Allison Books

The very nature of this topic is difficult to accept given its sadness. However, with only the very-well-made movie to capture its subject, this book helps define everything, thereafter. Nothing can alleviate the weight of its subject matter; but, it does help one to interpret the man, more than the mystique. Ultimately, it makes you glad that Mr. Merrick did have a graceful exit from life given the dire physical deformity that shaped it.

This book cannot help but touch every human being who reads it! With so many disabled people in our world, and our pre-occupation with appearances and the body beautiful, the elephant man story covers all the physical and emotional aspects of living with an extreme disability with dignity and humility for all readers to experience. Of course the help and support he and others must receive all helps. Peter Ford presents his extensive research findings on those that came to the elephant man's aid in a personable way. Although the film is based on his life, the book reflects Joseph Merrick's life in reality, politely comparing the differences between his film persona and his real life condition. It helped me to fill in the gaps left after watching the film and left me with a thankfulness of how well off my family and I are.

'Tis true my form is something odd
but blaming me is blaming God,
Could I create myself anew
I would not fail in pleasing you.

If I could reach from pole to pole
or grasp the ocean with a span,
I would be measured by the soul -
the mind's the standard of the man.

I bought this book many years ago, unfortunately I made the mistake of lending it to someone and I never got it back. This is a remarkable book. I was touched by Joseph Merrick years ago. For the past nine years, I have been running the Joseph Carey Merrick Tribute Website. It is a site dedicated to Joseph, the person - not Joseph, the disability. I'm presently heading a London and Leicester (UK) campaign to have a commemorative plaque erected in his honour. He deserves to have a permanent tribute. He has done a great deal to advance medical science, through his skeleton, and thanks to him, there will one day be a cure for Proteus Syndrome. It's time the world said 'thank you'. Please give your moral support by visiting the site. I'm not sure if web addresses can be mentioned here, so simply type the following in your web browser: Joseph Carey Merrick Tribute Website

Very good and in-depth book on the life of not only Joseph Merrick, but also Mr. Treves and many other people who happened into his life. Can you imagine even for one minute being in this guys shoes? I mean can any of us even begin to grasp the sort of life Joseph must of had to deal with? Can you imagine being so utterly repulsive looking (sorry, but he was) that just one glance at your face would make people flee, children cry, and women pass out, I mean think about just how horrible that would have been. He also suffered from chronic pain, and smelled something awful. Yet, beyond that he was such a kind, gentle, shy, caring, lovable and curious individual, who by all accounts would of been completely normal and was highly intelligent. What a life, what a great true story of a very strong determined soul.

With twelve viewings so far, David Lynch's "The Elephant Man" has been my favorite movie for about twenty years, indeed one of the very few movies I would call a masterpiece. So it is quite a mystery why I should have waited so long to read this biography of its protagonist, Joseph Carey Merrick, whom the movie, following errors in the source material itself, incorrectly names John.

Having already seen a decent BBC documentary on the subject ("The Curse of the Elephant Man"), I was not totally unaware of the facts of the case, and I already knew for instance that Joseph spent some time in the countryside, something which Lynch decided not to depict in his film so as to achieve a more complete immersion in his bleak, black and white vision of Victorian London (indeed, one type of shock a fan of the movie will encounter while reading the book comes from its occasional touches of colour : I remember being struck by the blue bunsene light that lit the Elephant Man's face when Treves first met him.)

What is most surprising about the book, is how the film managed to be so faithful to Merrick's psychology (Lynch's John is the true Joseph, not some Hollywood fantasy), while altering many elements in the background, most of the secondary characters being dramatically different.

To mention a few of the changes from reality to film :

Joseph's manager as a freak, Tom Norman, was turned by the screenplay into Freddie Jones' very Dickensian Bytes, who beat and exploited his freak. Actually, Tom Norman was one of the few decent persons whom Joseph encountered before his change of fortune, enabling him to save as much as £50 (enough to live for a year without working) over his short career. The true evil was in fact the British government, which decided to ban all exhibitions of freaks as indecent (and references to Joseph's "nakedness" suggests that they may well have been), thereby forcing them out of the market and depriving them of their livelihood. To the writers' discharge, though, it might be argued that the fictional Bytes was a composite of Norman and the evil Austrian impresario who robbed Joseph of his savings in Belgium, which somewhat minimizes the gratuitousness of an all-too-typical Hollywood slur on the entrepreneur.

One of the famous scenes of the movie, in which Joseph attends a pantomime, is asked by Treves to "stand up" before the audience and is applauded by them, is a complete reversal of the true incident. Actually, Joseph attended the show incognito, and the most stringent precautions were taken to keep the rest of the audience unaware of his arrival, presence and departure (but then, the screenwriters needed their second "stand up" scene for dramatic reasons.)

