUCH information packed into this book that I highly recommend having your own copy so you can hi-light the text and bookmark the important sections that apply to your business.

Leilani

I am very blessed to have gotten it in the nick of time. I had time to read some of the book before my classes started.

This Environmental Law Handbook has proven to be an invaluable resource to me as an environmental mediator and public involvement specialist. I use it constantly so that I can be technically sharp at work. It's dry reading, but very valuable! Paired with the Consensus Building Handbook by Susskind et al, it is the core of any environmental and public policy specialist.

Thomas Sullivan provides a clear, consise, and easy to use reference guide for anyone to use. This book not only contains actual text of some major environmental laws, but it also sites case studies and court decisions, all in an easy to read format. This book is a must for anyone dealing in environmental matters, and is a good source of reference for anyone concerned with the environment and public policy.

I certainly can't add much to Storm Faerywolf's review below, but I would like to add my voice in praise of this extraordinary volume.

The teachings herein strike me as so fundamental and so profoundly important that it is a mystery to me how other Craft authors, with the exception of other Feri and/or Reclaiming Witches like Thorn Coyle and Starhawk, have failed to grasp the vital role they play in any spiritual practice. This slim volume gives more food for thought than most Craft works ten times the size.

With beautiful prose, the author penetrates body and soul, and offers extraordinary insight into the etheric body and the aura, as well as very important insights into the marriage of sex and spirit, which "transcendant" spirituality often portrays as being exclusive one from the other.

Lovely and true, it is indeed a must have for any Witch, not to mention anyone who hopes to know the God within.

Poet, mystic, and visionary are words often used to describe Victor H. Anderson. Ecstatic seeker, wise elder, grand high priest, and beloved witch would also be accurate. Victor and his wife Cora are the founders of the highly influential Feri tradition of Witchcraft. A mixture of Hawaiian mysticism, European folk magic, Pagan spirituality, and Wiccan theory, it is one hundred percent Witchcraft. In "Etheric Anatomy" one of the central teachings of Feri is presented in Victor's and Cora's own words, supplemented with an informative preface and a list of further books to explore.

Feri witchcraft teaches the theory of the tripartite self: each of us has three distinct spiritual bodies that together make up the human soul. This book explains the three parts of the soul, describing their composition and function, explaining them by drawing on a variety of spiritual and mystical traditions in a logical synthesis. Victor and Cora use poetic yet straightforward language. As you read the book it's easy to imagine you are sitting next to them on a porch gently rocking in rocking chairs as they talk to you. Cora and Victor speak like loving relatives sharing their knowledge; they do not talk down to their students or lecture as some nonfiction authors do. Their genuine, practical mysticism comes across clearly in what they say and teach.

Sensual experience is celebrated in Feri teachings rather than denigrated or rejected as a distraction as in some spiritual paths. Sexual expression, Victor and Cora assure us, exists on the spiritual planes and in fact is freely shared without the social stigma present on the physical plane. The book explores the topic of astral sex with honesty and tact. Astral work is an integral part of existence in the mundane world, complementing and enriching our regular lives rather than replacing them.

"Etheric Anatomy" is an engrossing glimpse into the core teachings of a vital spiritual path. Students of Feri will find a lot to consider in this book, and initiates of other spiritual paths will find ideas and inspiration that can help them deepen their own personal spiritual practice. Unfortunately Victor passed away in 2001 but his teachings live on, surviving in his wife Cora and the many initiates of the Feri tradition.

In this much anticipated volume, the late Grandmaster and teacher Victor Anderson discusses in detail astral phenomena and the psychic structure of the human being, including an introduction to the Three Selves, a foundational teaching of the Feri Tradition of Witchcraft.

The book itself is presented in three parts. Part one deals with the human energy bodies and related phenomena. Drawing from his vast experience with several indigenous shamanic practices, Victor delves into the metaphysics of the human energy field, and gives examples of the different layers of auric energy, including his personal understanding of colors commonly perceived in the aura.

Part two deals with astral travel and the Three Souls, contributed by Victor's wife Cora Anderson, author of "Fifty Years in the Feri Tradition". Here we are taught traditional Feri exercises, such as the Ha Prayer (used to raise energy), the Kala Rite (to clear energy blocks), and the Flower Prayer (to contact one's Personal God). Simple exercises to develop one's own etheric sight are presented, along with a discussion of some common ailments and their psychic causes. Further teachings include techniques to facilitate astral awareness and travel.