In the film, Anne Bancroft's Mrs Kendal is shown visiting Joseph regularly at the hospital. Actually, the actress never met him in person, though she did send him her photograph and other presents. On the other hand, Princess Alexandra, who is shown much more sparingly in the film, did visit him several times, and send him Christmas cards.

The scene in which Michael Elphick's night porter introduces a bunch of drunks and prostitutes into Joseph's rooms may also be an exaggeration from much more minor real-life incidents. Also, on his return to London, Joseph did not find refuge in the toilets, but in the waiting room of the railway station. As for the model church he made, Lynch hides the fact that Joseph was actually using commercialized cut-and-assemble models from the local bookstore, which the nurses helped him assemble. The film makes it appear that Joseph had some wonderful artistic gift and was very dexterous, whereas his enormous right hand prevented him from even working in the cigar industry.

One thing I was curious about was Joseph's religion, as the film has very little to say about it, or about religion at the hospital in general. His mother was a Baptist, and the Bible was a book he had read several times over. When at the London Hospital, he was "confirmed" by an Anglican "bishop" (I am using scare quotes because as a Catholic I believe Anglican "bishops" are not validly ordained and, being mere laymen, do not have the power to confirm anyone) and allowed to participate in church services at the chapel.

Howell and Ford's book is truly a biography everyone should read. It gives an excellent picture of Victorian London, conditions in Poor Houses, the whole milieu of country fairs and freak shows and life at the London Hospital. It also contains a two-page autobiographical piece by Joseph himself, and the relevant extract from Treves' famous "The Elephant Man and Other Reminiscences", but it is well-researched enough to point out the few errors and inaccuracies in these primary sources themselves. It also corrects erroneous interpretations in Ashley Montagu's earlier book on the subject.

All in all, this is a superb read, which could serve as concrete argument against a culture of death which is too ready to consider some lives not worth living. "Happy every hour of the day", after all, was how Joseph himself described his life at the hospital. And his happiness is one of the things most readers will paradoxically end up envying him.

More good fun from Chester Himes. On the plus side, he finally includes some entertaining sex. On the other hand, one of the main bad guys here (the "Colonel") is particularly flat and unbelievable. Also, as usual, the end is much less satisfying than the ride to get there.

The dialogue, the action, the characters, it's Harlem world and it's all here! What else do you want?

Chester B. Himes wrote a series of "Hard Boiled" detective novels set in Harlem during the the 1950's and 60's. His two main protagonists were "Coffin Ed" Johnson and "Grave Digger" Jones, a couple of black police detectives operating in the seedy underworld of Harlem and New York City. Himes himself had served time for armed robbery in Ohio. While in prison he first read the works of Dashiell Hammet("The Maltese Falcon","The Thin Man",etc.)and decided that he could write similar fiction set in Harlem's vibrant African-American culture. He moved to France after his prison release and then began to write (in French!) his own brand of mysteries set in the New York City section that had become world famous for it's culture, nightlife and intellectual renaissance. The first of these mysteries was "A Rage in Harlem"(first published in French as "For Love of Imabelle" in 1959). Coffin Ed and Grave Digger were only minor characters in this first novel, but by the time of the 5th novel "Cotton Comes to Harlem" they were the stars of the series.

In "Cotton..." a ex con named Deke O'Hara scams $87,000 from a group of families who want to go to Africa to start a new life free from segregation and prejudice. Before O'Hara can abscond with the money a group of white gunmen steal it in the middle of the "Back to Africa" rally O'Hara is hosting and then escape. All this takes place in the first few pages, and the action only steps up the pace from that point on. Cotton Ed and Grave Digger are assigned to the case, and their brand of brutal, violent police work may not be always legal, but they have their own code of honor, which demands that they do all in their power to see to it that the families get their money back, as in most of the cases it amounts to their life savings. Through a maze of deceit and treachery filled with white supremacists, voluptuous women, scam artists, underworld informants, and real to life street people the two cops thread their way with both violence and guile. I won't spoil the ending, but suffice it to say that Himes delivers.

The book was made into a movie in 1970 which played up the humorous aspects of the book. While there is much mordant and cynical humor in Himes' writing, the book is much more than that, and deserves a place in the "Hard Boiled Detective" Hall of Fame. If you like this one I would recommend Himes' other works, especially "The Real Cool Killers".

A definite 5 stars.

This novel has some of the same characters as Himes' Rage in Harlem. This is not a sequel and it is not imperitve that you read "Rage" first, but I think that you will like this book more if you have read about Coffin Ed and Gravedigger Jones in the early novel.

... The book doesn't concern Bible Flowers. It's about the efforts of two black detectives, "Grave Digger" Jones and "Coffin Ed" Johnson, to recover $87,000 in money stolen from a con-man/storefront preacher in 1960s Harlem. Along the way, Grave Digger and Coffin Ed encounter a few murders, a southern colonel, and a 50-pound bale of cotton.

Raymond Chandler wrote that detectives must walk the mean streets, but they must not themselves be mean. Well, Grave Digger and Coffin Ed walk the mean streets just fine, but the "not being mean" part gives them trouble; they doubt the feasibility of solving a case without, say, slapping around a few witnesses or firing a few shots into a crowd. Despite the detectives' unhesitating brutality, this novel compares well to the best of Raymond Chandler and Robert B. Parker. This is due not only to the spot-on dialogue and the stark, vivid character depictions, but also the detectives' uncompromising determination to bring justice to Harlem. The plot is better, i.e., less predictable, than any of Parker's, and Himes's depiction of 1960s Harlem is so bizarre, yet compelling, that it invites comparison to Carl Hiassen's Florida rather than Chandler's LA. Add to this Himes's unique, excruciatingly honest depiction of race relations in the 1960s, and you have one of the best detective novels I have read in years.

...

No two ways about it--I just loved this book. Every story is a gem, but best of all was the last and longest tale, Sing Fat and the Imperial Duchess of Woo. While the previous several stories all enchanted me, Sing Fat was really a tour de force of writing, with exotic characters and language specific to a time period. The words are evocative of powerful emotions and the characters just come right off the page into your reading room.

Steinbeck has mastered the literary genre of the short story, just as have two of his contemporaries, Annie Proulx and Jhumpa Lahiri. With the right screenwriter, the story of Sing Fat could be as successful a movie as Brokeback Mountain, adapted from Proulx's short story, or The Namesake, the movie adapted from Lahiri's brief novel by the same name. It's remarkable how easy it is to visualize Steinbeck's characters as his words and writing are that good. For anyone who likes short stories, or for anyone else for that matter, this is a great selection.

Ballantine isn't a small publishing house, but few would have bothered with a book of short stories.

Down To A Soundless Sea by Thomas Steinbeck, son of the California literary legend, John. A collection of seven (which must be a magic number) short stories, all of which takes place in Big Sur. A limited geography with unlimited stories to tell. Steinbeck is every bit the writer that his father was, and it was better that the son waited until he was absolutely ready before he tossed his fate upon the fickle tastes of the reading public. This book is a gem and like all good things, was worth the wait.

Being a life-long John Steinbeck fan, I began reading this book with the clear objective of "being gracious" and trying not to expect too much, since it might fall short of his father's talents. I was so pleasantly proven wrong! Thomas Steinbeck has NOT had to fall back on his family name to be successful. His writing can stand alone on its own merit. I love this book, and while I have already recommended it to friends and associates, I will not be getting rid of it by passing it on, as I often do. It's a "keeper" and I will read it again. Thomas Steinbeck can clearly turn a phrase, and it appears that he can do so naturally. He clearly possesses acute observational skills, and knows human personalities. His characters are full of life and are fully three-dimensional. One does not walk away from this book wondering "Why was this guy or that girl in the plot?" They all hold intrinsic and valuable places in the whole. Not only are these stories interesting and often entertaining, they hold social redeeming values. Thomas Steinbeck, with one book, has shown serious readers that a new kid is on the block, and is a force to be reckoned with. This book is a must read.

Just finished Thomas Steinbeck's book and did enjoy it very much. The characters are odd and varied and all seem perfectly real....I expect most are based on real people. Most of these stories, for this is a collection of (not too) short stories, are stories that were repeated around the Steinbeck dinner table when Thomas's dad, John, was still alive.
The writing style of some of these stories is quite formal, stiff almost at times, and yet they still seem to work. Although the writing is formalized it does have a beauty to it often, a lyrical quality, great selection of words.
In many ways this writing of the son of Steinbeck does remind me of the writing of the father, and certainly that's a good thing. I live on the Central Coast of California where most of these stories take place, and the history in these episodes is right on the money.
If I had one complaint, it would be the same one I've always had for John Steinbeck's writing too: both authors are perhaps overly fond of the tragic ending...which I find odd. I myself am a writer (Birthday Boy, Happy Hour, Safe Sex in the Garden, Allergy-Free Gardening, etc.) and I don't prentend to been even in the same league as John Steinbeck, but still: Every writer I ever met was first of all, dying to get published; then they were dying to make some good sales, to get good reviews, to make some money, to savor some fame. Few writers quite pull this off, but John Steinbeck did so and then some. He was a smash success at an early age and sold books like mad for most of his adult life. I would think his view of the world would be strongly positive, but the opposite seems to be the case. The red pony dies, the huge pearl ruins everything, the big guy accidentally kills the girl, the funny guy trips on a board and breaks his neck. Thomas Steinbeck gets into this tragedy groove too, certainly in the last story in the book, which is the best one too, the strongest,,,,but not to give away the ending.
I think, bottom line is this: it is a really good book, very interesting and well worth reading. The son writes darn well. Must be in his blood.