Part three is a collection of transcribed recordings made by Victor as far back as the late 1970's detailing his own astral experiences of a sexual nature. For the first time in print, here are described personal accounts of sexuality on the astral plane as experienced by the author. Victor offers a frank discussion of human sexuality, both physical and non-, presenting views quite progressive even today, but especially for the time in which they were originally recorded.

The information presented is sound and diverse. In true shaman's style, discussions of larger topics are often peppered with commentary and personal examples, making this more than just an information manual. It is the product of personal experience and as such is an invaluable tool to anyone who wishes to understand and experience deeper levels of consciousness, regardless of one's chosen spiritual path.

This is a must have for any Pagan, Witch, healer, or practicing occultist.

"Etheric Anatomy" is a book that should be required reading for any magical practitioner. This slim volume is full of valuable information for soul development and alignment - information that Witchcraft has largely been without, though other magical systems have stressed this type of knowledge for years.

If you are a Witch, get this book. If you are a Magickian, wanting information to complement Middle Pillar or HGA work, get this book. If you are a serious spiritual seeker, get this book.

Know Thyself.

This is one of my all time favorites. A beautiful, tender book about a small boy going through the five stages of grief. A book that reaches out to you and comforts you.

This is absolutely the best book out there for a young child who has lost a parent. Written by Lucille Cliffton in simple rhyme, it goes through the 5 stages of grief. As the last stage of grief is acceptance, it ends with "and no matter what happens when people die, love doesn't stop and neither will I." The illustrations of this young African American boy and his mother are charcoal line drawings ~~ beautifully illustrating the profound loss this child has suffered, affirming the loss and yet reassuring the reader that acceptance and peace will come.

I read this book the first year I was in the pastorate, some 14 years ago or so. It has been the perfect book to help my younger staff people understand the process of grief. This book has never failed to bring up the emotions of loss which every staff member has suffered. The five stages of grief, is a universal understanding which has helped every adult I have worked with, to understand how they are "normal" in their feelings.

Further, every staff person I have worked with, has bought this book. We use it more for adults, than for children. (Though it is very good for children.) The reason why, is because the verse is very sharp and connects with the soul of people. The adult empathizes with the little boy. This, in turn, connects the adult with the universal nature of grief.

I could spend hours upon hours of counseling grief without this book. With this book, most of my parishoners who have suffered loss, work through the stages with heads up and eyes open... tears and all. All have moved through the stages without fixating very long in any of them.

Lucille Clifton, is simply a genius. Ann Grifalconi (illustrator) brings the genius to Clifton's wise and calming verse with her warm charcoal illustrations. Thank you, ladies.

This is a simply written book about a little boy who goes through the five stages of grief after the death of his father. The illustrations are absolutely beautiful and the book still brings tears to my eyes everytime I read it. Lucille Clifton is an excellent author who uses simplicity with great beauty. This book is good for young children 3-5 who are trying to understand and deal with grief. I would definitely recommend this with no hesitation!

As one of the women in this book I must say Alice has done very well telling our stories! I was the youngest in the book and was humbled after reading the other stories. I am now 18 and in college still trying hard to carry on the story. I hope all of you who have read this wonderful story become inspired to do something to help others!

You will be amazed at what these women have done, accomplished or experienced. Each story is inspiring and unique. A true display of how one person can in fact make a difference.

Reflecting the lives of women with widely ranging careers and special interests, Ms. Anderson's book is at once both inspiring and motivating.

From women whose work involves teaching developmentally and physically challenged children and women committed to the rescue and humane treatment of animals, to women whose life work has been to provide career opportunities for other women, these thoughtfully written biographical profiles provide a pciture of diversity and dedication.

Thoughtfully researched and articulately written, Ms. Anderson's book would be an exceptional graduation gift for any young woman embarking on the exploration of her own career options. It is gratifying reading for anyone who finds inspiration in the lives and good works of others.

When we read of famous women there is always a sense of their accomplishments being something beyond what ordinary women like most of us could possibly do. This book looks at the work done by ordinary women that has made a big difference in some way. It would be a perfect book to have in classrooms where teens and preteen girls could use it as an inspiration. But it is also an inspiration to women of any age.