I thoroughly enjoyed Thomas Steinbeck's storytelling. Vivid images, superb words, lots of nice surprises. I plan to read several of these stories to my 12 year old son -- who I know will also enjoy. Should be recommended high school reading.

There is no such thing as a bad Ross MacDonald novel, but while this is good, it isn't typical of his best work. MacDonald's Lew Archer novels are correctly judged to be the great successor works to the great stories and novels of Dashiell Hammett and Raymond Chandler. Together the three writers constitute the Great Triumvirate of the American hardboiled school. While MacDonald doesn't write prose quite as brilliant or memorable as his two predecessors, he created characters of greater depth and complexity. He also wrote a larger quantity of great novels than either Hammett or Chandler.

Despite all this, THE DROWNING POOL does not stand out very far from what Hammett and Chandler had achieved and it did not really put on display MacDonald's later innovations. If there is a theme running through MacDonald's best books like THE CHILL or THE INSTANT ENEMY or THE MOVING TARGET is it this: "The sins of the fathers will be visited unto the second and third generations." In almost all of his mature novels Lew Archer starts off investigating some incident in the present that ends up having roots 20 or 30 or 40 years earlier. His novels always puts me in mind of Yeats's "Leda and the Swan," where the rape of Leda by Zeus in the form of a swan inevitably leads to the tragedy of the Trojan war: "A shudder in the loins engenders there/The broken wall, the burning roof and tower/And Agamemnon dead." There is an intricate causality in the Archer novels. Things happen not because of anything happening right here and now, but in almost foreordained fashion because of actions in a previous generation. THE DROWNING POOL has a smidgen of this, but not much. The causality developed here is the later view of causality in embryonic form.

The amazing thing is that even though this is not quite as breathtaking as later MacDonald novels, it is still absolutely first rate. Ironically, this is one of his best-known novels, even if it isn't one of his very best. The reason is easy to identify: it was made into a movie starring Paul Newman. In fact, though MacDonald is clearly one of the Big Three hardboiled writers, unlike Hammett and Chandler -- both of whose novels have been turned into several great films -- MacDonald's books simply do not lend themselves to conversion to movies. Paul Newman did play Lew Archer as Harper in two movies, but they were not of the same quality as the best films based on Hammett and Chandler books. HARPER was a film version of THE MOVING TARGET, so both the title and the main character underwent a name change. Unbelievably, MacDonald's best book -- and one of the two or three greatest hardboiled novels ever written -- THE CHILL has never been made into a movie. The film that is closest to the world of Lew Archer has no connection to any novel by MacDonald, Roman Polanski's CHINATOWN, which is much closer to MacDonald in spirit than to either Hammett or Chandler.

Still, this is must read MacDonald. His books would get better, but that isn't to say that this isn't a good, even a great, novel.

Of all the classic heroes in hard-boiled fiction (Spade, Marlowe, etc.) I've always found Lew Archer to be my favorite. Maybe it's because MacDonald does such a superlative job illustrating Archer's flaws, doubts and shortcomings. Rather than some iron-jawed superhero, he's a compellingly complex person whose battered conscience ultimately makes him more heroic. Many readers consider The Drowning Pool to be the best Archer book and it's hard to argue that contention. If pressed, I might rank The Way Some People Die just a little bit higher, but both books are so good it's stupid to quibble. I haven't read The Barbarous Coast yet, but look forward to diving in soon.. and afterward I might have to revise my opinion regarding Archer's best case once again.

A different Lew Archer here than THE BLUE HAMMER Lew Archer. The tone is in TDP is more gritty and hardboiled. Lew is less the romantic toward the ladies he meets. I like Macdonalds' writing in TDP. A less polished and more direct style has its appeal. There's less psychological development of the characters, more emphasis on plot.

I hesitate to call this a classic because some people consider "classics" as dull and out-dated. And there's nothing dull or out-dated here (well, maybe that paying $10 to be driven from Las Vegas to L. A. is a bit out of date).

Archer's hired to discover who sent his client's husband a letter accusing her of infidelity. Introduced to the family and friends at a party as a Hollywood agent, he is sensitive to the growing tension and explosive atmosphere. The reader knows of course that somebody's going to be murdered, but these early chapters are among the most skillfully written to build suspense that I've ever read.

Written in 1950, the inclusion of a homosexual couple was quite daring although there is not graphic description, and isn't significant enough a factor of the plot to either offend or attract a reader.

Read this and I'm sure you'll find it on your own list of crime classics.

In this skillfully written tale of murder and intrigue, Ross MacDonald manages to "out Chandler" Raymond Chandler. It's Southern California, circa 1950, and hardboiled detective Lew Archer finds himself traversing the same landscapes Chandler's Philip Marlowe does in The Big Sleep, High Window and The Long Goodbye.
The plot of The Drowning Pool is complex enough to be interesting without being convoluted or forced. Greed, blackmail, homosexuality and family dysfunction all play roles in advancing the nicely paced narrative. Thrown in for good measure are seductive women, a number of action scenes and a Lolita like teenager named Cathy.
MacDonald's very descriptive prose is quite effective. And there's plenty of memorable dialogue. My personal favorite: "Your reminiscences fascinate me. May I take notes?"
You'd be hard pressed to find a more satisfying example of noir crime writing. An enthusiastic 5 stars.

this was a good book. I could not put it down...It really was great because she goes through alot of struggles and still finally finds (part) of her family.You won't be sorry if you get it!

I loved this book! It may not be my favorite, but it's really close! Allison O'Brian is a really interesting and kind character. She wants to find her family if she has it and it's really adventurous and amazing! I really recommend this book to 11 or older, since I'm not 12 yet.

This was an awsome book that I could not put down. I thought it was supenseful and fun. It had a bittersweet ending and I recomend it to all.

These are some of the best books I have ever read!!! One minute you are giggling, the next you are sobbing! Allison's adventures are so exciting to read, and once you start, you gotta read them all! Of any books I have ever read, I would recommend these first!

This is an awesome book. It is full of amazing suspense and drama, yet so realistic at the same time. Its not like those books that are too great to be true, and just aren't possible. When I read this book I was dying to get my hands on book No.2, and it leaves you with a melancholy feeling in your heart, because good things and bad things both happen at the same time and you end up not knowing how to feel. This book pitches you into the world of 14 year old Allison, who is the unhappy daughter of a movie star mother, and ends up making a treacherous journey across the country, to try to find the grandfather that she never knew she had. On the way she meets many other people and also finds who she is inside. This book is so real, you feel like you are living it with Allison. If the rest of the Allison Chronicles are like this, than these books will be high on my list with favorites. If you have read and liked books like these, than you will love these books. You won't be sorry you read them!!!

THIS IS A GREAT ENDING TO THIS SERIES. IF YOU WANT TO LEARN ABOUT THE AMISH LIFESTYLE AND HOW GREAT THE PEOPLE ARE PLEASE READ THIS SERIES.

Great purchase, came extremely fast. Would buy from seller again. Wonderful condition and transaction.

It was too far between books to see how it all ended, but the book was great. I really enjoyed it.

I love all of Wanda Brunstetter's books. The books make you feel as if you are a part of them. Hard to put down.

Again this is a fabulous book by Wanda Brunstetter. She always has a great story line and I can't put them down. I think I have them all and I love to share them with other readers. You won't be disappointed in any of her story lines.

Henty, that scarily prolific writer of historical "boy's books," is splendidly fun reading and may be quite different from your expectations. Though this novel begins rather poorly, with various tortured exposition-heavy conversations and stilted dialogue, it improves rapidly and actually gets quite suspenseful in its last third.

A "story of the times of Hannibal" but not the story of Hannibal, the novel follows the first three major battles--all victories--of the Second Punic War: the Trebia, Lake Trasimene, and Cannae. Although Hannibal is a character and appears in several scenes, the novel centers around the "young Carthaginian" Malchus, a cousin of Hannibal serving as a captain in his army. Malchus ships out with his fellows who believe in Hannibal's fight against Rome (contrasted with the self-serving, pacifist and greedy policy of Hanno "the Great," a powerful statesman in Carthage) and demonstrates his courage and ability in a variety of actions, including the three battles above but also the siege of Saguntum, a Rome-allied city in Spain, and the perilous crossing of the Alps. In what is perhaps the book's best episode, Malchus is sent back to Carthage by Hannibal to plead for reinforcements so that Rome may be conquered, and falls into a web of suspicion and betrayal, seriously compromising his faith in his homeland. Eventually Malchus will also visit Rome, allowing the novel to contrast the dynamic and vital Rome of republican years with the leisure loving, flabby and deluded Carthage.

Henty weaves his history with his fiction in a relatively odd manner, usually relating the details of an event up front in a solid chunk of historical reporting, then back-tracking to detail Malchus' involvement within the event. This may prove too distracting to readers looking for a well-rounded novelistic treatment of the times (as might be found in Robert Graves, for instance), but it succeeds perfectly in achieving what Henty set out to achieve: namely, interesting young readers in history by making it seem real and exciting.