Alice Hellstrom Anderson features a great variety of women both in terms of their ages and in what they have done to contribute to society. Each woman was personally interviewed by Anderson. You will find women concerned about the underprivileged, world peace, world health, and more in this book. It is a wonderful resource and a great way to get in touch with how ordinary women are making a difference.

I thoroughly enjoyed this very interesting history of the early days of Fidel Castro's revolution in Cuba. The photos of Osvaldo Salas and his son Roberto, personal photographers and confidants of "el jeffe", have never been seen in the US. The personal anecdotes relating to Fidel Castro and Che Guevara are fascinating and give new insight into these historic characters. It is fascinating to read that the long hair and beards of the 60's anti-establishment hippie movement had its roots with the "barbudos" the soldiers of Fidel's revolution. The chapter on the bay of pigs invasion gives new insight to this historic event. The beautiful photos in the chapter, Cuba the land and the people are stuning. Overall a good read, great photography of an interesting topic.

Soon Castro may be judged by history, as he once claimed he wanted to be, and the facts point in the direction of a dark, blood-stained judgement. Nonetheless, the photography in this book is a brilliant work of photojournalist art.

They take us from the tender beginnings of a Revolution of bearded young men against a bloody tyrant. They are young gods in olive-green uniforms. The photo of Camilo Cienfuegos and another unidentified bearded guerrilla in front of the Lincoln statue in the Lincoln Memorial in DC is magnificent. What did America think of these young white men, in their dark, long hair and their huge beards? It stunned and seduced the nation and the seeds of the hippie movement were planted.

The book delivers with visual insight and power. The photographs are vivid and full of history. My highest possible rating!

Apart from the amazing photography, which captures an epoch so freqently only seen through CIA-filtered eyes, the book is a simple overview of the Cuban revolution and the real people of Cuba - not just the materialistic bourgouisie - who supported Castro and still do. Most enigmatic of all are the photos of Castro and Che, and then just Che, his magnetism shining through regardless of his beliefs.

Set your politics aside. Look at this wonderful book and ponder how close Fidel and Che came to actually getting it right.

For the millions of Americans who have only ( until recently ie since the Pope's visit to Cuba ) seen Fidel as a military man this book adds a bit of humanity to that image. The imae of him as a threat to my safety is a view I could only suspect was being presented me as my government's own bit of propaganda (thinking of how recent publication's on how the Soviets used photography as a tool to control the masses) I was genuinely pleased to have my suspicions confirmed.

Nonetheless, upon opening this book, one finds that it is more than meets the eye. It is not the political treatise one might expect. I am grateful for the honesty the son (Roberto) gave in the acknowledging the irony in being both a suporter of the cause as well as a photographer/reporter of history.

Of particular interest, which I think self taught photographers may find of interest, is the many anecdotes on how Roberto and his father "made do" with what little equipment they had (both before going to Cuba and after) and how they shared equipment. Such disclosures dispell the popular belief that an aspiring photographers needs all the latest gadgetry that manufacturers pump out. The kind of "socialism they [Cubana] fought for is the kind struggling artist could practice.

From a political perspective. The book (story) of how the U.S. Government ousts individuals be they journalist or subversives is touched on. This is a book that may touch the heart and the soul of a anyone who suspects Cuba and Castro have stories to tell. Finally, it is a photographic feast of photojournalism from the inside of not only the revolution but the photographers who documented it.

For those who yearn to share the true meaning and beauty of Easter, yet long also to rejoice in the childlike joys of the season, The First Easter Bunny offers the gift to do just that! As a former campus minister in a jr/sr high school, this book was first given to me in its original form in 1996... since that time, I have sought to purchase it to include in Easter baskets for friends and family - young and old alike! The simple yet profound message of this Easter story is one that will capture the heart over and over again.. .it is a daily gift to read at day-end, a lullabye for the heart to ensure peaceful and hopeful sleep. If you are seeking to begin a new tradition this Easter, the treasure of The First Easter Bunny is it!

The First Easter Bunny makes a wonderful gift for that special child at Easter time or anytime. I bought two; one for each of my friend's children. Both children loved the book and have read it over and over again.

Great Book! The children are drawn to the story. They have read it again and again. Grandparents love to read it to the family at Easter and all year long.

A unique look at the Easter season. The story is well developed and illustrated. It is a must for children to help them tie the secular and religious themes of the season.

If you play flute, you *need* this book. Hours of entertainment, trust me on this.