Everyone, it seems, has heard of Hannibal bringing his army,including the elephants,through the Alps, right to the doorstep of Rome. However, a readable account of Carthage vs. Rome is not easy to find. I've been very happy to find this fascinating historical novel as the best way to teach my two sons, ages 11 and 14, about this time in history. There are some valuable lessons for us all in the book--valor, honor, and how corruption destroys great nations.

Who would have thought that a book written in the 1800s could be so appealing today? Doing a little internet research, I have found that G.A. Henty lived from 1832-1902, and the books he wrote were historical fiction "for boys". He was called "The Prince of Story-Tellers" and "The Boy's Own Historian", which certainly may have been true, but I'm an adult female who loved this tale! The style of writing sounds a little formal and old-fashioned, but it actually helps create a feeling of antiquity, appropriate for its ancient setting during the Punic Wars.

The fictional and lovable hero, Marchus, a relative of the famous Hannibal, accompanies him on the Carthaginian campaign against Rome. I learned so much about Hannibal through this book, yet the majority of the plot involves other adventures that Marchus gets into. He has near escapes from bears, wolves, lions, treacherous tribesmen. In two instances, he escapes with the help of an elephant, and a raft in the subterranean reservoir of Carthage. This was fun stuff, and I am so impressed that this book I found, that is so old it doesn't even have a publication date in it, could be so delightful. Someone could make a great movie out of this!

G.A. Henty was a Victorian gentleman who wrote historical fiction for young people. I learned of him in reading Arthur Schlesinger's autobiography "A Life in the Twentieth Century". Schlesinger credits Henty with awakening an interst in history that was to last a lifetime. I see why. Henty's approach is to imagine a young lad and thrust him into interesting historical periods. The young man possessed of courage, pluck, honesty and compassion finds these attributes necessary to his success in the novel. Much like the Horatio Alger novels of a somewhat later American time, Henty was also conciously teaching the manly virtues. In "The Young Cathaginian" Henty pulls off a slick trick. Our young hero Malchus is a relative of Hannibal the great Cartaginian general who dared to cross the Alps to attack Carthage's great rival, Rome. While Henty admires Hannibal and presents Malchus as virtually flawless, it is clear that Carthage was a corrupt entity and that her deserved defeat was crucial to the growth of Western civilization. This is not a dry history, merely laden with moral overlays. It is also good fun. There is a lion hunt in Africa. A wolf hunt in the Spanish mountains. Escapes through the underground reserviors of Carthage. And countless vivid battles. And a charming little romance. I am glad I stumbled across the Henty output. Sclesinger is right: Henty makes history fun!

A simply outstanding historical novel set in the age of ancient Rome's legendary conflict with the city of Carthage, The Young Carthaginian by G.A. Henty is a totally thrilling historical action/adventure tale that will rivet the listener's attention from beginning to end. Superbly and dramatically narrated by William Sutherland, The Young Carthaginian is written with detailed attention to historical accuracy and truly brings to life a long-lost time of Hannibal, the legions of Rome, and the absolute destruction of a great maritime empire. A confidently recommended addition to any personal, school, or community library audiobook collection, The Young Carthaginian is complete and unabridged on eleven compact discs, offering 12 hours, 30 minutes of an impressive, "theater of the mind" quality entertainment experience.

After reading Stuhlmann's poignant introduction, it was impossible for me to read any further. Stuhlman included a few lines of the correspondence between Henry Miller and Anais Nin. After reading just these few lines and seeing the depth of love between these two people, I felt that reading their letters would be like taking a photograph that steals the soul of the subject.

Maybe later I will be able to read their letters, but not now.

("No, if I have not written about Louveciennes it is only because I am not writing history, I am making it. I am so aware of the fateful, destined character of this Louveciennes...What I was thinking tonight is that Louveciennes becomes fixed historically in the biographical record of my life, for from Louveciennes dates the most important epoch of my life." -- Henry Miller. We all have a Louveciennes. Mine was Pateley Bridge.)

Big fan of these two, but more of a Henry Miller fan personally. The letters bring Henry Miller out of his fiction/novels and bring him into the realm where Nin was in writing her Diaries. Good for that reason, two lovers but volatile ones. Testing sexual boundaries is a touchy thing, after all.

Forget Nin's works of fiction, the journals, letters, and life are truly worth experiencing over and over again for their honesty, passion, and viewing the internal turned external for our benefit. Everyone knows of Miller's and Nin's relationhip, through "Henryand June" if anything, but it is through this work that we see them less as romantic figures and more as humans capable of the idiocy, devotion, and prolongation of things we should all end and just don't for whatever reason. This is a great buy if you are a lover a letters. Reading "Fire" is a must, however.

Like many others, I have been fascinated with and frustrated by Anais Nin for many years, since reading the first volume of her expurgated diary in 1977.

This volume of letters enables the reader who has already read other versions of the Nin-Miller story to form additional conclusions about what might actually have happened. Because the letters were sent into the possession of others, they were less subject to the constant revision and reinvention that bedevils all attempts to determine objective facts about the mercurial Nin.

If you are not already an amateur historian of literary trends of the 1930's, fear not. The letters are worth reading as an introduction to Anais Nin and Henry Miller as well, for they depict a real-life romance conducted by two who absolutely relished the game and were highly articulate in dramatically different ways.

Whatever you may think of her writing, Anaïs Nin was definitely a femme fatale. Henry Miller was, he claimed, the "happiest man alive." Together, Nin and Miller created a literary language for sexual fulfillment; she in a diary whose original form still remains unpublished, he in novels banned in both the United States and England until court cases in the early 1960s permitted their publication and turned Miller into something Nin had already achieved: the status of a cult hero.

Nin and Miller met in Paris in 1931. Miller, an aspiring novelist, wanted to meet the banker's pretty wife who had sung the praises of D.H. Lawrence and whose books had been deemed "pornography" outside of France. Neither Nin nor Miller, at that point, had published much. Their mutual interest, as they freely admit, was in sex and in each other and, consequently, they began a long affair.

It was during this affair that both Nin and Miller produced their finest writing--the writings that would eventually become Nin's two diaries and her novel, House of Incest, as well as Miller's Tropic of Cancer and Black Spring. Each believed in, and nurtured, the others genius and Miller wrote that Nin's diary would take its place "beside the revelations of St. Augustine, Petronius, Abelard, Proust and others."

Miller, only forty-one, but already somewhat down-and-out, fascinated the twenty-nine year old Nin, whose vague yearnings filled the many pages of the diary she had been keeping since the age of ten. "He's a man who makes life drunk. He is like me," she mused. Nin and Miller, however, were not alike. One of their most essential differences was a difference typical between men and women--Nin censored herself, while the world censored Miller.

Published in 1963, Nin's diary caused a literary sensation. It was begun as a letter to her father, a man who abandoned the family when Nin was only ten, and it remained intensely private. Revised into frequent distortions, the diary was a record of a compulsion to conceal as much as of a quest for feminine fulfillment. A mixture of fact, fantasy and calculated lies, Nin's editor asserts that the diary nevertheless presents a "psychological" truth. Kate Millett hailed Nin as "the mother of us all" and the women's movement immediately embraced her writings. Author Erica Jong said that no woman had told "the story of women's sexuality" more honestly than had Nin.

Despite the praise, if we read between the lines, while still observing Nin's frenetic whirl from bed to bed, we come to realize that she was really never satisfied. Her insatiable appetite aside, Nin was, at heart, a prudish libertine. Her childhood molestation by her father, whom she, herself, seduced as an adult a year after meeting Henry Miller, seems to have contributed greatly to her private inhibitions. Although she flitted from bed to bed she sadly confessed, "I am hellishly lonely." Instead of sex, Nin longed for "what I give Henry: this constant attentiveness."

In the "Black Lace Laboratory," as Miller's apartment was dubbed, Nin and Miller conducted literary and erotic experiments, prompting Nin to write him a thinly disguised warning to herself, "Beware just a little of your hypersexuality!" Toward the end of his life, unable to write about women except as prostitutes, Miller claimed not to know what the sexual revolution was about, saying that he had always loved and honored women. Nin agreed, saying that Miller was a romantic, rather than a rake. At eighty, Miller confessed that far too many people engaged in sex without love.

Basking in the warmth of Nin's caresses, her skilled editing of his work, and the material possessions she lavished upon him, Miller wrote prolifically and with a rare genius. Eventually, his romance with Nin faded (or warmed) into friendship, but the legacy of their literary teamwork remained: In 1974, Nin was elected to the National Institute of Arts and Letters. The Los Angeles Times names her Woman of the Year in 1976, the same year Henry Miller received France's Legion d'honneur. The 1990 movie, Henry and June is a chronicle of Miller's affair with Nin, which later became a triangle involving Miller's wife, June.

Nin and Miller have become cultural icons. Nin is the focus of women's study courses as well as being included in Bartlett's Familiar Quotations. Miller and his work need no comment. Although both Nin and Miller were pioneers of free speech and sexual freedom, and both helped to forge a new literature and a new culture, the ultimate emptiness of their lives, with its attendant lack of depth and meaning point to the futility of their attempt to wrest security and happiness from sexuality alone.

The Williams Brothers have been my all-time favorite male gospel group for about as long as I can remember. I read this heartwarming story when it came out back in 1999 and have since re-read it. I love the biographical voice of this book and it allows fans (such as myself) to get a feel of where these dynamic singers and entertainers come from and how they got to where they are. I had the opportunity to meet this group and spend a little time chatting and taking photos with them back in 1996 in Valdosta, GA. Aside from having talent to spare, they are also very inspirational and have absolute magnetic personalities. This book is a must-have for any Williams Brothers fan.