It was indeed a pleasant surprise to discover that this book existed. As my son is an aspiring flute player, it was an additional surprise to find a copy of this book in his possession. And, also, as a fiercely dedicated Tull/IA fan for 30-plus years, as well as a classically trained musician, it was with eager anticipation that I set about analyzing its content.

OK, here goes:

Ian, I love you more than you will ever know. And Jeff, I applaud your efforts. Really. You went to a LOT of trouble, and many of the transcriptions are very well-done. But you didn't pay enough attention to many of the details. First of all, why did you title the book "Flute Solos Created by Ian Anderson" when much of the book is dedicated to transcribing not just the flute solos, but the melodies of the sung lyrics? And you didn't even bother to tell us which sections were the solos and which were the sung lyrics; I had to figure those out for myself. As a long-time fan, that wasn't that big a problem for me, but a more casual fan would be quite lost rather quickly. Also; a few of the songs transcribed here featured no flute whatsoever in the original recordings, specifically "The Chequered Flag" and "Look Into The Sun"; what was your point?

Granted, the point is valid that the improvisational nature of Ian's flute playing warrants sufficient liberty to be taken in reading any transcription, but that doesn't excuse your interpretation of "The Whistler." This piece is most definitely NOT in 12/8 time, especially the solo whistle sections. Try it again in a very brisk 3/4, and be a lot more generous with your 16th notes. It's not only more accurate, but much more consistent.

Details, dude, details. You failed to include a lot of Ian's flute counter-melodies, not only at the end of "Living In The Past", "Witch's Promise", and "Cross-Eyed Mary", but the vital counter-melody in "Bouree". They're not only fascinating studies in improvisation, but counterpoint as well.

It is not my intention to belittle your ambition. But one of the most amazing things about the analysis of Ian Anderson's music is the depth of his talent. Any transcription of his music warrants sufficient attention to detail, and I think, despite your very noble efforts, you fell just a bit short. Should any aspiring flautist or Tull/IA fan buy this book? Certainly. But they must also be made aware of these small (and perhaps anal) shortcomings. And perhaps in a later edition you will note them.

Thank you for allowing me to speak my piece. Rock on.

I bought this book when it first came out (which was about 1978) which was also about the time I started playing the flute in an efort to emulate my musical hero, Ian Anderson. The fact that it is still available is testimony to it's value.

This book contains some brief instructions on how to do some of the special techniques Ian uses. It also decodes how those special techniques are indicated in the sheet music. Since this came out in 1978, there are no pieces in it that were produced later than that date. This means the most recent material in it comes from Songs From the Woods. This includes the easy Fire at Midnight, the somewhat more difficult Cup of Wonder and the more difficult Whistler (which is actually easier to play on a tin whistle, except you can't switch from the D whistle to the G whistle fast enough to play it live, so Ian doesn't). That touches on the real value of this book. Even a beginner can get through modest renditions of Living in the Past and Fire at Midnight and perhaps even Look into the Sun, while the extract from A Passion Play is extremely difficult. There is material here for all levels of players, along with motivation to get better so that things like My God can be attempted.
Contents:
Baker St. Muse (Nice Little Tune/Crash Barrier Waltzer), Big Dipper, Bouree (of course), Bungle in the Jungle, The Chequered Flag, Cross=eyed Mary, Cup of Wonder, Fire at Midnight, For Later, Living in the Past, Look into the Sun, My God, Nothing is Easy (including playing this solo the way it is written), Passion play edit., Thick as a Brick edit. (instrumental from "I've come down from the upper class..." section), The Third Hoorah, The Whistler, The Witch's Promise.

Now if only somebody would put out sheet music for Divinities!

Congratulations to the author and editors of this book for attempting to capture Ian Anderson's most wild solo passages! Granted, with some determination and lots of listening, Ians solos could be figured out... the hard part is finding out all of the other odd things he does... The author of this book has done a wonderful job of accurately notating this book, (including noting Ian's frequent use of harmonics, dark tones, and singing/playing simultaneously.)

I found a few notes/rhythms that are different from the actual sound recordings, but since most of Ian's work in this area is improv, it can be interpreted many different ways.

All of these solos are from the late 60's/early 70's... I would like to eventually see a book of some newer songs as well. Overall, this is a very entertaining book, with some very challenging passages... just make sure you have your favorite Tull CD's handy so that you can play along!