Kendra Norman-Bellamy
author of
For Love And Grace

This is a wonderful book that chronicles life as seen through the eyes of Doug and Melvin. I would very much like to have heard more from Henry Green and Leonard Williams regarding the early days in the business. The fact that there was not much dialogue from Henry Green makes one wonder what he has to say and how he viewed the same instances as the other two. I saw pictures of Leonard on the web a month ago when he signed the Jackson Southernaires to his Melendo label. He was my favorite, and it was good to see that he is still gorgeous!!!

I ordered my copy of Still Standing Tall and I read it in one sitting. Their story is very inspiring and uplifting. They are living testimonies that if you raise your children to serve God and live for Him , you will truly be blessed. Melvin, Doug, and Henry, you guys keep serving God and your blessings will runneth over.

I have every recording the williams brothers made they are simply the best. And might I add very handsome

I am a true fan of the Williams Brothers. I grew up with nine sisters and two brothers. I have every record, tape, CD, they recorded. My father was a minister,and I was raised up the old fashion way. I just purchased the book and I know it is a very good one. I have been to several of their concerts in North Carolina and have met them in person. I admire them for the old fashion up bringing and you can tell, by the music, they are true believers in the ALMIGHTY GOD. They have truly been BLESSED. Keep up the good work and please don't stop praising GOD.

Essie Bynum
Burlington, NC

I have enjoyed ALL of Rhys Bowen's murder mysteries. I write this review of the Constable Evans book because Rhys will no longer be writing this series. This is a big disappointment as I enjoyed the innate goodness of Constable Evans and his struggles with humanity in a small slice of earth that struggles with it's own history and growth. I have collected all the paperbacks of this series and I guess I'll just have to keep reading them over and over.

After finishing this thoroughly satisfying cozy, you'll feel as if you had an insider's visit to a charming little village of Llanfair in Wales. The characters actually breathe, the language is just plain FUN, these are people you've sure you have truly met. The writing is clever and inspired and the scenes are wonderfully painted. Constable Evan Evans is the policeman with both a heart and a brain, as well as a coodling landlady and enough love interest to keep tongues wagging. Dueling church billboards are a witty and delightful touch.

This reader is delighted that there is more of Evans and Llanfair waiting. If you have made it through the series and wonder what's next - then M.C. Beaton's Hamish MacBeth series of cozies might should be added to your reading list.

That's surprising given I've been to Wales and it was very foggy and damp -- but the Wales described in this book is a wonderful place indeed -- beautiful and filled with kind, caring people (who unfortunately for any outsider speak Welsh!)

This is the second book in the series -- I'm reading them in order -- and I think I liked it better than the first. I thought at first I had everything all figured out, and was disappointed, but as it turned out, I wasn't even close. That's a great mystery. Add to that a wonderful world you enter when you read this book...

The plot involves a summer resident (a retired Colonel living on a pension who comes to this tiny village in Wales every year for a holiday) who is found dead right after he's discovered some ruins. The local constable, Evan Evans, immediately believes he was murdered, but the police higher up the chain of command try to insist it's an accident. Then there is another death -- made to look like a suicide. Is there one killer or two? Evans gets involved in trying to find the connection between these two deaths as the key to discovering what happened.

All in all, a great book to curl up with when you have the time to read uninterrupted -- it creates a wonderful mood.

This series is set in the peaceful Welsh village of Llanfair and features Evan Evans, the local constable. When two recently arrived Londoners are murdered, Evans must sift through the rivalries that the victims were involved in. This is a well-crafted series with likable characters and well-written plots. Each entry in the series is better than the one before. If you like British procedurals, add this to your to-buy list.

Life in Llanfair is about to get another jolt. Colonel Arbuthnot is hit over the head and killed right after discovering an ancient ruin on the nearby mountains. Meanwhile, tensions build in the town when Evans-the-Meat announces a plan to put the village on the map and returning resident Ted Morgan announces plans to turn the old slate mine into an amusement park. Then a second body turns up. Constable Evan Evans finds himself overwhelmed with events and trying to find the pieces to make sense of it all. But if that's not complication enough, there's a new female resident in town, and she also has her eye on the eligible lawman.

I just discovered this series last month, and I've already read two of them. The characters and setting are charming. The author's obvious love of them comes through on every page. The plot is great as well. While I had some things figured out, there were still enough twists to keep me surprised until the end.

Anyone looking for a relaxing cozy mystery would do well to book some time in Llanfair. I'm hooked and look forward to many happy visits with Evan and his neighbors.